Journal articles on the topic 'Theater critics Dramatic criticism Theater'
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Annichev, О. Ye. "The interaction of theatrical journalism and theatrical criticism in the modern media." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 115–26. http://dx.doi.org/10.34064/khnum1-51.06.
Full textShchukina, Yu P. "Features of Volodymyr Morskoy’s theatrе criticism (1920–1940 years)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, № 51 (2018): 70–83. http://dx.doi.org/10.34064/khnum1-51.03.
Full textBloom, Davida. "Feminist Dramatic Criticism for Theatre for Young Audiences." Youth Theatre Journal 12, no. 1 (1998): 25–35. http://dx.doi.org/10.1080/08929092.1998.10012492.
Full textGoldhill, Simon. "Reading Performance Criticism." Greece and Rome 36, no. 2 (1989): 172–82. http://dx.doi.org/10.1017/s0017383500029740.
Full textHoppe, Balbina. "Schulz niesceniczny?" Schulz/Forum, no. 13 (October 28, 2019): 102–8. http://dx.doi.org/10.26881/sf.2019.13.07.
Full textPartola, Y. V. "Problems of Teaching Theater Criticism in the First Years of the Kharkiv Theater Institute." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 41–69. http://dx.doi.org/10.34064/khnum1-51.02.
Full textFrendo, Mario. "Ancient Greek Tragedy as Performance: the Literature–Performance Problematic." New Theatre Quarterly 35, no. 1 (2019): 19–32. http://dx.doi.org/10.1017/s0266464x18000581.
Full textStaniškytė, Jurgita. "Between (in)Visible Influences and (Im)Pure Traditions: Hybrid Character of the Postdramatic in Lithuanian Theatre." Art History & Criticism 15, no. 1 (2019): 97–102. http://dx.doi.org/10.2478/mik-2019-0007.
Full textTanner-Kennedy, Dana. "America’s Postsecular Stages." Theater 50, no. 2 (2020): 5–19. http://dx.doi.org/10.1215/01610775-8154777.
Full textSierz, Aleks. "Still In-Yer-Face? Towards a Critique and a Summation." New Theatre Quarterly 18, no. 1 (2002): 17–24. http://dx.doi.org/10.1017/s0266464x0200012x.
Full textHaslett, Rosalind. "Architecture and New Play Development at the National Theatre, 1907–2010." New Theatre Quarterly 27, no. 4 (2011): 358–67. http://dx.doi.org/10.1017/s0266464x11000674.
Full textKocherga, Svitlana, and Oleksandra Visych. "The antitheatrical discourse in Ukrainian metadrama in the early twentieth century." Przegląd Wschodnioeuropejski 11, no. 1 (2020): 251–59. http://dx.doi.org/10.31648/pw.5985.
Full textCastagno, Paul C. "Varieties of Monologic Strategy: the Dramaturgy of Len Jenkin and Mac Wellman." New Theatre Quarterly 9, no. 34 (1993): 134–46. http://dx.doi.org/10.1017/s0266464x00007727.
Full textGramsci, Antonio. "Gramsci on Theatre." New Theatre Quarterly 12, no. 47 (1996): 259–65. http://dx.doi.org/10.1017/s0266464x00010253.
Full textElam Jr., Harry J. "Making History." Theatre Survey 45, no. 2 (2004): 219–25. http://dx.doi.org/10.1017/s0040557404000171.
Full textBorkowska-Rychlewska, Alina. "Zamek na Czorsztynie Karola Kurpińskiego – romantyczność in statu nascendi?" Roczniki Humanistyczne 67, no. 1 (2019): 53. http://dx.doi.org/10.18290/rh.2019.67.1-5.
Full textNowak, Olga. "Ku czytelnikowi zaangażowanemu. Hiszpański teatr i komiks w procesie kształtowania krytycznego odbiorcy kultury." Politeja 16, no. 3(60) (2020): 67–83. http://dx.doi.org/10.12797/politeja.16.2019.60.05.
Full textCixous, Hélène. "‘Humanity Doesn’t Exist Yet’: Democracy as a Kind of Prophecy." New Theatre Quarterly 33, no. 3 (2017): 203–15. http://dx.doi.org/10.1017/s0266464x17000252.
Full textFokin, Pavel E., and Ilya O. Boretsky. "The First Production of The Brothers Karamazov on the Russian stage in the Mirror of the Press (Based on the Collections of the Vladimir Dahl State Museum of the History of Russian Literature)." Dostoevsky and world culture. Philological journal, no. 4 (2020): 219–41. http://dx.doi.org/10.22455/2541-7894-2020-4-219-241.
Full textBentley, Eric. "From Half-Century to Millennium: the Theatre and the Electric Spectator." New Theatre Quarterly 10, no. 37 (1994): 3–10. http://dx.doi.org/10.1017/s0266464x00000038.
