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Journal articles on the topic 'The yellow wallpaper (Gilman)'

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Published: 4 June 2021
Last updated: 4 February 2022

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1

Subotsky, Fiona. "The Yellow Wallpaper (1892), Charlotte Perkins Gilman." British Journal of Psychiatry 195, no. 1 (July 2009): 22. http://dx.doi.org/10.1192/bjp.195.1.22.

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2

Martin,, Diana. "Charlotte Perkins Gilman and “The Yellow Wallpaper”." American Journal of Psychiatry 164, no. 5 (May 2007): 736. http://dx.doi.org/10.1176/ajp.2007.164.5.736.

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3

Angurala, Nidhi. "Decoding the Thematic Imagery in Charlotte Perkins Gilman's “The Yellow Wallpaper” and Katherine Mansfield’s “Bliss”." SMART MOVES JOURNAL IJELLH 8, no. 3 (March 28, 2020): 10. http://dx.doi.org/10.24113/ijellh.v8i3.10471.

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This paper deploys the methodology of textual analysis to re-read and undertake an exegesis of the short story “The Yellow Wallpaper” written by Charlotte Perkins Gilman and “Bliss” penned by modernist writer Katherine Mansfield. The exploration of the symbols and imagery that abound in the texts reveal and underscore the thematic framework of the short stories. While the colour, animal and food imagery add richness to the story of Bertha Mason in “Bliss”, the multifarious symbols are symptomatic of the protagonist’s mental make-up and the descent into madness of her creative propensity in “The Yellow Wallpaper”.
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4

German, Lindsey. "Schizoaffective Disorder Depressive Type in “The Yellow Wallpaper” by Charlotte Perkins Gilman." Arsenal: The Undergraduate Research Journal of Augusta University 3, no. 2 (May 5, 2020): 13. http://dx.doi.org/10.21633/issn.2380.5064/s.2020.03.02.13.

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5

Crewe, Jonathan. "Queering The Yellow Wallpaper? Charlotte Perkins Gilman and the Politics of Form." Tulsa Studies in Women's Literature 14, no. 2 (1995): 273. http://dx.doi.org/10.2307/463900.

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6

Asmarani, Ratna. "KETERPENJARAAN TOKOH PEREMPUAN DALAM CERPEN THE YELLOW WALLPAPER KARYA CHARLOTTE PERKINS GILMAN." HUMANIKA 21, no. 1 (January 3, 2015): 7. http://dx.doi.org/10.14710/humanika.21.1.7-19.

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The purpose of this paper is to analyse the problems around the imprisonment of the female protagonist in Chalotte Perkins Gilman’s short story entiled The Yellow Wallpaper. The focus of the analysis is on the actors and factors causing imprisonment, types dan impacts of imprisonment, efforts to overcome the imprisonment, and the end of the imprisonment experienced by the female protagonist. To analyse this problems, feminist literary criticism is used supported by the stereotypes of the nineteenth century women, the medical opinion at that time and the feminist perspective concerning the mental disorder experienced by women, and the concept of oppression in the imprisonment as well. The result shows that a woman who experiences the physical and psychological imprisonment in the patriarchal household area tends to have mental disorder as an alternative to gain freedom. The conclusion that can be drawn is that in the patriarchal environment women’s movement area and psychological, emotional, intellectual actualization tend to be limited in which the women who fight against those linitations will get the stigma of suffering from mental illness.
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7

Frye, Carla B. "Using Literature in Health Care: Reflections on “The Yellow Wallpaper”." Annals of Pharmacotherapy 32, no. 7-8 (July 1998): 829–33. http://dx.doi.org/10.1345/aph.17363.

