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Journal articles on the topic 'The weaving process'

Author: Grafiati

Published: 16 June 2021

Last updated: 17 February 2022

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1

UĞURLU, Servet Senem. "THE LINE AND ICONOGRAPHY IN THE TRADITIONAL ANATOLIAN WEAVINGS." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 255–75. http://dx.doi.org/10.46291/zfwt/130213.

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The traditional examples that continue and develop the process in Anatolian weaving are numerous for those who know how to make use of it. In 2013, during the archaeological excavations at Çatalhöyük, it was discovered in the BC. 7000 parts of linen weaving dated to were found. Due to its biological structure, humans have benefited from weaving to protect themselves from adverse weather conditions and to spend their lives more comfortably. Weavings created for natural needs are coloured to influence other people in the society and decorated with various methods. Ornamental elements start with a dot, continue with a line, and finish with colour. Weavings vary according to the cultural values conditions of the society and geographical position. Anatolian people used the line and the motifs they made by making use of the line in the decoration of their weavings. Line is a means of expression that has been used from the earliest periods of human history to the present day. One of the most important values in the cultural, artistic and sociological life of a person is the line. They have visualized pictures of weaving, which is considered a sacred profession, on many surfaces. Line has always been used as a basic element in traditional Anatolian weavings. Weavers transferred the different uses of the line to their weavings. With the arrival of the Yörüks and Turkmens from the Oghuz tribes to Anatolia, Anatolia was enriched with nomadic society weavings. There are linear elements on the basis of ornamentation of nomadic Turkish weavings. Yörük and Turkmen weavers who settled in Anatolia continued the weaving process in Anatolia until recently. In weaving patterns, they generally used line and line-based motifs. In this study; information will be given about line, iconography of line and textural surfaces created by line in Anatolian traditional weavings. Keywords: Anatolian, Weaving, Line, Iconography, Traditional.

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Husna Amalya Melati, Yudithya Ratih, and Metasari Kartika. "PENINGKATAN KAPASITAS PENENUN CORAK INSANG MELALUI PELATIHAN MOTIVASI USAHA DAN MENGANIK." ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat 2, no. 2 (December 13, 2017): 109–14. http://dx.doi.org/10.32734/abdimastalenta.v2i2.2295.

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Non Government Organisations as known as Kelompok Swadaya Masyarakat (KSM) Mekar IIand Pucuk Rebung became the only Insang style of weaving craft employers in the city ofPontianak were located on Jalan Khatulistiwa, Batulayang District. The Insang style of weavingis one of the features produced by KSM, besides the typical weaving of Sambas. Only a smallportion of craft employers or weavers which produces the weaving of Insang style because it isfeared that the market target is not much, however this pattern is a typical of Pontianak city;The capital of West Kalimantan Province. Decreased motivation for weaving since it faced theproblem not knowing how to understand that is the upstream process in weaving. Training isdone by giving the material about the weaving process, especially the stage of understandingand motivation and business development opportunities to the partners until all the materialpresented and implemented. Participants said that they were ready to weave back and werewilling to support the development of their area into a village or a weaving center. One of themis shown by the willingness of their house to be decorated or painted with Insang style. Thetraining that was done successfully resulted in more than 15 people weavers who haveunderstood how to do the “nganik” process.

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OSSELIN, Jean-François, and Jean-Yves DREAN. "Weaving Process and Boolean Algebra." Research Journal of Textile and Apparel 8, no. 2 (May 2004): 34–42. http://dx.doi.org/10.1108/rjta-08-02-2004-b005.

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4

Liu, Bing, Feng Hu Wang, Fu Liu, and Jian Ping Sun. "Study of Wheat Straw Weaving Process and Decorative Effect." Advanced Materials Research 605-607 (December 2012): 179–82. http://dx.doi.org/10.4028/www.scientific.net/amr.605-607.179.

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Take full advantage of the natural luster of the wheat straw surface pleasing to the eye, fresh and natural, easy and pro-and texture, on the basis of the traditional weaving process, as a guide to modern art and design school, linear weaving straw art research and the use of modern aesthetic point of view of its weaving pattern design, explore traditional weaving skills at the same time, optimize the performance of straw handicrafts decorated, reliable optimization of design parameters and the overall theoretical basis for the new straw art and fiber art R & D and innovation, efficient use of straw raw materials and increase value-added products to explore new avenues.

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5

Sainen, T. "Computarization in Weaving and Preparation Process." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 49, no. 4 (1996): P215—P224. http://dx.doi.org/10.4188/transjtmsj.49.4_p215.

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6

Anahara, M., and M. Kinbara. "General Review for Weaving Process Technologies." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 40, no. 8 (1987): P347—P362. http://dx.doi.org/10.4188/transjtmsj.40.8_p347.

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7

Apriawan, Lalu Didik, Siti Nurjannah, and Oryza Pneumatica Inderasari. "PERAN MODAL SOSIAL SEBAGAI STRATEGI DALAM PENGEMBANGAN INDUTRI KERAJINAN TENUN DI DESA SUKARARA KABUPATEN LOMBOK TENGAH." Journal of Urban Sociology 3, no. 1 (January 12, 2021): 49. http://dx.doi.org/10.30742/jus.v3i1.1192.

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The study was entitled "The Role of Social Capital as a Strategy in the Development of the Weaving Handicraft Industry in Sukarara Village". The development of the weaving industry has been started since the 1980s, but the process of developing the weaving industry is still relatively slow and has low competitiveness with handicraft industries is in Central Lombok. This study uses the theory and concept of social capital from Putnam. This study also uses a qualitative method with a case study approach. The main source in this study is the weaving craftsmen. The research location is Sukarara Village, Jonggat District, Central Lombok Regency. This research is a qualitative research which aims to explain and discover the role of social capital that is owned by the community in the development process of the weaving industry in the village of Sukarara. The focus of this research is identifying the role of social capital and knowing the obstacles in the development process of the weaving industry. This study aims to determine the role of social capital and its obstacles in the development process of the weaving industry in Sukarara Village.Keywords: Social Capital, Strategy, Weaving Crafts

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Apriawan, Lalu Didik, Siti Nurjannah, and Oryza Pneumatica Inderasari. "PERAN MODAL SOSIAL SEBAGAI STRATEGI DALAM PENGEMBANGAN INDUTRI KERAJINAN TENUN DI DESA SUKARARA KABUPATEN LOMBOK TENGAH." Journal of Urban Sociology 3, no. 1 (May 1, 2020): 49. http://dx.doi.org/10.30742/jus.v3i1.1255.

