Relevant bibliographies by topics / The weaving process

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'The weaving process'

Author: Grafiati
Published: 16 June 2021
Last updated: 17 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'The weaving process.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "The weaving process"

1

UĞURLU, Servet Senem. "THE LINE AND ICONOGRAPHY IN THE TRADITIONAL ANATOLIAN WEAVINGS." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 255–75. http://dx.doi.org/10.46291/zfwt/130213.

Full text
Abstract:
The traditional examples that continue and develop the process in Anatolian weaving are numerous for those who know how to make use of it. In 2013, during the archaeological excavations at Çatalhöyük, it was discovered in the BC. 7000 parts of linen weaving dated to were found. Due to its biological structure, humans have benefited from weaving to protect themselves from adverse weather conditions and to spend their lives more comfortably. Weavings created for natural needs are coloured to influence other people in the society and decorated with various methods. Ornamental elements start with a dot, continue with a line, and finish with colour. Weavings vary according to the cultural values conditions of the society and geographical position. Anatolian people used the line and the motifs they made by making use of the line in the decoration of their weavings. Line is a means of expression that has been used from the earliest periods of human history to the present day. One of the most important values in the cultural, artistic and sociological life of a person is the line. They have visualized pictures of weaving, which is considered a sacred profession, on many surfaces. Line has always been used as a basic element in traditional Anatolian weavings. Weavers transferred the different uses of the line to their weavings. With the arrival of the Yörüks and Turkmens from the Oghuz tribes to Anatolia, Anatolia was enriched with nomadic society weavings. There are linear elements on the basis of ornamentation of nomadic Turkish weavings. Yörük and Turkmen weavers who settled in Anatolia continued the weaving process in Anatolia until recently. In weaving patterns, they generally used line and line-based motifs. In this study; information will be given about line, iconography of line and textural surfaces created by line in Anatolian traditional weavings. Keywords: Anatolian, Weaving, Line, Iconography, Traditional.
APA, Harvard, Vancouver, ISO, and other styles
2

Husna Amalya Melati, Yudithya Ratih, and Metasari Kartika. "PENINGKATAN KAPASITAS PENENUN CORAK INSANG MELALUI PELATIHAN MOTIVASI USAHA DAN MENGANIK." ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat 2, no. 2 (December 13, 2017): 109–14. http://dx.doi.org/10.32734/abdimastalenta.v2i2.2295.

Full text
Abstract:
Non Government Organisations as known as Kelompok Swadaya Masyarakat (KSM) Mekar IIand Pucuk Rebung became the only Insang style of weaving craft employers in the city ofPontianak were located on Jalan Khatulistiwa, Batulayang District. The Insang style of weavingis one of the features produced by KSM, besides the typical weaving of Sambas. Only a smallportion of craft employers or weavers which produces the weaving of Insang style because it isfeared that the market target is not much, however this pattern is a typical of Pontianak city;The capital of West Kalimantan Province. Decreased motivation for weaving since it faced theproblem not knowing how to understand that is the upstream process in weaving. Training isdone by giving the material about the weaving process, especially the stage of understandingand motivation and business development opportunities to the partners until all the materialpresented and implemented. Participants said that they were ready to weave back and werewilling to support the development of their area into a village or a weaving center. One of themis shown by the willingness of their house to be decorated or painted with Insang style. Thetraining that was done successfully resulted in more than 15 people weavers who haveunderstood how to do the “nganik” process.
APA, Harvard, Vancouver, ISO, and other styles
3

OSSELIN, Jean-François, and Jean-Yves DREAN. "Weaving Process and Boolean Algebra." Research Journal of Textile and Apparel 8, no. 2 (May 2004): 34–42. http://dx.doi.org/10.1108/rjta-08-02-2004-b005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Liu, Bing, Feng Hu Wang, Fu Liu, and Jian Ping Sun. "Study of Wheat Straw Weaving Process and Decorative Effect." Advanced Materials Research 605-607 (December 2012): 179–82. http://dx.doi.org/10.4028/www.scientific.net/amr.605-607.179.