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OBJECTIVE: To discuss how literature can be used to educate healthcare practitioners and students about the patient's physical and emotional response to treatment. DATA SOURCES: A MEDLINE search (January 1975-November 1997) of English-language literature pertinent to using literature in health care was performed. Additional literature was obtained from a search of the New York University Web site on medicine and humanities, biographies of Charlotte Perkins Gilman, and a search of the MLA and INFOTRAC database. SELECTION AND DATA EXTRACTION: All articles and literature were considered for possible inclusion in this article. Pertinent information, as judged by the author, was selected for discussion. SUMMARY: Literature can pose a wealth of information to the healthcare professional. The short story “The Yellow Wallpaper” is analyzed in this article as one example of how literature portrays the patient's emotional response to disease. This short story describes a 19th-century woman's “descent into madness” and the ineffective treatment attempted by her well-meaning physician husband. The author, Charlotte Perkins Gilman, loosely based the story on her own experience with the respected physician, S Weir Mitchell and his famous rest cure. Some biographical information about Mitchell and Perkins is included, as well as a commentary on the treatment of depression in the 19th century. CONCLUSIONS: Short stories such as “The Yellow Wallpaper,” novels, and other short stories can help to remind the healthcare professional of the subjective nature of even our most proven therapies. As we strive to teach and deliver pharmaceutical care, we can use literature to help us understand the emotional impact of our drug therapies.
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8

Bono Velilla, Rosa. "«The Yellow Wallpaper»: algunas consideraciones sobre el doble subjetivo femenino." Brumal. Revista de investigación sobre lo Fantástico 9, no. 1 (June 10, 2021): 71–86. http://dx.doi.org/10.5565/rev/brumal.704.

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De los abundantes estudios que abordan la contribución al feminismo de «The Yellow Wallpaper» (Charlotte Perkins Gilman, 1892), apenas alguno presta especial atención al tema del doble más allá de su tratamiento clínico de la enajenación. Este artículo plantea algunas reflexiones respecto al tratamiento literario de la identidad femenina mediante el uso del doble. La aproximación de Jourde y Tortonese (1996) permite una distinción esencial por cuanto considera un rasgo de género interesante: el desdoblamiento femenino suele ser externo u objetivo. El doble subjetivo casi nunca está encarnado por mujeres. El recurso del doble subjetivo femenino, apartado del discurso canónico de la exploración del individuo moderno en este y otros textos que aquí se consideran, ha de dedicarse a indagar y construir su propia identidad: su voz no puede hablar por el conjunto de las inquietudes humanas sino solo por la suya en tanto que mujer.
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9

Villalba Lázaro, Marta. "LAS CURAS DE REPOSO Y LA OPRESIÓN PATRIARCAL EN “THE YELLOW WALLPAPER” Y MRS. DALLOWAY." RAUDEM. Revista de Estudios de las Mujeres 4 (December 18, 2017): 274. http://dx.doi.org/10.25115/raudem.v4i0.1759.

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Resumen:En este artículo se comparan las obras “The Yellow Wallpaper” de Charlotte Perkins Gilman y Mrs. Dalloway de Virginia Woolf al objeto de analizar los paralelismos literarios que presentan en la denuncia común de las curas de reposo, que escriben desde su propia experiencia. Se pretende enfatizar las cuestiones de género que impregnan las dos narrativas poniendo especial hincapié en los símbolos e imágenes que confluyen y que permiten visibilizar las frustraciones y ansiedades de mujeres brillantes que padecieron el sometimiento a maridos y médicos en sociedades marcadamente patriarcales que aún tratamos de superar.
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10

Khleif, Instructor: Alia. "The Psychological Isolation in Charlotte Perkins Gilman’s “The Yellow Wallpaper”." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 225, no. 1 (September 1, 2018): 83–92. http://dx.doi.org/10.36473/ujhss.v225i1.129.

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This paper examines how Charlotte Perkins Gilman(1860-1935) depicts the effects of isolation, physical and psychological, on the heroine in her story "The Yellow Wallpaper"(1892). By using the first person narration which is a subjective style of writing, the writer reveals the thoughts and feelings of the narrator as she tries to fight against psychological pressures which she could not cope with. Furthermore, the paper examines the reasons which lead to the woman's breakdown, mainly her isolation from people, her need for communication and the way of treatment she receives from her husband. Her domineering husband looks upon her as a weak and an inferior person. He deprives her of practicing any activity. As the narrator is forced to withdraw from society, she looks for something to occupy her mind with. Gradually, she becomes interested in the yellow wallpaper. She stares at the pattern and finally decides that it represents a woman trapped behind the bars. She begins to peel the paper off the walls to liberate the woman. The writer describes the different stages of the woman's deterioration, exposing the different factors which contribute and lead to her madness. Meanwhile, she gives a message warning women of the results when they do not fight back to assert their individuality. Therefore, the story's value lies in the fact that the writer presents this Timeless subject.
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11

