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Relevant bibliographies by topics / The yellow wallpaper (Gilman)

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Academic literature on the topic 'The yellow wallpaper (Gilman)'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "The yellow wallpaper (Gilman)"

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Subotsky, Fiona. "The Yellow Wallpaper (1892), Charlotte Perkins Gilman." British Journal of Psychiatry 195, no. 1 (July 2009): 22. http://dx.doi.org/10.1192/bjp.195.1.22.

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Martin,, Diana. "Charlotte Perkins Gilman and “The Yellow Wallpaper”." American Journal of Psychiatry 164, no. 5 (May 2007): 736. http://dx.doi.org/10.1176/ajp.2007.164.5.736.

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Angurala, Nidhi. "Decoding the Thematic Imagery in Charlotte Perkins Gilman's “The Yellow Wallpaper” and Katherine Mansfield’s “Bliss”." SMART MOVES JOURNAL IJELLH 8, no. 3 (March 28, 2020): 10. http://dx.doi.org/10.24113/ijellh.v8i3.10471.

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This paper deploys the methodology of textual analysis to re-read and undertake an exegesis of the short story “The Yellow Wallpaper” written by Charlotte Perkins Gilman and “Bliss” penned by modernist writer Katherine Mansfield. The exploration of the symbols and imagery that abound in the texts reveal and underscore the thematic framework of the short stories. While the colour, animal and food imagery add richness to the story of Bertha Mason in “Bliss”, the multifarious symbols are symptomatic of the protagonist’s mental make-up and the descent into madness of her creative propensity in “The Yellow Wallpaper”.

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German, Lindsey. "Schizoaffective Disorder Depressive Type in “The Yellow Wallpaper” by Charlotte Perkins Gilman." Arsenal: The Undergraduate Research Journal of Augusta University 3, no. 2 (May 5, 2020): 13. http://dx.doi.org/10.21633/issn.2380.5064/s.2020.03.02.13.

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Crewe, Jonathan. "Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form." Tulsa Studies in Women's Literature 14, no. 2 (1995): 273. http://dx.doi.org/10.2307/463900.

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Asmarani, Ratna. "KETERPENJARAAN TOKOH PEREMPUAN DALAM CERPEN THE YELLOW WALLPAPER KARYA CHARLOTTE PERKINS GILMAN." HUMANIKA 21, no. 1 (January 3, 2015): 7. http://dx.doi.org/10.14710/humanika.21.1.7-19.

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The purpose of this paper is to analyse the problems around the imprisonment of the female protagonist in Chalotte Perkins Gilman’s short story entiled The Yellow Wallpaper. The focus of the analysis is on the actors and factors causing imprisonment, types dan impacts of imprisonment, efforts to overcome the imprisonment, and the end of the imprisonment experienced by the female protagonist. To analyse this problems, feminist literary criticism is used supported by the stereotypes of the nineteenth century women, the medical opinion at that time and the feminist perspective concerning the mental disorder experienced by women, and the concept of oppression in the imprisonment as well. The result shows that a woman who experiences the physical and psychological imprisonment in the patriarchal household area tends to have mental disorder as an alternative to gain freedom. The conclusion that can be drawn is that in the patriarchal environment women’s movement area and psychological, emotional, intellectual actualization tend to be limited in which the women who fight against those linitations will get the stigma of suffering from mental illness.

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Frye, Carla B. "Using Literature in Health Care: Reflections on “The Yellow Wallpaper”." Annals of Pharmacotherapy 32, no. 7-8 (July 1998): 829–33. http://dx.doi.org/10.1345/aph.17363.

