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1

Typography: [my way to typography] = Typographie : [Wege zur Typographie]. Baden, Switzerland: Lars Müller, 2000.

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2

F, Temple William, ed. Typography. London: Thames and Hudson, 2012.

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3

Kitching, Alan. Typography. [London]: [The Author], 1992.

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4

Knuth, Donald Ervin. Digital typography. Stanford, Calif: CSLI Publications, 1999.

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5

Andrew, Haslam, ed. Type & typography. New York: Watson-Guptill Publications, 2002.

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6

Book typography. New Castle, Del: Oak Knoll Press, 2005.

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7

Baines, Phil. Type & typography. 2nd ed. London: Laurence King, 2005.

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8

Corporation, Potlatch. Vintage: Typography. Cloquet, Minn: Potlatch Corp., 1998.

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9

Lita, Talarico, ed. Typography sketchbooks. New York: Princeton Architectural Press, 2011.

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10

Typography primer. Pittsburgh: GATFPress, 2000.

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11

Exploring typography. Clifton Park, NY: Thomson Delmar Learning, 2006.

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12

Virtual typography. Lausanne, Switzerland: AVA Publishing, 2009.

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13

Grinder, Eva. Typography outside typography: An investigation of visual prose. London: LCP, 2000.

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14

Weingart, Wolfgang. Typography: My way to typography : retrospective in ten sections = Wege zur Typographie : ein Rückblick in zehn Teilen. Baden: Lars Müller, 2000.

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15

Great Web typography. New York: Wiley Pub., 2003.

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16

Carter, Rob. American typography today. New York: Van Nostrand Reinhold, 1989.

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17

Ruari, McLean. How typography happens. London: British Library, 2000.

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18

Zapf, Hermann. Poetry through typography. New York: Kelly/Winterton Press, 1993.

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19

American typography today. New York: Van Nostrand Reinhold, 1993.

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20

Flanagin, Annette. Typography. Oxford University Press, 2009. http://dx.doi.org/10.1093/jama/9780195176339.003.0022.

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Typography is broadly defined as the composed arrangement and appearance of text and other elements on a surface that involves elements of design. The editor and graphic designer often cooperate in the process of creating the typography and design for a book, monograph, or journal (in print or online), with the goal of achieving a balance of form and readability. According to typographer Edmund Arnold, good design and typography for English-language publications follow the linear flow of the Latin alphabet and support the act of reading. The English language is read from left to right and from top to bottom. According to Arnold, when a reader of such language begins to read a printed page, the eyes first fall naturally to the top left corner and then move across and down the page, first from left to right and then in a right-to-left sweep to the next line, until reaching the bottom right corner. Any design or typographic element that forces the reader to work against this natural flow (reading gravity) interrupts the reading rhythm and should be avoided...
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21

Luna, Paul. Typography: A Very Short Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199211296.001.0001.

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Typography: A Very Short Introduction offers a broad definition of typography as design for reading, whether in print or on screens, where a set of visual choices are taken to make a written message more accessible, more easily transmitted, more significant, or more attractive. Considering the development of letterforms and the shapes of letter we use, it discusses the history behind our modern day letters and fonts, before considering the issues behind key typographic decisions, and the differences between printed and on-screen typography. Presenting any piece of typography as a fundamental design choice, this Very Short Introduction introduces the options available today, and explores the reasons why key typographic decisions are made.
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22

The Annual of the Type Directors Club. Typography 17 (Typography). 4th ed. Watson-Guptill Publications, 1996.

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23

Club, Type Directors. Typography 26 (Typography). Collins Design, 2006.

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24

Club, Type Directors. Typography 28 (Typography). Collins Design, 2007.

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25

Club, Type Directors, and Diego Vainesman. Typography 25 (Typography). Collins Design, 2004.

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26

Club, Type Directors. Typography 28 (Typography). Collins Design, 2007.

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27

Typography 26 (Typography). Collins Design, 2006.

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28

Typography 27 (Typography). Collins Design, 2006.

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29

Typography Eighteen (Typography). Watson-Guptill Pubns, 1997.

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30

Club, Type Directors, and Diego Vainesman. Typography 25 (Typography). Collins Design, 2004.

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31

Club, Type Directors. Typography 27 (Typography). Collins Design, 2006.

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32

Typography 9 (Typography). Watson-Guptill Pubns, 1988.

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33

(Illustrator), Olaf Leu, ed. Typography 6 (Typography). Watson-Guptill Publications, 1985.

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34

Typography. Choi's Gallery, 2014.

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35

Anderson, Gail. Typography. HarperCollins Design International, 2001.

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36

L'Aventurine. Typography. L'Aventurine, 2004.

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37

Ambrose, Gavin. Typography. Bloomsbury Visual Arts, 2017.

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38

Shaoqiang, Wang. Typography. Prestel Verlag GmbH & Co KG., 2016.

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39

Typography. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474208499.

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40

Ruder, Emil. Typography. 4th ed. A. Niggli, 1996.

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41

Pictowords Semantic Typography: Semantic Typography. Arthur Niggli, 2005.

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42

Association, Japan Typography. Applied Typography II (Applied Typography). IPS, 2001.

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43

Typography: My Way to Typography. Lars Muller Publishers, 2014.

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44

(Editor), B. Martin Pedersen, Clare Hayden (Editor), and Heinke Jenssen (Editor), eds. Graphis Typography 2 (Graphis Typography). Watson-Guptill Publications, 1999.

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45

Association, Japan Typography. Applied Typography 7 (Applied Typography). Graphic-Sha Publishing, 1997.

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46

Association, Japan Typography. Applied Typography 6 (Applied Typography). Books Nippan, 1996.

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47

Nadorlik, Clare. Typography 2 (Design and typography). Graphic Arts Technical Fndtn, 1986.

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48

(Editor), Allison Muench Williams, and J. Phillips Williams (Editor), eds. Typography 23: Annual of the Type Directors Club (Typography) (Typography). Watson-Guptill Publications, 2003.

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49

Culture+Typography: How Culture Affects Typography. HOW Books, 2015.

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50

Poynor, Rick. Typography Now Two: Implosion (Typography Now). North Light Books, 1996.

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