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The study was entitled "The Role of Social Capital as a Strategy in the Development of the Weaving Handicraft Industry in Sukarara Village". The development of the weaving industry has been started since the 1980s, but the process of developing the weaving industry is still relatively slow and has low competitiveness with handicraft industries is in Central Lombok. This study uses the theory and concept of social capital from Putnam. This study also uses a qualitative method with a case study approach. The main source in this study is the weaving craftsmen. The research location is Sukarara Village, Jonggat District, Central Lombok Regency. This research is a qualitative research which aims to explain and discover the role of social capital that is owned by the community in the development process of the weaving industry in the village of Sukarara. The focus of this research is identifying the role of social capital and knowing the obstacles in the development process of the weaving industry. This study aims to determine the role of social capital and its obstacles in the development process of the weaving industry in Sukarara Village.Keywords: Social Capital, Strategy, Weaving Crafts

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9

Jalali, Amin. "Weaving of Aspects in Business Process Management." Complex Systems Informatics and Modeling Quarterly, no. 15 (July 31, 2018): 24–44. http://dx.doi.org/10.7250/csimq.2018-15.02.

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10

Wongwan, Kridsada, and Wimalin Laosiritaworn. "Security wire mesh weaving process modelling with artificial neural network." MATEC Web of Conferences 249 (2018): 02006. http://dx.doi.org/10.1051/matecconf/201824902006.

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This paper investigates weaving process in the production of security woven wire mesh. Weaving is a critical process of the entire production as the quality of the final product depends very much on this process. High defect rate and low production yield is now a major concern in the production. There has been no prior study of the relationship among variables such as inspection data and machine setting on production yield. Conducting experiments to investigate this relationship is not reasonable in this case, as the product targeted at premium market and scrap cost is very high. In order to investigate the effect of these parameters, artificial neural network (ANN) was applied to model the process with data from the company databases. The type of ANN used in this research was the multi-layer neural network trained with back-propagation algorithm. The results suggested that ANN can effectively be used to predict weaving process production yield. The use of ANN proposed in this research is not limit to only weaving process, but can be applied to other manufacturing process.

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Gregersen, Malin. "Weaving Relationships." Social Sciences and Missions 30, no. 1-2 (2017): 74–94. http://dx.doi.org/10.1163/18748945-03001013.

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Swedish missionary Ingeborg Wikander (1882–1941) arrived in China in 1916 and worked for the Young Women’s Christian Association (YWCA) in Changsha between 1917 and 1927. During her first years in China, in the process of becoming established in the new country, Wikander moved within several transnational missionary contexts, and she established relationships and networks crucial for her future work. Through the personal example of a Swedish YWCA secretary, this article draws attention to the building of personal relationships within the larger transnational missionary communities of China of the early 20th century. It discusses how such relationships could be interpreted in gendered, national and denominational terms and show how the local, the national and the transnational were entangled in everyday encounters and experiences of individual mission workers like Ingeborg Wikander.

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12

Supo Gutierrez, Jose Antonio, and Ofelia Marleny Mamani Luque. "EL TEJIDO EN EL PROCESO EDUCATIVO DE TAQUILE." Revista de Investigaciones 7, no. 1 (March 5, 2018): 433–42. http://dx.doi.org/10.26788/riepg.2018.1.68.

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13

Cui, Hong Jun, and Li Jun Li. "Analysis on Warp’s Frictional Movement in the Heald Eye during Weaving Process." Advanced Materials Research 175-176 (January 2011): 490–95. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.490.

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Currently the abrasion and breakage of warp during the weaving process have become the key issue in high-speed weaving of non-shuttle looms. According to the experiment, the heald frame is the main zone where warp abrades. With the multiple effects of shedding and beating up, warp will make a frictional movement every time one weft is weaved, no matter which opening mode is used. These frequent frictional movements will cause warp’s surface damage, which leads to breakage. Therefore warp’s frequent frictional movement in the heald eye is the main factor causing warp’s breakage. By theoretically analyzing warp’s front and back elongation and tension while beating up, this paper establishes the formula of warp’s movement in the heald eye, and discusses the effect of weaving parameters on this movement, such as looming tension, warp line, opening time and geometric shedding size. This provides theoretical basis for solving the frictional issue reasonably. According to the result, by forming the shed with big tension, high back-rest, late shedding, long shed, fast opening and slow closing, the frictional movement of warp in the heald eye can be reduced during the weaving process. In this way, warp’s excessive abrasion can be avoided and its breakage will be lowered, so as to improve weaving efficiency.

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14

Li, Jia, Ge Chen, and Shu Jia Li. "Calculating of the Beating-Up Force for 3D Weaving." Advanced Materials Research 683 (April 2013): 526–29. http://dx.doi.org/10.4028/www.scientific.net/amr.683.526.

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During beating-up process in plain weaving, the weft is resisted by two forces: frictional resistance between the weft and the warp, and elastic resistance from the warp. In the process of 3D weaving, several ends of warps are inserted in multiple sheds simultaneously, the resistance force of 3D weaving is much bigger than that in traditional weaving. A beating-up mechanism should work out the range of resistance, since the movement can only be realized when the beating-up force exceeds or equals the resistance. A theoretical foundation for 3D weaving mechanism is provided in this paper by calculating the resistance force in flat weaving using integral method and then deriving the resistance in 3D based on its structural characteristics.

