Relevant bibliographies by topics / Theater Directing of the XX Century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Theater Directing of the XX Century'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Theater Directing of the XX Century"

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Azizova, Amina. "The interaction of theater and cinematography in Uzbekistan culture in the first half of the xx century." Central Asian Journal of Art Studies 5, no. 4 (2020): 94–104. http://dx.doi.org/10.47940/cajas.v5i4.257.

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The form, typology, essence and causes of the interaction between theater and cinema in the world is one of the priorities in the field, and a number of scientific studies have been conducted on the subject. In world experience, during the development of cinematography, it has been used the help of theatrical figures in overcoming the problems of acting, directing and dramaturgy. The study of theater and cinema as the main types of artistic worldview, in which the relationship between the two independent arts, exchanges of actors, process of interaction, individual characteristics were assesse
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Fedorov, Alexey A. "INNOVATIVE CODES OF THE LANGUAGE OF STAGE ART OF EUGENIY BAGRATIONOVICH VAKHTANGOV ON THE MATERIAL OF PERFORMANCES OF THE BEGINNING OF THE XX CENTURY." Interexpo GEO-Siberia 5 (July 8, 2020): 11–18. http://dx.doi.org/10.33764/2618-981x-2020-5-11-18.

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The creative work presented at the International intramural and extramural festival competition of youth theater companies - “Prometheus of a Rukh” - “Spirit of Prometheus” became a threshold of the present article, devoted to the Year of theater in Russia and to the 100 anniversary from the date of the birth of the National poet of Bashkortostan, the playwright Mustaya Karim, and gained the diploma of the Winner of the First degree. In the present work, as part of the creative path, the practice and theorist of the field of art of Eugeniy Bagrationovich Vakhtangov, the language of fantastic r
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Ulanova, Svitlana, Cyril Maykut, and Anastasya Adnacheva-Ponomarenko. "Art Search for Directors of the Severodonetsk in XX Century." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 1 (2020): 33–45. https://doi.org/10.31866/2616-759x.3.1.2020.204356.

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The purpose of the research is to characterize the creative and organizational activities of the leading directors of Severodonetsk in the twentieth century. Research methodology. In the research process, the following methods have been used: historical is to comprehend the figures of O. Biryustyuk, O. Shmal, and O. Oleksandrov in the theater art of Severodonetsk; historical and biographical are to analyze the context of the epoch and aesthetic and artistic vectors of time, which influenced the formation of artistic approaches of these artists; comparative-typological is for dif
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Nechaenko, Tetiana, Serhii Plutalov, and Alyona Dorofeeva. "Specificity of Director's Creativity of Volodymir Moskovchenko in the Dynamics of the Theater Culture Development in Luhansk Region." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 2 (2020): 180–92. https://doi.org/10.31866/2616-759x.3.2.2020.219281.

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The purpose of the article is to analyze the historical-analytical and art-scientific analysis of the contemporary directing practices formation of the Lugansk Regional Academic Music and Drama Theater on the example of creativity of one of its leading representatives, Vladimir Yurievich Moskovchenko. The methodology of the research is based on a comprehensive scientific approach and synthesis of the following methods: historical and analytical in the study of the directing art of V.Yu. Moskovchenko in the context of the theater culture in Ukraine as a whole; “Biographical
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Kibardin, Artem Aleksandrovich. "Theatrical performance "The Third International" (Petrograd. 1919)." Культура и искусство, no. 4 (April 2022): 94–102. http://dx.doi.org/10.7256/2454-0625.2022.4.37835.

