Relevant bibliographies by topics / Theater, Armenian

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Theater, Armenian'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Theater, Armenian"

1

Ahmadova, Gulkhara. "WORLDLY SIGNIFICANCE OF THEATERS: IREVAN STATE AZERBAIJAN DRAMA THEATER." Scientific Journal of Polonia University 58, no. 3 (2023): 10–14. http://dx.doi.org/10.23856/5801.

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Historically and even now, the literary and cultural environment of Azerbaijan is known both in the East and in the West. As a result of the severe tragedies, deportations, and genocides inflicted on the people of Azerbaijan, scientific and educational institutions, state institutions, museums, natural monuments, and cultural centers created in our country have suffered as much as our people. Theaters were also forced to live the fate of refugees. Today Shusha Musical Drama Theater, Aghdam State Drama Theater, Fuzili State Drama Theater continue their activities in the field of refugees. All t
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2

Azeeva, Irina V., and Artem V. Nazlukhanyan. "Russian directing school and dramaturgy in Vahe Shakhverdyan's theater." World of Russian-speaking countries 1, no. 11 (2022): 134–49. http://dx.doi.org/10.20323/2658-7866-2022-1-11-134-149.

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The authors focus on the theater of the director Vahe Shakhverdyan, which is a phenomenon in the history and modern life of Armenian performing art. Emphasizing the relevance and significance of the theatrical and cultural description of this artistic phenomenon, the authors correlate it with the phenomenon of the independent theater. The research is based on the principles of studying and analysing the director’s theater developed by the Russian school of theater studies. The article is the first attempt of the theatrical analysis of Shakhverdyan’s creative work as a stage director. The autho
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3

Asatryan, Anna. "THE MUSIC AND PSYCHOLOGICAL IMAGES IN THE BALLET PHANTASY “DREAM” BY DOCTOR OF MEDICINE EDUARD HAMBARTSOUMIAN." Medicine and Art 1, no. 2 (2023): 19–31. http://dx.doi.org/10.60042/2949-2165-2023-1-2-19-31.

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The paper examines the one-act ballet phantasy “Yeraz [Dream]” by the renowned gynecologist, specialist in the field of reproductive medicine, director and founder of the “Center of Reproductive Medicine” in Yerevan, President of the Armenian Society of Reproductive Medicine, Doctor of Medicine Eduard Hambartsoumian. Since 2015, the ballet has established itself in the repertoire of the A. Spendiaryan Yerevan National Academic Theater of Opera and Ballet.
 The libretto is written by the prima ballerina of the Yerevan Opera and Ballet Theater, Merited Actress of Armenia Jacqueline Sarkhosh
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Sönmez, Ayşan. "Reflections on the Legacy of 19th-century Istanbul Armenian Theater Projects in the Contexts of Ottomanism and Turkishness." Journal of the Society for Armenian Studies 28, no. 2 (2022): 249–63. http://dx.doi.org/10.1163/26670038-12342766.

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Abstract Modern European theater disseminated both revolutionary discourse and a nationalist project in the aftermath of the French Revolution to every region it entered – a situation, which led to staggering impacts in multi-national, multi-religious, and decentralized territories such as the Ottoman Empire. Local individuals who engaged in European-style theatrical productions within the Ottoman Empire were initially and primarily Armenians. As a politicized form in terms of public opinion, urbanization, westernization, and education, the Ottoman Armenian theatrical experience became a legac
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Cankara, Murat. "Enter Armenians: The Rediscovery of Armenian Theater in Post-Hrant Dink Turkey." Theatre and Performance Notes and Counternotes 1, no. 2 (2024): 189–201. https://doi.org/10.5325/tpnc.1.2.0189.

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Yıldırım, Şeyda Nur. "Ottoman and Turkish Theatre and Performance Historiography: Established Trends, New Approaches." Theatre and Performance Notes and Counternotes 1, no. 2 (2024): 174–75. https://doi.org/10.5325/tpnc.1.2.0174.

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Abstract Despite their rich and politically significant theater and performance cultures, the Ottoman Empire and Turkey have not received the scholarly interest they deserve. Motivated by the recent scholarship in the field, this Symposium presents a critical discussion on the trends and emerging approaches in Ottoman and Turkish theater and performance historiography. As they study canonical works and emerging voices in the field, the authors analyze historiography as a field of vibrant contestation. The Symposium consists of four essays: a broader discussion on the politics of theater histor
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7

Abrahamian, L. А. "“Zvartnots conjunct with Colosseum”: From Tamanyan’s People’s House to the Theater of opera and ballet." Urbis et Orbis Microhistory and Semiotics of the City 3, no. 1 (2023): 32–61. http://dx.doi.org/10.34680/urbis-2023-3(1)-32-61.

