Academic literature on the topic 'The waste land (Eliot)'

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Journal articles on the topic "The waste land (Eliot)"

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Brooker, Jewel Spears, and Grover Smith. "The Waste Land by T. S. Eliot." American Literature 59, no. 2 (May 1987): 284. http://dx.doi.org/10.2307/2927050.

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Hawlin, Stefan. "Eliot Reads "The Waste Land": Text and Recording." Modern Language Review 87, no. 3 (July 1992): 545. http://dx.doi.org/10.2307/3732918.

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Banerjee, A. "Young Eliot: From St Louis toThe Waste Land." English Studies 97, no. 5 (May 31, 2016): 573–75. http://dx.doi.org/10.1080/0013838x.2016.1175232.

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Rainey, Lawrence S. "Eliot Among the Typists: Writing The Waste Land." Modernism/modernity 12, no. 1 (2005): 27–84. http://dx.doi.org/10.1353/mod.2005.0049.

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Ayassrah, Mohamed Ayed Ibrahim, and Ali Odeh Alidmat. "Metaphor as a Means of Pessimism in English Poetry." International Journal of English Linguistics 7, no. 5 (July 27, 2017): 135. http://dx.doi.org/10.5539/ijel.v7n5p135.

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The present study attempts to investigate using metaphor as a powerful tool of pessimism in poetic texts with special emphasis on T.S Eliot’s Waste Land. Eliot’s Waste Land which is heavily pregnant of metaphors is a great epic poetic story summarizes the gloomy circumstances of the European life after the World War I where a complexity of sad feelings dominates the whole five parts of the poem. Eliot vividly used metaphor as an effective means in transferring the real degradation of the European life after the Great War.This study includes an introduction, significance of the study, choosing the metaphorical pessimistic expressions in Eliot’s Waste Land, questions of the study, objectives of the study, methodology, what is metaphor? functions of metaphor, what is pessimism? The Waste Land, Eliot’s life, why was Eliot pessimist in his great Waste Land? the analysis session, the answers of the study questions and the references.
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Ayassrah, Mohamed Ayed Ibrahim, and Mohd Nazri Latiff Azmi. "The Translatability of Metaphor in Eliot’s The Waste Land: A Comparative Approach." English Language and Literature Studies 9, no. 4 (November 14, 2019): 53. http://dx.doi.org/10.5539/ells.v9n4p53.

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There is an obvious gap in studying the translatability of metaphor in modern English poetry, particularly in Eliot’s The Waste Land. Furthermore, it is observed that most previous studies about metaphor are in and for English, and only few ones have tackled the translatability of metaphor into another language. However, the current study aims to explore this phenomenon in Eliot’s The Waste Land and three of its Arabic translations. All metaphors of The Waste Land and its three translations are identified, studied and classified into juxtaposed tables to facilitate the comparative process. Then, an assessment of each translation is made to be compared to the original text and the other translations. This comparison aims at identifying the translatability of metaphor in The Waste Land, the most and least used strategy and how the three translators have dealt with the original text. The study also shows that the three translators could translate most of Eliot’s metaphors into Arabic analogous metaphors; Lu’lu’ah uses this strategy the most and Raghib the least. Furthermore, the strategy of paraphrasing the metaphor is used more than the second one (11 cases). Finally, this study suggests three recommendations for further upcoming studies. The first one is: Conducting a comparative study on using metaphor in the spoken languages or dialects of two different societies (the Jordanian and British, for instance). The second is: Exploring this phenomenon in students’ everyday language; and the third is: Investigating the ability of English language students in rendering metaphor from English into Arabic.
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Ryan, Dennis. "T. S. Eliot, cultural criticism, and Multiculture inthe waste land." European Legacy 1, no. 3 (May 1996): 1088–95. http://dx.doi.org/10.1080/10848779608579533.

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Grant, Michael. "Fulcis Waste Land: Cinema, Horror and the Abominations of Hell." Film Studies 5, no. 1 (2004): 30–38. http://dx.doi.org/10.7227/fs.5.3.

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Beginning from a consideration of some ideas on aesthetics deriving from R. G. Collingwood, this essay sets Dreyer‘s Vampyr beside Fulcis The Beyond. The article then goes on to suggest something of the nature of the horror film, at least as exemplified by these two works, by placing them against the background of certain poetic procedures associated with the post-symbolist poetry of T. S. Eliot.
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Sterzi, Eduardo. "Terra devastada: persistências de uma imagem." Remate de Males 34, no. 1 (April 28, 2014): 95. http://dx.doi.org/10.20396/remate.v34i1.8635834.

