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Relevant bibliographies by topics / Theater, Open-air Theater, Open-air

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Academic literature on the topic 'Theater, Open-air Theater, Open-air'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Theater, Open-air Theater, Open-air"

1

Tzekakis, Emmanuel G., and Gottfried Schubert. "The acoustical design of a new open air theater in Thessaloniki, Greece." Journal of the Acoustical Society of America 105, no. 2 (February 1999): 1043. http://dx.doi.org/10.1121/1.424970.

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Witt, David, and Kristy Primeau. "Performance Space, Political Theater, and Audibility in Downtown Chaco." Acoustics 1, no. 1 (December 27, 2018): 78–91. http://dx.doi.org/10.3390/acoustics1010007.

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Chaco Canyon, NM, USA, was the center of an Ancestral Puebloan polity from approximately 850–1140 CE, and home to a dozen palatial structures known as “great houses” and scores of ritual structures called “great kivas”. It is hypothesized that the 2.5 km2 centered on the largest great house, Pueblo Bonito (i.e., “Downtown Chaco”), served as an open-air performance space for both political theater and sacred ritual. The authors used soundshed modeling tools within the Archaeoacoustics Toolbox to illustrate the extent of this performance space and the interaudibility between various locations within Downtown Chaco. Architecture placed at liminal locations may have inscribed sound in the landscape, physically marking the boundary of the open-air performance space. Finally, the implications of considering sound within political theater will be discussed.

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Weng, Lian Fen, Ming Gong, Zhen Hua Liu, and Xiao Bei Wang. "Reinforcement Technology of Space Grid Structure for Reconstruction of Shandong Qufu Xingtan Theater." Advanced Materials Research 243-249 (May 2011): 5487–90. http://dx.doi.org/10.4028/www.scientific.net/amr.243-249.5487.

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Shandong Qufu Xingtan Theater, originally built for an open-air theater, was designed as a one-time temporary structure with bolt ball junction double-layer regular pyramids grid structure roofing system. Because of the transformation of open-air structure system to an enclosed construction, some members of the space grid structure can not meet the required bearing capacity. According to the mechanical performance of space grid structures, the reinforcement methods of “circular steel jacketing” and “lateral support” are conducted, which are based on the analysis of the stress and stability characteristics of different grid members. By using the methods given above, the stress and slenderness ratio is decreased. The results indicate that the two reinforcement methods can reduce the difficulty in construction, shorten the construction period, and gain good economic and social benefit.

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Jakovljevic, Branislav. "Theater of Atrocities: Toward a Disreality Principle." PMLA/Publications of the Modern Language Association of America 124, no. 5 (October 2009): 1813–19. http://dx.doi.org/10.1632/pmla.2009.124.5.1813.

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In October 1992, the united nations security council requested the secretary-general to appoint an impartial commission to examine and record the atrocities committed in the wars in the former Yugoslavia. Two years later, this commission produced its final report. Some of the goriest pages in this catalogue of infamy are dedicated to the explosion on the Markale open-air market in central Sarajevo that took place around noon on Saturday, 5 February 1994. The report describes it as “the worst attack on civilians during the siege” of Sarajevo, citing that it killed at least 66 persons and wounded 197 (781). This explosion can be said to represent the turning point in the Bosnian war, which by that point had lasted some twenty-two months without any reasonable resolution in sight. David Binder, a New York Times reporter and the author of the most detailed account of this atrocity to date, writes that itprovoked the first engagement of NATO in European hostilities since it was founded four decades earlier and the first involvement of U.S. forces in combat in Europe since the beginning of the Cold War. Within days it also drew Russia into the hapless circle of Balkan problem-solvers, along with a unit of Russian peacekeeping troops—the first entry of Russia into the former Yugoslavia since Joseph Stalin's break-up with Josip Broz Tito in 1948. (70)

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Donelan, Jasper F. "Some Remarks Concerning Night Scenes on the Classical Greek Stage." Mnemosyne 67, no. 4 (July 1, 2014): 535–53. http://dx.doi.org/10.1163/1568525x-12341213.

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This paper examines ways in which the dramatists of the fifth century staged night scenes in an open-air, daytime theater, as well as how these scenes relate to the rest of their respective plays’ action. For want of archaeological evidence or treatises on dramatic production, the texts of the tragedies and comedies form the basis of the investigation, which aside from its focus on production techniques also has wider implications for the handling of time in Greek drama. A comparison of tragedy and comedy reveals differences in the two genres’ approaches to conveying ‘darkness’ to their audiences. This also holds true for the pseudo-Euripidean Rhesus, whose plot is set almost exclusively at night. Aristophanic comedy often uses props such as lanterns or torches to reinforce a verbally constructed nocturnal setting whereas tragedy, as far as we can tell, relies solely on spoken description.