Full text
Abstract:
Take full advantage of the natural luster of the wheat straw surface pleasing to the eye, fresh and natural, easy and pro-and texture, on the basis of the traditional weaving process, as a guide to modern art and design school, linear weaving straw art research and the use of modern aesthetic point of view of its weaving pattern design, explore traditional weaving skills at the same time, optimize the performance of straw handicrafts decorated, reliable optimization of design parameters and the overall theoretical basis for the new straw art and fiber art R & D and innovation, efficient use of straw raw materials and increase value-added products to explore new avenues.
APA, Harvard, Vancouver, ISO, and other styles
5

Sainen, T. "Computarization in Weaving and Preparation Process." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 49, no. 4 (1996): P215—P224. http://dx.doi.org/10.4188/transjtmsj.49.4_p215.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Anahara, M., and M. Kinbara. "General Review for Weaving Process Technologies." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 40, no. 8 (1987): P347—P362. http://dx.doi.org/10.4188/transjtmsj.40.8_p347.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Apriawan, Lalu Didik, Siti Nurjannah, and Oryza Pneumatica Inderasari. "PERAN MODAL SOSIAL SEBAGAI STRATEGI DALAM PENGEMBANGAN INDUTRI KERAJINAN TENUN DI DESA SUKARARA KABUPATEN LOMBOK TENGAH." Journal of Urban Sociology 3, no. 1 (January 12, 2021): 49. http://dx.doi.org/10.30742/jus.v3i1.1192.

Full text
Abstract:
The study was entitled "The Role of Social Capital as a Strategy in the Development of the Weaving Handicraft Industry in Sukarara Village". The development of the weaving industry has been started since the 1980s, but the process of developing the weaving industry is still relatively slow and has low competitiveness with handicraft industries is in Central Lombok. This study uses the theory and concept of social capital from Putnam. This study also uses a qualitative method with a case study approach. The main source in this study is the weaving craftsmen. The research location is Sukarara Village, Jonggat District, Central Lombok Regency. This research is a qualitative research which aims to explain and discover the role of social capital that is owned by the community in the development process of the weaving industry in the village of Sukarara. The focus of this research is identifying the role of social capital and knowing the obstacles in the development process of the weaving industry. This study aims to determine the role of social capital and its obstacles in the development process of the weaving industry in Sukarara Village.Keywords: Social Capital, Strategy, Weaving Crafts
APA, Harvard, Vancouver, ISO, and other styles
8

Apriawan, Lalu Didik, Siti Nurjannah, and Oryza Pneumatica Inderasari. "PERAN MODAL SOSIAL SEBAGAI STRATEGI DALAM PENGEMBANGAN INDUTRI KERAJINAN TENUN DI DESA SUKARARA KABUPATEN LOMBOK TENGAH." Journal of Urban Sociology 3, no. 1 (May 1, 2020): 49. http://dx.doi.org/10.30742/jus.v3i1.1255.

Full text
Abstract:
The study was entitled "The Role of Social Capital as a Strategy in the Development of the Weaving Handicraft Industry in Sukarara Village". The development of the weaving industry has been started since the 1980s, but the process of developing the weaving industry is still relatively slow and has low competitiveness with handicraft industries is in Central Lombok. This study uses the theory and concept of social capital from Putnam. This study also uses a qualitative method with a case study approach. The main source in this study is the weaving craftsmen. The research location is Sukarara Village, Jonggat District, Central Lombok Regency. This research is a qualitative research which aims to explain and discover the role of social capital that is owned by the community in the development process of the weaving industry in the village of Sukarara. The focus of this research is identifying the role of social capital and knowing the obstacles in the development process of the weaving industry. This study aims to determine the role of social capital and its obstacles in the development process of the weaving industry in Sukarara Village.Keywords: Social Capital, Strategy, Weaving Crafts
APA, Harvard, Vancouver, ISO, and other styles
9

Jalali, Amin. "Weaving of Aspects in Business Process Management." Complex Systems Informatics and Modeling Quarterly, no. 15 (July 31, 2018): 24–44. http://dx.doi.org/10.7250/csimq.2018-15.02.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wongwan, Kridsada, and Wimalin Laosiritaworn. "Security wire mesh weaving process modelling with artificial neural network." MATEC Web of Conferences 249 (2018): 02006. http://dx.doi.org/10.1051/matecconf/201824902006.

Full text
Abstract:
This paper investigates weaving process in the production of security woven wire mesh. Weaving is a critical process of the entire production as the quality of the final product depends very much on this process. High defect rate and low production yield is now a major concern in the production. There has been no prior study of the relationship among variables such as inspection data and machine setting on production yield. Conducting experiments to investigate this relationship is not reasonable in this case, as the product targeted at premium market and scrap cost is very high. In order to investigate the effect of these parameters, artificial neural network (ANN) was applied to model the process with data from the company databases. The type of ANN used in this research was the multi-layer neural network trained with back-propagation algorithm. The results suggested that ANN can effectively be used to predict weaving process production yield. The use of ANN proposed in this research is not limit to only weaving process, but can be applied to other manufacturing process.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "The weaving process"

1

Yang, Xiaoyan. "Dynamic simulation of 3D weaving process." Diss., Kansas State University, 2015. http://hdl.handle.net/2097/18970.