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Barber, Stephen. "Charles Williams and T.S. Eliot: Friends and Rivals." Journal of Inklings Studies 9, no. 1 (April 2019): 1–18. http://dx.doi.org/10.3366/ink.2019.0024.

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Williams and Eliot were close in age and both worked in publishing as well having careers as poets and freelance writers. However, their backgrounds were very different: Williams came from humble origins and was not able to complete a university degree, whereas Eliot at first seemed to set to become an academic philosopher. They first met in the early 1930s, by which time Williams had been both confused and influenced by The Waste Land. Eliot started to read Williams's novels and was in turn greatly influenced by them. They became increasingly close until Williams's death in 1945. Eliot showed the greatest influence of Williams in his 1949 play The Cocktail Party. Their Christian sensibility had some important features in common and, in the end, Williams's concept of the Affirmative Way became a great influence on Eliot.
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Dissertations / Theses on the topic "The waste land (Eliot)"

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Irish, Bradley J. "Hieronimo in The Waste Land." Thesis, Boston University, 2005. https://hdl.handle.net/2144/32870.

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Thesis (B.A.)--Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-01
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Sallis, E. K. "Looking to death for what life cannot give : the Waste Land and F.H. Bradley /." Title page and contents only, 1991. http://web4.library.adelaide.edu.au/theses/09ARM/09arms168.pdf.

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Li, Mun-wai Julie. "Narration in Heart of Darkness, The Waste Land and Lolita." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161707.

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Tsoi, Sze-pang Pablo. "Modes of intertextuality in The waste land and Ulysses two contrasted cases /." Click to view the E-thesis via HKUTO, 2003. http://sunzi.lib.hku.hk/hkuto/record/B31381467.

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Lindqvist, Jennifer. "Traduttore, traditore? När The Waste Land blev Det öde landet : En studie av Karin Boye och Erik Mestertons översättning av T.S. Eliots The Waste Land." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66490.

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After the publication of T.S. Eliotʾs famous modernistic poem The Waste Land in 1922 it took about nine years until two Swedish literature theoreticians decided to translate it into Swedish. The translation was made for a publication in a modernistic journal, Spektrum, for which they both were co ̶ founders and editors. The two Swedes were Karin Boye, a famous modernistic poet, writer and literature critic, and Erik Mesterton, also a literature critic with a deep interest in English poetry generally and T.S. Eliot particularly. This essay aims to compare the translation of The Waste Land that Boye and Mesterton made during the winter of 1931 ̶ 1932, with Eliots original poem, with the ambition to determine what kind of translation Boye and Mestertonʾs work resulted in. Starting from Schleiermacher, modern translation theories are examined and finally the translation named Det öde landet from 1932 is analyzed from a model by Mats Malm from his 1996 book Minervas äpple. By using the distinctions of mimetic, analogue, organic and external forms in the area of the poem's metre and style, and the distinctions of metaphrase, paraphrase and imitation in the area of the poemʾs content, the essay examines what has been the translatorʾs priorities during the process of translation, how Boyeʾs modernistic style shines through in the translation and how Mestertonʾs knowledge about Eliotʾs style in poetry shows in the finished work. The analysis shows that the translation leans toward a mimetic form, and is to be considered a paraphrase when it comes to the content. This shows that Boye and Mesterton had an intention to reproduce both Eliotʾs meaning and poetic style to the swedish readers, but also that the translators are capable of being dynamic both when it comes to meaning and form.
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Silva, Tania de Fátima da. "A intertextualidade do mito pagão e cristâo em The Waste Land, de T. S. Eliot." Universidade Presbiteriana Mackenzie, 2006. http://tede.mackenzie.br/jspui/handle/tede/2292.

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Made available in DSpace on 2016-03-15T19:46:52Z (GMT). No. of bitstreams: 1 Tania Silva.pdf: 938904 bytes, checksum: efb439849ca426d433027ef04bdbc492 (MD5) Previous issue date: 2006-02-24
This work aims at analysing the Anglo-American poet and essayist Thomas Stearns Eliot s use of intertextuality in his poem The Waste Land, published in 1922.Our analysis focuses on myth and its function within the poem. We have chosen four myths, three of them Pagan (Sibila, Tiresias and The Fisher King) and one Christian (The Holy Grail). The latter has a deep relationship to The Fisher King myth. We will mention theoretical concepts referring to intertextuality and myth and will present a survey of the poem as a whole. We will also report form briefly on the political-social situation of Europe at the time in which the poem was written, and the poet s main achievements in his career. Our next focus will be the analysis of the above mentioned myths as well as their function and relevance within the context of the poem.
O presente trabalho tem por objetivo analisar a intertextualidade no poema The Waste Land, do poeta e ensaísta anglo-americano Thomas Stearns Eliot, publicado em 1922. Focaliza o mito e sua função dentro do poema. Foram escolhidos particularmente quatro mitos, três pagãos (Sibila, Tirésias e Rei Pescador) e um cristão (Santo Graal), sendo que este último tem uma relação estreita com o mito do Rei Pescador. Examinar-se-ão postulados teóricos sobre o mito, a intertextualidade e a situação político-social da Europa, na época em que Eliot compôs o poema, bem como da trajetória do poeta.
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Bedecarré, John. "T.S. Eliot's Anti-Modernism: Poetry and Tradition in the European Waste Land." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/472.

