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Relevant bibliographies by topics / The typography

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Academic literature on the topic 'The typography'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "The typography"

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Kurtcu, Fatih. "3D Typography Design in the Digital Environment." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 147–55. http://dx.doi.org/10.18844/prosoc.v4i11.2869.

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Writing is a visual expression of language-based communication and the most basic indicator and result of human social development and his evolution is in tune with language, thought, art and cultural exchange and/or development. Today, in the concept of writing – typography is far beyond just describing a technique. The effects of developments on technology are reflected in typographic studies and new and effective expression forms are created with new software enviroments, new media and new experimental works. Typographic studies designed in the digital environment by use of possibilities offered by technology presents new expression possibilities to the audience. Examining how digital typography, which is becoming widespread, has been designed and produced is a necessity to meet the communication expectations of the day and in the future with visual designs. In this article, the history of 3D writing, typography studies, usage areas and 3D digital typography designing stages are examined. Keywords: 3D, typography, design, digital environment, graphic design, motion, video.

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Miranda-Dos Santo, Tiago José. "Typography as a mediator of art, space, memory and presence on toponymy." Legado de Arquitectura y Diseño 14, no. 26 (July 1, 2019): 75. http://dx.doi.org/10.36677/legado.v14i26.14460.

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Communication through some media gives meaning to a message, or canexpress the desire to communicate. roughout history, typography has been atculture and written communication’s service, responding to the languages, cultures andsocieties’ evolution stimuli. Its history should be understood as the study, from thepolitical, philosophical and artistic point-of-view, of the several movements and thehistory of humanity. erefore, the proper use of typography demands mastery of itsform and use, in favour of its content, leaving space for a rational expression of thehuman world, built by his knowledge, imagination, wishes and desires. To conclude,the form of typography depends on the language of the text and its medium, referringback to spatial perception and each’s surroundings, contributing directly to its memoryconstruction.Until 1974, Portugal was a very closed country, which prevented a widespread visualhomogenisation of the urban. is fact led to the existence of an unusual typographicheritage, yet it is not connoted a specific typographic style. According to Balius (2013),further development on the reflection of the social impact of typography is needed. This article proposes to examine current signposts typography present on the city of Coimbra,Portugal, identifying and analysing shapes, types and typographic families of dominantand distinct letters, referring to the space analysis and its history, compared to the placeand the history of typography. is analysis enables history as an active object, allowingthe transmission of typographic legate beyond the scope of the design.

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Özkal, Özlem. "Ottoman Foundations of Turkish Typography: A Field Theory Approach." Design Issues 34, no. 3 (July 2018): 59–75. http://dx.doi.org/10.1162/desi_a_00497.

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This paper examines the formation of the field of typography in the Ottoman Empire from within a field-based perspective. By approaching typography as a strategic action field, it analyzes the typographic environment and its various actors from mid-nineteenth to early twentieth centuries according to the criteria of field formation. Through explicatory historical evidence, it demonstrates that the field of typography was in the process of formation in the late Ottoman period.

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Atasoy, Seda Nur. "The Latest Trends in Graphic Design: Handmade Typographic Posters." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 29, 2017): 335–42. http://dx.doi.org/10.18844/prosoc.v4i11.2892.

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Modern art and design movements such as Art Nouveau, Art Deco and international Typographic Style emerged in Switzerland in the 1950s have been a major influence in the development of modern posters language. Today, this contemporary orientations are being developed and dealt with in a different dimension.Typography in posters is used within the image or the typographic elements themselves coming together and converting into a visual form. The failure of the image of the poster to convey the desired message quickly and dramatically, not to observe the spaces in the use of typographic elements, to pass in front of the image with the color of the font used, lack of simplicity may be mentioned as many problems that can be replicated. However typography is not only the gap between characters, text font and color. It is the conformity of letters with the design applied. It is the art of representing the work with letters. And in this representation designers have made different attempts to find the most accurate and newest and were directed to handmade posters in their search.In this research, basis of the problems of the orientation to the hand-crafted typographic posters which is a different quest spreading rapidly today and reasons pushing the designer to this new quest were examined and in the light of obtained findings, examples of typographic posters in new quests made by designers were presented. Keywords: handmade typography, typographic problem in posters, experimental typography.