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15

Li, Siyuan, Zhongde Shan, Dong Du, Li Zhan, Zhikun Li, and Yunzhi Liu. "Automatic weaving method for three-dimensional composite preforms using vision system." Textile Research Journal 91, no. 15-16 (February 2, 2021): 1876–88. http://dx.doi.org/10.1177/0040517520982385.

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Three-dimensional composite preform is the main structure of fiber-reinforced composites. During the weaving process of large-sized three-dimensional composite preform, relative rotation or translation between the fiber feeder and guided array occurs before feeding. Besides, the weaving needles can be at different heights after moving out from the guided array. These problems are mostly detected and adjusted manually. To make the weaving process more precise and efficient, we propose machine vision-based methods which could realize accurate estimation and adjustment of the relative position-pose between the fiber feeder and guided array, and make the needles pressing process automatic by recognizing the position of the weaving needles. The results show that the estimation error of relative position-pose is within 5%, and the rate of unrecognized weaving needles is 2%. Our proposed methods improve the automation level of weaving, and are conducive to the development of preform forming toward digital manufacturing.

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Yang, Hua Lin, and Hai Ran Wang. "Weaving Process Scheduling Method Based on Ant Colony Algorithm." Advanced Materials Research 472-475 (February 2012): 2043–47. http://dx.doi.org/10.4028/www.scientific.net/amr.472-475.2043.

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In order to improve the weaving workshop productivity in textile industry, ant colony algorithm is used to solve knitting process scheduling problem. A model of ant colony algorithm for complex working conditions such as multi-product, multi-delivery, emergency orders coming which often occurs in the enterprise is established. Examples show that the method can effectively deal with complex conditions with good results. The modified Ant colony algorithm is feasible in the Knitting Process scheduling problem in the textile weaving industry.

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Vilfayeau, Jerome, David Crépin, François Boussu, Damien Soulat, and Philippe Boisse. "Numerical Modelling of the Weaving Process for Textile Composite." Key Engineering Materials 554-557 (June 2013): 472–77. http://dx.doi.org/10.4028/www.scientific.net/kem.554-557.472.

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Due to advancements made in 3D weaving process [1] and, in order to develop 3D textile structure as reinforcement of composite material for aeronautic application, a good prediction of the geometry and the mechanical properties of the 3D woven unit cell is required. Due to the complexity of these textile architectures, realistic geometric representations [2] of fabrics are often difficult to obtain especially for 3D woven fabrics, but these descriptions are necessary to define meshes for finite element computation [3]. At present, existing tools which model and define, early at a mesoscopic scale [4], the architecture of 3D fabrics don’t take into account the influence of the manufacturing process on the shape modification of the textile structure. Some numerical model exists for the braiding process [5] and the knitting process [6], but not yet for the weaving process. During the manufacturing process, fibres are subjected to significant deformations due to loads from the component of the loom or from the friction with the others fibres. These significant deformations lead to mechanical strength losses of the fabric. A numerical model of the different steps of the weaving process could predict these significant deformations and their influence on the geometry of the textile architecture. Thus, the objective of the NUMTISS project is to develop a numerical model of the deformation of the yarn during the weaving process. For the numerical modelling of the weaving process developed in finite element method, we considered all loom elements like rigid solid, and we will make the assumption that yarns are transverse isotropic elastic materials. Simulations of the process for a plain weave, a twill 2-2 and a satin 8 fabric have already been performed, as well as the simulation of orthogonal warp interlock structures. Then, to understand the kinematic motions of weaving process, the tracking of some strategic elements on the industrial weaving loom (reed, heddles, rapier,..) have been carried out. The tracking obtained from the video of the high speed camera will help us to define the numerical model of the weaving kinematic closer to reality. Correlations between numerical results and specific structures in glass fibres produced on the loom will be presented. The influence of each step of the manufacturing process on the characteristics of the textile structure could be analyzed [1]X. Chen, L. W. Taylor, L. J.Tsai. ”An overview on fabrication of three-dimensional woven textile preforms for composites”. Textile Research Journal, 2011, 81(9) 932–944 [2] SV Lomov, G Perie, DS Ivanov, I Verpoest and D Marsal. “Modeling three-dimensional fabrics and three-dimensional reinforced composites: challenges and solutions”. Textile Research Journal, 2011, 81(1) 28–41 [3] E. De Luycker, F. Morestin, P. Boisse, D. Marsal. « Simulation of 3D interlock composite performing”. Composite Structures, Volume 88, Issue 4, May 2009, Pages 615-623. [4] M. Ansar, W. Xinwei, Z. Chouwei. “Modeling strategies of 3D woven composites: A review”. Composite Structures 93 (2011) 1947–1963. [5] A. K. Pickett, J. Sirtautas, et A. Erber. « Braiding simulation and prediction of mechanical properties”. Applied Composite Materials, 2009. [6] M. Duhovic, D. Bhattacharyya. “Simulating the deformation mechanisms of knitted fabric composites”. Composites Part A : Applied Science and Manufacturing, 2006.

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Itoh, Toshihiro. "Continuous Process for Large-Area Flexible MEMS." Advances in Science and Technology 81 (September 2012): 9–14. http://dx.doi.org/10.4028/www.scientific.net/ast.81.9.

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A novel fabrication process for large area flexible MEMS, having been developed in BEANS project, Japan, is introduced. The process consists of continuously high-speed coating for functional film materials, 3-D nano/micro-machining of the films on fibers, and weaving the functional fibers into large-area integration. In the coating process, functional materials, e.g., organic semiconductor, piezoelectric, conductor and insulator films could be formed on fibers with a speed of 20 m/min. In the 3-D nano/micro-machining, a compound reel-to-reel process system including both thermal roller imprint and photolithography functions was developed. In addition, the microfabrication of the 3-D exposure module and the spray deposition of thin resist films on the fibers were demonstrated. For the weaving assembly, a round-projection microspring contact structure was developed for the electrical contact between weft and warp fibers in a large area of woven textile. Evaluation of the durability showed that the microspring contact structures made of silicon elastomer and PEDOT:PSS are applicable to a movable contact. Weaving assembly process was verified by prototyping 1 × 1 m² or larger flexible touch sensor sheets using functional fibers with organic insulating/conductive films.