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This thesis hopes to contribute to a reconciliation of the apparent conflict between Eliot's conservative outlook and his formally innovative poetry. I do not advocate stripping Eliot of his modernist label. I would rather amend the term "modernism." This qualification is important because the modernist label carries connotations that simply do not do justice to Eliot. For example, the label implies that modernists wanted to move forward, away from the past. Eliot wanted to move backwards, partly because he felt other artists had left the past behind. In an essay introducing the early twentieth-century modernists, the Norton Anthology of British Literature describes T.S. Eliot's critical and creative projects as "efforts to reinvent poetry."4 That is exactly the opposite of what he was doing. He wanted to stop people from trying to reinvent poetry, because he thought doing so would only lead to bad poems. How can the editors of the Norton Anthology, the closest thing I know to a record of the academic consensus, so completely misunderstand Eliot's project? They fail to appreciate the relationship between Eliot's literary ideas and his attitude toward modernity. I believe the best way to think about Eliot's intellectual project is as an effort to save poetry from the threatening forces of modernity and modernism. The modernist movement and Eliot's ideas are both responses to the same set of dramatic historical changes. Europe transformed itself from 1890 to 1918. In the context of drastic political, technological and social changes described by historians as "the emergence of modernity," Europe's dominant artistic and intellectual value system reorientated itself in favor of newness and forward movement. T.S. Eliot had a different response to historical change. He felt the ongoing historical transformations, self-perpetuated by the resultant emphasis on progress, threatened to uproot and destroy England’s literary tradition. So he took it on himself to save that tradition. 4 Greenblatt, Norton Anthology, 1834.
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Cook, Corina K. "Hollow at the core apocalyptic visions in Joseph Conrad's Heart of darkness and T.S. Eliot's The waste land /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2002. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2002.
Source: Masters Abstracts International, Volume: 45-06, page: 2842. Typescript. Abstract precedes thesis as preliminary leaves 1-2. Includes bibliographical references (leaves 81-86).
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Waterman, Sally. "Visualising 'The Waste Land' : discovering a praxis of adaptation." Thesis, University of Plymouth, 2010. http://hdl.handle.net/10026.1/311.

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This research examines the issues and visual processes that arise in the production of self-representations derived from literary texts. The construction of a series of photographic and video installations drawing upon T. S Eliot’s poem 'The Waste Land' (1922) allowed for the exploration and analysis of how literature functions as a device to represent autobiographical experience within my media arts practice. The study considered the relevance and usage of the literary source in relation to specific adaptation procedures, in terms of what complexities were encountered and how these were understood. Whilst orthodox film adaptation provided a theoretical framework for initial experimentation, it is argued that my practice is positioned outside this domain, employing alternative methods of visual translation within a fine art context. Having investigated the purpose of my literary interpretations, I conclude that I respond subjectively to the source materials, forming autobiographical associations with particular lines, images, characters, themes or concepts within the text. It was discovered that this fragmentary method of extraction into isolated elements, corresponded with ambiguous visual representation of the self. Placed within the critical context of relevant female practitioners, I was able to detect a number of recurrent, elusive strategies within my own practice that signified a shifting subjectivity. However, it was the identification with Eliot’s subversion of his impersonality theory in later life, which enabled the realisation that literature is used in my work as a means of projection for visualising past trauma and operates as a form of displacement for a confessional practice. The thesis that emerges from my research is that by allowing oneself to respond emotionally and selectively to an existing text through transformative processes of re-enactment, literary adaptation can act as catharsis for the recollection and re-imagining of previously repressed memories.
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Compton, Regina F. "He Do the Police to the Tune of a Valkyrie." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275918014.

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Books on the topic "The waste land (Eliot)"

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T.S. Eliot: The waste land. London: Penguin, 1988.

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1888-1965, Eliot T. S., ed. T.S. Eliot, The waste land. Harmondsworth: Penguin, 1985.

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Revisiting The waste land. New Haven, Conn: Yale University Press, 2005.

