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Books on the topic 'Theater of Dionysus (Athens, Greece)'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Tozzi, Giulia. Decreti dal santuario di Dioniso Eleutereo ad Atene. Pisa: Fabrizio Serra editore, 2021.

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2

Anna, Tsankogiorga-Oikonomide, ed. To archaio theatro tou Dionysou: Architektonikē morphē kai leitourgia. Athēna: Milētos Ekdoseis, 2005.

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3

Sewell, Richard C. In the theatre of Dionysos: Democracy and tragedy in ancient Athens. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2007.

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4

Carpenter, Thomas H. Dionysian imagery in fifth-century Athens. Oxford: Clarendon Press, 1997.

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5

Michalopoulos, Panagiōtēs. 30 chronia "Praxē": Theatro Hodou Kephallēnias, 1987-2017. Athēna: Ekdosē Praxē, 2016.

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6

1927-, Gould John, and Lewis David M, eds. The dramatic festivals of Athens. London: Clarendon Press, 1989.

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7

Kapelōnēs, Kōstēs Z. Theatro Technēs Karolou Koun, Epidauros 1985-1998: 17 parastaseis, 63 philms, 14 chronia, 1985 phōtographies. Athēna: Theatro Technēs, 2019.

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8

Wiles, David. The masks of Menander: Sign and meaning in Greek and Roman performance. Cambridge [England]: Cambridge University Press, 1991.

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9

Shakespeare, William. A midsummer night's dream: Texts and contexts. Boston: Bedford/St. Martin's, 1999.

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10

Shakespeare, William. Sogno di una notte di mezz'estate. Milano: Mondadori, 1998.

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11

Shakespeare, William. A midsummer night's dream. Oxford: Oxford University Press, 2001.

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12

Shakespeare, William. A midsummer night's dream. 3rd ed. Logan, Iowa: Perfection Learning Corp., 2004.

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13

Shakespeare, William. Shakespeare's A midsummer night's dream. Mineola, N.Y: Dover, 2003.

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14

Shakespeare, William. A midsummer night's dream. Cambridge, U.K: Cambridge University Press, 2003.

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15

Shakespeare, William. Zhong xia ye zhi meng: A midsummer-night's dream. Taibei Shi: Shi jie shu ju, 1996.

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16

Shakespeare, William. The sixty-minute Shakespeare-- A midsummer night's dream. 5th ed. Chandler, Ariz: Five Star Publications, 2001.

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17

Shakespeare, William. A midsummer night's dream: With connections. Austin: Holt, Rinehart, and Winston, 2000.

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18

Shakespeare, William. A midsommer nights dreame. Englewood Cliffs, NJ: Prentice Hall, 1996.

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19

Shakespeare, William. The sixty-minute Shakespeare-- A midsummer night's dream. Chandler, AZ: Five Star Publications, 1997.

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20

1564-1616, Shakespeare William, and Lian Junlong ill, eds. Zhong xia yeh zhi meng. Tainan Shi: Da qian wen hua chu ban shi yeh gong si, 1992.

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21

Dan, Almagor, and Gesher (Theater company : Tel Aviv, Israel), eds. Ḥalom lel ḳayits: Ḳomedyah. Lod: Zemorah-Bitan, 2001.

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22

Das Dionysostheater von Athen: Architektonische Gestalt und Funktion. Wien: Phoibos, 2008.

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23

Winkler, John J., and Froma I. Zeitlin. Nothing to Do with Dionysos?: Athenian Drama in Its Social Context. Princeton University Press, 2020.

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24

(Editor), John J. Winkler, and Froma I. Zeitlin (Editor), eds. Nothing to Do With Dionysos: Athenian Drama in Its Social Context. Princeton Univ Pr, 1992.

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25

Stewart, Edmund. Tragedy in Attica c.500–300 BC. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747260.003.0004.

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Chapter 3 examines Athenian festival culture in the fifth and fourth centuries. It is argued that the process of tragedy’s dissemination began not with the ‘export’ of plays out of Athens, but even at the very moment of their first performance in the theatre of Dionysus. Athens attracted a wide range of visitors to its festivals, who could be both performers and spectators. Here we examine the evidence for the activities of ninety non-citizen musicians, poets, and actors and the contribution they made to the Dionysia and other festivals. We shall see that Athens is best understood as a major Panhellenic centre within a broader network of other Greek cities and sanctuaries.

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26

Fischer-Lichte, Erika. Epilogue. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199651634.003.0012.