Full text
Abstract:
Doctor of Philosophy
Department of Mechanical and Nuclear Engineering
Youqi Wang
Textile fabrics and textile composite materials demonstrate exceptional mechanical properties, including high stiffness, high strength to weight ratio, damage tolerance, chemical resistance, high temperature tolerance and low thermal expansion. Recent advances in weaving techniques have caused various textile fabrics to gain applications in high performance products, such as aircrafts frames, aircrafts engine blades, ballistic panels, helmets, aerospace components, racing car bodies, net-shape joints and blood vessels. Fabric mechanical properties are determined by fabric internal architectures and fabric micro-geometries are determined by the textile manufacturing process. As the need for high performance textile materials increases, textile preforms with improved thickness and more complex structures are designed and manufactured. Therefore, the study of textile fabrics requires a reliable and efficient CAD/CAM tool that models fabric micro-geometry through computer simulation and links the manufacturing process with fabric micro-geometry, mechanical properties and weavability. Dynamic Weaving Process Simulation is developed to simulate the entire textile process. It employs the digital element approach to simulate weaving actions, reed motion, boundary tension and fiber-to-fiber contact and friction. Dynamic Weaving Process Simulation models a Jacquard loom machine, in which the weaving process primarily consists of four steps: weft insertion, beating up, weaving and taking up. Dynamic Weaving Process Simulation simulates these steps according to the underlying loom kinematics and kinetics. First, a weft yarn moves to the fell position under displacement constraints, followed by a beating-up action performed by reed elements. Warp yarns then change positions according to the yarn interlacing pattern defined by a weaving matrix, and taking-up action is simulated to collect woven fabric for continuous weaving process simulation. A Jacquard loom machine individually controls each warp yarn for maximum flexibility of warp motion, managed by the weaving matrix in simulation. Constant boundary tension is implemented to simulate the spring at each warp end. In addition, process simulation adopts re-mesh function to store woven fabric and add new weft yarns for continuous weaving simulation. Dynamic Weaving Process Simulation fully models loom kinetics and kinematics involved in the weaving process. However, the step-by-step simulation of the 3D weaving process requires additional calculation time and computer resource. In order to promote simulation efficiency, enable finer yarn discretization and improve accuracy of fabric micro geometry, parallel computing is implemented in this research and efficiency promotion is presented in this dissertation. The Dynamic Weaving Process Simulation model links fabric micro-geometry with the manufacturing process, allowing determination of weavability of specific weaving pattern and process design. Effects of various weaving process parameters on fabric micro-geometry, fabric mechanical properties and weavability can be investigated with the simulation method.
APA, Harvard, Vancouver, ISO, and other styles
2

Jetavat, Dhavalsinh. "Near net shape preforming by 3D weaving process." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/near-net-shape-preforming-by-3d-weaving-process(bb697182-f424-480b-963a-dc49b84425c6).html.

Full text
Abstract:
Significant proportion of composite industry is currently produced using prepregs, cured in autoclave which is very expensive and time consuming process. Dry textile preforms in conjunction with liquid molding techniques can lead to significant reductions in material costs, manufacturing costs and cycle times. These dry preforms are typically 2D woven or braided fabrics which also required lay-up and have low interlaminar properties. Through thickness reinforcement provides solution for this problem as it gives better interlaminar properties as well as near net shape performing. Various 3D performing methods are discussed and reviewed in this research where 3D weaving comes out as ideal process to develop near net shape preforms with more efficiency and better material performance. This research highlights the advantages and limitations of conventional 3D weaving processes. A number of approaches for improving the flexibility of 3D weaving process have been presented including changing fiber architecture in different sections of the preform, tapering in the width and thickness directions and finally to change the fiber orientation. It is concluded that multi step and taper fabrics can be produced on conventional weaving by some modifications. Furthermore, a novel 3D weaving machine is designed and developed after reviewing various patents and weaving methods to overcome limitations of conventional weaving machine. Key criterions from limitations of conventional weaving processes are considered and modified such as multiple weft insertion, limited warp stuffer movement, linear take-up to develop 3D weaving machine. In order to achieve isotropic material, two textile technologies are combined to get final requirements. 3D weaving can provide us fibres in 0° and 90° direction with through thickness reinforcement, whereas braiding can satisfy the requirement of bias direction fibres. Near net shape preforms such as taper and multistep are produced and laminated. Preliminary testing is performed on these laminates to evaluate fibre architectures. Further work is required in terms of machine modification which can provide weave design flexibility to explore various multilayer weave architectures. Thorough testing is required to evaluate and define structure performance and effect of fibre damage during weaving process.
APA, Harvard, Vancouver, ISO, and other styles
3

Zhao, Ruijie. "Weaving Web 2.0 and the Writing Process with Feminist Pedagogy." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276676479.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Chen, Yi-Fang. "Rush-weaving in Taiwan : perceptions of the environment and the process of becoming heritage." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/7925.