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The theatrical performances that appeared in the country after the revolution of 1917 with an audience of tens of thousands of spectators were a landmark phenomenon of social and artistic life. The art of mass spectacles burst into the streets and squares, subordinating the historical architectural ensembles of Petrograd to an artistic design. These searches began in the Theater and Drama Workshop of the Red Army, which existed in Petrograd from 1919 to 1920. The article is devoted to the second theatrical performance of the Workshop – "The Third International" (1919). The subject of this ar
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Shyrman, Roman, and Diana Myroshnychenko. "Ukrainian Theater and Cinematograph at the Beginning of the XX Century: Aspects of Interaction and Innovative Trends." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 2 (2019): 188–99. https://doi.org/10.31866/2617-2674.2.2.2019.185704.

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The purpose of the work is to study the development process, the interaction of Ukrainian cinema and the theater of the XX century in the world entertainment genre context, identifying innovative trends characteristic of the historical conditions of the time. Methodology of the research is based on the use of empirical, theoretical, and structural-functional methods which aimed at accumulating factual material, observing the dynamics of development of genre diversity, identifying differences and similarities between objects, as well as analyzing the artistic works of screen and
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Сологян, А. А., and В. Г. Касарова. "Advanced aspirations of the Russian intelligentsia on the eve of the 1905 revolution." Historical bulletin 7, no. 3 (2024): 15–21. http://dx.doi.org/10.58224/2658-5685-2024-7-3-15-21.

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данная статья посвящена исследованию процесса зарождения и становления Московского Художественного Театра – первого, общедоступного, разумного, нравственного, с высокой просветительской миссией. История государства Российского, накануне первой русской революции 1905 года, предстаёт как единый процесс, в котором, наряду с социальными, экономическими, политическими преобразованиями, просматриваются вопросы связанные с развитием культуры Российской Империи данного периода. В работе анализируется участие театрально-прогрессивной интеллигенции на фоне внутренних проблем страны в конце XlX – начала
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Derhach, М. А. "PEDAGOGICAL ACTIVITY "FIRST STATE THEATER FOR CHILDREN": ANALYSIS OF ARCHIVAL MATERIALS 1920-1927 YEARS." Educational Dimension 10 (May 27, 2022): 98–108. http://dx.doi.org/10.31812/educdim.5409.

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Pedagogical activity of “The First State Theatre for Children "Fairy-tale"”: analysis of archives materials 1920-1927. The process o f the creation and developing of the first theatre for children in Ukraine is revealed in the report. Pedagogical influence of the theatre on children revealed in 20-th years of the XX the century. The recovered facts determined key-directions of pedagogical work of the theatres in the following years.
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Tikhonov, Aleksandr Aleksandrovich. "Musical and creative life in the Tarsky Priirtyshie in the second half of the 20th century: periods, communities, personalities." Исторический журнал: научные исследования, no. 2 (February 2023): 107–16. http://dx.doi.org/10.7256/2454-0609.2023.2.40582.

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The author examines the theatrical life in a small town on the example of the city of Tara, Omsk region. The theatrical life of the second half of the XX century is studied in dynamics, the key creative associations, personalities, periods are identified. In this article, we rely on such concepts as "local history" (meaning the consideration of the theatrical life of a separate locus - the Tarsky Priirtyshie region through the influence of individuals, associations and processes on the cultural process, referring both to written sources and historical memory), "cultural nest", "cultural enviro
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Zhang, Lichuan. "The theatrical orchestra and the formation of symphonic performance in Kharkiv." Culture of Ukraine, no. 85 (September 25, 2024): 62–69. http://dx.doi.org/10.31516/2410-5325.085.07.

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The purpose of the publication is to define the specific characteristics of the functioning and role of the theater orchestra in the formation of symphonic performance in Kharkiv. The methodology. In the process of understanding the phenomenon of the Kharkiv Theater orchestra, a historical approach was applied, which allowed for the chronological reconstruction of the musical ensemble’s functioning. Additionally, a comparative analysis method was used to identify the unique features of the orchestra’s instrumental composition, repertoire development, and performance practices. The results. The
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Dissertations / Theses on the topic "Theater Directing of the XX Century"

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Silva, Gerson Praxedes. "Um teatro buscante (estudo de caso)." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285069.