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Wagner, Meike. "Performing in Crisis Mode: the Munich National Theater, the Great Exhibition and the Cholera Epidemic in 1854." Pamiętnik Teatralny 69, no. 4 (December 31, 2020): 39–61. http://dx.doi.org/10.36744/pt.561.

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In 1854, the city of Munich had arranged for the “First General German Industrial Exhibition” to promote German industry to the world and invited a global audience to the event. At the same time, Franz Dingelstedt, director of the National Theater, organized a festival displaying the finest actors from Germany. Right after the opening of the festival, cholera started raging in the city and leaving 3,000 deaths in the final count. The author sketches out the role of the theatre in this crisis, when Dingelstedt was ordered by the king to keep the theatre open at any cost. This appears awkward, in regard to the current global pandemic crisis where theaters have been identified as risk zones for infection and consequently closed down. Why was the theatre at the time considered a safe and appropriate place even helping to counter the disease?

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Agaeva, Ekaterina V., Tikhon S. Sergeev, and Renata V. Mikhailova. "THE PROBLEM OF TRAINING THEATER PERSONNEL FOR CHUVASHIA IN THE 20–30s OF THE XX CENTURY." Vestnik Chuvashskogo universiteta, no. 2 (June 25, 2021): 5–10. http://dx.doi.org/10.47026/1810-1909-2021-2-5-10.

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In the 1920s Chuvashia was developing rapidly, and the growth in the number of cultural institutions was observed. The cadres of the creative intelligentsia were in demand, but there were no field-oriented specialized educational institutions in the republic. The issue of training specialists began to be dealt with at the level of state and party bodies. One of the first to open was the theater studio, which gave the opportunity to strengthen the staff of two republican theaters. Moderate funding allocated to support the theater arts, and the entire culture as a whole, of course affected its quality. But the enthusiasm of I.S. Maksimov-Koshkinsky, I.A. Slobodsky and other people of art allowed to continue the work of personnel training. In the 1920s and 1930s, training of creative intelligentsia cadres reached a new qualitative level. Financing of cultural institutions, provision with qualified teaching staff, regulation of admission, training, and graduation in educational institutions yielded positive results. In 1935, a theater vocational school was opened in Cheboksary. In 1934, a special collective farm-state farm department was opened at the extramural department of the State Institute of Theater Arts, and a little later, in 1940, a specialized Chuvash theater studio was opened. The activity of the theater school was curtailed, but specialists training was successfully conducted by the studio under GITIS (the Russian University of Theatre Arts). In the pre-war years, 6 new theaters were opened in the republic. The national creative intelligentsia was formed.

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Zawistowska, Monika. "Teatr czasu wojny 1939–1945 w świetle zadań i wartości." Dydaktyka Polonistyczna 15, no. 6 (2020): 202–12. http://dx.doi.org/10.15584/dyd.pol.15.2020.14.

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The publication describes the activity of Polish theater during the Second World War. It is an attempt to look at theater from the perspective of the tasks and values it presented in this particularly difficult period. The article describes the functioning of open and underground theaters and theaters operating in concentration camps. The above-mentioned activities cannot be reduced to one formula or a specific species. In these conditions, the artistic level and innovation of many performances amaze. Paradoxically, this most dramatic theater achieved its greatest autonomy during the occupation. It has become a useful tool for restoring human dignity and art.

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Song, Hee-young. "The reenactment of the mythical time and space in the Performing Arts, as an open-air epic theater and a medium of cultural memory: the case of the Cinéscénie of Puy du Fou, Vendée, France." Humanities Contens 44 (March 31, 2017): 175. http://dx.doi.org/10.18658/humancon.2017.3.44.175.

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OYAMA, Haruo. "Noh Performance Space as Open-air Theaters and Open Spaces." Journal of the Japanese Institute of Landscape Architects 50, no. 5 (1986): 221–26. http://dx.doi.org/10.5632/jila1934.50.5_221.

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Dissertations / Theses on the topic "Theater, Open-air Theater, Open-air"

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Zhang, An. "Cantonese opera garden in Yung Shue Wan, Lamma Island /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B34612361.

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Kung, Sze-chung Charles. "Cinema park." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956206.

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Lewis, Heidi D. ?UNAUTHORIZED. ""Speaking out of the dust" : religious reenactments with the specific iconic identity of place /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1478.pdf.

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Zhang, An, and 張安. "Cantonese opera garden in Yung Shue Wan, Lamma Island." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45009740.

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Streeter, Joshua Aaron. "Greek Tragedy and Its American Choruses in Open Air Theaters from 1991 to 2014: The Cases of Gorilla Theatre Productions and The Classic Greek Theatre of Oregon." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu155534000939454.

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Koerner, Ethan. "Voicing an other utilizing puppetry and pageantry for community-based spectacle in America /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1219701727.

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Kung, Sze-chung Charles, and 龔詩宗. "Cinema park." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983388.

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Pugh, Ian Bradford Ngongotoha. "“Devoted & Disgruntled”: Improbable’s Devising, Eldership, and Open Space Technology." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366467614.

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Covington, James Harvey. "Implementing an open ocean theater in NPSNET." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1994. http://handle.dtic.mil/100.2/ADA281038.

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Chourmouziadou, Kalliopi. "Ancient and contemporary use of open-air theatres : evolution and acoustic effect of scenery design." Thesis, University of Sheffield, 2007. http://etheses.whiterose.ac.uk/14905/.

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The subject of this research is the acoustic properties of ancient theatres, focusing on their contemporary use and the effect of scenery design. Performance style, material use and influence of architectural characteristics and evolution on acoustics are of interest. Generic scenery designs are investigated and guidelines for architects and scenery designers are provided. This dissertation is organised in twelve chapters. Chapter 1 is the introduction. The literature review is presented in Part 1. Chapter 2 examines the theory of sound in antiquity and today, currently used acoustic indices and commonly used acoustic software. Chapter 3 describes ancient performance spaces, in terms of layout, and forms of drama. Chapter 4 focuses on: stage building in antiquity, revival of ancient drama and scenery design categorisation. Part 2, the methodology, contains Chapters 5 and 6. The former examines appropriate parameters for acoustic software use, on-site measurements, absorption coefficient measurements and subjective evaluation. Chapter 6 investigates the phenomena of diffraction in ancient theatres, which can be accurately calculated by applying appropriate scattering coefficients. Part 3 presents the main analysis in four chapters. Chapter 7 examines theatre evolution in antiquity, revealing that the acoustic environment improved. Chapter 8 compares measurements, simulation and subjective evaluation for Epidaurus, Knossos and Philippi, and presents absorption coefficient measurements for porous stone. Chapters 9 and 10 acoustically investigate Mieza, Philippi and Dion in terms of ancienVpresent condition and restoration proposals with purposely-built stage enclosures, and effects of generic scenery categories respectively. Chapter 11 offers guidelines for ancient theatre and scenery design use, with applications to contemporary open-air theatres. Finally, Chapter 12 presents this study's conclusions, contribution to knowledge and further work. This study introduced and acoustically examined early theatre forms, emphasised on the acoustic improvements in theatre evolution, and demonstrated the usefulness of stage buildings/enclosures and scenery.

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Books on the topic "Theater, Open-air Theater, Open-air"

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Open-air Shakespeare: Under Australian skies. Houndmills, Basingstoke, Hampshire: Palgrave Pivot, 2014.

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Creating outdoor theatre: A practical guide. Ramsbury, Marlborough: Crowood, 2008.

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Alexander, Eric. Openluchttheaters in Nederland: Vermaak onder heldere hemel. Zutphen: Walburg Pers, 2011.

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Zhūbīn, Ghāzīyānī, and Hūshyār Farzād, eds. Tiʼātr-i khiyābānī dar Īrān va jahān. [Tihrān]: Afrāz, 2010.

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Nordstrom, Mary. Outdoor drama: Pictorial guide to over fifty annual productions in the United States. Chapel Hill, N.C. (95 S. Elliott Rd., #140, Chapel Hill 27514): North South Artscope Publications, 1985.

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6

Conville, David. The Park: The story of the Open Air Theatre, Regent's Park. London: Oberon, 2007.

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Hunt, John Dixon. Vauxhall and London's Garden Theatres. Cambridge (Cambridgeshire): Chadwyck-Healey, in association with the Consortium for Drama and Media in Higher Education, 1985.

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METZLER, MARTA. O teatro da natureza : historia e ideias. Sao Paulo: Perspectiva, 2005.

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Jornadas de Teatro Clásico Español (27th 2004 Almagro, Spain). El corral de comedias: Espacio escénico, espacio dramático : actas de las XXVII Jornadas de Teatro Clásico de Almagro, 6, 7 y 8 de julio de 2004. Almagro [Spain]: Festival de Almagro, 2006.

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Mason, Bim. Street theatre and other outdoor performance. London: Routledge, 1992.

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Book chapters on the topic "Theater, Open-air Theater, Open-air"

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Leach, Robert. "Staging in the open air playhouse." In An Illustrated History of British Theatre and Performance, 165–73. First edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019–: Routledge, 2018. http://dx.doi.org/10.4324/9780429463686-25.

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Leach, Robert. "Acting in the open air playhouse." In An Illustrated History of British Theatre and Performance, 174–83. First edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019–: Routledge, 2018. http://dx.doi.org/10.4324/9780429463686-26.

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Leach, Robert. "Popular audiences in the open air theatres." In An Illustrated History of British Theatre and Performance, 212–18. First edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019–: Routledge, 2018. http://dx.doi.org/10.4324/9780429463686-30.

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Grönemeyer, D. H. W., A. Gevargez, R. Seibel, A. Melzer, and M. Deli. "Interventional Operation Theaters." In Open Field Magnetic Resonance Imaging, 83–91. Berlin, Heidelberg: Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/978-3-642-59581-3_8.

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Galioto, Jeannie. "Keeping an Open Mind." In Theatre Artisans and Their Craft, 79–86. New York, NY : Routledge, 2020. | Series: Backstage: Routledge, 2019. http://dx.doi.org/10.4324/9781351131070-7.

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Semenowicz, Dorota. "An Open Image." In The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio, 51–97. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-56390-3_3.

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Pronko, Leonard C. "Closed and Open Societies." In Revenge Drama in European Renaissance and Japanese Theatre, 29–44. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611283_2.

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Crook, Paul B. "It’s Open … Now What?" In The Art and Practice of Directing for Theatre, 173–87. New York : Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315669588-12.

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Rajendran, Charlene. "Open platforms for dialogue and difference." In The Routledge Companion to Theatre and Politics, 329–32. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge theatre and performance companions: Routledge, 2019. http://dx.doi.org/10.4324/9780203731055-85.

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Sikes, Alan. "“The Odéon is Open”: Performative Politics and the Paris 1968 Uprising." In Theatre, Performance and Change, 285–94. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65828-5_31.

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Conference papers on the topic "Theater, Open-air Theater, Open-air"

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Oosthuizen, Patrick H. "A Numerical Study of the Effect of Inlet Vent Position and Size on the Velocity and Temperature Distributions in a Smaller Naturally Ventilated Theater in Canada." In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-36781.

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Many smaller churches and similar buildings in Canada have been converted into small theaters. Such theatres are often not fitted with an air-conditioning system. For performances in the fall these theaters sometimes rely on buoyancy driven natural ventilation to moderate the indoor air temperature. Such ventilation systems usually involve near floor inlet vents and a roof level air discharge system. A preliminary numerical study of the effect of inlet vent position and size on the performance of such a system has been undertaken. A simple model of a typical theater building of the type considered has been used. The heat generated by the audience has been represented by a uniform heat flux distributed over the audience area. Inlet vents have been assumed to be located low on the side walls of the theater and the air-flow leaving the theatre has been assumed to be through vents at the top of a chimney system. The flow has been assumed to be steady and symmetrical about the vertical center-line through the building. The Boussinesq approach has been adopted. The standard k-epsilon turbulence model has been used. The solution has been obtained using the commercial CFD solver ANSYS FLUENT©.

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Di Gregorio, Giuseppe. "THE TAORMINA THEATER: THE DIGITAL SURVEY SYSTEM OF KNOWLEDGE OPEN IN TIME." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12168.

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In Sicily there are 19 show venues including ancient theaters and theatrical architectures. Many of these structures are fully functional and subject to visitor flows such as the theater of Syracuse and that of Taormina. They are object of interest and curiosity, revealed in the eighteenth century during the grand tour by travelers and landscape painters, in the last twenty years they have become reasons for study in various scientific areas as from acoustics to archeology, always passing through digital surveying. Studied through classical photogrammetry, structure from motion (SFM), 3D laser scanner, their representation as well as by increasingly refined and detailed two-dimensional graphics, makes use of 3D representations and techniques of virtual reality (VR) and augmented reality (AR). Due to their particular geometry, the need for studies and research is considered essential to deepen the methods of the surveys and plan their developments. Examples and problems for the archaeological survey are reported with the aim of critically evaluating the current state of the art of 3D survey, the potential and possible future developments, in the present study the results obtained for the survey of the Taormina theater (ME) and in-depth analysis of the versure environments.

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O'Connor, Eileen. "SIGGRAPH 97 electronic theater open." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259314.

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Lehn, Pam. "SIGGRAPH 96 electronic theater open and close." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253911.

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Popken, Douglas A., and Louis A. Cox, Jr. "Simulation-based planning for theater air warfare." In Defense and Security, edited by Dawn A. Trevisani and Alex F. Sisti. SPIE, 2004. http://dx.doi.org/10.1117/12.541137.

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Khalil, Essam. "Energy Efficiency, Air Quality and Comfort in Air-Conditioned Operating Theatres." In 46th AIAA Aerospace Sciences Meeting and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2008. http://dx.doi.org/10.2514/6.2008-1169.

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Khalil, Essam E. "Indoor Air Quality and Air Flow Regimes in Surgical Operating Theatres." In AIAA Scitech 2021 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2021. http://dx.doi.org/10.2514/6.2021-1920.

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Huzayyin, Omar, and Essam Eldin Khalil. "Flow Regimes and Thermal Patterns in Air Conditioned Operating Theaters." In 9th AIAA/ASME Joint Thermophysics and Heat Transfer Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2006. http://dx.doi.org/10.2514/6.2006-3088.

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Wawrzyniak, Geoff, Lindsay Millard, Daniel DeLaurentis, and Dave Van Veldhuizen. "Analysis of Network Topologies for On-Demand Intra-Theater Air Mobility Command Operations." In 9th AIAA Aviation Technology, Integration, and Operations Conference (ATIO). Reston, Virigina: American Institute of Aeronautics and Astronautics, 2009. http://dx.doi.org/10.2514/6.2009-6972.

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Alhamid, Muhammad Idrus, Budihardjo, and Rahmat. "Performance analysis of air conditioning system and airflow simulation in an operating theater." In 2ND BIOMEDICAL ENGINEERING’S RECENT PROGRESS IN BIOMATERIALS, DRUGS DEVELOPMENT, AND MEDICAL DEVICES: Proceedings of the International Symposium of Biomedical Engineering (ISBE) 2017. Author(s), 2018. http://dx.doi.org/10.1063/1.5023991.

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Reports on the topic "Theater, Open-air Theater, Open-air"

1

Woods, John D. Joint Air Operations Integration of MAGTF Aviation into the Theater Air War. Fort Belvoir, VA: Defense Technical Information Center, April 1994. http://dx.doi.org/10.21236/ada280625.

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Peterschmidt, J. Chris. Reevaluating Doctrine for Joint Theater Air and Missile Defense. Fort Belvoir, VA: Defense Technical Information Center, February 1999. http://dx.doi.org/10.21236/ada363155.

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AIR COMBAT COMMAND LANGLEY AFB VA. TAGS: Multiservice Procedures for the Theater Air-Ground System. Fort Belvoir, VA: Defense Technical Information Center, July 1998. http://dx.doi.org/10.21236/ada354331.

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Thomas, Gary L. United States Marine Corps Air-Ground Integration in the Pacific Theater. Fort Belvoir, VA: Defense Technical Information Center, March 1999. http://dx.doi.org/10.21236/ada424520.

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Bromberg, Howard B. Joint Theater Air and Missile Defense - A Call for a Joint Headquarters. Fort Belvoir, VA: Defense Technical Information Center, May 1998. http://dx.doi.org/10.21236/ada529768.

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Sauter, Daniel P., and III. Just Another Headquarters or the Missing Link to the Theater Air Defense. Fort Belvoir, VA: Defense Technical Information Center, May 1999. http://dx.doi.org/10.21236/ada370346.

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Hasley, David C. Theater Ballistic Missile Targets Programmatic Environmental Assessment Vandenberg Air Force Base, California. Fort Belvoir, VA: Defense Technical Information Center, December 1997. http://dx.doi.org/10.21236/ada413104.

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Rivera, Francisco. Intra-theater Air Mobility and Theater Distribution for the Joint Force Commander: Is the United States Central Command Model the Best. Fort Belvoir, VA: Defense Technical Information Center, June 2010. http://dx.doi.org/10.21236/ad1019182.

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Claxton, Randy O. Detainee Healthcare in Theater Hospitals: Are Air Force Medics Prepared for the Challenge. Fort Belvoir, VA: Defense Technical Information Center, April 2009. http://dx.doi.org/10.21236/ada539475.

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Davis, Richard W. Theater Air and Missile Defense Family of Systems. 8th Annual AIAA/BMDO Technology Conference. Fort Belvoir, VA: Defense Technical Information Center, July 1999. http://dx.doi.org/10.21236/ada370455.

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