Rich, Charlotte. ""The Yellow Wallpaper" by Charlotte Perkins Gilman: A Dual Text Critical Edition (review)." American Literary Realism 42, no. 2 (2010): 176–78. http://dx.doi.org/10.1353/alr.0.0047.

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12

Oster, Corinne. "Traduire le « huis-clos mental » : étrangeté et discours de la folie dans trois traductions de The Yellow Wallpaper de Charlotte Perkins Gilman." Meta 56, no. 3 (March 6, 2012): 493–510. http://dx.doi.org/10.7202/1008329ar.

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The Yellow Wallpaper, nouvelle autobiographique de Charlotte Perkins Gilman dans laquelle l’auteure dénonce le traitement « médical » de la dépression que subissent les femmes à la fin du xixe siècle aux États-Unis, a fait l’objet de trois traductions en français en 1976, 1982 et 2002, quatre-vingts ans après sa parution. Le présent article étudie la manière dont ces trois traductions successives mettent en valeur ou négligent le discours féministe de l’auteur, ainsi que la manière dont le discours de la folie, d’un point de vue stylistique, est traduit dans les trois versions francophones de la nouvelle.
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13

Dosani, Sabina. "The Yellow Wallpaper by Charlotte Perkins Gilman: a gothic story of postnatal psychosis – psychiatry in literature." British Journal of Psychiatry 213, no. 1 (June 27, 2018): 411. http://dx.doi.org/10.1192/bjp.2018.63.

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14

Gonçalves, Rafaela Albuquerque, and Larissa De Pinho Cavalcanti. "Uma visita às ondas do movimento feminista através da análise dos contos “The Yellow Wallpaper” e “Woman Hollering Creek”." Revista Ártemis 26, no. 1 (December 21, 2018): 337. http://dx.doi.org/10.22478/ufpb.1807-8214.2018v26n1.39257.

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O campo dos estudos culturais/literários foca na identificação dos fenômenos responsáveis pela marginalização/subalternização dos sujeitos. Assim, a análise das ondas do movimento feminista através dos olhos da literatura torna possível uma maior aproximação da sociedade perante os fatos que ocorreram e ocorrem no mundo, no intuito de que a luta contra a desigualdade e o patriarcalismo perpetue-se e torna-se uma realidade cada vez mais tangível. O objetivo deste artigo é contextualizar as ondas feministas através da análise de dois contos: “The Yellow Wallpaper” da autora Charlotte Perkins Gilman, publicado originalmente em 1892 e “Woman Hollering Creek” da escritora Sandra Cisneros, publicado em 1991. Para isso, fundamentamos esta pesquisa principalmente com os trabalhos de Pinto (2010), Devereux (2014), Anzaldua (1987), Bittencourt (2015), Walter (2015) e Saffioti (1986) e percebemos que os quase 100 anos que separam as duas histórias foram marcados por diversas conquistas da agenda feminista. Através das ondas se tornou possível materializar a opressão vivida pelas mulheres e a literatura mostrou-se como um excelente guia para ilustrar de forma clara esse percurso. Uma vez que “The Yellow Wallpaper” e “Woman Hollering Creek” representam bem os dois momentos e discursos da primeira e terceira ondas respectivamente.
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15

W, Eka Harisma. "GANGGUAN JIWA SEBAGAI BENTUK PERLAWANAN PEREMPUAN DALAM “THE YELLOW WALLPAPER” KARYA CHARLOTTE PERKINS GILMAN, SEBUAH PENDEKATAN FEMINIS PSIKOANALISIS *)." Alayasastra 17, no. 1 (May 31, 2021): 73–87. http://dx.doi.org/10.36567/aly.v17i1.786.