Full textGudkov, Maksim M. "Tennessee Williams in Soviet Criticism of the 1940–1960s." Literature of the Americas, no. 10 (2021): 163–206. http://dx.doi.org/10.22455/2541-7894-2021-10-163-206.
Full textBaldyga, Natalya. "Corporeal Eloquence and Sensate Cognition: G. E. Lessing, Acting Theory, and Properly Feeling Bodies in Eighteenth-Century Germany." Theatre Survey 58, no. 2 (2017): 162–85. http://dx.doi.org/10.1017/s0040557417000059.
Full textPatsunov, V. "Conceptual basis of the art of “Theatre of Shock”." Culture of Ukraine, no. 72 (June 23, 2021): 131–35. http://dx.doi.org/10.31516/2410-5325.072.18.
Full textFreeman, Lisa A. "On the Art of Dramatic Probability: Elizabeth Inchbald's Remarks for The British Theatre." Theatre Survey 62, no. 2 (2021): 163–81. http://dx.doi.org/10.1017/s0040557421000053.
Full textBotunova,, H. Ya. "Organizational-pedagogical, scientific-research and theatrical-critical activity of A. V. Pletniov through the prism of time." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 9–40. http://dx.doi.org/10.34064/khnum1-51.01.
Full textBentley, Eric, Robert Brustein, and Stanley Kauffmann. "The Theatre Critic as Thinker: a Round-Table Discussion." New Theatre Quarterly 25, no. 4 (2009): 310–23. http://dx.doi.org/10.1017/s0266464x09000608.
Full textWilliams, Bronwyn. "Games People Play: Metatheatre as Performance Criticism in Plautus' Casina." Ramus 22, no. 1 (1993): 33–59. http://dx.doi.org/10.1017/s0048671x00002538.
Full textMehring, Franz. "On Hauptmann's ‘The Weavers’ (1893)." New Theatre Quarterly 11, no. 42 (1995): 184–89. http://dx.doi.org/10.1017/s0266464x00001202.
Full textSehat, David. "Gender and Theatrical Realism: The Problem of Clyde Fitch." Journal of the Gilded Age and Progressive Era 7, no. 3 (2008): 325–52. http://dx.doi.org/10.1017/s1537781400000748.
Full textREINELT, JANELLE. "Generational shifts." Theatre Research International 35, no. 3 (2010): 288–90. http://dx.doi.org/10.1017/s0307883310000593.
Full textvan den Berg, Klaus. "Land/Scape/Theater. Edited by Elinor Fuchs and Una Chaudhuri. Ann Arbor: University of Michigan Press, 2002; pp. 390 + illus. $59.50 cloth, $29.95 paper." Theatre Survey 45, no. 1 (2004): 118–20. http://dx.doi.org/10.1017/s0040557404220087.
Full textViana Leite, Rafael De Araújo e. "O dever de Rousseau ou deixando Berenice: a propósito do Prefácio da Carta a d'Alembert." Princípios: Revista de Filosofia (UFRN) 24, no. 43 (2017): 249. http://dx.doi.org/10.21680/1983-2109.2017v24n43id10036.
Full textFerreyra, Sandra. "Objetos, cuerpos y memoria en el teatro argentino contemporáneo." Arte y Políticas de Identidad 23 (December 30, 2020): 58–79. http://dx.doi.org/10.6018/reapi.460991.
Full textHays, Michael. "Notes toward a History of Tragedy and the “Tragic”." boundary 2 47, no. 2 (2020): 19–27. http://dx.doi.org/10.1215/01903659-8193208.
Full textDorofieieva, O. Yu. "Activity of the T. Shevchenko Kharkov Theater in the coverage of theatrical criticism (the second half of the 1930s – 1940s)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 84–101. http://dx.doi.org/10.34064/khnum1-51.04.
Full textKNÖDLER, STEFAN. "Initialzündung der europäischen Romantik. : Zur frühesten Rezeption von August Wilhelm Schlegels Vorlesungen ,,Ueber dramatische Kunst und Litteratur“ im Kreis von Coppet sowie bei Stendhal und Charles Nodier." Zeitschrift für Germanistik 29, no. 2 (2019): 249–64. http://dx.doi.org/10.3726/92165_249.
Full textKalenichenko, O. N. "Fernand Crommelynck’s dramaturgy and its interpretation by Vsevolod Meyerhold and Les Kurbas." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 102–14. http://dx.doi.org/10.34064/khnum1-51.05.
Full textBlock, Geoffrey. ""Reading Musicals": Andrea Most's Making Americans: Jews and the Broadway Musical (Cambridge: Harvard University Press, 2004)." Journal of Musicology 21, no. 4 (2004): 579–600. http://dx.doi.org/10.1525/jm.2004.21.4.579.