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The book concludes with an epilogue entitled ‘The Return of Dionysus. From Festive Performances to Global Spectacle’. It very briefly retraces the exchange of productions of Greek tragedies between Germany and other countries and ends with the role played by productions of Greek tragedies today, at German as well as international theatre festivals, thus linking them back to the most important festival in ancient Athens, the Great Dionysia. After explaining how such festivals in Germany reassert the central position held by theatre in German culture, the epilogue ends with a short discussion of Jan Fabre’s twenty-four-hour performance Mount Olympus—to Glorify the Cult of Tragedy (Berliner Festspiele, June 2015) as an allegory of and a reflection on Greek tragedy’s endurance on the German stage.

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27

Wise, Jennifer. Dionysus Writes: The Invention of Theatre in Ancient Greece. Cornell University Press, 2019.

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28

Wise, Jennifer. Dionysus Writes: The Invention of Theatre in Ancient Greece. Cornell University Press, 2000.

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29

Roselli, David Kawalko. Theater of the People: Spectators and Society in Ancient Athens. University of Texas Press, 2012.

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30

Roselli, David Kawalko. Theater of the People: Spectators and Society in Ancient Athens. de Gruyter GmbH, Walter, 2011.

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31

Georgiou, Michalis. Reception of German Theater in Greece : Establishing a Theatrical Locus Communis: The Royal Theater in Athens. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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32

Georgiou, Michalis. Reception of German Theater in Greece : Establishing a Theatrical Locus Communis: The Royal Theater in Athens. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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33

Georgiou, Michalis, and Georgiou Finter. Reception of German Theater in Greece : Establishing a Theatrical Locus Communis: The Royal Theater in Athens. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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34

Georgiou, Michalis. Reception of German Theater in Greece : Establishing a Theatrical Locus Communis: The Royal Theater in Athens. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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35

THEATRICAL CAST OF ATHENS: INTERACTIONS BETWEEN ANCIENT GREEK DRAMA AND SOCIETY. OXFORD: OXFORD UNIVERSITY PRESS, 2006.

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36

Performing violence in fourth-century BCE Athens: Court, curse, and comedy. New York: De Gruyter, 2011.

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37

Papakostas, Christos. Dancecapes of Dionysus. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.35.

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This paper aims to study dance and its relation to the construction and the negotiation of cultural identity of the ethnic group of locals (dopioi) in the community of Kali Vrysi in the Prefecture of Drama, in Eastern Macedonia (Greece). The linguistic otherness (the villagers spoke a local Slav idiom) of Kalivrysians (Kalivrysiotes) in the past cast doubt on their Greekness. This resulted in social, ethnic, and cultural stigmatization of the community. The dancing ritual of babougera, characterized as distant echo of Dionysian cult, has a central role in the community’s identity formation. A recent example of the appearance of the babougera ritual, the closing ceremony of the Olympic Games in Athens (2004). In this dancescape of modernity, Kalivrysiotes negotiate their identity and appear as “super-Greeks.”

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38

Crisis on Stage: Tragedy and Comedy in Late Fifth-Century Athens. De Gruyter, Inc., 2011.

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39

Crisis on stage: Tragedy and comedy in late fifth-century Athens. Berlin: De Gruyter, 2011.

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40

Markantonatos, Andreas, and Bernhard Zimmermann. Crisis on Stage: Tragedy and Comedy in Late Fifth-Century Athens. de Gruyter GmbH, Walter, 2011.

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41

Wiles, David. Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge University Press, 1997.

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42

Wiles, David. Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge University Press, 2011.

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43

Wiles, David. Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge University Press, 1999.

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44

Social and Economic History of the Theatre to 300 BC : Volume 2, Theatre Beyond Athens: Documents with Translation and Commentary. University of Cambridge ESOL Examinations, 2020.

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45

Peter, Wilson, and Eric Csapo. Social and Economic History of the Theatre to 300 BC : Volume 2, Theatre Beyond Athens: Documents with Translation and Commentary. University of Cambridge ESOL Examinations, 2021.

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46

Haigh, Arthur Elam. The Attic Theatre: A Description Of The Stage And Theatre Of The Athenians And Of The Dramatic Performances At Athens. Kessinger Publishing, LLC, 2007.

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47

Haigh, Arthur Elam. The Attic Theatre: A Description Of The Stage And Theatre Of The Athenians And Of The Dramatic Performances At Athens. Kessinger Publishing, LLC, 2007.

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48

Spectator politics: Metatheatre and performance in Aristophanes. Philadelphia: University of Pennsylvania Press, 2002.

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49

Pareja, Ángel, and William Shakespeare. El sueño de una noche de verano. Editorial Verbum, 2020.

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50

A Midsummer Night's Dream. Bloomsbury Arden Shakespeare, 2015.

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