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Brüning, Gerrit, and Dietmar Pravida. "Dramatische ‹mise en page› in Handschrift und Druck." editio 34, no. 1 (November 1, 2020): 123–41. http://dx.doi.org/10.1515/editio-2020-0007.

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AbstractThe paper compares the typography of the first edition of Goethe’s collected writings 1787–1790 with the layout (‹mise en page›) of the manuscript copies from which the print was set. It tries to establish the textual authority of particular typographic devices for print dramas such as the indications of scenes, stage directions, and speech prefixes by tracing their relation to the manuscript setting copies and their development in subsequent volumes of the print edition, but especially for the tragedy Torquato Tasso. It turns out that print typography is sensitive to the manuscript record but shows substantial tendencies to introducing additional typographic hierarchy, thereby underlining outward form, i. e. external characteristics of classicist drama. Later editions published during Goethe’s lifetime seem to go much further in this direction. The consequences for the typographic setup in critical editions of Goethe’s dramas are discussed.

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Talandová, Petra, and Jiří Rybička. "The influence of education on chosen typographical characteristics perception in documents." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 56, no. 6 (2008): 189–98. http://dx.doi.org/10.11118/actaun200856060189.

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This paper concentrates on the problems of documents quality evaluation and perception. It presents the results of our own research which was made at our faculty in last months. The research was aimed at marketing materials, their quality and their evaluation by customers. After another comparative research we have concentrated on the question of typography and its evaluation by customers. It has been proved that typography, although not very visible for many readers, does influence readers' evaluation of the whole document.Quality evaluation is influenced by what readers usually see around them but also by what are they taught at schools. For that reason we should influence readers and teach them how should be documents designed. Future specialist should know about this problem.Aim of the research was to find how typography influences readers and whether is the typographic quality evaluation influenced by teaching at school. We have been comparing two groups of respondents, of which one was influenced by typography education and one was not. Respondent were asked to fill in a questionnaire which concentrated on right and wrong characteristic of the text. Result analysis has proved that the group influenced by typography lessons had better results. These conclusions will be applied in the new education plan for an innovation of education courses.

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Hausmann, Raoul, and John Cullars. "Typography." Design Issues 14, no. 3 (1998): 71. http://dx.doi.org/10.2307/1511897.

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Metcalf, Allan. "Typography." Dictionaries: Journal of the Dictionary Society of North America 17, no. 1 (1996): 17–28. http://dx.doi.org/10.1353/dic.1996.0018.

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Van Gansen, Kristof. "'Plaidoyer pour le graphiste'." TMG Journal for Media History 19, no. 2 (December 9, 2016): 1. http://dx.doi.org/10.18146/2213-7653.2016.270.

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This article studies the conception of the typographer in the French graphic design magazine Arts et métiers graphiques, published in the interwar period. For the magazine’s editors, the designer was both an artist and a trained craftsman who was dedicated enough to face the particular challenges posed by typography. Moreover, the fruit of his work merited legal protection through copyrights. All of this points to a conception of the designer as a self-determined individual with a particular style. This view may be typical of the French conception of modern typography in that period. It is one that stands in contrast to the logic of often anonymous, collective design propagated in the New Typography of the Central-European avant-gardes. Moreover, in addition to individual creative endeavours, the French conception favoured a design practice that reconciled innovation and tradition, and artistry and craftsmanship.

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Rahardja, Anita, and Dominique Rio Adiwijaya. "Seni Bicara Lewat Typeface Dekoratif dan Komposisi." Humaniora 5, no. 2 (October 30, 2014): 710. http://dx.doi.org/10.21512/humaniora.v5i2.3126.