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ABSTRAK Tulisan ini mengkaji cerpen “The Yellow Wallpaper” karya Charlotte Perkins Gilman dengan menggunakan pendekatan feminis psikoanalisis Karen Horney. Pendekatan teori ini digunakan untuk menganalisis bahwa bentuk perlawanan perempuan yang tecermin dalam cerpen ini antara lain perlawanan mendekati orang lain, perlawanan melawan orang lain, dan perlawanan menjauhi orang lain. Bentuk perlawanan mendekati orang lain adalah dengan aktivitas memunculkan teman khayalan yang dianggap nyata; Perlawanan melawan orang lain ditunjukkan dengan kembalinya aktivitas menulis dan aktivas yang menunjukkan gangguan jiwa; Perlawanan menjauhi orang lain adalah dengan aktivitas mengunci pintu kamar dan tidak ingin bertemu dengan orang lain. Bentuk perlawanan yang paling kuat adalah ketika tokoh perempuan dianggap mengidap gangguan jiwa. Perlawanan-perlawanan perempuan tersebut disebabkan oleh dominasi atau belenggu patriarki dalam masyarakat. Belenggu-belenggu patriarki yang tecermin dalam cerpen ini antara lain subordinasi peran perempuan, alienasi/pengasingan perempuan dari masyarakat, dan perempuan dianggap sebagai liyan.Kata kunci: feminis psikoanalisis, perlawanan, gangguan jiwa ABSTRACTThis paper examines the short story "The Yellow Wallpaper" by Charlotte Perkins Gilman using the feminist approach of Karen Horney's psychoanalysis. This theoretical approach is used to analyze that the forms of women's resistance reflected in this short story include resistance to approaching others, resistance against other people, and resistance to staying away from others. The form of resistance to approaching others is through the activity of bringing up imaginary friends who are considered real; Resistance against others is shown by the return to writing and activities that indicate mental disorders; The resistance to staying away from others is by locking the bedroom door and not wanting to meet other people. The strongest form of resistance is when the female character is considered to have mental disorders. The women's resistance was caused by the dominance or the shackles of patriarchy in society. The patriarchal shackles that are reflected in this short story include the subordination of the role of women, alienation / alienation of women from society, and women being considered as others. Keywords: feminist psychoanalysis, resistance, neurotic insanity
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16

Tucker, P. "Helping Medical Students Understand Postpartum Psychosis Through the Prism of "The Yellow Wallpaper" by Charlotte Perkins Gilman." Academic Psychiatry 28, no. 3 (September 1, 2004): 247–50. http://dx.doi.org/10.1176/appi.ap.28.3.247.

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Dock, Julie Bates, Daphne Ryan Allen, Jennifer Palais, and Kristen Tracy. "“But One Expects That”: Charlotte Perkins Gilman's “The Yellow Wallpaper” and the Shifting Light of Scholarship." PMLA/Publications of the Modern Language Association of America 111, no. 1 (January 1996): 52–65. http://dx.doi.org/10.2307/463133.

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When feminist critics of the 1970s rediscovered “The Yellow Wallpaper,” they constructed an interpretation of the story and the history of its publication and reception. Subsequent critics lent authority to an emerging set of accepted “facts”: nineteenth-century audiences read the tale as a ghost story rather than as a critique of the sexual politics of marriage; Gilman fought valiantly against hostility from the entrenched hierarchy of male editors who refused to publish her work; and irate male physicians censured the story once it appeared. By reexamining the documentary evidence on which those “facts” are based, we examine the role that ideology plays in gathering and interpreting evidence. Gilman's story serves as a fine but certainly not a unique example of how scholarship is as grounded in historical biases as the literature it seeks to illuminate.
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Michael, Maria. "Typical Life of American Wife of the late 1800s: An Analysis of Kate Chopin’s “Story of an Hour” and Charlotte Perkins Gilman’s “The Yellow Wallpaper”." SMART MOVES JOURNAL IJELLH 9, no. 5 (May 28, 2021): 400–406. http://dx.doi.org/10.24113/ijellh.v9i5.11076.