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Yang, Jian Guo, Jia Shuang Gao, Hong Yuan Fang, Guang Tao Zhou, and Jun Feng Hu. "Simplified Heat Model of the Weaving Welding Processes." Materials Science Forum 575-578 (April 2008): 735–40. http://dx.doi.org/10.4028/www.scientific.net/msf.575-578.735.

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Considering the specialty of the welding with weaving during the manufacturing process of the thick plate welding structure, a coordinate transformation method is put forward to simulate this process. The results indicate that the arc weaving process leads to the increasing temperature gradient in the regions near the weld bead, which also raises the peak values of transverse residual stresses. Combining the characteristic of the welding with weaving and the conversation of energy law, simplified banding heat source models are developed.

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Cioară, Ioan, Lucica Cioară, and Elena Onofrei. "Forecast of Yarn Breakages During The Weaving Process." Research Journal of Textile and Apparel 8, no. 1 (February 2004): 20–24. http://dx.doi.org/10.1108/rjta-08-01-2004-b003.

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McAliley, J. Eugene, Gene P. Daumit, Fredrick A. Ethridge, and James R. Crozier. "4781223 Weaving process utilizing multifilamentary carbonaceous yarn bundles." Carbon 27, no. 4 (1989): I—II. http://dx.doi.org/10.1016/0008-6223(89)90016-x.

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Gloy, Y. S., F. Sandjaja, and T. Gries. "Model based self-optimization of the weaving process." CIRP Journal of Manufacturing Science and Technology 9 (May 2015): 88–96. http://dx.doi.org/10.1016/j.cirpj.2015.01.001.

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23

Pentland, Brian T., Christian A. Mahringer, Katharina Dittrich, Martha S. Feldman, and Julie Ryan Wolf. "Process Multiplicity and Process Dynamics: Weaving the Space of Possible Paths." Organization Theory 1, no. 3 (July 2020): 263178772096313. http://dx.doi.org/10.1177/2631787720963138.

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In research on process organization studies, the concept of multiplicity is widely used, but a fundamental confusion about what process multiplicity means persists. As a result, we miss some of the potential of this concept for understanding process dynamics and process change. In this paper, we define process multiplicity as a duality of ‘one’ and ‘many’, and we conceptualize ‘the many’ as a space of possible paths encompassed by a process. We use the notion of paths to operationalize process multiplicity and make it accessible for empirical research. When we see process as a multiplicity, process change can be understood as expanding, shifting or contracting the space of possible paths. We suggest that this concept of process multiplicity also has implications for a range of other theoretical and practical topics, including standards, standardization and flexibility as well as process replication, management and resilience.

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Florimond, Charlotte, Hossein Ramezani-Dana, and Emmanuelle Vidal-Sallé. "Identification of Fibre Degradation due to Friction during the Weaving Process." Key Engineering Materials 554-557 (June 2013): 416–22. http://dx.doi.org/10.4028/www.scientific.net/kem.554-557.416.

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In order to be able to properly evaluate the in-use mechanical properties of high performance composite materials, it is useful to identify all the critical operations of the forming process which can degrade the row materials (i.e. the yarns for continuous fibre reinforcements). Those degradations begin during the weaving process which is the main topic of the present paper. The weaving operation has been proved to be particularly critical, especially when the weaving parameters are not correctly tuned. For glass fibre reinforcements, the travel followed by both the warp and weft yarns inside the weaving loom is observed and several zones are identified as particularly critical: the contact between warp yarns and heddles, between yarns and the beater, between yarns … For each zone, the loading has been reproduced in laboratory devices in order to quantify its effect on the final resistance of the yarn. In parallel, the friction parameters have been measured for several friction configurations: friction between yarns in several directions, friction between yarns and various metallic parts of the loom. The objective is the identification of a forming window in terms of yarn tension, the shed opening, the beater for… This work is realised with the financial support of the French National Agency for Research (ANR) in the framework of project ANR- 09-MAPR-0018 (NUMTISS)

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Wang, Xinmiao, Li Chen, Junshan Wang, Xintao Li, and Zhongwei Zhang. "A novel multiaxial three-dimensional woven preform: Process and structure." Journal of Reinforced Plastics and Composites 37, no. 4 (November 27, 2017): 247–66. http://dx.doi.org/10.1177/0731684417741204.

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A novel multiaxial three-dimensional woven preform and the weaving technique have been developed in this study. The preform exhibits remarkable designs, which is formed by multiple layers of different yarn sets, including bias (+bias/−bias), warp, and filling, and all layers are locked by Z-yarns These layers are arranged in a rectangular fashion and the layer number and the position of bias layer can be determined by the end-use requirements. A weaving process and machine are proposed to produce the preform. The weaving technique enables the insertion of many warp layers between two opposite bias layers. The microstructure of the preform was also studied. Microscopic evidence of the microstructure reveals that the cross-sections of Z-yarn are variable along its central axis due to the lateral compression forces of adjacent yarns from different directions. On the basis of microscopic observation, a unit cell geometry model of multiaxial three-dimensional woven preform is established, and a good agreement has been obtained between the theoretical and experimental values of the structural parameters of woven composite samples.

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Sri Astati Sukawati, Ni Ketut. "Tenun Gringsing Teknik Produksi, Motif Dan Makna Simbolik." Jurnal Ilmiah Vastuwidya 3, no. 1 (June 16, 2020): 60–81. http://dx.doi.org/10.47532/jiv.v3i1.101.