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OBJECTIVE: To discuss how literature can be used to educate healthcare practitioners and students about the patient's physical and emotional response to treatment. DATA SOURCES: A MEDLINE search (January 1975-November 1997) of English-language literature pertinent to using literature in health care was performed. Additional literature was obtained from a search of the New York University Web site on medicine and humanities, biographies of Charlotte Perkins Gilman, and a search of the MLA and INFOTRAC database. SELECTION AND DATA EXTRACTION: All articles and literature were considered for possible inclusion in this article. Pertinent information, as judged by the author, was selected for discussion. SUMMARY: Literature can pose a wealth of information to the healthcare professional. The short story “The Yellow Wallpaper” is analyzed in this article as one example of how literature portrays the patient's emotional response to disease. This short story describes a 19th-century woman's “descent into madness” and the ineffective treatment attempted by her well-meaning physician husband. The author, Charlotte Perkins Gilman, loosely based the story on her own experience with the respected physician, S Weir Mitchell and his famous rest cure. Some biographical information about Mitchell and Perkins is included, as well as a commentary on the treatment of depression in the 19th century. CONCLUSIONS: Short stories such as “The Yellow Wallpaper,” novels, and other short stories can help to remind the healthcare professional of the subjective nature of even our most proven therapies. As we strive to teach and deliver pharmaceutical care, we can use literature to help us understand the emotional impact of our drug therapies.

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Bono Velilla, Rosa. "«The Yellow Wallpaper»: algunas consideraciones sobre el doble subjetivo femenino." Brumal. Revista de investigación sobre lo Fantástico 9, no. 1 (June 10, 2021): 71–86. http://dx.doi.org/10.5565/rev/brumal.704.

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De los abundantes estudios que abordan la contribución al feminismo de «The Yellow Wallpaper» (Charlotte Perkins Gilman, 1892), apenas alguno presta especial atención al tema del doble más allá de su tratamiento clínico de la enajenación. Este artículo plantea algunas reflexiones respecto al tratamiento literario de la identidad femenina mediante el uso del doble. La aproximación de Jourde y Tortonese (1996) permite una distinción esencial por cuanto considera un rasgo de género interesante: el desdoblamiento femenino suele ser externo u objetivo. El doble subjetivo casi nunca está encarnado por mujeres. El recurso del doble subjetivo femenino, apartado del discurso canónico de la exploración del individuo moderno en este y otros textos que aquí se consideran, ha de dedicarse a indagar y construir su propia identidad: su voz no puede hablar por el conjunto de las inquietudes humanas sino solo por la suya en tanto que mujer.

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Villalba Lázaro, Marta. "LAS CURAS DE REPOSO Y LA OPRESIÓN PATRIARCAL EN “THE YELLOW WALLPAPER” Y MRS. DALLOWAY." RAUDEM. Revista de Estudios de las Mujeres 4 (December 18, 2017): 274. http://dx.doi.org/10.25115/raudem.v4i0.1759.

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Resumen:En este artículo se comparan las obras “The Yellow Wallpaper” de Charlotte Perkins Gilman y Mrs. Dalloway de Virginia Woolf al objeto de analizar los paralelismos literarios que presentan en la denuncia común de las curas de reposo, que escriben desde su propia experiencia. Se pretende enfatizar las cuestiones de género que impregnan las dos narrativas poniendo especial hincapié en los símbolos e imágenes que confluyen y que permiten visibilizar las frustraciones y ansiedades de mujeres brillantes que padecieron el sometimiento a maridos y médicos en sociedades marcadamente patriarcales que aún tratamos de superar.

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Khleif, Instructor: Alia. "The Psychological Isolation in Charlotte Perkins Gilman’s “The Yellow Wallpaper”." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 225, no. 1 (September 1, 2018): 83–92. http://dx.doi.org/10.36473/ujhss.v225i1.129.

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This paper examines how Charlotte Perkins Gilman(1860-1935) depicts the effects of isolation, physical and psychological, on the heroine in her story "The Yellow Wallpaper"(1892). By using the first person narration which is a subjective style of writing, the writer reveals the thoughts and feelings of the narrator as she tries to fight against psychological pressures which she could not cope with. Furthermore, the paper examines the reasons which lead to the woman's breakdown, mainly her isolation from people, her need for communication and the way of treatment she receives from her husband. Her domineering husband looks upon her as a weak and an inferior person. He deprives her of practicing any activity. As the narrator is forced to withdraw from society, she looks for something to occupy her mind with. Gradually, she becomes interested in the yellow wallpaper. She stares at the pattern and finally decides that it represents a woman trapped behind the bars. She begins to peel the paper off the walls to liberate the woman. The writer describes the different stages of the woman's deterioration, exposing the different factors which contribute and lead to her madness. Meanwhile, she gives a message warning women of the results when they do not fight back to assert their individuality. Therefore, the story's value lies in the fact that the writer presents this Timeless subject.