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The life of the typical American women in the late 1800s was strictly confined to the four walls of a house. For a wife, marriage, husband and family were the destiny. She had no legal political right or voice in public sphere. They were not supposed to involve in any intellectual pursuits but only in domestic chores like cooking, sewing, cleaning etc. The condition of women in any class (upper, lower or middle) was more or less same. Charlotte Perkins Gilman and Kate Chopin were noted American writers of nineteenth century. Both writers outrageously expressed their strong views on women, marriage and sex. They were revolutionaries of their time. This paper is going to analyse how Kate Chopin’s “Story of an Hour” and Charlotte Perkins Gilman’s “The Yellow Wallpaper” depict typical public expectations about marriage and women of late 1800s. It also distinguishes the representation of women and wife in the nineteenth century patriarchal American society.
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KOCABIYIK, Orkun. "[Dökümanın bir kısmı erişime açık] Çevirmenin Yazınsal Konumlanışı Bağlamında Charlotte Perkins Gilman ın The Yellow Wallpaper Adlı Öyküsünün Türkçe Çevirileri Üzerine Bir İnceleme." Mediterranean Journal of Humanities -, no. 10 (June 30, 2021): 101–11. http://dx.doi.org/10.13114/mjh.2021.554.

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20

Reys, Bianca De Lima, and Valéria Brisolara. "Entre a tradução e a escrita: reflexões sobre a domesticação, a visibilidade, a ética e a construção autoral do tradutor." Letrônica 12, no. 1 (June 26, 2019): 32103. http://dx.doi.org/10.15448/1984-4301.2019.1.32103.

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A tradução é uma atividade que envolve muitas complexidades, entre as quais a constituição da ética e da autoria do tradutor, que precisam ser mais discutidas. Assim, este trabalho busca refletir sobre como a invisibilidade oculta a constituição autoral do tradutor, impactando, também, na ética do tradutor, em traduções domesticadoras. Para demonstrar os pontos discutidos, são apresentados alguns exemplos retirados de uma tradução domesticada e adaptada do conto The Yellow Wallpaper (1892), da escritora Charlotte Perkins Gilman. Até que ponto o tradutor pode interferir na escrita do autor do original? Quais são os impactos da presença discursiva do tradutor para a obra e para o seu leitor? Sabe-se que o discurso do tradutor está sempre presente em seu trabalho, por meio de suas escolhas lexicais, estratégias e técnicas utilizadas em sua tradução. No entanto, a invisibilidade ilusória continua a ser praticada pelo mercado e instituições, apontando para a necessidade de se retomar a discussão. Além disso, é preciso considerar que tais questões têm implicações para a ética do tradutor. Assim, o referencial teórico da área dos estudos da tradução dá a base para as reflexões, tomando, como ponto de partida, as contribuições de Venuti (1995) para a área e o tema.
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Gough, Val. "Denise D. Knight (ed.), “The Yellow Wallpaper” and Selected Stories of Charlotte Perkins Gilman (Newark: University of Delaware Press, 1994, £28.00). Pp. 231. ISBN 0 87413 479 X." Journal of American Studies 29, no. 1 (April 1995): 107. http://dx.doi.org/10.1017/s0021875800026219.

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Höglund, Anna. "Vampyrerna i Charlotte Perkins Gilmans tapet: En intertextuell studie av vampyrmotivet i The Yellow Wallpaper och Edgar Allan Poes Ligeia*." HumaNetten, no. 39 (January 22, 2018): 124–44. http://dx.doi.org/10.15626/hn.20173912.

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Miranda, Cut Ruby, and Helmita Helmita. "The Depressed Female Characters From Their Intimidated Surrounding as Seen in The Yellow Wallpaper By Charlotte Perkin Gilman’s, A Rose For Emily By William Faulkner’s, and The Story of an Hour By Kate Chopin." Jurnal Ilmiah Langue and Parole 2, no. 2 (August 6, 2019): 20–25. http://dx.doi.org/10.36057/jilp.v2i2.364.