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The background of this research is that Tenganan Pagringsingan Village, Karangasem Bali, produces the best Ikat Weaving in Indonesia. One of the Ikat Weaving is Gringsing Weaving produced by the community in Tenganan Pagringsingan Village, Karangasem Regency, Bali. This village is one of the villages inhabited by the people of Bali Mula or Bali Aga (Original Bali) alias Bali who were not from Java when the Majapahit Kingdom expedition to Bali. Weaving is a process of weaving between weft and warp threads. Warp yarns (threads that are attached to the loom) and weft (threads that are linked to the warp threads) which, if both are linked, will produce motifs. This simple process of craft art is now developing into a number of techniques in weaving depending on the creativity of each human - each so as to produce creations of attractive weaving motifs. In the subsequent development of weaving, it can be seen that the woven cloth produced is no longer a body covering material but the woven fabric has more functions than the body covering, for example this woven cloth has a function as traditional clothing or as the identity of the maker area. In addition, woven fabric can be used as a work of art that appears in accordance with local community life.This gringsing weaving describes the system of balance which is about the relationship between humans and humans, humans with nature, and humans with God. The god of the senses who are always worshiped by the Tenganan Pagringsingan people of Karangasem Bali are respected by a pandanus war rite, the pain seems to vanish by gringsing which always binds the body. Gringsing is believed to be able to avoid disease. Even more complex gringsing is a repellent of danger. Based on the background above, in this study the focus is on the process, forms of motifs and symbolic meaning of weaving gringsing in Tenganan Pagringsingan Village, Karangasem, Bali.

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Khokar, N. "3D Fabric-forming Processes: Distinguishing Between 2D-weaving, 3D-weaving and an Unspecified Non-interlacing Process." Journal of the Textile Institute 87, no. 1 (January 1996): 97–106. http://dx.doi.org/10.1080/00405009608659059.

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Fajarningsi, Ana, Andi Ima Kesuma, and Ahmadin Ahmadin. "Kain Tenun “ Kamooru “ Di Kabupaten Muna (1990 – 2019)." Phinisi Integration Review 3, no. 2 (August 31, 2020): 204. http://dx.doi.org/10.26858/pir.v3i2.14883.

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The study discusses on woven fabric typical of Muna district, which is one of the distinctive cultural heritages of Muna ethnic. The weaving craft is done by weavers by using gedogan tools and ATBM. The Masalili village is the center of a weaver village in Muna district, which has a unique weaving and is rich in decorative motifs. The focus of this study is the history of making Muna woven fabric so it shows its existence to date as well as explain and document various kinds of woven motifs that are produced so it shows its development without eliminating traditional elements. Based on this topic, the purpose of this study is to determine the initial process of making Muna weaving in Masalili village, Kontunaga sub-district in Muna district to produce a variety of motifs and philosophies existed on the fabric sheet. This research method employed descriptive analysis with a qualitative approach. Data collections were conducted with literature study, observation, interview, and documentation. In this study, the author tries to explain brief history of the originator of Muna weaving, the process of making Muna weaving using gedogan tools and ATBM, the marketing flow of Muna weaving, and the existence of Muna weaving so it can marketed internationally.

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Zhu, Yong Zhi. "The Design and Production of Bamboo Pulp Silver Fiber/Cotton Antibacterial Fabric." Advanced Materials Research 774-776 (September 2013): 1291–95. http://dx.doi.org/10.4028/www.scientific.net/amr.774-776.1291.

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Through wetting pretreatment of the bamboo silver fiber, taking light ration, slow speed, large twist, and other feasible process configuration and technology measures, making the yarn quality reach a better level; optimizing spinning process, sizing formula, sizing process and weaving process to improve the weaving efficiency and improve the fabric style. It successfully developed the cotton-blended antibacterial functional fabrics of the bamboo pulp silver fiber.

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ISOBE, Yasuichi, Michihiro KINOSHITA, Takahira Yamaguchi, and Sadao KONISHI. "Application of computer in textile industry. Weaving process design." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 52, no. 4 (1999): P159—P167. http://dx.doi.org/10.4188/transjtmsj.52.4_p159.

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Bazhenov, S. M., S. A. Vakhonina, N. V. Tarasov, and A. Yu Matrokhin. "Information and Control System for Automated Weaving Process Monitoring." Automation and Remote Control 80, no. 3 (March 2019): 576–83. http://dx.doi.org/10.1134/s0005117919030147.

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Li, Lan, and Bo Wen Cheng. "Study on the Sludge Dewatering Based on the Filtration Characteristic of Geotextiles." Advanced Materials Research 1004-1005 (August 2014): 967–71. http://dx.doi.org/10.4028/www.scientific.net/amr.1004-1005.967.

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The dehydration and minimization of sludge depended on filtering technology of geotextile is a hot issue in environmental project. By studying related process, the types, weaving forms, weaving structures and pore sizes of geotextile were tested. CPAM was the optimal flocculant with the dose of 90-110 mg/L and twill weaving geotextile with pore size of 0.5 mm was best. The final water content of sludge could drop to 40 %.

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Liu, Bing, Feng Hu Wang, An Ying Jiao, Jian Ping Sun, and Xiao Dong Zhu. "Study of Wheat Straw Veneer on Weave Process." Applied Mechanics and Materials 26-28 (June 2010): 1027–31. http://dx.doi.org/10.4028/www.scientific.net/amm.26-28.1027.

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The wheat straw was pretreated using heat-treatment and water action and then diversified flat weave experiments were performed. Effects of the technology of knitting (including machinery spinning method, sewing spelling method, weaving process of "picks one pressures one" and "picks two pressures two") on veneer material quality and technology of decorative facing was investigated. The results show that both of sewing spelling method and weaving process of "pick two pressure two" achieve better effect with close construction, level, nice appearance and simple to weave. Experiments for optimizing the technology were performed by using non-woven fabric as the laminated veneer materials, The optimal technical parameters when using non-woven fabric were as follows: MDI 1.5％ and UF 8％ with the dosage of 50-80g/m2; temperature of 85-105°C; pressure of 0.2-0.5 MPa; time of 25min(10 sheet at a time).