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On this essay, the main topic is related to one of the branch in visual communication design, typography. In the early days, typography derives from hand writing, but nowadays, it has been developed digitally by means of computer. The presence of computers facilitate in making digital typefaces, especially decorative ones. This contributes to its quantities and vast distribution. Literature studies conducted to further understand the definitions and characteristics of digital typefaces. A decorative typeface owns a certain visual characteristic which in the end limits its usage. Certain characters in decorative typefaces often associated with particular moods or impressions, which can be used to deliver a message. Next is the ideation and visualization by students and teaching staffs in typography class using both analog and digital media to produce typographic compositions using decorative typefaces. The final step is to analyze the compositions to capture its intended message.

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Dissertations / Theses on the topic "The typography"

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Wong, Yin Yin. "Temporal typography : characterization of time-varying typographic forms." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/29102.

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Olsen, Anckers Linnea. "Typography and Typographic Classification Systems in Swedish Graphic Design Education." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-130023.

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Studien syftar till att undersöka om det finns ett typografiskt klassificeringssystem som skulle kunna fungera som standard att lära ut i svensk designutbildning. Med hjälp av åsikter från aktiva inom typografi- och undervisningsbranschen värderas de mest kända systemen för att det mest lämpliga att använda som standard i svensk designutbildning därefter utses. Detta resulterade i en lätt reviderad version av det befintliga klassificeringssystemet Vox AtypI. Vidare har en del av ett utbildningsmaterial tagits fram för att ge ämnet en given plats i designutbildningen, och för att det framtagna klassificeringssystemet ska kunna läras ut på ett effektivt sätt. Med tidigare forskning och gjord pilotstudie som stöd resulterade studien i en kortlek med tillhörande häfte där regler för tre typer av spel presenteras; materialet är dock utformat för att öppna upp för egna regler och spel. Faktorer som bildminne och relationella visualiseringar visade sig vara avgörande för inlärningens effektivitet, och talet som högst väsentligt för att kunskapen ska fastna.

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Stake, Leslie-Anne Fernando. "Temporal typography." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1760.

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Since the digital revolution, there has been a significant impact on how we live, work and play. For designers, it has transformed design practices and created new opportunities. However, this can bring about new problems and challenges. How can we communicate effectively in the digital age with different media and technologies advancing so rapidly? With the overload of information from tablets, smartphones, computers and television, we often start to overlook information. From research I will argue techniques that can help with us understand information in the digital realm and prove the importance of expression within visual communication.

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Karnes, Eric. "Geologic Typography." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2132.

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In this project, I explore how the processes and structures of non-design disciplines can influence typographic form. Using the field of geology as a test case, I apply geologic processes to typographic form in order to create dimensional structures that speak to a wide audience.

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Alfalah, Sarah. "Arabic Typography Play." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3073.

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I believe that spoken and written languages are verbal and visual expressions of cultures. Language is used to convey and sustain values and the belief system of people. Arabic is a language of complexity and formal beauty that is being disregarded and pushed away by its own native speakers. It is losing its value in the Arab world. In other words it is dying. Both the written and spoken language is being affected. As the world is interchanging, integrating, and becoming closer, there has been a strong impact on many societies, threatening their original culture. Arab cultures are abandoning the rich tradition of the Arabic language to universalize communication. My thesis investigates the relationships between typography as both a visual form of language and play as a mechanism to help children become more familiar and intimate with their native language.

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DiGioia, Joseph A. "The "new" new typography? : a critical view of the state of typography /." Online version of thesis, 1995. http://hdl.handle.net/1850/12187.

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Small, David 1965. "Expressive typography : high quality dynamic and responsive typography in the electronic environment." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/14011.

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Fisher, David B. "Expert systems in typography /." Online version of thesis, 1990. http://hdl.handle.net/1850/10583.