Full text
Abstract:
This thesis is based on fieldwork carried out among weavers of rush-woven objects in rural Taiwan. In this thesis, I argue that nowadays rush-weaving is good work, though not good labour, for the weavers, and the social logic of Yuanli rush-weaving lies in the process of craft production. It is an ethnographic investigation into the practice of rush-weaving in association with colonialism, the heritage movement, and museum operation. Firstly, this thesis examines the economics and history and practice of craft production, in order to understand how the craft industry has become what it is and what is embedded in the process of production. The skill-based knowledge required of weavers is embedded in the relationship between a weaver and her environment. While this fundamental characteristic remains, new meanings and uses are attached to craft practice and the objects produced. Secondly, this thesis explores the process by which craft production is involved in the heritage and museum movement in contemporary Taiwan, so as to understand the interrelationship between craft production and the movement. I consider how ideas of tradition, heritage, and museums are perceived and enacted in everyday life, and find that these ideas contain contradictions and have different meanings for insiders and outsiders. The analysis as a whole seeks to explain why artisans keep weaving in contemporary society, and that it must be understood in terms of their continuous reaction to the constant transformation that the rush-weaving industry has undergone, which is reflected in the relationship between artisans and their objects in the process of production. The thesis addresses current issues – which are both fiercely contested in events and policies, and marginalised in everyday life – in Taiwan, but also attempts to contribute to the anthropological perspective on knowledge in practice, technology and social logics, past and present, and tradition and innovation.
APA, Harvard, Vancouver, ISO, and other styles
5

Gäfvert, Josefin. "Utfläkt på ditt golv (exposed on your floor)." Thesis, Konstfack, Textil, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7813.

Full text
Abstract:
In this paper I have investigated the role of the weaver, from my own perspective as a weaver. I have discussed weaving in relation to function and painting, and how the weaving process and the collaboration with the loom have a great impact on what I create. I have found it difficult to believe in the future as a weaver, and with this project I wanted to find a meaning with weaving that I can lean on.   All five weaves are woven on the same warp, I call it a warp family. Every weave is a try and a failure to weave a rug. Instead they have all turned into different characters, portraying my ongoing struggle with, and love for, the warp.    I’ve come to the conclusion that for me the rug is a symbol for honesty in making, and that it’s function is to remind us about values that often are neglected. The visible process, the human presence, is then more important than aspects like functionality or perfection.
APA, Harvard, Vancouver, ISO, and other styles
6

Adam, Noor Aishikin. "Weaving culture and mathematics : an evaluation of mutual interrogation as a methodological process in ethnomathematical research." Thesis, University of Auckland, 2011. http://hdl.handle.net/2292/6654.

Full text
Abstract:
This thesis discusses an attempt to implement the methodology of mutual interrogation in an ethnomathematical research study. Mutual interrogation was proposed by Alangui (2010) as a way of resolving issues of ideological colonialism and knowledge decontextualisation in investigations of mathematical knowledge in cultural practice. The process involves implementing a critical dialogue between holders of a specific cultural knowledge domain and mathematicians in order to investigate the interactions that occur between their knowledge systems, and to look at how the diverse ways of thinking about quantities, relationships and space can help broaden or transform our conception of mathematics. The thesis describes an adaptation of the above methodology to a study of food cover (tudung saji) weaving among the weavers of Malaysia. These conical-shaped covers are woven using a specific technique called triaxial or hexagonal weave, where the strands are interlaced in three directions. A three-phase dialogue between several weavers and mathematicians was implemented, with the researcher playing the role of the mediator. Ethnographic techniques of participant observation, audio and video recording, field notes and interviews (both unstructured and semi-structured) were employed to document the dialogue and explore weaving limitations and possibilities. A computer-generated weaving template was also created to mediate investigations. The interactions between the conventions of the weavers and the concepts of the mathematicians uncovered differing perspectives on the construction of the tudung saji and the use of the template. The research findings highlight the role of mutual interrogation in establishing communication between the knowledge systems and the practitioners. Furthermore, mutual interrogation both affected the contemporary practices of the weavers and drew the mathematicians' attention to the way the process of interpreting a cultural activity can lead to the invention of new mathematical structures.
APA, Harvard, Vancouver, ISO, and other styles
7

Zhu, Jia. "Weaving language and culture together : the process of culture learning in a chinese as a foreign language classroom." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3418.