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Khiani, Raj Kumar, Mazhar Hussain Peerzada, and Sadaf Aftab Abbasi. "Air Consumption Analysis of Air-Jet Weaving." July 2016 35, no. 3 (July 1, 2016): 453–58. http://dx.doi.org/10.22581/muet1982.1603.15.

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In Textile industry, production is mostly key concern for Industry owner. This always has attracted researchers and machines manufacturers to make new developments in process and machines. Air-jet is one of the leading and successful highest productive weaving machines. However, it is now well established that due to add of charges of compressed air, manufacturing cost of air-jet weaving machine is higher as compared with rapier and projectile weaving machines. This is why countries having energy issues do not prefer air-jet weaving machines comparing projectile weaving machines. In this regard, several researchers and machine manufacturers have continuously been working to improve the efficiency of air-jet weft insertion. However, industry practice is as important as design made by researchers. The aim of this research is to investigate the air consumption of air-jet weaving on industrial scale practice. In this study, five weaving machine of same manufacturer and model were selected. It was observed that despite of manufacturing same quality of fabric, air consumption was varying almost in all weaving machines. Conventionally, mill workers adopt hit and trial practice in weaving industry including airpressure setting which leads to variation of nozzle pressure. Main reason of disparity of air consumption in air-jet weaving machines may be variation of distance from compressor to weaving machines, number of joints, un-necessary valve opening and pipes leakages cause an increase of compressed air consumption.

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Febriani, Thesa, and Agusti Efi. "Tenunan songket balai panjang (studi kasus di sentra tenunan balai panjang kel. Balai panjang kec. Payakumbuh selatan)." Indonesian Journal of Education Research 1, no. 1 (January 9, 2020): 45–50. http://dx.doi.org/10.24036/edunesia.v1i1.8.

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Abstrak Tenunan Balai Panjang adalah salah satu tenunan yang ada di Sumatra Barat, yang merupakan pengembangan dari tenunan songket. Namun belum banyak Masyarakat yang mengetahuinya. Maka tujuan penelitian ini adalah untuk melihat proses menenun, bentuk motif dan tata letak motif pada tenunan Balai Panjang di Kelurahan Balai Panjang Kecamatan Payakumbuh Selatan. Penelitian ini menggunakan metode kualitatif. Jenis data berupa data primer dan sekunder. Pengumpulan data menggunakan teknik observasi, wawancara dan dokumentasi. Data penelitian dikumpulkan dari sejumlah informan yang terdiri dari Disperindag Kota Payakumbuh, pimpinan, sekertaris, bendahara dan pengerajin. Selanjutnya data dikaji dan dianalisa dengan langkah-langkah reduksi data, penyajian data dan penarikan kesimpulan. Keabsaha data dilakukan dengan perpanjangan pengamatan, meningkatkan ketekunan, dan triangulasi. Hasil penelitian yaitu 1) Proses meenenun meliputi : (a) proses persiapan (b) proses menenun (c) finishing. 2). Bentuk Motif yang digunakan pada Sentra Tenunan Balai Panjang terinspirasi dari: (1) bentuk alam (tumbuh-tumbuhan, binatang, buah-buahan) seperti : motif tampuak manggih, motif bungo rayo, dan motif pucuak rabuang, motif itiak tabang, motif itiak pulang patang dan sapik kapitiang. (2) bentuk geometris: motif tenun Bintang Kejora, motif bintang jo kumbuah, motif Lakuak Kumbuh dan motif gonjong limo. Bentuk motif tenunan tersebut sudah distilasikan sedemikian rupa sehingga membentuk motif tenunan. 3). Pola Hias yang sering digunakan untuk tenunan pada Sentra Tenunan Balai Panjang adalah pola hias pinggiran, pola hias mengisi bidang, dan pola hias serak. Penepatan motif disesuaikan dengan kegunaan produk. Kata Kunci: Tenun, Songket, Balai Panjang. Abstract Balai Panjang weave is one of the weavings in West Sumatra, which is the development of songket weavings. But not many people know about it. So the purpose of this study was to see the weaving process, the shape of the motifs and the layout of the motifs in Balai Panjang weaving in Balai Panjang District, Payakumbuh Selatan District. This study uses a qualitative method. The types of data are primary and secondary data. Data collection uses observation, interview, and documentation techniques. The research data was collected from a number of informants consisting of the Department of Industry and Trade Payakumbuh, leaders, secretaries, treasurers, and craftsmen. Furthermore, the data is reviewed and analyzed by the steps of data reduction, data presentation, and drawing conclusions. The validity of the data is done by extending the observation, increasing perseverance, and triangulation. The results of the study are 1) The weaving process includes: (a) the preparation process (b) the weaving process (c) finishing. 2). Forms of Motif used in Balai Panjang Woven Center are inspired by (1) natural forms (plants, animals, fruits) such as advanced tiapak motifs, bungo rayo motifs, and motifs of rabuang pucuak, motifs of itiak tabang, motifs of itiak return kapitiang stems and sapik. (2) geometric shapes: Bintang Kejora woven motifs, jo kumbuah star motifs, Lakuak Kumbuh motifs, and gonjong limo motifs. The shape of the woven motif has been distilled in such a way that it forms a woven motif. 3). Ornamental patterns that are often used for weaving at Balai Panjang Woven Centers are fringe decorative patterns, decorative patterns filling fields, and hoarse decorative patterns. The acceleration of the motif is adjusted to the use of the product. Keywords: Tenun, Songket, Balai Panjang.

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Yang, Cai Yun, and Wen Zhang Li. "The Design Principle and Weaving Technique of Distance Fabric." Advanced Materials Research 332-334 (September 2011): 647–50. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.647.

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Distance fabric is a new structure textile characterized by its two parallel skins of 2D fabric integrally connected by large numbers of the through-thickness threads. The paper explores the principle of distance fabric forming and the weave structure developed by us, and introduces the weaving process in detail and also discusses some problems which should be emphasized in weaving this new structural textiles. The weaving practice indicates that the new theory of producing distance fabric is feasible.