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In writing this thesis, the writer discusses the depression of women because of patriarchal traditions, even though they already know about women's rights and freedoms. This patriarchal tradition is that men hold full power over anything and women must always obey the rules of men. The women are required not to do any activities, in terms of education and employment. Women are only allowed to do homework. This applies to all women, both single and married. This began in the 90s, especially in the United States. In writing the thesis, the writer uses psychological and feminist theories according to Sigmund Freud and Maggie Humm, who will explore the psychological side of women who are oppressed by the existence of this patriarchal custom. The purposes of this paper are: (1) To describe psychological-feminist cases in female characters (2) To analyze psychological-feminists in depressed female characters (3) To explain the psychological-feminist influence with female characters in the short story of The Yellow Wallpaper from Charlotte Perkins Gilman, A Rose For Emily from William Faulkner, The Story Of An Hour by Kate Chopin. The author uses descriptive qualitative methods in processing data. Through analysis of several existing sources and data. Based on available data, the writer discover how the psychology of depressed female characters from their environment is intimidated based on the short story. In fact women can become depressed because their freedom of expression is hampered and prohibited by tradition. With the writing of this thesis, it is hoped that the public can find out what exactly the meaning of women's emancipation is without having to put down women or men.
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Livholts, Mona. "The Snow Angel and Other Imprints." International Review of Qualitative Research 3, no. 1 (May 2010): 103–24. http://dx.doi.org/10.1525/irqr.2010.3.1.103.

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This article, written in the form of an untimely academic novella is a text, which explores academic authoring as thinking and writing practice in a place called Sweden. The aim is on inquiries of geographical space, place, and academia, and the interrelation between the social and symbolic formation of class, gender and whiteness. The novella uses different writing strategies and visual representations such as documentary writing and photographing from the research process, letters to a friend, and memories from childhood, based on three generations of women's lives. The methodology can be described as a critical reflexive writing strategy inspired by poststructuralist and postcolonial feminist theory and literary fiction, and additionally by methodological approaches in the humanities and social sciences, such as theorizing of letters, memory work, and narrative, and autobiographical approaches. In particular, it draws on work by the theorist critic and writer of fiction, Hélène Cixous, and the feminist author and theorist Charlotte Perkins Gilman, drawing on interpretation of Cixous' essay “Enter the Theatre” and Gilman's story “The Yellow Wallpaper.” Characteristics of the untimely academic novella elaborate with possible forms of the symbolic, visual, and performative photographic and sensory in writing research; furthermore, time, social change, and unfinal endings play a pervasive role. It may be read as a story that situates and theorizes embodyment, landscape, and power through the interweaving of forest rural farming spaces and academic office spaces by tracing autobiographical imprints of an untimely feminist author. “The Snow Angel and Other Imprints” is the second article in a trilogy of untimely academic novellas. The first, with the title “The Professor's Chair,” was published in Swedish in 2007 (in the anthology “Genus och det akademiska skrivandets former,” (Eds.) Bränström Öhman & Livholts), and forthcoming in English in the journal Life Writing 2010.
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Mukhtar, O. "The Yellow Wallpaper." BMJ 342, jan26 1 (January 26, 2011): d428. http://dx.doi.org/10.1136/bmj.d428.

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Oakley, Ann. "Beyond the yellow wallpaper." Reproductive Health Matters 5, no. 10 (January 1997): 29–39. http://dx.doi.org/10.1016/s0968-8080(97)90083-5.

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Delashmit, Margaret, and Charles Long. "Gilman's the Yellow Wallpaper." Explicator 50, no. 1 (October 1991): 32–33. http://dx.doi.org/10.1080/00144940.1991.9938702.

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Ford, Karen. ""The Yellow Wallpaper" and Women's Discourse." Tulsa Studies in Women's Literature 4, no. 2 (1985): 309. http://dx.doi.org/10.2307/463709.

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Thrailkill, Jane F. "Doctoring "The Yellow Wallpaper"." ELH 69, no. 2 (2002): 525–66. http://dx.doi.org/10.1353/elh.2002.0019.

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Gilman, Charlotte Perkins. "‘Why I wrote The Yellow Wallpaper?’." Advances in Psychiatric Treatment 17, no. 4 (July 2011): 265. http://dx.doi.org/10.1192/apt.17.4.265.

