Relevant bibliographies by topics / The Watermelon Woman

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'The Watermelon Woman'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "The Watermelon Woman"

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Xavier de Lima, Marília, Maria Bernadette Cunha de Lyra, and Maria Ignês Carlos Magno. "A performance queer na dupla encenação do filme The Watermelon Woman // The queer performance in the double staging of the film The Watermelon Woman." Contemporânea Revista de Comunicação e Cultura 16, no. 1 (July 11, 2018): 154. http://dx.doi.org/10.9771/contemporanea.v16i1.25959.

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The Watermelon Woman (1996), Cheryl Dunye, é um modelo híbrido de ficção/documentário. A dupla encenação vai da busca de uma atriz negra do cinema mudo ao cotidiano da própria diretora/personagem. Uma associação entre forma e conteúdo permite igualar-se à representação da personagem o deslocamento dos gêneros cinematográficos, tornando o filme uma performance queer, em que a história sobre a vida da mulher-melancia e a realidade de Cheryl se mesclam, dando visibilidade à mulher negra e lésbica./The Watermelon Woman (1996), Cheryl Dunye, is a hybrid movie that is between fiction and documentary model. The double performance goes from the search of a black actress of the silent cinema period to the daily life of the director / character. An association between form and content allows the representation of the character to be equated with the displacement of the cinematographic genres, making the film a queer performance, in which the story about the life of the watermelon woman and the reality of Cheryl merge, giving visibility to the woman black and lesbian.
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Zimmer, Catherine. "Histories of The Watermelon Woman: Reflexivity between Race and Gender." Camera Obscura: Feminism, Culture, and Media Studies 23, no. 2 (2008): 41–66. http://dx.doi.org/10.1215/02705346-2008-002.

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Sullivan, Laura L. "Chasing Fae: The Watermelon Woman and Black Lesbian Possibility." Callaloo 23, no. 1 (2000): 448–60. http://dx.doi.org/10.1353/cal.2000.0070.

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Manno, Felysuslince Aryati, Nilawati Soputri, and Idauli Simbolon. "EFEKTIVITAS BUAH SEMANGKA MERAH (Citrullus Vulgaris Schard) TERHADAP TEKANAN DARAH." Jurnal Skolastik Keperawatan 2, no. 2 (December 8, 2016): 182. http://dx.doi.org/10.35974/jsk.v2i2.561.

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ABSTRAK Pendahuluan: Penelitian ini dilatarbelakangi oleh hasil pemeriksaan tekanan darah yang dilakukan oleh peneliti pada 33 orang warga RW 12 Desa Cihanjuang Rahayu, dimana sepuluh diantaranya tidak mengetahui bahwa mereka memiliki tekanan darah tinggi dan jarang melakukan pemeriksaan tekanan darah. Tujuan: Penelitian ini bertujuan menganalisa efektifitas buah semangka terhadap tekanan darah perempuan penderita hipertensi stadium satu. Metode: Penelitian ini adalah pra eksperimen dengan desain one group pretest-posttest design. Populasi pada penelitian ini adalah perempuan penderita hipertensi stadium satu. Sampel pada penelitian ini berjumlah 15 orang yang dipilih dengan purposive sampling. Instrumen yang digunakan adalah alat ukur tekanan darah spigmomanometer digital dan lembar dokumentasi untuk mencatat tekanan darah subyek. Hasil: Penelitian menunjukkan bahwa rata-rata tekanan darah sebelum pemberian intervensi adalah 151/96.8 mmHg. Setelah intervensi tekanan darah subyek turun menjadi134/83.6 mmHg. Ada efek yang signifikan dari pemberian buah semangka merah terhadap tekanan darah perempuan penderita hipertensi stadium satu. Diskusi: Hasil penelitian ini diharapkan dapat bermanfaat bagi Kader Kesehatan Kecamatan Parongpong dalam memberikan penyuluhan mengenai manfaat buah semangka sebagai obat untuk menurunkan tekanan darah. Dalam bidang penelitian agar dapat digunakan sebagai data dasar untuk mengembangkan penelitian berikutnya mengenai perbandingan efektifitas semangka merah dan semangka kuning terhadap hipertensi stadium satu.  Kata kunci: Hipertensi, Semangka.  ABSTRACT Introduction: This research is motivated by results of blood pressure checks which conducted by researcher on 33 residents at RW 12 Cihanjuang Rahayu, which ten of them do not know that they have high blood pleasures, and rarely do blood pressure checks. Objectives: The aim of this study was to analyze the effectiveness of a watermelon on woman’s blood pressure with stadium one hypertension. Methods: that used in this study are pre experimental design with one group pretest-posttest design. The population in this study were women with stadium one hypertension. 15 persons were used as a sample in this study which chosen by purposive sampling. The instrument used was spigmomanometer a blood measuring instrumental digital and pieces of document to record the blood pressure of the subject. Results: showed that the average of blood pressure before the administration interventions was 151/96.8 mmHg. After the intervention the blood pressure of the subject decreased to 134/83.6 mmHg. There is a significant effect of giving red watermelon for woman blood pressure with stadium one hypertension. Discussion: This study is expected to be useful for Parongpong health cadre in providing public information on benefits of watermelon as a medicine to reduced blood pressure. In the field of research on that can be used as a baseline for developing subsequent research on the comparative effectiveness of red watermelon and yellow watermelon on stadium one hypertension. Keywords: Hypertension, Watermelon.
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Derk, George. "Inverting Hollywood from the outside in: the films within Cheryl Dunye’s The Watermelon Woman." Screen 59, no. 3 (2018): 293–310. http://dx.doi.org/10.1093/screen/hjy036.