Full text
Abstract:
This dissertation is a qualitative case study exploring the process of culture learning in a Chinese as a foreign language (CFL) classroom. Guided by a socioculturally based theoretical perspective and adopting the stance of the National Standards, which says that language students "cannot truly master the language until they have also mastered the cultural contexts in which the language occurs" (1996, p. 27), this study describes how culture learning is tied to class practices aimed at developing students' language proficiency by exploring how culture and language are integrated in spoken discourse and interactions in the classroom. The research questions of the study focus on both the instructor's and the students' perspectives towards the interrelationship between language learning and culture learning and their actual practices in the dynamic, complex, and emerging speech community of classroom contexts. Through analysis of student questionnaires, classroom observations, instructor interview, and stimulated-recall sessions with students, this study examines the contexts of culture learning, illustrates how language classroom contexts shape and are shaped by all the class members, including both the instructor and the students, and describes how the classroom spoken discourse in the current advanced-level undergraduate CFL course provides opportunities for culture learning and how culture learning actually happens in this language classroom. The findings suggest that as the instructor and the students interact in the language classroom, it is not so much the particular pieces of cultural and linguistic information under discussion that delineate the actual culture learning process, but rather the active exchanges and sometimes disagreements between the instructor and the students that provide opportunities for interactive cultural dialogues and discussions. In other words, cultural knowledge and understanding are situated in actual contexts of language use. Language learning is also embedded in the same interactive and collaborative discussion of texts. By exploring the complexity of the culture learning process in the language classroom setting, this study adds theoretical and pedagogical support to the premise that culture learning should be an integral part of language instruction at different levels throughout the language curriculum.
APA, Harvard, Vancouver, ISO, and other styles
8

Koh, Yee Sing. "Weaving the right guanxi : a study of the role of social networks in the job search process in Hong Kong /." View Abstract or Full-Text, 2002. http://library.ust.hk/cgi/db/thesis.pl?SOSC%202002%20KOH.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Jakel, Miriam Sari. "Youth weaving networks beyond community borders : lessons learned from Caja Lúdica, a community arts process and networking initiative in Guatemala." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/youth-weaving-networks-beyond-community-borderslessons-learned-from-caja-ludica-a-community-arts-process-and-networking-initiative-in-guatemala(ab0f6ec2-9a85-49e7-b3dc-23058a0b18ad).html.

Full text
Abstract:
This thesis examines a youth community arts network and Caja Lúdica, one of its founder organisations, in post-conflict Guatemala, and argues that they not only temporarily create spaces of encounter and community but through their networking and exchange strategies have established a rhizomatic assemblage of practice characterised by its perseverance and its dispersed agency in different parts of the country. As such, the thesis asks the following main three questions: What are the practices of Caja Lúdica and the Community Arts Network in Guatemala; what are youth protagonists’ experiences; and what contribution can their practices make to debates on community arts in challenging environments but also in other parts of the world? By using Deleuze and Guattari’s rhizome theory it highlights notions of networking, local protagonism and collectivity asks for more sustainable practice with youth and by introducing these terms into performance and community arts scholarship, where they are scarcely explored, it makes a critical contribution to these fields. A methodological approach based on rhizomatic notions has fostered the connection of a wide range of methods such as semi-structured interviews, participant observation, ‘following’ as a research method as well as photography, the latter two of which have been developed for researching this particular networking practice in Guatemala. By using a selected set of case studies, this investigation aims to grasp the diversity and dynamics of this practice, in particular its movement and expansion across community borders through its youth protagonists. These case studies include the exploration of a local youth group and their exchange activities as well as the observation of the Network’s collective rituals and public interventions. By doing so this thesis aims to emphasise the potential of youth as creative protagonists in challenging contexts and stresses the importance to further examine their potential and ability to resist marginalisation and contribute to the reconstruction of the social fabric in war-affected communities and beyond. It further proposes that a networking and more holistic approach to practice can foster more sustainable community arts processes, not just in terms of decreasing external funding dependency and determination, but also to establish a practice culture in and between initiatives based on collectivity, exchange and support, which becomes more important in times of austerity.
APA, Harvard, Vancouver, ISO, and other styles
10

Decrette, Mathieu. "Tissage Jacquard : étude de paramètres et optimisation du tissage 3D haute densité." Thesis, Mulhouse, 2014. http://www.theses.fr/2014MULH7952.