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Glusica, Katie. "The Seen and Unseen: Weaving as a Metaphor for Wave/Particle Duality." Leonardo 49, no. 2 (April 2016): 130–37. http://dx.doi.org/10.1162/leon_a_00920.

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This research explores the descriptive and metaphorical relationships between weaving and wave/particle duality through a series of woven artworks. First, it provides an explanation of the weaving process and its historic use as a metaphor for the cosmos. The pieces discussed are visual metaphors wherein the structure of the fabric becomes the content. This connection is perhaps part of a contemporary cosmological construct, replacing the sacred with science and utilizing weaving as a constant in the continuum.

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Grassi, Corrado, Achim Schröter, Yves Simon Gloy, and Thomas Gries. "Reducing environmental impact in air jet weaving technology." International Journal of Clothing Science and Technology 28, no. 3 (June 6, 2016): 283–92. http://dx.doi.org/10.1108/ijcst-03-2016-0037.

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Purpose – The purpose of this paper is to deal with the energy efficiency of textile weaving machines. Increasing energy costs and environmental impact are a challenge for textile manufacturers as well as for the developers of textile production machines. As example, air jet weaving is the most productive but also most energy consuming weaving method. Design/methodology/approach – A method based on energy efficiency considered as the main requirements in the design phase has been developed at the Institut für Textiltechnik der RWTH Aachen University (ITA), Aachen, Germany, in order to improve energy efficiency of air-jet weaving machines. Technological developments are always concerned about low energy costs, low environmental impact, high productivity and constant product quality. The high degree of energy consumption of the method can be ascribed to the high need of compressed air required by the relay nozzles during the weft insertion process. Findings – The relay nozzles of the air-jet weaving technology consume up to 80 percent of the air required by the weft insertion process. At ITA a new nozzle concept was developed. The developed geometry is a so called high-volume-low-pressure nozzle, based on convergent nozzle aerodynamic theory. Originality/value – By employing such new concept of relay nozzles within the weft insertion process, energy savings are possible up to 30 percent.

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London, Jonathan K., Kirsten Schwarz, Mary L. Cadenasso, Bethany B. Cutts, Charles Mason, Jeanette Lim, Katie Valenzuela-Garcia, and Heather Smith. "Weaving Community-University Research and Action Partnerships for environmental justice." Action Research 16, no. 2 (March 14, 2017): 173–89. http://dx.doi.org/10.1177/1476750316678915.

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This article is a case study of one Community-University Research and Action Partnership (CURAP) focused on soil lead, urban gardening, and environmental justice in Sacramento, California. We argue that creating and sustaining CURAPs requires a process of weaving together diverse strands of knowledge, resources, and lines of accountability that connect all parties involved. Like the physical process of weaving fabric, weaving CURAPs involve creative and collaborative uses and responses to tension between all elements of a partnership. This is especially true in long-term partnerships intended to address systemic environmental injustices. This case highlights the power relationships and challenges associated with such partnerships and presents several lessons to enrich the scholarship and practices of action research.

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Wu, Qiang, and Jian Wu. "A Control System Based on ARM and Motion Controller for Arc Welding Machine." Advanced Materials Research 889-890 (February 2014): 1121–25. http://dx.doi.org/10.4028/www.scientific.net/amr.889-890.1121.

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A control system based on ARM and motion controller for arc welding machine is studied, and in the movement process, starting point and ending point detecting function are used in order to increase applied field of the system. In addition, process control module is incorporated into the system to save teach point and specify arc welding processing parameters including the speed, the weaving frequency and the amplitude of weaving and etc.

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Ciptandi, Fajar. "New Identity in Local Community-owned Woven Fabrics in Tuban, East Java, Indonesia." Journal of Visual Art and Design 12, no. 2 (December 31, 2020): 109–19. http://dx.doi.org/10.5614/j.vad.2020.12.2.2.

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The tradition of weaving fabrics by the local community in Tuban, East Java, Indonesia began in the 11th century and until now is considered an important part of the identity of the community. In the current conditions, the tradition of making traditional woven fabrics has persisted without improvements in terms of design, technique, function and products. However, the modern context has brought about a new lifestyle in Tuban that is no longer entirely traditional. Therefore, traditional woven fabrics also need a new identity that is compatible with the current conditions while still being connected to the original identity. This was done in the current research by developing visual novelty for the traditional woven fabrics of Tuban using an experimental method. Alternative processes and techniques of weaving were used to produce weavings with a variety of textures. In the development process, keeping elements that are traditionally valued by the local community was a major concern in order to retain the original character of the fabrics while adding novel elements.

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Kaur, Gagan Deep. "Linguistic mediation and code-to-weave transformation in Kashmiri carpet weaving." Journal of Material Culture 25, no. 2 (August 30, 2019): 220–39. http://dx.doi.org/10.1177/1359183519862585.

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This article describes the process of transforming a symbolic code into weave actions of weavers in Kashmiri carpet weaving and how a trade-specific language features crucially in this transformation. The designs in Kashmiri carpet weaving are encoded in a symbolic code, called talim, which the weavers decode while weaving the design. This transformation from code-to-weave is achieved by subjecting the code to various interpretative frameworks, that is, modality and linguistic, and weaving actions are aligned in accordance with them. The transformation remains similar in single and multi-weaver settings, with an exception that, in the latter, the code is read aloud in practice-specific trade language among the team of weavers.

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Fukuoka, Toshimichi, and Yoshio Nakagawa. "Analysis for Cooling Process of Arc Welding with Weaving Bead." JOURNAL OF THE MARINE ENGINEERING SOCIETY IN JAPAN 29, no. 4 (1994): 311–18. http://dx.doi.org/10.5988/jime1966.29.311.