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Orientador: Maria Lucia Levy Candeias<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-05T15:35:44Z (GMT). No. of bitstreams: 1 Silva_GersonPraxedes_M.pdf: 3140155 bytes, checksum: d40d24158b2c9bb7c7ba2548957ad85b (MD5) Previous issue date: 2005<br>Resumo: Resumo: O objetivo desta dissertação é tecer uma reflexão sobre a arte do teatro sob o ponto de vista do diretor Celso Nunes. Por conseguinte, o seu método de trabalho que simultaneamente, tem como proposta ser uma fator facilitador da criação artística e uma oportunid
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Silva, Fátima Antunes da. "A imagem poética no Nuevo Teatro Latino-Americano: o caso do TEC e La Candelária." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-13022008-112412/.

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O objetivo do presente trabalho foi desenvolver um estudo sobre a imagem poética do Nuevo Teatro Latino-Americano. A análise desenvolvida, a partir do ponto de vista da Sociologia da Arte, buscou o deslindamento dessa imagem nas encenações teatrais representativas dos principais grupos do movimento: TEC e LA CANDELÁRIA da Colômbia. Parte-se de uma primeira hipótese de que essa imagem poética repousa sobre princípios que remontam às vanguardas do início do século XX. Parte-se de uma segunda hipótese de que encenadores de parte das obras teatrais representativas do movimento do Nuevo Teatro, par
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Júnior, Umberto Cerasoli. "O LUME no contexto do Teatro de Pesquisa do Século XX." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-09092011-193410/.

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Esta pesquisa tem por objetivo contextualizar a experiencia do grupo LUME (Nucleo Interdisciplinar de Pesquisas Teatrais da UNICAMP) dentro da tradicao do Teatro de Pesquisa do seculo XX. Na primeira parte do trabalho, identificamos o movimento historico que possibilitou a consolidacao de um teatro com base no ator no seculo XX e mapeamos os principais pontos das propostas de formacao do ator de Constantin Stanislavski, Etienne Decroux, Jerzy Grotowski e Eugenio Barba. Na segunda parte, apresentamos a proposta e os objetivos do grupo LUME, descrevemos suas linhas de pesquisa e evidenciamos com
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Ilari, Mayumi Denise Senoi. "Teatro político e contestação no mundo globalizado: o Bread & Puppet Theater na sociedade de consumo." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-14052008-134439/.

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Criado na cidade de Nova Iorque no início dos anos sessenta, o Bread & Puppet Theater estabeleceu-se em meio à vanguarda artística norte-americana do século XX, tornando-se célebre nas apresentações e paradas de rua em protesto contra a guerra do Vietnã. Quatro décadas de teatro mais tarde, em plena guerra no Iraque, o grupo dirigido por Peter Schumann, agora radicado em Vermont, prossegue com seu teatro de papel-maché, em protesto contra os impérios vis e injustos do mundo globalizado. Esta pesquisa compara o espetáculo Portões do Inferno, último \"Circo de Ressurreição Doméstica\" (1998), es
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Cerigioli, Marcelo Maciel. "Rafael Alberti: leituras do Museu do Prado." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-22082012-115640/.

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A presente dissertação analisa os livros sobre o Museu do Prado, A la pintura (1948) e Noche de guerra en el Museo del Prado (1956), ambos do escritor espanhol Rafael Alberti, escritos na Argentina, durante seu longo exílio. A investigação parte da contextualização de Alberti, que nos leva a uma aproximação ao tema, o Museu do Prado, tratado de maneira diferente nas duas obras. Na sequência, é analisado o livro A la pintura e, em seguida, a peça de teatro Noche de guerra en el Museo del Prado.<br>This study analyzes the books about the Prado Museum, A la Pintura (1948) and Noche de guerra en e
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Bessa, Virginia de Almeida. "A cena musical paulistana: teatro musicado e canção popular na cidade de São Paulo (1914-1934)." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-07122012-104254/.