Full textVanskike, Elliott. "Consistent Inconsistencies: The Transvestite Actress Madame Vestris and Charlotte Brontë's Shirley." Nineteenth-Century Literature 50, no. 4 (1996): 464–88. http://dx.doi.org/10.2307/2933924.
Full textEliasberg, Galina. "The Russian-Jewish New York, the Balfour Declaration and the Revolution in Russia in Leon Kobrin's Play Back to Your People!" Judaic-Slavic Journal, no. 1 (2018): 25–43. http://dx.doi.org/10.31168/2658-3364.2018.1.2.2.
Full textSgibnіeva, S. S. "The role of the person-centered approach in the vocal art of a dramatic actor." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 241–57. http://dx.doi.org/10.34064/khnum1-51.14.
Full textMedda, Laura. "Scrivere per il teatro Il mondo sardo nei racconti drammatici di Giuseppe Dessì." Revista Italiano UERJ 12, no. 1 (2021): 18. http://dx.doi.org/10.12957/italianouerj.2021.61943.
Full textMarkus, Donka D. "Performing the Book: The Recital of Epic in First-Century C.E. Rome." Classical Antiquity 19, no. 1 (2000): 138–79. http://dx.doi.org/10.2307/25011114.
Full textPanasiuk, Valerii. "Ideas’ stories and people’s stories in A. Zholdak’s directorial conception." Aspects of Historical Musicology 19, no. 19 (2020): 358–73. http://dx.doi.org/10.34064/khnum2-19.21.
Full textOrji, Bernard Eze. "Humour, satire and the emergent stand-up comedy: A diachronic appraisal of the contributions of the masking tradition." European Journal of Humour Research 6, no. 4 (2018): 24. http://dx.doi.org/10.7592/ejhr2018.6.4.orji.
Full textJurak, Mirko. "Jakob Kelemina on Shakespeare's plays." Acta Neophilologica 40, no. 1-2 (2007): 5–49. http://dx.doi.org/10.4312/an.40.1-2.5-49.
Full textSokolovska, S. F. "ART SPACE OF CONTEMPORARY DRAMA." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(94) (July 7, 2021): 49–57. http://dx.doi.org/10.35433/philology.1(94).2021.49-57.
Full textLybo, O. L. "Characteristics of Kharkiv theatre development in1840–1860’s (on the materials of State Archive of the Kharkiv Region)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 126–41. http://dx.doi.org/10.34064/khnum1-51.07.
Full textWalker, Craig Stewart. "After Wissenschaft: The Present and Future of Canadian Theatre StudiesBIBLIOGRAPHY OF THEATRE HISTORY IN CANADA: THE BEGINNINGS THROUGH 1984. John Ball and Richard Plant. Toronto: ECW Press, 1993.THE CTR ANTHOLOGY: FIFTEEN PLAYS FROM CANADIAN THEATRE REVIEW. Ed. Alan Filewod. Toronto: University of Toronto Press, 1993.EARLY STAGES: THEATRE IN ONTARIO 1800-1914. Ed. Ann Saddlemyer. Ontario Historical Studies series. Toronto: University of Toronto Press, 1990.GEORGE BERNARD SHAW AND CHRISTOPHER NEWTON: EXPLORATIONS OF SHAVIAN THEATRE. Oakville: Mosaic Press, 1993.PLAYWRIGHTS OF COLLECTIVE CREATION. Diane Bessai. The Canadian Dramatist, v. 2. Toronto: Simon & Pierre, 1992.PRODUCING MARGINAUTY: THEATRE AND CRITICISM IN CANADA. Robert Wallace. Saskatoon: Fifth House Publishers, 1990.THEORY AND METHODOLOGY IN CANADIAN THEATRE HISTORIOGRAPHY. Special issue of Theatre Research in Canada/Recherches Théâtrales au Canada Vol 13, nos. 1/2 (Spring/Fall 1992).UP THE MAINSTREAM: THE RISE OF TORONTO’S ALTERNATIVE THEATRES. Denis W. Johnston. Toronto: University of Toronto Press, 1991.A WELL-BRED MUSE: SELECTED THEATRE WRITINGS 1978-1988. Keith Garebian. Oakville: Mosaic Press, 1991.WOMEN ON THE CANADIAN STAGE: THE LEGACY OF HROTSVIT. Ed. Rita Much. Winnipeg: Blizzard Publishing, 1992." Journal of Canadian Studies 29, no. 1 (1994): 156–70. http://dx.doi.org/10.3138/jcs.29.1.156.
Full textMizitova, A. A. "Marko Marelli’s vision of “Turandot” by Giacomo Puccini." Aspects of Historical Musicology 15, no. 15 (2019): 249–63. http://dx.doi.org/10.34064/khnum2-15.13.
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