Relevant bibliographies by topics / Theater; Art history; Ancient history

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Theater; Art history; Ancient history'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Theater; Art history; Ancient history"

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Portnova, Tatiana V. "Architecture of Antique Theaters as an Element of the World Cultural Landscape." Observatory of Culture 17, no. 3 (2020): 320–32. http://dx.doi.org/10.25281/2072-3156-2020-17-3-320-332.

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The article deals with the history of development of the antique theatrical architecture in the context of the environment that forms the territory acquiring the status of a cultural landscape. The material of antiquity is interpreted in the aspect of the formation evolution of theater buildings, ranging from ancient Greek to ancient Roman, which, despite being in ruins, amaze us with their large-scale and unspoiled architecture. The article attempts to systematize the valuable evidence of the past, material (theater architecture) and non-material (theater art), since the repertoire is alive a
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Schechner, Richard. "Quo Vadis, Performance History?" Theatre Survey 45, no. 2 (2004): 271–74. http://dx.doi.org/10.1017/s0040557404000249.

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Frankly, I'm not much of a historian. That is, the past interests me mostly as grist for my theoretical mill. I am not nostalgic. I don't often trek through ruins—whether of stone, paintings, videotape, paper, library stacks, or my own many notebooks. Of course, I've done the right thing when it comes to this kind of activity. I have climbed the pyramids at Teotihuacan and in Mayan country, sat on stone benches of the Theatre of Dionysus in Athens and in Epidaurus (where I was tormented by some really awful productions of ancient Greek dramas), and visited the theatre museums of four continent
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Sagitova, Aisylu S. "The Worldview Sources of Bashkir Theater." ICONI, no. 1 (2019): 167–75. http://dx.doi.org/10.33779/2658-4824.2019.1.167-175.

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The art of the Bashkir people, similarly to the art of all the peoples of the world, emerged in very early historical times and has its unique roots, which lead us into those remote times when the Bashkirs worshiped pagan gods, and all of their life was that of service to natural elements. These were the times when the great epos “Ural-batyr” was created, which in many ways has conditioned the worldview and world-perception of the Bashkir people during the course of many centuries. Particularly in the epic character of this work and in its pure, unadulterated, direct pathos lies the key to the
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Demchenko, Alexander I. "Ancient World. (Depth of Times). Discoveries and Revelations." ICONI, no. 1 (2020): 6–23. http://dx.doi.org/10.33779/2658-4824.2020.1.006-023.

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The object of the proposed cycle of essays is that with a maximal compactness of presentment it presents a cumulative overview of the chief phenomena of world artistic culture, spanned in whole, both from the perspective of an overall historical process and in relation to the various arts (literature, the visual arts, architecture, music, theater and cinema). At the same time, it avoids the customary rubrication according to national schools and division into separate arts forms with the specifi cation of genre inherent to each one of them, which is in accord with the positive tendencies of gl
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Zhumagazin, Zhanbolat. "Evolution of opera at early stages of development as a musical theater." Pedagogy and Psychology 42, no. 1 (2020): 230–36. http://dx.doi.org/10.51889/2020-1.2077-6861.29.

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The opera originated in Italy. Researchers, right up to the exact date, say the time, when the first piece of music, called the opera today, was written. Nevertheless, the opera form has its own history, despite the fact that it was still a new art form at that time. The roots of this musical style go back to the musical everyday life of ancient Italian village entertainments, so-called «May» games, accompanied by songs and dramatic performances. Around the middle of the 13th century, in Umbria on the squares, people began to hold lauds, religious chants on the plots of gospel themes, which be
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Jolles, André, and Peter J. Schwartz. "Legend: From Einfache Formen (“Simple Forms”)." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 728–43. http://dx.doi.org/10.1632/pmla.2013.128.3.728.