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Esta tese investiga as relações entre o teatro musicado e a canção popular na cidade de São Paulo entre 1914 e 1934, período que antecede e acompanha a consolidação do disco e do rádio no Brasil. Procura compreender a importância dos palcos paulistanos sob dois aspectos: de um lado, em sua relação com o processo mais amplo de formação da moderna canção popular no Brasil, e, de outro, como espaço de invenção de uma identidade paulista a qual, por sua vez, realimentou a produção cancional da capital, especialmente aquela identificada como caipira. Com base em um extenso levantamento realizado n
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Martinez, Danielle de Aurélio [UNESP]. "Visões do inferno ou a cena deformada: uma leitura do expressionismo no teatro de Raul Brandão." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/141978.

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Submitted by Danielle de Aurélio Martinez null (daninha_martinez@hotmail.com) on 2016-07-29T16:44:44Z No. of bitstreams: 1 Dissertação Mestrado Danielle Martinez.ficha.pdf: 4080621 bytes, checksum: 8e3b19ab2842d4cb8c8adddf962ceb15 (MD5)<br>Approved for entry into archive by Felipe Augusto Arakaki (arakaki@reitoria.unesp.br) on 2016-08-01T14:40:19Z (GMT) No. of bitstreams: 1 martinez_da_me_arafcl.pdf: 4080621 bytes, checksum: 8e3b19ab2842d4cb8c8adddf962ceb15 (MD5)<br>Made available in DSpace on 2016-08-01T14:40:20Z (GMT). No. of bitstreams: 1 martinez_da_me_arafcl.pdf: 4080621 bytes, checks
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Books on the topic "Theater Directing of the XX Century"

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Kortenska, Miroslava. The cultural vertical: An insight into the transformations and leaders of Bulgarian culture and theater during a watershed decade at the end of the XX century, 1989-1998. Pygmalion, 2000.

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Meskin, Vladimir. The history of Russian literature of the late XIX - early XX century. The Silver Age. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1907071.

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The textbook examines the domestic literature of the Silver Age in the context of Russian and foreign culture. Periodization, content, and poetics of literature are presented here in connection with intra-literary processes and the influence of historical factors. The main part of the book, devoted to poetry, prose, drama, is preceded by a section on the humanitarian consciousness, which occupied, worried, and encouraged a person of the epoch that completed the New Age and began the Modern age, an era that had to begin the modernization of all kinds of art. The introductory section includes an
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Barclay, Kari. Directing Desire: Intimacy Choreography and Consent in the Twenty-First Century. Palgrave Macmillan, 2023.

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Book chapters on the topic "Theater Directing of the XX Century"

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Kaczmarek, Tomasz. "Francuski teatr feministyczny na przełomie XIX i XX wieku." In Być w mniejszości. Być mniejszością. Wydawnictwo Uniwersytetu Łódzkiego, 2019. https://doi.org/10.18778/8142-320-5.09.

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Until recently not many people recognized the feminist theater movement existing in theend of the 19th century. For almost a century it was condemned to oblivion for above allpolitical reasons. Most scholars were focused on anarchist authors while in this the article works of the two feminine authors are analyzed, these include: Vera Starkoff and NellyRoussel. Starkoff, the Russian Jew, was inspired by Tolstoy, Zola and Ibsen, and wrotethe didactic dramas in which she discussed gender inequality between men and womenat that time. She in her works seems to be more moderate then Russel who is mo
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Sobieraj, Tomasz. "Helena Modrzejewska i Józef Kotarbiński. Związki artystyczne." In Helena Modrzejewska : materiały do badań nad życiem i twórczością aktora II połowy XIX i początków XX wieku. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381387293.09.