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Simpson, Matt. Focus on The waste land by T.S. Eliot. London: Greenwich Exchange, 2007.

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Eliot, T. S. The waste land. [Leuven]: Kritak, 1986.

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Eliot, T. S. The waste land. San Francisco: Arion Press, 2007.

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Eliot, T. S. The waste land. 7th ed. San Diego: Harcourt Brace & Co., 1997.

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Gish, Nancy K. The waste land: A poem of memory and desire. Boston: Twayne, 1988.

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T.S. Eliot's The waste land. New York: Harvester Wheatsheaf, 1994.

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T.S. Eliot and hermeneutics: Absence and interpretation in The waste land. Baton Rouge: Louisiana State University Press, 1985.

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Book chapters on the topic "The waste land (Eliot)"

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Pinion, F. B. "The Waste Land." In A T. S. Eliot Companion, 119–39. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07449-5_12.

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Pinion, F. B. "To The Waste Land." In A T. S. Eliot Companion, 17–26. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07449-5_2.

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Punter, David. "T.S. Eliot, The Waste Land." In Modernity, 165–80. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-05030-4_27.

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Pinion, F. B. "Preliminaries to The Waste Land." In A T. S. Eliot Companion, 96–108. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-07449-5_10.

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Haffenden, John. "T. S. Eliot: The Waste Land." In A Companion to Twentieth-Century Poetry, 381–91. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch30.

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Chinitz, David. "T. S. Eliot: The Waste Land." In A Companion to Modernist Literature and Culture, 324–32. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch36.

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Wicht, Wolfgang. "Eliot, T. S.: The Waste Land." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8463-1.

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D’Ambrosio, Vinnie-Marie. "Tzara in The Waste Land." In T. S. Eliot Annual No. 1, 103–16. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-07790-8_6.

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Reeves, Gareth. "The Waste Land and the Aeneid." In T. S. Eliot: A Virgilian Poet, 28–58. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20221-8_3.

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Frank, Armin Paul. "The Waste Land: A Drama of Images." In T. S. Eliot: A Voice Descanting, 28–50. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10104-7_2.

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Conference papers on the topic "The waste land (Eliot)"

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Dun, Chao, and Yu Peng. "Therapeutic Reading on The Waste Land." In 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210313.062.

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Déléry, L., G. Gay, S. Denys, H. Brunet, I. Déportes, A. Cauchi, and M. Aupetitgendre. "Health risk assessment for sewage sludge applied to land in France." In WASTE MANAGEMENT 2006. Southampton, UK: WIT Press, 2006. http://dx.doi.org/10.2495/wm060551.

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Vassallo, Gary, Giuseppe Bielli, Sergio Bertelli, Gabriel Marcon, Daniele Giuffrida, Jacques Rouvière, and Pierre Bertet. "The Recovery of Shallow Land Burial Waste." In ASME 2001 8th International Conference on Radioactive Waste Management and Environmental Remediation. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/icem2001-1243.

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Abstract The JRC must recondition various radioactive wastes that were placed in a shallow land burial site during the 1960s and 70s. One such waste type at the Ispra Site are the so-called Roman pits, 7 m high columnar concrete containers in which activated metals were deposited and immobilised with cement. JRC-Ispra has fifteen such waste forms that must be recovered, characterised and reconditioned. This paper discusses the background to the Roman pits, the development of a validation procedure for demonstrating the safe recovery of a pit, and finally, the procedure’s execution.
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El Megrahi, M. E., G. Karani, and K. Morris. "Chemical hazard exposure as a result of waste land filling: a review." In WASTE MANAGEMENT 2006. Southampton, UK: WIT Press, 2006. http://dx.doi.org/10.2495/wm060391.

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Bombino, G., P. Denisi, D. Fortugno, V. Tamburino, D. A. Zema, and S. M. Zimbone. "Land spreading of solar-dried citrus peel to control runoff and soil erosion." In WASTE MANAGEMENT 2010. Southampton, UK: WIT Press, 2010. http://dx.doi.org/10.2495/wm100141.

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Zybina, O. A., E. S. Zorde, and D. I. Savelyev. "Fire Safety of Municipal Solid Waste Land Fills." In 2018 IEEE International Conference "Management of Municipal Waste as an Important Factor of Sustainable Urban Development" (WASTE). IEEE, 2018. http://dx.doi.org/10.1109/waste.2018.8554104.

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Quintern, M. "Full scale vermicomposting and land utilisation of pulpmill solids in combination with municipal biosolids (sewage sludge)." In WASTE MANAGEMENT 2014. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/wm140061.