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Rollestone, Giles John. "Lost in transcription : enhancing the typographic description of prosody in written discourse through dynamic typography." Thesis, University of the Arts London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650328.

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Blacksell, Ruth. "Typography after conceptual art : text-based conceptual art and its contribution to contemporary typographic discourse." Thesis, University of Sheffield, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631696.

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Books on the topic "The typography"

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Typography: [my way to typography] = Typographie : [Wege zur Typographie]. Baden, Switzerland: Lars Müller, 2000.

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F, Temple William, ed. Typography. London: Thames and Hudson, 2012.

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Kitching, Alan. Typography. [London]: [The Author], 1992.

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Knuth, Donald Ervin. Digital typography. Stanford, Calif: CSLI Publications, 1999.

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Andrew, Haslam, ed. Type & typography. New York: Watson-Guptill Publications, 2002.

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Book typography. New Castle, Del: Oak Knoll Press, 2005.

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Baines, Phil. Type & typography. 2nd ed. London: Laurence King, 2005.

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Corporation, Potlatch. Vintage: Typography. Cloquet, Minn: Potlatch Corp., 1998.

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Lita, Talarico, ed. Typography sketchbooks. New York: Princeton Architectural Press, 2011.

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Typography primer. Pittsburgh: GATFPress, 2000.

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Book chapters on the topic "The typography"

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Krause, Jörg. "Typography." In Introducing Bootstrap 4, 45–67. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-2382-6_4.

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Gooch, Jan W. "Typography." In Encyclopedic Dictionary of Polymers, 776. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12274.

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Rice, Stephen V., George Nagy, and Thomas A. Nartker. "Typography." In Optical Character Recognition, 113–63. Boston, MA: Springer US, 1999. http://dx.doi.org/10.1007/978-1-4615-5021-1_5.

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Bhaloo, Zain M., Tobin Tanaka, and Peter Tytell. "Typography." In Forensic Document Examination in the 21st Century, 225–40. First edition. | Boca Raton : CRC Press, 2021.: CRC Press, 2020. http://dx.doi.org/10.4324/9780367853587-21.

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Krause, Jörg. "Typography." In Introducing Bootstrap 4, 95–127. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-6203-0_4.

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Casario, Marco, Nathalie Wormser, Dan Saltzman, Anselm Bradford, Jonathan Reid, Francesco Improta, and Aaron Congleton. "CSS Typography." In CSS3 Solutions, 79–98. Berkeley, CA: Apress, 2012. http://dx.doi.org/10.1007/978-1-4302-4336-6_4.

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Budd, Andy, and Emil Björklund. "Web Typography." In CSS Mastery, 61–99. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4302-5864-3_4.

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Clark, Richard, Oli Studholme, Christopher Murphy, and Divya Manian. "Improving Web Typography." In Beginning HTML5 and CSS3, 397–433. Berkeley, CA: Apress, 2012. http://dx.doi.org/10.1007/978-1-4302-2875-2_10.

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Jackson, Chris. "Typography in Motion." In After Effects for Designers, 71–110. New York : Routledge, Taylor & Francis Group, 2018.: Routledge, 2018. http://dx.doi.org/10.1201/9781315186283-3.

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Anthamatten, Peter. "Text and typography." In How to Make Maps, 113–31. Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781315158426-6.

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Conference papers on the topic "The typography"

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Stanić Loknar, Nikolina, Diana Bratić, and Ana Agić. "Kinetic typography - figuration and technology." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p81.