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Dissertations / Theses on the topic "The yellow wallpaper (Gilman)"

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Enqvist, Mia. "Understanding the Feminist Message in Gilman´s "The Yellow Wallpaper"." Thesis, Högskolan Dalarna, Engelska, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2473.

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Vujovic, Ana. "Power play in The Bell Jar and "The Yellow Wallpaper" : How power play is manifested towards the protagonists in The Bell Jar and "The Yellow Wallpaper"." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-13939.

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Abstract This paper will attempt to analyze how similar forms of power play are manifested towards the protagonists in both The Bell Jar and “The Yellow Wallpaper”. The aim of the essay is to investigate how power play affects the protagonists’ relations with their caregivers and how it affects their treatments. Thus, the hypothesis is that it is the power play that prevents the protagonists in “The Yellow Wallpaper” and The Bell Jar from recovering from their mental illness, which is confirmed by my analysis. Therefore, the concept of power play will be used in the essay as an instrument of analysis. The hypothesis will be discussed from five main points: obstacles to recovery, caregivers’ role in recovery, patients’ response to treatment, the role of power play, and the negative impact which power play has on recovery. Keywords: Power play, mental illness, treatment, recovery, patient-caregiver relationship, Charlotte Perkins Gilman, Sylvia Plath, Reet Sjögren.

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Hood, Rebekah Michele. "Invisible Voices: Revising Feminist Approaches to Charlotte Perkins Gilman's "The Yellow Wallpaper" by Including the Narrative of Mental Illness." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6678.

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Since 1973, the year in which Elaine Hedges's groundbreaking edition of "The Yellow Wallpaper" was published, Charlotte Perkins Gilman's short story has been read primarily as one of America's leading feminist texts. With potent symbolism and a fragmented style of narration, it is easy to understand why many feminist scholars fashion the story's narrator into a proactive feminist, a courageous heroine who rebels against patriarchal oppression. While this trend of interpretation compellingly attempts to empower the narrator, it often overlooks her perspective of disability and projects the characteristics of a nondisabled, high-functioning feminist on a mentally ill woman. This paper reads Gilman's short story as a narrative of mental illness and applies the research of feminist disability scholars Anita Silvers, Jenny Morris, and Susan Wendell to a close reading of the story. Approaching the story from this perspective, we can identify the systems of oppression that disable the narrator and read "The Yellow Wallpaper" in a way that validates the subjective reality of depression and invites disabled voices into feminism's exploration of womanhood.

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Updike, Hannah. ""The Subordination of the Privileged: Patriarchal Constructions of Femininity in Charlotte Perkins Gilman's 'The Yellow Wallpaper' and Zelda Sayre Fitzgerald's Save Me the Waltz"." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/482.

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Charlotte Perkins Gilman and Zelda Fitzgerald provide unique insight into the patriarchal worlds they lived in through autobiographical accounts of their lives. The Living of Charlotte Perkins Gilman and the diaries of Gilman and her first husband, Charles Walter Stetson, serve as Gilman’s autobiographical texts of the period before, during, and immediately after her breakdown. The correspondence between Fitzgerald and her husband, F. Scott Fitzgerald, as well as Scott’s letters to Zelda’s psychiatrists serve as a biographical (and, in the case of her letters to Scott, autobiographical) account of her life during the period of her institutionalizations, from 1930 up to Scott’s death in 1940. These biographies and autobiographies, studied in conjunction with their fictionalized autobiographical accounts, Gilman’s “The Yellow Wall-Paper” and Fitzgerald’s Save Me The Waltz, illustrate the struggles these women, and by extension, many women of their time, experienced when they were unable to live up to the expectations a patriarchal society placed on them to be perfect wives and mothers. The construction of the feminine by the patriarchy required women to be complacent, meek, dependent, and infantile, and this construction, complicated by the issues of institutionalization and hysteria, is at the heart of the works of Gilman and Fitzgerald. The subtexts present in their fiction demonstrate that Gilman and Fitzgerald not only understood and felt the pressure of the patriarchal construction of femininity, but were acutely aware of how it could exert itself on women, particularly white, economically privileged women. Both authors, victims of the same patriarchal mechanism that dominated society during the turn of the twentieth century, provide insight into their own perspectives through their autobiographies, and then create fictional worlds in which the implications of these perspectives are realized to the detriment of their protagonists. While critics have examined this focus within individual stories by these writers, they have not been examined together in a comprehensive discussion of the patriarchal construction of the feminine and its manifestation in the autobiographical/biographical and fictional works of Charlotte Perkins Gilman and Zelda Fitzgerald.