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Smith, R. E. "Regulation of radioactive waste disposal." In IEE Colloquium on `Pollution of Land, Sea and Air: An Overview for Engineers'. IEE, 1995. http://dx.doi.org/10.1049/ic:19951012.

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Vandenhove, Hildegarde. "Agricultural Land Management Options Following Large-Scale Environmental Contamination: Evaluation for Fukushima Affected Agricultural Land." In ASME 2013 15th International Conference on Environmental Remediation and Radioactive Waste Management. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/icem2013-96231.

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The accident at the Fukushima Daiichi Nuclear Power Plant has raised questions about the accumulation of radionuclides in soils, the transfer in the foodchain and the possibility of continued restricted future land use. This paper summarizes what is generally understood about the application of agricultural countermeasures as a land management option to reduce the radionuclides transfer in the food chain and to facilitate the return of potentially affected soils to agricultural practices in areas impacted by a nuclear accident.
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Reeve, Phil, and Katherine Eilbeck. "Contaminated Land and Groundwater Management at Sellafield: A Large Operational Site With Significant Legacy and Contaminated Land Challenges." In The 11th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2007. http://dx.doi.org/10.1115/icem2007-7051.

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Sellafield is a former Royal Ordnance Factory used since the 1940’s for the production and reprocessing of fissile materials. Leaks and spills from these plants and their associated waste facilities has led to radioactive contaminated ground legacy of up to 20 million m3. Consideration of land contamination at Sellafield began in 1976, following discovery of a major leak from a waste storage silo. Over the past three decades there has been a programme of environmental monitoring and several phases of characterization. The latest phase of characterization is a £10million contract to develop second generation conceptual and numeric models. The Site Licence Company that operates the site has been subject to structural changes due to reorganizations within the British nuclear industry. There has also been a change in emphasis to place an increased importance on accelerated decommissioning. To address these challenges a new contaminated land team and contaminated land and groundwater management plan have been established. Setting and measuring performance against challenging objectives is important. The management plan has to be cognizant of the long timescales (ca. 80 years) for final remediation. Data review, collation, acquisition, analysis, and storage is critical for success. It is equally important to seize opportunities for early environmental gains. It is possible to accelerate the development and delivery of a contaminated land and groundwater management plan by using international experts.
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Reports on the topic "The waste land (Eliot)"

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Cannon, J. B., D. G. Jacobs, D. W. Lee, C. C. Gilmore, R. H. Ketelle, F. C. Kornegay, R. D. Roop, W. P. Staub, L. E. Stratton, and R. E. Thoma. Shallow land burial of low-level radioactive waste. Office of Scientific and Technical Information (OSTI), February 1986. http://dx.doi.org/10.2172/6202741.

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EBASCO ENVIRONMENTAL LAKEWOOD CO. Hazardous Waste Land Disposal Facility Assessment. Volume 1. Fort Belvoir, VA: Defense Technical Information Center, September 1988. http://dx.doi.org/10.21236/ada275805.

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EBASCO ENVIRONMENTAL LAKEWOOD CO. Hazardous Waste Land Disposal Facility Assessment. Volume 2. Appendices. Fort Belvoir, VA: Defense Technical Information Center, September 1988. http://dx.doi.org/10.21236/ada275806.

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Black, D. G. 1996 Hanford site report on land disposal restrictions for mixed waste. Office of Scientific and Technical Information (OSTI), April 1996. http://dx.doi.org/10.2172/326448.

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Black, D. G. 1998 report on Hanford Site land disposal restrictions for mixed waste. Office of Scientific and Technical Information (OSTI), April 1998. http://dx.doi.org/10.2172/353286.

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BLACK, D. G. 1999 Report on Hanford Site land disposal restriction for mixed waste. Office of Scientific and Technical Information (OSTI), March 1999. http://dx.doi.org/10.2172/781597.

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Black, D. G. 1994 Report on Hanford Site land disposal restrictions for mixed waste. Office of Scientific and Technical Information (OSTI), April 1994. http://dx.doi.org/10.2172/10159096.

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Black, D. G. 1997 Hanford site report on land disposal restrictions for mixed waste. Office of Scientific and Technical Information (OSTI), April 1997. http://dx.doi.org/10.2172/16900.

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Black, D. G. 1995 Report on Hanford site land disposal restrictions for mixed waste. Office of Scientific and Technical Information (OSTI), April 1995. http://dx.doi.org/10.2172/67774.

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Sullivan, T., and C. Suen. Low-level waste shallow land disposal source term model: Data input guides. Office of Scientific and Technical Information (OSTI), July 1989. http://dx.doi.org/10.2172/5827236.

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