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Who was andré Jolles? born in den helder in 1874; raised in amsterdam; in his youth a significant player in the literary Movement of the Nineties (Beweging van Negentig), whose organ was the Dutch cultural weekly De Kroniek; a close friend of Aby M. Warburg's and Johan Huizinga's—Jolles studied art history at Freiburg beginning in 1902 and then taught art history in Berlin, archaeology and cultural history in occupied Ghent during World War I, and Netherlandic and comparative literature at Leipzig from 1919 until shortly before his death, in 1946. A man of extraordinary intellectual range—his
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Volpp, Sophie. "The Literary Circulation of Actors in Seventeenth-Century China." Journal of Asian Studies 61, no. 3 (2002): 949–84. http://dx.doi.org/10.2307/3096352.

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Actors were luxury goods traded among the elite in late Ming and early Qing China. Not only individual actors but entire troupes were sold, bestowed upon friends, and bequeathed upon relatives. Their circulation served to create and maintain networks of social exchange, in much the same manner as did gifts of fine ceramic ware, calligraphic scrolls, and ancient bronzes. The cultural prestige of the actor as a luxury good, in turn, was predicated on a highly refined discourse of connoisseurship. For example, the theater aficionado Pan Zhiheng's (1556–1622) disquisitions on the art of acting wer
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O'Sullivan, Patrick, and Judith Maitland. "Greek and Latin Teaching in Australian and New Zealand Universities: A 2005 Survey." Antichthon 41 (2007): 109–20. http://dx.doi.org/10.1017/s0066477400001787.

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The study of Latin and Ancient Greek at tertiary level is crucial for the survival of Classics within the university sector. And it is not too much to say that the serious study of Greco-Roman antiquity in most, if not all, areas is simply impossible without the ancient languages. They are essential not just for the broad cross-section of philological and literary studies in poetry and prose (ranging at least from Homer to the works of the Church Fathers to Byzantine Chroniclers) but also for ancient history and historiography, philosophy, art history and aesthetics, epigraphy, and many branch
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Lawrence, William. "Advice to a student of Classics." Journal of Classics Teaching 18, no. 36 (2017): 15–16. http://dx.doi.org/10.1017/s2058631017000162.

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Look at the secondary school timetable and you will see that almost all the subjects are ancient Greek words; so the Greeks studied these ideas first and are worth studying for their ideas in their own language (just like the Romans in Latin!). Greek: Biology, Physics, Zoology, Philosophy, Mathematics, Economics, Politics, Music, Drama, Geography, History, Technology, Theatre Studies. Latin: Greek, Latin, Art, Science, Information (Latin) Technology (Greek), Computer Science, Media Studies.
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Johnson, Eugene J. "Jacopo Sansovino, Giacomo Torelli, and the Theatricality of the Piazzetta in Venice." Journal of the Society of Architectural Historians 59, no. 4 (2000): 436–53. http://dx.doi.org/10.2307/991620.

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The architectural forms of Jacopo Sansovino's Libreria di San Marco in Venice, begun in 1537, have generally been interpreted in terms of a revival of the ancient Roman forum. Another way of looking at the building, suggested here, concentrates on its theatrical nature, both in terms of the typology of architectural forms and in terms of use. Sansovino's library completed the Piazzetta in Venice as a theatrical space, and it did so at the same time that the modern theater with boxes was first developed in Venice. The great seventeenth-century scene designer Giacomo Torelli in turn used the spa
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Dissertations / Theses on the topic "Theater; Art history; Ancient history"

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Harrison-Snyder, Jill Elizabeth. "Pink Lines and Yellow Tables: A Production of Charles L. Mee's BIG LOVE." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/208821.

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Theater<br>M.F.A.<br>A dramatic analysis and directorial reflection on Temple Theaters' production of Charles L. Mee's BIG LOVE, a modern rendering of Aeschylus' THE SUPPLIANT WOMEN. This thesis explores the entire process of directing the production, from research and text analysis, to visual collaboration and rendering, to casting and rehearsal, to tech and production. Ultimately, it is the author's intention to reveal a specific directorial perspective of BIG LOVE and the corresponding creative process utilized to render this interpretation.<br>Temple University--Theses
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Burke, Devin Michael Paul. "Music, Magic, and Mechanics: The Living Statue in Ancien-Régime Spectacle." Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1449258139.