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Vilfayeau, Jérôme, David Crépin, François Boussu, Damien Soulat, and Philippe Boisse. "Kinematic modelling of the weaving process applied to 2D fabric." Journal of Industrial Textiles 45, no. 3 (April 25, 2014): 338–51. http://dx.doi.org/10.1177/1528083714532114.

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Zhang, Qinglei, and Ridha Khedri. "On the weaving process of aspect-oriented product family algebra." Journal of Logical and Algebraic Methods in Programming 85, no. 1 (January 2016): 146–72. http://dx.doi.org/10.1016/j.jlamp.2015.08.004.

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Satybaldieva, Chynykhan, Mukaram Tashalieva, Zamira Eshnazarova, Ainura Tagaibekova, Aizirek Satybaldieva, Zhanara Tashalieva, and Zhypargul Abdullaeva. "Traditional Kyrgyz Carpet Weaving Process and Semantics of Related Customs." Advances in Anthropology 11, no. 01 (2021): 68–75. http://dx.doi.org/10.4236/aa.2021.111006.

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Vorhof, Michael, Daniel Weise, Cornelia Sennewald, and Gerald Hoffmann. "New method for warp yarn arrangement and algorithm for pattern conversion for three-dimensional woven multilayered fabrics." Journal of Industrial Textiles 49, no. 10 (November 20, 2018): 1334–56. http://dx.doi.org/10.1177/1528083718813530.

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Three-dimensional fabrics have an enormous potential for the manufacturing of semi-finished products in a direct preforming procedure for fiber-reinforced materials. The production of these three-dimensional fabrics involves the processing of coarse reinforcing yarns with high warp density. However, conventional weaving looms have not been designed for such applications, and their maximal achievable warp yarn density is therefore severely limited. Friction and clamping between warp yarns impede the shedding process, and fragments of damaged or fibrillated fibers interfere with the weaving process. Most of the solutions for these issues, which has been presented so far, are based on noncommercial technologies or require extensive modification on standard weaving machines. Hence this paper proposes a new shedding method based on double flat steel heddles, which is suitable for the use in conventional weaving looms. The paper gives a detailed description of the new shedding method including the required materials and the technological framework. Furthermore, a suitable algorithm for the fast pattern conversion under consideration of the special technological framework and requirements of the shedding is presented.

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Zürn, Tobias Benedikt. "The Han Imaginaire of Writing as Weaving: Intertextuality and the Huainanzi's Self-Fashioning as an Embodiment of the Way." Journal of Asian Studies 79, no. 2 (May 2020): 367–402. http://dx.doi.org/10.1017/s0021911819001906.

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Writers in the Han dynasty (206 BCE–220 CE) apparently experienced writing in weaving terms. Such an imaginaire of writing as weaving was probably fully manifested in the first or second century BCE and crystallized in the coining of literary terminologies such as classics (jing), weft-writings (weishu), and literature/texts (wen). Situating the Huainanzi and its intertextual writing practice within this imaginaire enables us to reassess both the Huainanzi's widespread dismissal as a miscellaneous, encyclopedic behemoth in the first half of the twentieth century and its reappreciation over the last few decades. According to the Huainanzi's self-depictions, Liu An and his erudite courtiers apparently created the scripture in such an intertextual way in order to textually mimic the process of weaving. Since the Huainanzi commonly associates weaving with the Way's connective powers, the text's extraordinary design might be the result of a literary attempt to create an efficacious, textual artifact that embodies the Way by incorporating the act of weaving in its textual design.

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Imaniar, Mahrati, Joko Sutarto, and Sungkowo Edy Mulyono. "Songket Fabric Weaving Training in Empowering Poor Women at Home Industry." Journal of Nonformal Education 6, no. 1 (February 6, 2020): 29–35. http://dx.doi.org/10.15294/jne.v6i1.20619.

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Songket fabric weaving training was conducted to empower poor women with the hope that they can overcome the family economy, acquire skills, and be able to become independent individuals. The objectives of this study were (a) to describe and analyze the program planning of songket fabric weaving training, (b) to describe and analyze the process of songket fabric weaving training, (c) to describe and analyze the success of songket fabric weaving training, (d) describe and analyze inhibiting and supporting factors in songket fabric weaving training. The approach used in this research was qualitative approach. The data were collected through observation, interviews, and documentation. The informants consisted of two tutors and three training participants. The results of this study show that (1) the training program planning was arranged according to the needs of the participants, (2) the training process was directed in accordance with the materials by employing adult learning methods, (3) the success of the training had different achievement standards, (4) internal and external factors became obstacles and supporters of songket fabric weaving training as competence of tutors, enthusiastic participants, assistance from non-governmental, market needs and lack of available tools. Weaving cloth training will be carried out with maximum if the trainer has the ability and spirit in learning. Andragogy learning methods are tailored to the needs of learners. In addition, support from the community in training support. In addition to the training, need to think about the market needs so that the training products can be sold to the community. The benefit of this research is as a reference in conducting the training should use andragogy in learning so that the training according to the needs of students and get results more effective and efficient.

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Das, B. R., S. M. Ishtiaque, R. S. Rengasamy, and S. Hati. "Prediction of Weavability of Warp Yarns: A Critical Review." Research Journal of Textile and Apparel 15, no. 3 (August 1, 2011): 38–49. http://dx.doi.org/10.1108/rjta-15-03-2011-b005.

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Warp yarns undergo various types of complex stress during the weaving process; namely tensile, cyclic-extension, compression, bending and abrasion. The capacity of the yarns to withstand these stresses is termed as their weavability. The prediction ofweavabilityis exploited to extract first-hand information about the expected performance of yarns in weaving. This critical review article discusses several approaches that are adopted by the researchers for the prediction of warp breakages in weaving; namely, empirical, statistical and instrumental. The recent developments in the field of prediction of warp breakage rate in weaving are summarized. The research work that is currently being pursued in the attachment of a microprocessor based shedding device in a constant tension transport (CTT) instrument for the prediction of the weavability of spun yarns is highlighted.

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