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The article examines one of the most enigmatic constructions of Alexander Tamanyan – the People’s House, which was the basis of the current Opera and Ballet Theater in Yerevan. The People’s House was strictly criticized by young proletarian architects, the Armenian representatives of the revolutionary Culture One – the author follows the concept proposed by V. Paperny, according to which in the early 1930s the “spreading” egalitarian Culture One has been replaced with the Stalin-era Culture Two, characterized by “hardening” and hierarchy. It is shown that Tamanyan’s People's House was horizont
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8

Kamalyan, Margarita. "JEAN CARZOU'S CONTRIBUTION TO THE THEATRICAL-DECORATIVE ART OF FRANCE." Medicine and Art 2, no. 2 (2024): 95–105. http://dx.doi.org/10.60042/2949-2165-2024-2-2-95-105.

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In the 50-60s of the last century the famous French-Armenian artist Jean Carzou (Garnik Zouloumian, 1907-2000) created seven works of theatrical-decorative art for musical and dramatic theaters of France, having designed Jean-Philippe Rameau's opera-ballet «Les Indes Galantes», Adolphe Adam's ballet «Giselle», Jean Racine's drama «Athalie», Jacques Offenbach's operetta «La Périchole», etc. The aim of this article is to present concisely and analyze Carzou's theatrical-decorative work on the basis of archival materials.For stage designs of the productions by venerable directors and choreographe
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Ustinov, A. B. "Mstislav Dobuzhinsky and His Cabaret Companions: 1926 Parisian Season of the “La Chauve Souris”." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 490–595. http://dx.doi.org/10.25205/2410-7883-2020-2-490-595.

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The essay is dedicated to collaboration of Mstislav Valerianovich Dobuzhinsky (1875‒1957) with the Parisian theater “Chauve-Souris,” or “The Bat,” under the direction of the actor, entertainer, stage director and inspirer of the Russian cabaret Nikita Balieff (real name: Mkrtich Balyan, in Armenian: Նիկիտա Բալիեւ; 1877 (?) ‒ 1936). He invited Dobuzhinsky, who was in Berlin at the time, to become the Artistic Director and the lead designer for a new show of his theatre in the season of 1926. Balieff had already established himself as a successful European entrepreneur, and his cabaret theater h
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Harutyunyan, M. "THE COVERAGE OF THE THEATRICAL LIFE OF ARTSAKH IN THE SECOND HALF OF THE 19TH CENTURY AND THE BEGINNING OF THE 20TH CENTURY ON THE PAGES OF THE NEWSPAPER “KARABAKH” (1911-1912)." ASJ 1, no. 50 (2021): 4–9. http://dx.doi.org/10.31618/asj.2707-9864.2021.1.50.106.

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Thus, summarizing our scientific research, we can clearly emphasize that theatrical art flourished in Artsakh in the second half of the 19th century and the beginning of the 20th century. It should be noted that until the second half of the 19th century, the Armenians of Artsakh had their theatrical traditions for centuries. There was theater in dance art, at parties and events. But there was no professional theater yet, preconditions were created for that only when in 1865 famous figures of the Armenian theater Gevorg Chmshkyan, Mihrdat Americyan and Sedrak Mandinyan came to Shushi. And the M
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Dissertations / Theses on the topic "Theater, Armenian"

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Karali, Sebnem Nazli. "US Armenian female playwrights writing the Catastrophe in the post-civil rights era." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2797.

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This thesis examines three plays authored by US Armenian female playwrights to explore the survivor memory of the Catastrophe and its transmission to what Marianne Hirsch terms as “postgenerations” (Hirsch, 2008). The study introduces a pioneering approach to understanding the Catastrophe’s impact on post-1970s US Armenian drama. Through staging their “postmemories” —their living connections to a past that is temporally and spatially distant and actively reconstructed—the US Armenian playwrights illustrate that drama and theatre possess the power to breathe life into historical narratives, cap
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Yekanians, Soseh. "Creatively Pursuing Persona: Finding identity through directing." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1765.

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This practice-led PhD research is an in-depth exploration into the field of theatre directing. The thesis is presented in three components: an exegesis and a two-part original creative work. Conducted over three phases, the study investigated how a culturally displaced individual (a product of the Armenian diaspora) may find a sense of identity through theatre directing and address the internal struggles of belonging, acceptance and self that are often experienced by those who have confronted cultural unhoming. Embarking on a career in theatre directing, while exciting, can often be a daunting
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Books on the topic "Theater, Armenian"

1

Sargsyan, Sos. Varaguyritsʻ ays koghm. "Hayastan", 1991.