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Helena Modjeska (born in 1840 in Krakow), the greatest Polish actress of the second half of the 19th century, strongly influenced Polish theater life. The circle of her admirers included Józef Kotarbiński (born in 1849), a literary and theater critic, publicist, writer, and then an actor and manager as well. Kotarbiński often reviewed Modjeska’s acting. From the end of the 1870s to 1903, they appeared together in several plays. Kotarbiński always stayed in the shadow of his famous partner (for instance, his performance as Helmer in’ A Doll’s House by Ibsen was criticized as completely unprepar
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Shelogurova, Galina. "Staging of "Iphigenia-the Victim" in the context of the problem of "Annensky and the Theater"." In Russian poets of the XX century Materials and Researches. Innokentiy Annenskiy (1855–1909). Azbukovnik, 2022. http://dx.doi.org/10.31860/978-5-91172-222-7-300-310.

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Porinets, Yuri. "I. F. Annensky's staging of the tragedy "Res" and the tradition of the Russian classical gymnasium theater." In Russian poets of the XX century Materials and Researches. Innokentiy Annenskiy (1855–1909). Azbukovnik, 2022. http://dx.doi.org/10.31860/978-5-91172-222-7-292-310.

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Jarząbek-Wasyl, Dorota. "Modrzejewska i (nie)przyjaciele. W sidłach środowiskowej plotki." In Helena Modrzejewska : materiały do badań nad życiem i twórczością aktora II połowy XIX i początków XX wieku. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381387293.02.

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The article presents the phenomenon of theater gossiping and the circulation of rumors behind the scenes as potential material both for biographic studies and reconstruction of the socio-moral context of an actress’s working life in the 19th century. The author explores two documents: Kazimierz Chłędowski’s Pamiętniki (Memoires) and Michał Chomiński’s Notaty (Notes) insofar as they concern personal life of Helena Modjeska, an eminent member and guest star of Kraków and Warsaw theaters in 1865-85. Referring to Klaus Thiele- -Dormann’s ‘psychology of rumor,’ the author looks for motives and func
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Maresz, Barbara. "„Mój pierwszy Romeo”. Helena Modrzejewska i Bolesław Ładnowski." In Helena Modrzejewska : materiały do badań nad życiem i twórczością aktora II połowy XIX i początków XX wieku. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381387293.05.

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Helena Modjeska and Bolesław Ładnowski were among the most outstanding performers of Shakespearean characters in the Polish theater of the second half of the 19th century. For the first time, they met on the Krakow stage in 1865 and while initially Ładnowski remained overshadowed by his acting partner, over time his enormous effort and commitment made him one of the most important tragedians on the Polish stage. The article describes artistic contacts of Modjeska and Ładnowski: first, their engagement in the Krakow theater, and later, their encounters during guest performances. The extant lett
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Wanicka, Agnieszka. "„Pożerali ją oczyma”. Kilka uwag o warszawskim doświadczeniu w życiu i twórczości Heleny Modrzejewskiej." In Helena Modrzejewska : materiały do badań nad życiem i twórczością aktora II połowy XIX i początków XX wieku. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381387293.03.

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This article concerns the Warsaw period in the life and work of Helena Modjeska. The years 1869-76 are the least researched and described period in the entire career of the actress. The article refers to Zbigniew Raszewski’s essay Modrzejewska – warszawianka (Modjeska – a Varsovian), debating the significance of the experience of the Krakow theater in Modjeska’s work. In light of a factual analysis, he presents the actress as a Drama Artist of Warsaw theaters, posing questions about the evaluation of the experience of working on the Warsaw stage in the context of her career. Methodologically,
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Kuligowska-Korzeniewska, Anna. "Modrzejewska i Rapacki." In Helena Modrzejewska : materiały do badań nad życiem i twórczością aktora II połowy XIX i początków XX wieku. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381387293.04.