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Woods, Douglas Ww. "The Floorshow: Origins of a Theatrical Art." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396890099.

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Sidamon-Eristoff, Constantine P. "The "Whys" of the Grand Cameo| A Holistic Approach to Understanding the Piece, its Origins and its Context." Thesis, Sotheby's Institute of Art - New York, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13423363.

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<p> The Grand Cameo for France is the largest cameo surviving from antiquity. Scholars have debated who is portrayed on the stone and what its scene means for centuries, often, although not always, limiting their interpretations to this narrow area and typically only discussing other causes in passing. This pattern can and should be broken, allowing the stone to be what all objects truly are: windows to the lives that that objects have lived, just as all physical things are; evidence of an experience part of the world went though, whose meanings have and continue to be part of a wider network
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Williams, Michael David. "The Classicism of Edgar Degas' Woman Bathing and its Affinities with Ancient Art." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392024217.

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Barry, Marie Porterfield. "Lesson 05: Ideal Beauty in the Ancient World." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/6.

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Dochniak, Craig Charles 1964. "Kingship festival iconography in the Egyptian Archaic Period." Thesis, The University of Arizona, 1991. http://hdl.handle.net/10150/278001.

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The high degree of correlation existing between the subject matter visually depicted on Early Dynastic Egyptian objects and the year-names represented hieroglyphically on the Palermo Stone--an historical annal from the Fifth Dynasty--suggests that much Early Dynastic imagery was meant to serve as a dating device, a kind of pictorial year-name, based on the important event or events that occurred within the year. The selection of the historic events referred to in these year-names appears to be based on their compatibility with certain festivals associated with the king. These festivals express
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Babcock, Jennifer. "Anthropomorphized Animal Imagery on New Kingdom Ostraca and Papyri| Their Artistic and Social Significance." Thesis, New York University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3635084.

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<p> Because of the lack of provenance or accompanying text, the depictions of anthropomorphized animals on ancient Egyptian New Kingdom ostraca and papyri have long puzzled Egyptologists. Attempts to understand the ostraca usually focus on the role reversals where predatory animals serve their natural prey, which is evident in some of the motifs. Some scholars have suggested that these images are satirical and served as an outlet for mocking elite society. However, their social and cultural context, which has not been thoroughly explored until this dissertation, shows that it is unlikely that
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Davis, Anna. "Civitas: A Game-Based Approach to AP Art History." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3846.

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To increase student engagement as well as cover the content of Ancient Rome, the author developed a game named Civitas for an AP Art History course. The question driving this research project was, "Will incorporating a game into this Ancient Rome unit increase engagement without sacrificing the academic integrity of the class?" Research about engagement as well as others' success incorporating games into the classroom was examined to determine the benefits and difficulties. Much of the work for this unit came before any teaching occurred: designing all aspects of the game as well as carefully
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Barry, Marie Porterfield. "Lesson 04: Death and Mourning in the Prehistoric and Ancient World." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/5.

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This lesson covers death and mourning in the prehistoric and ancient world by discussing related art and architecture including, but not limited to, Varna Necropolis, The Flood Tablet / The Gilgamesh Tablet, Ziggurat in Uruk, Royal Tombs of Ur, Great Pyramids of Giza, Tomb of King Tutankhamun, and Book of the Dead of Hunefer.
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Books on the topic "Theater; Art history; Ancient history"

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1939-, Walton J. Michael, and J. Paul Getty Museum, eds. The art of ancient Greek theater. J. Paul Getty Museum, 2010.

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Performance and drama in ancient Egypt. Duckworth, 2005.

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Actors and icons of the ancient theater. Wiley-Blackwell, 2010.

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Sewell, Richard C. In the theatre of Dionysos: Democracy and tragedy in ancient Athens. McFarland & Company, Inc., Publishers, 2007.