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2

Minasean, L. G. Nor Jughayi tʻatroně: Hariwrameaki aṛtʻiw, 1886-1986. Tparan Sb. Amenapʻrkichʻ Vankʻi, 1995.

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3

Harutʻyunyan, Babken. Armi︠a︡nskiĭ teatr XIX-XX vekov. Gumanitariĭ, 2012.

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4

Petrosi͡an, Ėmma Khachaturovna. Teatr srednevekovykh armi͡anskikh miniati͡urakh: Theater in Armenian Medieval minatures. "Tigran Mets" hratarakchʻutʻyun, 2014.

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Babayan, I. A. G. Sunduki︠a︡n na gruzinskoĭ st︠s︡ene XIX veka, 1874-1903. Izd-vo. Ėdit Print, 2008.

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Hovakimyan, Bakhtiar. Pushkině hay tʻatronum. "Asoghik" Hratarakchʻutʻyun, 2002.

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7

Dawtʻean, Vardan. Surēn Mnatsʻakaneani tʻaterakan gortsunēutʻean 60-ameak: Ěngrwats ē Iranahay tʻatroni hamaṛōt patmutʻiwně. Hratarakutʻiwn Hay Mshakutʻayin "Sipʻan" Miutʻiwn, 2011.

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8

Navasargian, Alice. Armenian women of the stage =: Bemin nvirvats hayuhiner. Alice Navasargian, 1999.

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Pʻilisopʻayutʻyan, sotsʻiologiayi ev iravunkʻi Institut, ред. Geghagitutʻyan ev arvesti tesutʻyan hartsʻerě hay tʻateragirneri tesakan gortserum. HH GAA "Gitutʻyun" hratarakchʻutʻyun, 2013.

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1924-, Hakhverdyan Levon, and Karapetyan Ṛ A, eds. Ṛuben Varosi Zaryan. Hayastani GAA Hratarakchʻutʻyun, 1993.

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Book chapters on the topic "Theater, Armenian"

1

"1. Theater as Career for Ottoman Armenian Women, 1850 to 1910." In A Social History of Late Ottoman Women. BRILL, 2013. http://dx.doi.org/10.1163/9789004255258_003.

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"Armenia." In World Encyclopedia of Contemporary Theatre. Routledge, 2013. http://dx.doi.org/10.4324/9781315012728-14.

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3

Howard-Johnston, James. "Khusro’s War of Revenge." In The Last Great War of Antiquity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198830191.003.0002.

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The circumstances leading to war are enumerated—(1) gathering crises in the Balkans, Italy, and Armenia, and (2) Persian dissatisfaction with the current line of the frontier in the west. The November 602 coup of Phocas and execution of the Emperor Maurice, who had restored Khusro II to the Sasanian throne in 591, provided Khusro with a perfect pretext for going to war. The focus is then on Persian strategy. The main offensive thrusts alternated between the Mesopotamian and Armenian theatres of war in a first phase (603–5) which saw the outer defences of the Roman Empire breached. After a year
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Keskin, Reha. "The Struggle of the Modern Armenian Theatre for Existence on the Threshold of the Centenary." In (Re)considering Turkish Theatre in the Republic’s Centenary. Istanbul University Press, 2025. https://doi.org/10.26650/b/ah13.2025.002.016.

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Kerceva, Galina. "Миграционные процессы в истории формирования национально-конфессиональной структуры и городского пространства г. Владикавказа в 1861-1917 гг." In Eurasiatica. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-211-6/011.

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The subject of the study is the influence of migration processes on the formation of urban space. The hypothesis is that migration processes were the reason for the formation of the urban space of national diasporas and confessional groups of the population of Vladikavkaz in the late XIX-early XX centuries. During this period, various religious buildings appeared in the city: nine Orthodox churches, the Armenian church, the Polish church, the German church, the Jewish synagogue, the Lutheran church, two Moslem mosques. Near them there were concentrated residential buildings, national schools,
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Conference papers on the topic "Theater, Armenian"

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Zabelina, Daria. "THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.39.

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Komedya, or moro-moro, is a genre of the Philippine national theater that was flourishing from the second half of the 17th century until the second half of the 19th century. The genre formation was a part of catholic missioners propaganda activities. In time, komedya became the most popular dramatic genre in colonial Philippines. The common features of komedya are: 1) the central theme of komedya is fight between Christians and Muslims, where Christians always win; 2) actions described in komedya never take place in the Philippines, but in an exotic country, for instance in Turkey or in Armeni
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2

Mkrtchyan, Mane. ""CLASS+CLASSICS" AS THE FIRST INFORMAL EDUCATIONAL PROGRAM IN THEATRES OF ARMENIA." In 15th International Conference on Education and New Learning Technologies. IATED, 2023. http://dx.doi.org/10.21125/edulearn.2023.0326.

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