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Helena Modjeska and Wincenty Rapacki – eminent representatives of the 19th-century ‘age of stars’ – met on provincial stages at the beginning of their acting careers. In 1863, they performed in thirty plays together, including Mazepa by J. Słowacki, Barbara Radziwiłłówna by A. Feliński, and Hernani by V. Hugo, in Stanisławów and Czerniowce. Some of these creations, such as Adrianna Lecouvreur and Michonnet in the play by E. Scribe and E. Legouvé, were enthusiastically received and the actors brought them to Krakow (since 1865), which testifies to their talents and the meticulous preparation of
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Conference papers on the topic "Theater Directing of the XX Century"

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Tănase, Diana. "The romanian school of directing. Precursors, founders, reformers." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.19.

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The recent history of universal theater surfaced the need of superior education for the theater director profession. Even more recently, the Romanian theater school has started to grow closer to the European direction of fulfilling this need, which has been finding its way and instruments from the start or the 20th century. The paper is centered on an incursion in the history of this branch of theater, establishing the most important pillars which contributed to its foundation and development to date. Ilustrious Romanian theater directors, Camil Petrescu, Ion Sava, Radu Penciulescu and Valeriu
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Gaju, Emil. "Reflections on stage exegesis in the sphere of contemporary directing." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.12.

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The beginning of the 20th century, thanks to some great personalities of the Universal Theatre, places Directing in its primary function in Theater Art. I will try to be brief, forgive my brevity, to review the great names that gave shape and value to this profession that has become a key one. Without the contribution of the ancestors, we will not understand the development paths and avatars, metamorphoses and dialectics of the dynamic development of this wonderful artistic vocation .Equally important is another component – scenography. In passing let it be said, there were exponents of this p
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Koroliova, Elfrida. "The book on theater – an element of cultural heritage." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.07.

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The article “The book on theater – an element of cultural heritage” includes publications on Moldovan Drama Theater, from the late 60s of the XX century to the 20s of the XXI century. Books signed by D. Prilepov, L. Cemortan, E. Coroliova, N. Bătrânu, V. Tăzlăuanu, N. Rojkovskaia, B. Zavatin, P. Proca, P. Pelin, A. Manoil, A. Ghilaș, A. Roșca, I. Nechit, L. Ungureanu, V. Fedorenco, T. Kotovici and others analyze the evolution processes of the Moldovan theater during the decades, of personalities – directors, actors, who worked in the theaters of the republic “Mihai Eminescu” National Theater,
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Majdanova, M. N. "On the problem of the stage implementation of content in the Russian director's theater beginning of XX century." In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-11.

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Тatarnikova, A. А., and D. Yu Rudoy. "MODERN TRENDS IN THE DEVELOPMENT OF MUSICAL THEATER (BASED ON THE WORKS OF ODESSA AUTHORS AT THE TURN OF THE XX – XXI CENTURY)." In АКТУАЛЬНІ ПРОБЛЕМИ РОЗВИТКУ УКРАЇНСЬКОГО ТА ЗАРУБІЖНОГО МИСТЕЦТВ: КУЛЬТУРОЛОГІЧНИЙ, МИСТЕЦТВОЗНАВЧИЙ, ПЕДАГОГІЧНИЙ АСПЕКТИ. Liha-Pres, 2023. http://dx.doi.org/10.36059/978-966-397-317-3-56.

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"IMAGES OF ANTAGONISTS IN THE RELIGIOUS AND MYTHOLOGICAL REPRESENTATIONS OF THE YAKUTS." In Культура, наука, образование: проблемы и перспективы. Нижневартовский государственный университет, 2021. http://dx.doi.org/10.36906/ksp-2021/36.

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Abstract:
Yakuts in religious beliefs and heroic epics (olonkho) retain the idea of the highest deities of the cult of ayyy, who act in the image and role of positive heroes together with the heroes of the middle world. The main antagonists are evil spirits (abaaahs) and restless souls (uor). They are also an integral part of Yakut traditionalism. The article presents the traditional classification of antagonistic images in religion and the heroic epic as the main components in the representation of the Yakuts (based on the materials of researchers of the XVIII–XX centuries). In modern society, culture
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