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Hochman, B. "The Reading Habit and "The Yellow Wallpaper"." American Literature 74, no. 1 (March 1, 2002): 89–110. http://dx.doi.org/10.1215/00029831-74-1-89.

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32

Imbert, Michel. "«The Yellow Wallpaper» : la matrice des chimères." Cahiers Charles V 26, no. 1 (1999): 53–72. http://dx.doi.org/10.3406/cchav.1999.1228.

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Schweninger, L. "Reading the Garden in Gilman's'The Yellow Wallpaper'." Interdisciplinary Studies in Literature and Environment 2, no. 2 (January 1, 1996): 25–44. http://dx.doi.org/10.1093/isle/2.2.25.

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Edelstein, Sari. "Charlotte Perkins Gilman and the Yellow Newspaper." Legacy 24, no. 1 (2007): 72–92. http://dx.doi.org/10.1353/leg.2007.0004.

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M. S., Shahnaz, and Dr Rajani B. "Hysteric Woman: A Study on The Yellow Wallpaper." SMART MOVES JOURNAL IJELLH 9, no. 5 (May 28, 2021): 170–78. http://dx.doi.org/10.24113/ijellh.v9i5.11057.

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In an unquestionably patriarchal society, women who dissent, who had a voice of her own, one with strong affiliations towards social change were labelled as hysteric and mad. Their symptoms were thoughtfulness, deviation from social behavior, tendency to shout and express one’s emotion, even getting angry were considered as symptoms of hysteria. A hysteric woman is a hopeless woman, the lost one; who needs to be locked up in an attic. The men had two extreme approaches towards these conditions. They either treated women as fragile beings, who need to be cared and nurtured under the protection of men. Or they termed “women with disease” as monstrous, insane, dangerous and despicable beings. These two approaches were unhealthy and were designed to preserve the superiority of masculine self over the feminine. These tags which were labelled on women came from their existential fear; ‘the castration anxiety’.
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Gaskill, Nicholas. "How to read color: writing, wallpaper, and the case of Charlotte Perkins Gilman." Word & Image 36, no. 1 (January 2, 2020): 7–17. http://dx.doi.org/10.1080/02666286.2019.1651598.

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Golden, Catherine. "The Writing of “The Yellow Wallpaper”: A Double Palimpsest." Studies in American Fiction 17, no. 2 (1989): 193–201. http://dx.doi.org/10.1353/saf.1989.0022.

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Ghandeharion, Azra, and Milad Mazari. "Women Entrapment and Flight in Gilman’s “The Yellow Wallpaper”." Revista Alicantina de Estudios Ingleses, no. 29 (November 15, 2016): 113. http://dx.doi.org/10.14198/raei.2016.29.06.

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This paper attempts to yield a critical reading of “The Yellow Wallpaper” (1892), which is one of the pioneering feminist works of American literature. Attempts have been made at finding affinities between the specific characterization of the story and the stereotypical male and female figures as defined by patriarchy and in terms of traditional gender roles. The paper tries to draw on Lacan’s conceptions of language, Cixous’ ideas about écriture féminine, and Freud’s misconception about women’s conditions. Drawing critical attention to this information, the paper focuses on the main unnamed female character and the fact that her anonymity helps the readers, specifically female readers, to identify themselves with her.
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Kolich, Tomáš. "Haunting or Hallucination? Charlotte Perkins Gilman's ‘The Yellow Wallpaper’ and Contemporary Theories of Decorative Art and Psychiatry." Gothic Studies 22, no. 3 (November 2020): 266–84. http://dx.doi.org/10.3366/gothic.2020.0061.