Full text
Abstract:
La technique du tissage consiste à créer un entrecroisement de fils perpendiculaires entre eux. Pour cela, il est nécessaire d'insérer un fil de trame à travers une nappe de fils de chaîne parallèles. L'étape de formation de la foule, consistant à séparer la nappe de chaîne pour libérer un espace d'insertion, est vecteur d'interactions interfilamentaires et de dommages induits dans la structure filamentaire. Un tel phénomène, rapporté au tissage de renforts de matériaux composites produit des dégradations de structure importantes et une diminution sensible des propriétés mécaniques du produit fini. Dans le contexte de la croissance du marché des matériaux composites haute performance à renforts tissés, il est nécessaire d'améliorer puis de maîtriser le procédé de tissage. Ainsi, pour optimiser le tissage d'étoffes multicouches à haute densité, nous disposons d’une machine Jacquard. Il s'agit d'une technique qui permet un pilotage individuel motorisé des fils de chaîne et qui offre des paramètres de foule particuliers. Le but de ces travaux sont d'étudier ces paramètres d'une part et de définir et analyser leurs effets sur le processus de tissage par ailleurs. Nous utilisons pour ces travaux du polyester multifilamentaire, ainsi qu'un dispositif de tissage particulier adapté au tissage technique multicouches. Nous constatons que le tissage multicouches de forte densité génère de nombreux frottements interfilamentaires qui dégradent les fils en provoquant de la fibrillation. L'observation de l'évolution de ce phénomène selon les différents paramètres Jacquard, permet tout d'abord de mieux le comprendre et le cerner. Elle permet ensuite de déterminer les configurations de tissage optimales pour assurer la qualité du tissage de renforts tissés
Weaving basic structure is an orthogonally interlaced yarns plane, produced thanks to weft insertion across parallel warp yarns. Shedding is a major step for shed generation by warp yarns separation. Shedding may generate warp yarns interactions and yarn structure degradations because of density. Such a phenomenon becomes major with composite high density woven reinforcement where degradations and final product mechanical properties loss may become considerable. With high performance composites market growth, weaving process needs to be improved.A Jacquard shedding mechanism has been employed for high density multilayer woven fabric weaving optimization, as this technique enables warp yarns individual motorized driving with very particular shedding parameters. In this research, Jacquard shedding parameters have been studied so that their effects on the weaving process may be brought to light, with a specific weaving machine dedicated to multilayer weaving, where polyester multifilament yarns are used.It has been observed that high density multilayer weaving produces friction and many degradations during shedding between filaments because of the fibrillation phenomenon. Fibrillation has been examined and understood thanks to the observation of its evolution according to Jacquard shedding parameters. It has been the basis for optimal weaving parameter configurations which may be used for woven reinforcements composites quality improvement
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "The weaving process"

1

Hearn, Mary Alice. Weaving as a way of knowing: A study in creative process. Ann Arbor, MI: UMI, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Carl, Andy. Weaving consensus: The Papua New Guinea-Bougainville peace process. Edited by Conciliation Resources (Organization). London: Conciliation Resources in collaboration with BICWF, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Grey, Mary. Weaving new connections: The promise of feminist process thought for Christian Theology. London: S.P.C.K., 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Andy, Carl, Garasu Lorraine, Conciliation Resources, and Bougainville Inter-Church Women's Forum, eds. Weaving consensus: The Papua New Guinea - Bougainville peace process. London: Conciliation Resources in collaboration with BICWF, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Rāingān kānwičhai rư̄ang kānʻanurak singwǣtlō̜m thī kœ̄t čhāk krabūankān phalit phāmai thō̜ mư̄: Karanī sưksā klum thō̜ phāmai Bān Khāp Nư̄a Tambon Thēnmī ʻAmphœ̄ Mư̄ang Čhangwat Surin = Environment conservation resulted from a handmade silk weaving process a case study of Ban Karb-Nuea silk weaving group, Tambon Tenmee, Muang District, Surin Province. [Surin]: Mahāwitthayālai Rātchaphat Surin, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Monaco, Claudia, and Esther Lutgens. Atherosclerosis—a short history. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780198755777.003.0010.

Full text
Abstract:
The pathogenesis of human atherosclerotic lesions has long been debated and is still evolving nowadays. First conceptualized as chronically evolving degenerative disease initiating in the mother’s womb, then increasingly accepted as a dynamic process causing severe acute complications that jeopardize the blood flow to the heart. Evolution of the hypothesis mirrored the progress of cellular and molecular biology, leading to progressive broadening of the understanding of cell types and molecules involved in atherogenesis. This chapter describes the current histopathological view on the pathogenesis of atherosclerosis, and touches on a historical perspective weaving in the fundamental discoveries that still influence the perception of this disease in humans.
APA, Harvard, Vancouver, ISO, and other styles
7

Mukherji, Subha. Outgrowing Adonis, outgrowing Ovid. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0014.

Full text
Abstract:
This chapter shows Shakespeare weaving his rhetorical engagement with Ovid with a sexual narrative to ‘disorient’ his readership, in the process critically reorienting his own relationship with Ovid as early as his first attempt to emulate him. The narrator’s evolving attitude to the figure of Adonis emerges as a site for this metamorphosis, as readerly desire is set at variance with that of the inscribed subject(s). A brief, final excursion into Lucrece illustrates most directly what is at stake in the Ovidian Shakespeare’s redefinition of his poetic at this juncture, and the nature of its urgency. While it might have remained a young poet’s bravura adoption of a trendy project, Venus and Adonis becomes an exuberant yet confusing and responsible work that signals the beginning of a career which refuses to scrape poetic alchemy clean of its affective cost.
APA, Harvard, Vancouver, ISO, and other styles
8

Muller, Carol. Sathima Bea Benjamin. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037245.003.0009.