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Seneca: Oedipus. Bloomsbury Academic, 2015.

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Petrone, Gianna. La parola agitata: Teatralità della retorica latina. Flaccovio, 2004.

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The dramaturgy of Senecan tragedy. University of Michigan Press, 2012.

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Ancient Rome: Art, architecture & history. J. Paul Getty Trust, 2002.

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Raphael, Elaine. Drawing history: Ancient Greece. F. Watts, 1989.

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Raphael, Elaine. Drawing history: Ancient Rome. F. Watts, 1990.

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Book chapters on the topic "Theater; Art history; Ancient history"

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Bonfante, Larissa. "HISTORICAL ART: ETRUSCAN AND EARLY ROMAN." In American Journal of Ancient History, edited by Ernst Badian. Gorgias Press, 2017. http://dx.doi.org/10.31826/9781463237400-003.

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Stager, Jennifer M. S. "The Materiality of Color in Ancient Mediterranean Art." In Essays in Global Color History, edited by Rachael B. Goldman. Gorgias Press, 2016. http://dx.doi.org/10.31826/9781463236632-010.

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Corcoran, Lorelei H. "The Color Blue as an ‘Animator’ in Ancient Egyptian Art." In Essays in Global Color History, edited by Rachael B. Goldman. Gorgias Press, 2016. http://dx.doi.org/10.31826/9781463236632-008.

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Unguru, Sabetai. "History of Ancient Mathematics: Some Reflections on the State of the Art." In Classics in the History of Greek Mathematics. Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2640-9_25.

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Colledge, Malcolm A. R. "Art and architecture." In The Cambridge Ancient History. Cambridge University Press, 2000. http://dx.doi.org/10.1017/chol9780521263351.035.

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Elsner, Jaś. "Art and architecture." In The Cambridge Ancient History. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521302005.026.

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Pollitt, J. J. "Art: Archaic to Classical." In The Cambridge Ancient History. Cambridge University Press, 1992. http://dx.doi.org/10.1017/chol9780521233477.009.

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"A house divided: the study of Roman art and the art of." In Archaeology and Ancient History. Routledge, 2004. http://dx.doi.org/10.4324/9780203643716-15.

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Pollitt, J. J. "Greek art: Classical to Hellenistic." In The Cambridge Ancient History. Cambridge University Press, 1994. http://dx.doi.org/10.1017/chol9780521233484.025.

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Huskinson, Janet. "Art and architecture,a.d.193–337." In The Cambridge Ancient History. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521301992.027.

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Conference papers on the topic "Theater; Art history; Ancient history"

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Vellington, A. T. "The modern theater. Experiments on form and content." In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-09.

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Majdanova, M. N. "On the problem of the stage implementation of content in the Russian director's theater beginning of XX century." In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-11.

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Semenov, Igor Vitalievich. "Saratov - theater city." In V International Research-to-practice conference for pupils, chair Vera Alekseevna Pishkova. TSNS Interaktiv Plus, 2019. http://dx.doi.org/10.21661/r-486321.

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The article covers the history of the development of theatrical art in Saratov: from its origins to the present. The theaters of Saratov are listed, prominent theatrical figures are mentioned. Attention is drawn to the fact that the year 2019 is declared the Year of the Theater in Russia.
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Teng, Chengxiu, and Wanyu Guo. "Research on Ancient Chinese Literature History from Time Dimension to Spatial Dimension." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.55.

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Gruew, Georgi. "REFERENCES TO THE ANCIENT ART AND HISTORY IN THE PROPAGANDA POSTERS OF WORLD WAR I." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s23.011.

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Galeev, Timur. "Russian Titles in the Context of Russian Culture History of the title TZAR (king) and it s derivates in Old Slavic, Ancient Russian and modern Russian languages." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.104.

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You might also be interested in the extended bibliographies on the topic 'Theater; Art history; Ancient history' for particular source types:
Journal articles Dissertations / Theses Books
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