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Even though Charlotte Perkins Gilman's story ‘The Yellow Wallpaper’ (1892) has received a lot of critical attention, there have been only a few attempts at the visual analysis of the wallpaper. This article approaches it as a case of the intricate pattern – an optically unpleasant and complicated ornament that can be depicted. This motif is present in gothic narratives (Poe's ‘Ligeia’, 1838), films (Robert Wise's The Haunting, 1963) as well as outside the genre. With a connection to wallpapers, it was discussed publicly during Gilman's time. This article reconstructs this discussion with examples from the contemporary interior decoration manuals, guidebooks for nursing and medical literature. The aim is to contextualize Gilman's story and to analyse the ways in which her descriptions of the wallpaper are similar to the rhetoric of the guidebooks. This context can enrich our knowledge about the period, reception of the story and possibly even about Gilman's sources of inspiration.
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Boa, Elizabeth. "Creepy-crawlies: Gilman's The Yellow Wallpaper and Kafka's The Metamorphosis." Paragraph 13, no. 1 (March 1990): 19–29. http://dx.doi.org/10.3366/para.1990.0002.

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Salah Shaalan, Ban. "The Sick Heroine in Charlotte Perkins Gilman’s The yellow Wallpaper." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 59, no. 2 (June 15, 2020): 1–10. http://dx.doi.org/10.36473/ujhss.v59i2.1089.

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This study attempts to put Charlotte Perkins Gilman‘s The yellow wallpaper in the context of contemporary theory of Sandra M. Gilbert and Susan Gubar’s psycho-feminist scholarship The Madwoman in the Attic: The Women Writers and the Nineteenth-Century Literary Imagination (2000). The two critics focus on the image of the imprisoned mad women in the attic like Bertha Mason, the mentally ill wife of Mr. Edward Rochester, in Charlotte Bronte’s Jane Eyre (1847). The image of the sick woman forced into domestic confinement of colors, shapes and wallpapers in an entire seclusion continued right into the twentieth century into the literary product of some of the women writers. According to Gilbert and Gubar, some of those women Victorian writers tried to give voice to those women descending into sickness and mental diseases throughout their endeavor to oppress their awareness of the inner creative power which comes as a part of their desire to accept the limited social role they are trapped in.
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Shumaker, Conrad. ""Too Terribly Good to Be Printed": Charlotte Gilman's "The Yellow Wallpaper"." American Literature 57, no. 4 (December 1985): 588. http://dx.doi.org/10.2307/2926354.

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Weatherford, Jenny. "Approaching the Ineffable: "The Yellow Wallpaper" and Gilman's Problem with Language." American Studies in Scandinavia 31, no. 2 (September 1, 1999): 58–75. http://dx.doi.org/10.22439/asca.v31i2.1481.

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Hassan Mohamed Ali, Jihan. "A Feminist Linguistic Study of Charlotte Perkin Gilman's the Yellow Wallpaper." بحوث فى تدریس اللغات 9, no. 9 (October 1, 2019): 169–93. http://dx.doi.org/10.21608/ssl.2019.92444.

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Marston, Peter J., and Bambi Rockwell. "Charlotte Perkins Gilman's “The Yellow Wallpaper”: Rhetorical Subversion in Feminist Literature." Women's Studies in Communication 14, no. 2 (October 1991): 58–72. http://dx.doi.org/10.1080/07491409.1991.11089755.

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DAVISON, CAROL MARGARET. "Haunted House/Haunted Heroine: Female Gothic Closets in “The Yellow Wallpaper”." Women's Studies 33, no. 1 (January 2004): 47–75. http://dx.doi.org/10.1080/00497870490267197.

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Lanser, Susan S. "Feminist Criticism, "The Yellow Wallpaper," and the Politics of Color in America." Feminist Studies 15, no. 3 (1989): 415. http://dx.doi.org/10.2307/3177938.

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Quawas, Rula. "A New Woman's Journey into Insanity: Descent and Return inThe Yellow Wallpaper." Journal of the Australasian Universities Language and Literature Association 2006, no. 105 (May 2006): 35–53. http://dx.doi.org/10.1179/000127906805260310.

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Suess, Barbara A. "The Writing s on the Wall: Symbolic Orders in The Yellow Wallpaper." Women's Studies 32, no. 1 (January 2003): 79–97. http://dx.doi.org/10.1080/00497870310086.

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Haney‐Peritz, Janice. "Monumental feminism and literature's ancestral house: Another look at “The Yellow Wallpaper”." Women's Studies 12, no. 2 (January 1986): 113–28. http://dx.doi.org/10.1080/00497878.1986.9978632.

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