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Denance, Pascale Ortemann Marie-Jeanne. "I - " Tim -and-Me " essai sur l'entrelacs des genres comme fondement fictionnel à une rhétorique du sujet. Etude d'un corpus transgénérique de la fin du XIXe siècle : The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Perkins Gilman et une sélection de poèmes d'Emily Dickinson /." [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=43136.

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Reeher, Jennifer M. "“The Despair of the Physician”: Centering Patient Narrative through the Writings of Charlotte Perkins Gilman." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1523435451243392.

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Denance, Pascale. "I - « Tim -and-Me » : essai sur l'entrelacs des genres comme fondement fictionnel à une rhétorique du sujet. Etude d'un corpus transgénérique de la fin du XIXe siècle : The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Perkins Gilman et une sélection de poèmes d'Emily Dickinson." Nantes, 2007. http://www.theses.fr/2007NANT3036.

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L'étude d'un corpus transgénérique de la fin du XIXe siècle, constitué de The Portrait of a Lady de Henry James, The Yellow Wallpaper de Charlotte Pekins Gilman et d'une sélection de poèmes d'Emily Dickinson révèle l'entrelacs des genres en tant que fondement fictionnel à une rhétorique du sujet. Protéiformes sans toutefois se situer hors catégorie, ils ont recours à une écriture spiroïdale qui est la conjonction parfaite du narratif et du poétique. Leur emploi du féminin et de l'épicène fait apparaître les distinctions de genre linguistique qui avaient été occultées dans les écrits romantiques et réalistes. L'emphase que ces textes mettent sur l'énonciation et leur prise de distance avec les conventions narratives les différencient des textes précédents. Se détournant du cartésianisme, ils proposent une déconstruction du sujet qui n'aboutit pas toutefois à une vision aporétique. Remettant sans cesse en question l'apparente unité de la perception et de la conscience, ils construisent une vision kaléidoscope qui montre le sujet et le réel comme complexes et torturés, rarement absurdes.

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Jordan, Deborah. "Sanctuary: The Yellow Wallpaper and Beyond." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392823722.

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Lindroth, Eva. "Vansinne, makt och frihet : En jämförelse mellan "The yellow wallpaper" och Monster i terapi." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96554.

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O'Reilly, Casey Michelle. "Phantom Limb: An Exploration of Queer Manner in Nineteenth-Century Gothic Tales." ScholarWorks @ UVM, 2019. https://scholarworks.uvm.edu/graddis/1069.

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The term “phantom limb” is used to describe the phenomenal tingling sensation that occurs in the nerve endings of an amputated limb; though the limb is no longer physically attached to the body, the person experiences pain and physical sensation in the space the limb once occupied. Though the body part has been removed, it haunts both the body and the brain. It is through this metaphor that I am interested in investigating the connection between the disembodied and the embodied. The disembodied connects to the embodied through the loss or lack of a bodily form; the embodied, therefore, links the disembodied to movements and mannerisms of the body. Adopting Pierre Bourdieu’s Theory of Practice, I define manner as a fluctuating force that operates as a spectrum. Manner links, rather than separates, the internal and the external through the social. In other words, the interplay between the internal and external must be socially interpreted in order to be understood as manner. The first chapter of my thesis will focus on embodied manner and use Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde as a case study to explain how society impacts the construction of normative manner. Building off Jack Halberstam, I adopt the theory that Mr. Hyde “is both a sexual secret, the secret of Jekyll’s undignified desires, and a visible representation of physical otherness” (82). My argument focuses on the connection between the “deformity hidden within” Mr. Hyde and that “inscribed upon his...skin” that Utterson, Enfield and Lanyon struggle to identify (82). The second chapter of my thesis will focus on how manner operates as both a disciplinary force and cultural haunting. In other words, just as the phantom limb reproduces a distorted version of the lost limb, the social control of manner ultimately reproduces imperfect replicas. In George Eliot’s The Lifted Veil, the protagonist, Latimer, begins suffering from visions after he parts ways with his dear friend Charles Meunier. Here, the unconscious operates at the individual level; I argue that these “visions” are the result of an implosion of Latimer’s repressed sexuality. I then turn to Charlotte Perkins Gilman’s The Yellow Wallpaper to argue that manner operates as a type of social law that attempts to stave off haunting but instead inadvertently reproduces it. In this section, I argue that the narrator’s secondary status as a female character gives her a different kind of agency from Mr. Hyde and Latimer, and that her husband’s ultimate failure to control her results in a type of queer production that calls into question the dialectical relationship between haunting and manner.