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Kinetic typography - text in motion is an animation method of characters that has a video form instead of some "static" form such as picture, poster or book. The most important element for figuration of kinetic typography is the choice of font. Furthermore, one should think about the letter cut, the size and color of the characters, and the background color on which the animation takes place. It can be created in various ways, most often using software that applies a multitude of effects to the text or letter character, creating dynamic solutions. The effects vary from the simplest such as "fade-in" and "fade-out" (entering and exiting text in and out of the frame). Static characters can expand, narrow, move slowly or rapidly, grow and change in a variety of ways to very complex ones in which the author builds an entire story or promotional video by carefully combining software capabilities. However, each software has its limitations and for this reason the kinetic typography presented in this paper is programmed using codes. In a wide range of available programming languages due to the simple interface that does not require advanced programming concepts and gives exceptional results in the field of kinetic typography, Processing was chosen. The Processing programming language is intended for generating and modifying graphics and is based on the Java programming language. The most important difference between Processing and Java is that Processing offers a simple programming interface that does not require advanced levels of programming such as classes, objects, or animations. It also allows advanced users to use them. Processing uses a variety of typography rendering approaches such as raster and vector solutions and allows typography to be programmed and displayed on the Web independently of the user's Web browser and font database. Processing enables the use of visual elements in animation, including typographic ones, by introducing interaction to the user. The user is no longer a passive observer but actively participates in the performance of the application whose final appearance is not predefined but arises from the actions of each individual user. For the purposes of this paper, individual letters were created in a font-making program. The letters made are of various written classifications and cuts, which with their variety contribute to the attractiveness of the animation. In the creating of motion typography in this paper, the programming language Processing was used. Written program codes that manipulate words, letters, or parts of characters to create interesting visual effects for the viewer that aim to hold the viewer's attention and convey the desired message or emotion. There are no strict rules and patterns when making kinetic typography. In kinetic typography, each author determines his own rules, method of production, and there are no same solutions.

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Gromala, Diane. "BioMorphic typography." In ACM SIGGRAPH 2002 conference abstracts and applications. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/1242073.1242164.

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Ford, Shannon, Jodi Forlizzi, and Suguru Ishizaki. "Kinetic typography." In CHI '97 extended abstracts. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/1120212.1120387.

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Wong, Yin Yin. "Temporal typography." In Conference companion. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/257089.257401.

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Rougier, Nicolas P., and Behdad Esfahbod. "Digital typography." In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3214834.3214837.

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de Lacerda Pataca, Caluã, and Paula Dornhofer Paro Costa. "Speech modulated typography." In IUI '20: 25th International Conference on Intelligent User Interfaces. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3377325.3377526.

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Pisklakov, Pavel. "RANDOMNESS AND TYPOGRAPHY: MEANS OF CREATING UNIQUE INSTANCES IN TYPOGRAPHIC DESIGN." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s15.070.

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Lee, Johnny C., Jodi Forlizzi, and Scott E. Hudson. "The kinetic typography engine." In the 15th annual ACM symposium. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/571985.571997.

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Minakuchi, Mitsuru, and Katsumi Tanaka. "Automatic kinetic typography composer." In the 2005 ACM SIGCHI International Conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1178477.1178512.

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Waldeck, Mila. "Typography and national identity." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0020.

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Reports on the topic "The typography"

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Wei, Fei. Typography for dress. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1006.

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King, James M. Technical Typography Using Personal Computers. Fort Belvoir, VA: Defense Technical Information Center, July 1989. http://dx.doi.org/10.21236/ada211381.

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Hershey, Allen V. Cartography and Typography with True Basic. Fort Belvoir, VA: Defense Technical Information Center, September 1995. http://dx.doi.org/10.21236/ada299505.

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Coorey, Jillian. Typography as a catalyst for research constructing identity and meaning through type. University of Limerick, 2020. http://dx.doi.org/10.31880/10344/8358.

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del-Olmo-Barbero, Jesús, and Sonia Parratt-Fernández. Typography and colour: A comparative analysis of the free and paid-for newspapers in Spain. Revista Latina de Comunicación Social, 2011. http://dx.doi.org/10.4185/rlcs-66-2011-938-376-398-en.

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Murphy, Jamie. Typographic design, one character at a time. University of Limerick, 2015. http://dx.doi.org/10.31880/10344/5867.

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