Full text
Abstract:
This chapter explores the life and career of Sathima Bea Benjamin, who grew up in Cape Town, South Africa, during the transition to apartheid in the 1940s. Taking melodies she heard on her grandmother's radio, Sathima developed her own jazz singing voice, weaving in her own compositions. With a life embedded in an awareness of race and gender, she left for Europe in 1962. Her migratory lifestyle took her through tours in Europe, supporting her husband musician and caring for her daughters, to her own career development in New York City as a jazz singer with her own trio—where she continues to record, create, and perform. Sathima's vocality and life-stories reveal risks, freedoms, and creative processes as she creates a counternarrative to the discourses of masculinity in jazz.
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "The weaving process"

1

Bílkovský, Aleš. "Yarn Tension Control During Weaving Process." In New Advances in Mechanisms, Mechanical Transmissions and Robotics, 384–90. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-60076-1_35.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jalali, Amin. "Hybrid Weaving in Aspect Oriented Business Process Management." In Lecture Notes in Business Information Processing, 63–78. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64930-6_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Jalali, Amin, Petia Wohed, Chun Ouyang, and Paul Johannesson. "Dynamic Weaving in Aspect Oriented Business Process Management." In On the Move to Meaningful Internet Systems: OTM 2013 Conferences, 2–20. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-41030-7_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Bilek, M. "Analysis of Heald Motion During of Weaving Process." In Advances in Mechanisms Design, 367–73. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5125-5_48.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jalali, Amin. "Static Weaving in Aspect Oriented Business Process Management." In Conceptual Modeling, 548–57. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25264-3_41.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Guarrella, Cristina. "Weaving Science Through STEAM: A Process Skill Approach." In Embedding STEAM in Early Childhood Education and Care, 1–19. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65624-9_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Denninger, Daniel. "Over-braiding or Overweaving—An Alternative Covering Process." In Recent Developments in Braiding and Narrow Weaving, 3–14. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-29932-7_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Reimer, Viktor, Su Alptekin, and Thomas Gries. "Investigation of the Relations Between the Parameters in the Radial Braiding Process." In Recent Developments in Braiding and Narrow Weaving, 111–20. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-29932-7_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Döhring, Markus, and Birgit Zimmermann. "vBPMN: Event-Aware Workflow Variants by Weaving BPMN2 and Business Rules." In Enterprise, Business-Process and Information Systems Modeling, 332–41. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-21759-3_24.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Mondéjar, Rubén, Pedro García-López, Carles Pairot, and Enric Brull. "Implicit BPM: A Business Process Platform for Transparent Workflow Weaving." In Lecture Notes in Computer Science, 168–83. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10172-9_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "The weaving process"

1

Yang, Chunhua, and Haiyang Wang. "A Process Algebra Based Aspect Weaving Model." In 2008 International Conference on Computer Science and Software Engineering. IEEE, 2008. http://dx.doi.org/10.1109/csse.2008.1123.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Saggiomo, M., M. Kemper, Y. S. Gloy, and T. Gries. "Weaving machine as cyber-physical production system: Multi-objective self-optimization of the weaving process." In 2016 IEEE International Conference on Industrial Technology (ICIT). IEEE, 2016. http://dx.doi.org/10.1109/icit.2016.7475090.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ni, Youcong, Shi Ying, Jing Wen, Linlin Zhang, Peng Ye, and Jiajing Zhang. "Study on Weaving Process at Software Architectural level." In 2008 IEEE Asia-Pacific Services Computing Conference (APSCC 2008). IEEE, 2008. http://dx.doi.org/10.1109/apscc.2008.69.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Miyaki, Hikaru, and Atsushi Sakuma. "Diagram Design of Weaving Process for Touch-Feel Estimation of Plain-Woven Fabrics by Finite Element Method." In ASME 2020 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/imece2020-24563.