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Simache, Alina, Alice Bălăceanu, Cornelia Voiculeţ, Secil Omer, Ion Dina, and Magda Ruxandra Zaharia. "Gave Syndrome – A Rare and Mysterious Cause of Gastrointestinal Hemorrhage in the Elderly." Internal Medicine 16, no. 4 (August 1, 2019): 73–82. http://dx.doi.org/10.2478/inmed-2019-0079.

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AbstractGAVE syndrome (gastric antral vascular ectasia) is a rare cause of gastrointestinal bleeding. It affects mainly the elderly. The syndrome was named “watermelon stomach” because of its typical endoscopic appearance of “watermelon stripes” observed at the gastric antral level. We present the case of an 80-year-old female patient, under iron substitution therapy for an iron deficiency anemia previously diagnosed. The woman was admitted to our hospital for non-specific symptoms, severe asthenia and postural instability. The clinical examination noted pallor of skin and sclera, without hematemesis or melena. Paraclinical tests revealed severe hypochromic microcytic anemia and hyposideremia, with a positive fecal occult blood test. Because the patient was refractory to the iron therapy, presenting with severe anemia, which required blood transfusions, we suspected a diagnosis of acute hemorrhagic gastritis. In order to reveal the source of the hemorrhage, an upper gastrointestinal endoscopy was performed, which described the typical appearance of prominent, tortuous, erythematous streaks traversing the antrum and converging toward the pylorus, creating the “watermelon stripes” pattern, with lesions that bleed easily during the biopsy process. In a different endoscopic session, the argon plasma coagulation treatment was applied, resulting in clinical and biological improvement.Gastric antral vascular ectasia is a rare medical condition, insufficiently recognized and poorly understood, which can be treated efficiently by endoscopic means, if it is early diagnosed. Although this condition tends to be underdiagnosed at the present time, doctors may exceed their limits by acquiring a high grade of clinical suspicion.
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Stefanelli, Maria Anita. "In Search of Empowerment: Shirley Clarke’s Portrait of Jason and Cheryl Dunye’s The Watermelon Woman." European Journal of Social Sciences (EJSS) 1, no. 1 (2018): 55–61. http://dx.doi.org/10.29198/ejss1804.

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Lestari, Ayu Dwi, Riska Hediya Putri, and Eva Yunitasari. "Hipertensi pada wanita menopause; Sebuah tinjauan literatur." Wellness And Healthy Magazine 2, no. 2 (August 29, 2020): 309–13. http://dx.doi.org/10.30604/well.022.82000121.

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Menopause is the cessation of menstrual cycles in women, the condition of menopause inevitably faced in the life of one woman and a natural process in line with age. Menopause is not a disease or abnormality, menopause occurs at the end of the last menstrual cycle, but the ability is newly acquired if a woman has not experienced her menstruation cycle for at least 12 months, one of the consequences of menopause is a decrease in estrogen hormones and occurs increase in cortisol hormones so that the menopause women tend to be more stressful that can affect the increase in blood pressure or Literature Studies Review a variety of study outcomes on those in naturally menopausal women and may result in hypertension. This Literature review uses a critical review of the full-text article in the last five years that is from 2015-2020 in Bahasa Indonesia and English that meets the criteria of PICO and SPIDER. Search database through Google Scholar, National Library of the Republic of Indonesia, PubMed, Proquest with the keyword; menopause, perimenopause, Hypertension caused by menopause, to get articles that fit the topic and purpose. Further intensified article readings and a summary of each article. In the time of menopause often occurs hypertension in the results of physical activity with exercise yoga and aerobic gymnastics so as not to stress on menopause so as not to cause hypertension, eating healthy foods like the Kedalai watermelon juice can also lower blood pressure and do not make stress on menopause mother. This literature study can be used as a source of information to conduct research related problems of the menopause period
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Clitha Mason. "Queering The Mammy: New Queer Cinema's Version of an American Institution in Cheryl Dunye's The Watermelon Woman." Black Camera 8, no. 2 (2017): 50. http://dx.doi.org/10.2979/blackcamera.8.2.03.

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Richardson. "Our Stories Have Never Been Told: Preliminary Thoughts on Black Lesbian Cultural Production as Historiography in The Watermelon Woman." Black Camera 2, no. 2 (2011): 100. http://dx.doi.org/10.2979/blackcamera.2.2.100.

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Dissertations / Theses on the topic "The Watermelon Woman"

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Plummer, Sarah E. "How is a Woman Like a Watermelon?: Advocating a Psychological and Comparative Examination of Brautigan's Novels." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/32521.

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â How is a Woman Like a Watermelonâ examines two of Richard Brautiganâ s novels, In Watermelon Sugar and An Unfortunate Woman, as they relate to each other in ways that offer a better understanding of each. This paper enriches an understanding of Brautiganâ s work by exploring the historical context of his writings, studying his style and presenting diverse interpretations in a mutually inclusive way that complements the multifaceted qualities of his writing. By studying Brautiganâ s novels in a comparative manner, the essential and distinctive principles that drive Brautiganâ s workâ his manipulation of genre, use of memory and a complex first person narrator as an author personaâ are better understood. Because of Brautiganâ s use of the first person, this study advocates an analytical psychological analysis aimed at discerning underlying emotion within apparent personal detachment, the use of projection as a defense mechanism, and the psychological associative value of words, images and memories. An inclusive and comparative study that foregrounds these psychological elements will ultimately allow for a more complete and subtle analysis of Brautiganâ s work.
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Petersdotter, Apelgren Linnea. "Att bli, vara och göra ett motstånd : om camp som metod och strategi." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-76726.

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In this essay I aim to examine how camp could be used as a method in the reading of camp as a theory. This will be followed by an analysis of how The Watermelon Woman (Cheryl Dunye, 1996) could be seen as an expression of camp. I am intending to do so by using camp as a method combined with queer phenomenology and theory about social abjection. By having a phenomenological base I hope to show how camp is contextual - and how its resistance is fluid. In my analysis I will look closer at the relationship between Dunye, the director, Cheryl, the protagonist - played by Dunye, and Fae - the actress who has been lost in the archives. Together, they show how camp becomes a method in the film itself, as a film, as well as a film within the film. Camp will be my method in the reading of The Watermelon Woman, claiming that the film as well uses camp as a method - both as an aesthetic expressions and as a (re)writer of history.
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Books on the topic "The Watermelon Woman"

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Watermelon. London: Mandarin, 1997.

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Keyes, Marian. Watermelon. Dublin, Ireland: Poolbeg, 1995.

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Keyes, Marian. Watermelon. New York: HarperCollins, 2006.

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Watermelon. London: Heinemann, 1997.

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Keyes, Marian. Watermelon: A novel. New York: Perennial, 2002.

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Watermelon: A novel. New York: Perennial, 2002.

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Keyes, Marian. Watermelon: A novel. New York: Avon Books, 1998.

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The Watermelon Woman - From Dawn to Dusk. Page Publishing, Inc., 2018.

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Bell, Ellery. I Just Really Love Watermelons: Blank Lined Notebook Journal to Write in. Cute Watermelon Gifts for Teen Girls and Woman. Independently Published, 2020.

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Keyes, Marian. Watermelon. Arrow Bks., 2001.

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Book chapters on the topic "The Watermelon Woman"

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"8. Historical Fictions, Modern Desires: The Watermelon Woman." In New Queer Cinema, 66–71. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822399698-010.

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Yue, Genevieve. "Gradivan Footsteps in the Film Archive." In Girl Head, 102–28. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289554.003.0004.

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In Jacques Derrida’s Archive Fever (1995), the motif of the missing woman appears in the guise of Gradiva, a character from William Jensen’s novella (1903) of the same name. At once a ghostly image and a presence evoked by a few material traces, Gradiva motivates the construction of the archive and, for Derrida, its eventual destruction. Yet in omitting a key part of Jensen’s text, namely the flesh-and-blood woman Zoë, Derrida consigns the archive to a space of haunting. This Gradivan logic, where the body of the living woman is excluded from her chimerical image, adheres in several films that are pointedly about the film archive. Bill Morrison’s The Film of Her (1996) reproduces the melancholic terms of Derrida’s Gradivan theory, while Cheryl Dunye’s The Watermelon Woman (1996) and Radha May’s When the Towel Drops, Volume 1, Italy (2015) offer feminist critiques of the gendered materiality on which it is predicated.
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"8.2 The WATERMELON WOMAN – Identität Und Geschichte als Erfindung (USA 1996, R.: Cheryl Dunye)." In Der Widerspenstigen Zähmung?, 232–49. transcript-Verlag, 2006. http://dx.doi.org/10.14361/9783839404010-008.

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"Going on Faith: Cheryl Dunye’s The Watermelon Woman and the invention of Black lesbian memory." In Screening Queer Memory. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350187689.ch-2.

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Keeling, Kara. "Yet Still." In Queer Times, Black Futures, 81–106. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9780814748329.003.0004.

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This chapter considers how four films, Looking for Langston (directed by Isaac Julien, 1989), The Watermelon Woman (directed by Cheryl Dunye,1996), Brother to Brother (directed by Rodney Evans, 2005),and The Aggressives (directed by Daniel Peddle, 2005), involve related, but different organizations of time. While all of the films offer insights into the temporality of a present sense of political possibility, the first three films evince a desire for a usable past that might work in the service of the present, while The Aggressives organizes time idiosyncratically in a strategy that provides an opportunity to consider how queer temporality carries spatial implications that might anchor another orientation toward the past, present, and the future—one in which listening for “poetry from the future,” without insisting it be recognizable as such, is an ethical demand of and for our times.
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Pisters, Patricia. "Longing and Lust, ‘Red Light’ on a ‘Dark Continent’." In New Blood in Contemporary Cinema, 88–120. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474466950.003.0003.

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This chapter presents a variegated depiction of female sexuality seen from their own point of view, beginning with Carollee Schneeman’s Meat Joy (1964). Woolf’s metaphors for the female sex and lesbian desire is brought to the scene in interracial encounters in She Must Be Seeing Things (Sheila McLaughlin 1987), The Watermelon Woman (Cheryl Dunye 1997) and Pariah (Dee Rees 2011). The stereotypical figure of the lustful and man-eating witch is reworked in The Love Witch (Anna Biller 2016) and Jennifer’s Body (Karen Kusama 2009). In Raw (Julia Ducournaou 2016) female sexuality is addressed in a ferocious and intense way. After the explicit poetics of horror of the films of the middle section, this chapter looks at three other films that have a more-implied horror embedded within their narration. In I’m Not a Witch (Rungano Nyoni 2017) witchcraft is seen from a totally different non-western perspective, whereas in In the Cut (Jane Campion 2003) we see a combination of poetry, sexuality and a different type of final girl. In the equally poetic Longing for the Rain (Lina Yang, 2013), a contemporary Beijing housewife makes love with a ghost that might not be so benign and slowly takes over her life.
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