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Books on the topic "The yellow wallpaper (Gilman)"

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Perkins, Gilman Charlotte. The yellow wallpaper. New Brunswick, N.J: Rutgers University Press, 1993.

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Perkins, Gilman Charlotte. The yellow wallpaper. Alexandria, Va: Orchises, 1990.

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Perkins, Gilman Charlotte. The yellow wallpaper. Alexandria, Va: Orchises, 1994.

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Perkins, Gilman Charlotte. The yellow wallpaper. Boston: Bedford Books, 1998.

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Perkins, Gilman Charlotte. The Yellow wallpaper and other writings. New York : N.Y: Bantam Books, 1989.

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Perkins, Gilman Charlotte. The yellow wallpaper and other writings. 2nd ed. New York: Modern Library, 2000.

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Perkins, Gilman Charlotte. Yellow wallpaper: [and other stories]. London: Penguin, 1995.

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Perkins, Gilman Charlotte. The yellow wall-paper. [Portland, Me: Crystal Cawley], 2004.

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Perkins, Gilman Charlotte. The yellow wall-paper. New York, NY: The Feminist Press, 1996.

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Perkins, Gilman Charlotte. The yellow wall-paper: A sourcebook and critical edition. New York: Routledge, 2004.

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Book chapters on the topic "The yellow wallpaper (Gilman)"

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Rzadtki, Beate. "Gilman, Charlotte Perkins: The Yellow Wallpaper." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5369-1.

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Beer, Janet. "‘The Yellow Wallpaper’ on Film: Dramatising Mental Illness." In Kate Chopin, Edith Wharton and Charlotte Perkins Gilman, 197–213. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-26015-7_9.

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Perry, Dennis R., and Carl H. Sederholm. "Feminist “Usher”: Domestic Horror in Gilman’s “The Yellow Wallpaper”." In Poe, "The House of Usher," and the American Gothic, 19–37. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620827_2.

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Wiesenthal, Chris. "‘Unheard-of Contradictions’: The Language of Madness in Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’." In Figuring Madness in Nineteenth-Century Fiction, 23–40. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230371316_2.

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Jansen, Sharon L. "Madwomen in the Attic: Madness and Suicide in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Doris Lessing’s “To Room Nineteen”." In Reading Women’s Worlds from Christine de Pizan to Doris Lessing, 161–86. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118812_7.

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Grossman, Julie. "The Quiet Presence of “The Yellow Wallpaper” in Todd Haynes’s Film [Safe]." In Literature, Film, and Their Hideous Progeny, 105–25. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137399021_6.

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Wiesenthal, Chris. "The Silent ‘Horrors’ of The Turn of The Screw and ‘The Yellow Wallpaper’ Revisited." In Figuring Madness in Nineteenth-Century Fiction, 108–38. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230371316_6.

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Wolfreys, Julian. "The writing on the wall or, making a spectacle of yourself: projection and The Yellow Wallpaper." In the rhetoric of Affirmative Resistance, 70–85. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25699-0_3.

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EDELSTEIN, SARI. "The Yellow Newspaper:." In Charlotte Perkins Gilman, 180–99. Ohio State University Press, 2020. http://dx.doi.org/10.2307/j.ctv16rddmf.13.

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"5 The Awakening and “The Yellow Wallpaper”." In Dwelling in the Text, 121–48. University of California Press, 1991. http://dx.doi.org/10.1525/9780520347632-007.

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