Full text
Abstract:
Abstract Digital evaluation of touch-feel in textiles is useful to design fundamental functions of clothing. Here, it is necessary to design textiles for a detailed evaluation of the sensitivity in human’s feelings to consider the life-style creation in various aspects. Then, the objective of this paper is to propose a design method for plain-woven fabrics by touch-feel estimation considering the weaving process with the constitutive relations of yarn. Here, a diagram for control weaving is defined by the diameter of the yarn and displacement quantity of the weaving and the cramping by defining the theoretical thickness. For the effective design to consider various processes, unit-cell of plain-woven structures are fundamentally classified as open set models and closed set models. One of the unit-cell models in the finite element method (FEM) for the plain-woven structure is adopted because the adopted model can consider initial-stress distribution in the weaving process. For touch-feel estimation, an analysis model is constructed by warp, weft, and plungers that cramps the woven structure. A series of diagrams to compress with plungers is shown after constructing a plain-woven structure. As for analyzing the weaving process and the touch-feel estimation in one model, realization of the effective engineering is enabled. This procedure yields that the relationship between the displacement and simulation time suggests for consideration of initial-stress.
APA, Harvard, Vancouver, ISO, and other styles
5

Robertson, William. "EDUTAINMENT: WEAVING YOUR PASSION INTO THE PROCESS OF STEM EDUCATION." In 11th annual International Conference of Education, Research and Innovation. IATED, 2018. http://dx.doi.org/10.21125/iceri.2018.1258.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Haga, Wayne, and Janos Fustos. "Weaving a Web Development Curriculum." In 2002 Informing Science + IT Education Conference. Informing Science Institute, 2002. http://dx.doi.org/10.28945/2495.

Full text
Abstract:
Faculty in the Computer Information Systems department at the authors’ institution is in the process of developing a new Computer Information Systems degree with several areas of emphasis. One of the proposed areas of emphasis will be to prepare students for a career as a web developer. As part of the curriculum development process, the authors collected data regarding the current demand for web developers, the education level requested, salaries, and the specific skills employers are demanding. The research process included reading and recording the education level, experience, and specific skills employers are requesting for hundreds of jobs that have been posted on the Internet within the last few months. Additionally, data was gathered from other sources including courses and programs offered at other institutions of higher education. Using this data, a model curriculum for a degree leading to a career in the field of web development is proposed.
APA, Harvard, Vancouver, ISO, and other styles
7

Dong, Wen. "Weaving multi-agent modeling and big data for stochastic process inference." In 2015 Winter Simulation Conference (WSC). IEEE, 2015. http://dx.doi.org/10.1109/wsc.2015.7408209.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Purwoko, Gervasius Herry, Tri Noviyanto Puji Utomo, and Wina Christina. "Lurik weaving fabrics: An aesthetic element in furniture design." In HUMAN-DEDICATED SUSTAINABLE PRODUCT AND PROCESS DESIGN: MATERIALS, RESOURCES, AND ENERGY: Proceedings of the 4th International Conference on Engineering, Technology, and Industrial Application (ICETIA) 2017. Author(s), 2018. http://dx.doi.org/10.1063/1.5042926.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sassa, Mio, and NINGPING SUN. "An Algorithm to Express the Weaving Process of Handwoven Bamboo Craft Using 3DCG." In 8th International Conference on Advances in Computing, Electronics and Communication - ACEC. Institute of Research Engineers and Doctors, 2019. http://dx.doi.org/10.15224/978-1-63248-165-8-05.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Dohring, Markus, Axel Schulz, and Ivan Galkin. "Emulating Runtime Workflow Adaptation and Aspect Weaving by Recursive Rule-Based Sub-Process Selection - A Model Transformation Approach." In 2012 16th IEEE International Enterprise Distributed Object Computing Conference (EDOC 2012). IEEE, 2012. http://dx.doi.org/10.1109/edoc.2012.24.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "The weaving process"

1

Kvalbein, Astrid. Wood or blood? Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481278.

Full text
Abstract:
Wood or Blood? New scores and new sounds for voice and clarinet Astrid Kvalbein and Gjertrud Pedersen, Norwegian Academy of Music What is this thing called a score, and how do we relate to it as performers, in order to realize a musical work? This is the fundamental question of this exposition. As a duo we have related to scores in a variety of ways over the years: from the traditional reading and interpreting of sheet music of works by distant (some dead) composers, to learning new works in dialogue with living composers and to taking part in the creative processes from the commissioning of a work to its premiere and beyond. This reflective practice has triggered many questions: could the score for instance be conceptualized as a contract, in which some elements are negotiable and others are not? Where two equal parts, the performer(s) and the composer might have qualitatively different assignments on how to realize the music? Finally: might reflecting on such questions influence our interpretative practices? To shed light on these issues, we take as examples three works from our recent repertoire: Ragnhild Berstad’s Vevtråd (Weaving thread, 2010), Jan Martin Smørdal’s The Lesser Nighthawk (2012) and Lene Grenager’s Tre eller blod (Wood or blood, 2005). We will share – attempt to unfold – some of the experiences gained from working with this music, in close collaboration and dialogue with the composers. Observing the processes from a certain temporal distance, we see how our attitudes as a duo has developed over a longer span of time, into a more confident 'we'.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'The weaving process' for particular source types:
Journal articles Dissertations / Theses
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography