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Relevant bibliographies by topics / Theater, Open-air Theater, Open-air / Journal articles

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Journal articles on the topic 'Theater, Open-air Theater, Open-air'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Tzekakis, Emmanuel G., and Gottfried Schubert. "The acoustical design of a new open air theater in Thessaloniki, Greece." Journal of the Acoustical Society of America 105, no. 2 (1999): 1043. http://dx.doi.org/10.1121/1.424970.

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2

Witt, David, and Kristy Primeau. "Performance Space, Political Theater, and Audibility in Downtown Chaco." Acoustics 1, no. 1 (2018): 78–91. http://dx.doi.org/10.3390/acoustics1010007.

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Chaco Canyon, NM, USA, was the center of an Ancestral Puebloan polity from approximately 850–1140 CE, and home to a dozen palatial structures known as “great houses” and scores of ritual structures called “great kivas”. It is hypothesized that the 2.5 km2 centered on the largest great house, Pueblo Bonito (i.e., “Downtown Chaco”), served as an open-air performance space for both political theater and sacred ritual. The authors used soundshed modeling tools within the Archaeoacoustics Toolbox to illustrate the extent of this performance space and the interaudibility between various locations wi

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3

Weng, Lian Fen, Ming Gong, Zhen Hua Liu, and Xiao Bei Wang. "Reinforcement Technology of Space Grid Structure for Reconstruction of Shandong Qufu Xingtan Theater." Advanced Materials Research 243-249 (May 2011): 5487–90. http://dx.doi.org/10.4028/www.scientific.net/amr.243-249.5487.

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Shandong Qufu Xingtan Theater, originally built for an open-air theater, was designed as a one-time temporary structure with bolt ball junction double-layer regular pyramids grid structure roofing system. Because of the transformation of open-air structure system to an enclosed construction, some members of the space grid structure can not meet the required bearing capacity. According to the mechanical performance of space grid structures, the reinforcement methods of “circular steel jacketing” and “lateral support” are conducted, which are based on the analysis of the stress and stability cha

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4

Jakovljevic, Branislav. "Theater of Atrocities: Toward a Disreality Principle." PMLA/Publications of the Modern Language Association of America 124, no. 5 (2009): 1813–19. http://dx.doi.org/10.1632/pmla.2009.124.5.1813.

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In October 1992, the united nations security council requested the secretary-general to appoint an impartial commission to examine and record the atrocities committed in the wars in the former Yugoslavia. Two years later, this commission produced its final report. Some of the goriest pages in this catalogue of infamy are dedicated to the explosion on the Markale open-air market in central Sarajevo that took place around noon on Saturday, 5 February 1994. The report describes it as “the worst attack on civilians during the siege” of Sarajevo, citing that it killed at least 66 persons and wounde

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5

Donelan, Jasper F. "Some Remarks Concerning Night Scenes on the Classical Greek Stage." Mnemosyne 67, no. 4 (2014): 535–53. http://dx.doi.org/10.1163/1568525x-12341213.

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This paper examines ways in which the dramatists of the fifth century staged night scenes in an open-air, daytime theater, as well as how these scenes relate to the rest of their respective plays’ action. For want of archaeological evidence or treatises on dramatic production, the texts of the tragedies and comedies form the basis of the investigation, which aside from its focus on production techniques also has wider implications for the handling of time in Greek drama. A comparison of tragedy and comedy reveals differences in the two genres’ approaches to conveying ‘darkness’ to their audien

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6

Wagner, Meike. "Performing in Crisis Mode: the Munich National Theater, the Great Exhibition and the Cholera Epidemic in 1854." Pamiętnik Teatralny 69, no. 4 (2020): 39–61. http://dx.doi.org/10.36744/pt.561.

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In 1854, the city of Munich had arranged for the “First General German Industrial Exhibition” to promote German industry to the world and invited a global audience to the event. At the same time, Franz Dingelstedt, director of the National Theater, organized a festival displaying the finest actors from Germany. Right after the opening of the festival, cholera started raging in the city and leaving 3,000 deaths in the final count. The author sketches out the role of the theatre in this crisis, when Dingelstedt was ordered by the king to keep the theatre open at any cost. This appears awkward, i

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Agaeva, Ekaterina V., Tikhon S. Sergeev, and Renata V. Mikhailova. "THE PROBLEM OF TRAINING THEATER PERSONNEL FOR CHUVASHIA IN THE 20–30s OF THE XX CENTURY." Vestnik Chuvashskogo universiteta, no. 2 (June 25, 2021): 5–10. http://dx.doi.org/10.47026/1810-1909-2021-2-5-10.

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In the 1920s Chuvashia was developing rapidly, and the growth in the number of cultural institutions was observed. The cadres of the creative intelligentsia were in demand, but there were no field-oriented specialized educational institutions in the republic. The issue of training specialists began to be dealt with at the level of state and party bodies. One of the first to open was the theater studio, which gave the opportunity to strengthen the staff of two republican theaters. Moderate funding allocated to support the theater arts, and the entire culture as a whole, of course affected its q

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8

Zawistowska, Monika. "Teatr czasu wojny 1939–1945 w świetle zadań i wartości." Dydaktyka Polonistyczna 15, no. 6 (2020): 202–12. http://dx.doi.org/10.15584/dyd.pol.15.2020.14.

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The publication describes the activity of Polish theater during the Second World War. It is an attempt to look at theater from the perspective of the tasks and values it presented in this particularly difficult period. The article describes the functioning of open and underground theaters and theaters operating in concentration camps. The above-mentioned activities cannot be reduced to one formula or a specific species. In these conditions, the artistic level and innovation of many performances amaze. Paradoxically, this most dramatic theater achieved its greatest autonomy during the occupatio

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9

Song, Hee-young. "The reenactment of the mythical time and space in the Performing Arts, as an open-air epic theater and a medium of cultural memory: the case of the Cinéscénie of Puy du Fou, Vendée, France." Humanities Contens 44 (March 31, 2017): 175. http://dx.doi.org/10.18658/humancon.2017.3.44.175.

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10

OYAMA, Haruo. "Noh Performance Space as Open-air Theaters and Open Spaces." Journal of the Japanese Institute of Landscape Architects 50, no. 5 (1986): 221–26. http://dx.doi.org/10.5632/jila1934.50.5_221.

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11

Sulaiman, Shaharin Anwar, Nadrah Isa, Nina Irsyanizah Raskan, and Noor Farhane Che Harun. "Study of Indoor Air Quality in Academic Buildings of a University." Applied Mechanics and Materials 315 (April 2013): 389–93. http://dx.doi.org/10.4028/www.scientific.net/amm.315.389.

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ndoor Air Quality in educational environment is very important as it could interfere with the learning process. In this paper, the indoor air quality of selected lecture rooms of different sizes in an academic building was studied, involving measurements of indoor temperature, relative humidity, CO2 level and dust particles. A mixed result was observed on the relative humidity in the rooms. The levels of dust particles were observed acceptable although recorded higher in the small lecture room as compared to the lecture theater. The CO2 content in the lecture theatre was found to be higher tha

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12

Khaidi, Nor Azyan K. M., Siti M. Anua, Nurzafirah Mazlan, and Safaa N. Saud. "The Presence of Microbial Air Contaminants in the Operating Theatre at a Teaching Hospital in East Coast Malaysia." Open Biology Journal 9, no. 1 (2021): 11–16. http://dx.doi.org/10.2174/1874196702109010011.

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Aim: The aim of this study is to determine the presence of microbial air contaminants in the operating theatre at a teaching hospital. Objective: Airborne microbial level in operation theatre is one of the significant risks in hospital as it can increase the surgical site infection and nosocomial infections. Background: Duo SAS Super 360 Air Sampler was used to collect the airborne samples in triplicate each for nutrient and MacConkey agar at eight operation rooms and two corridors for morning and evening sessions. Sampling was conducted for three months and repeated every two months. Microbio

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Gaby, Rosemary. "Venturing Outside: The Emergence of Australian Open-Air Theatre." Multicultural Shakespeare: Translation, Appropriation and Performance 8, no. 23 (2011): 107–24. http://dx.doi.org/10.2478/v10224-011-0008-3.

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14

Nygaard, Jon. "Local, Open-Air Performances in Norway as Interdisciplinary Theatre." Theatre Research International 26, no. 2 (2001): 172–80. http://dx.doi.org/10.1017/s0307883301000189.

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Each year local amateur actors in small, rural communities all over Norway stage a large number of open-air performances. Most of them are performed annually, and indeed some have been performed for almost fifty years. The interdisciplinary nature of these performances is founded on the principle of dugnad (community cooperation and participation) which brings to the performances local knowledges and skills. These productions thus attract large audiences because of their fusion of elements from theatre, music, dance, sport and crafts performed by skilled professionals turned amateur actors fro

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Iacona, Roberta, Kiran Chima, Ami Kotecha, and Amulya Saxena. "Surgical Perspectives for Pediatric Theater Teams during the SARS-CoV-2 Pandemic and Beyond: Narrative Review and Mandatory Tasks Guidelines." European Journal of Pediatric Surgery 31, no. 04 (2021): 305–10. http://dx.doi.org/10.1055/s-0041-1731293.

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AbstractThis is a narrative review during the ongoing coronavirus disease 2019 (COVID-19) pandemic to streamline workflow of pediatric surgical patients in operating theaters and for theater teams involved in their management. Pediatric patient anxiety in theaters, aspects of communication, and optimizing vision during surgery during the pandemic have also been addressed. The COVID-19 pandemic has led to the creation of pathways in the surgical management of patients. As the pandemic progressed, hospitals developed pathways to offer increased protection to staff during procedures. This narrati

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16

Kopecký, Jiří, and Lenka Křupková. "The “Slavic spirit” and the opera scene in Olomouc, 1830–1920." Studia Musicologica 58, no. 3-4 (2017): 341–61. http://dx.doi.org/10.1556/6.2017.58.3-4.4.

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In 1830, a new theater building was opened in the Olomouc Upper square. The stable theatrical life enriched enormously the cultural life of the city and encouraged the development of publishing activities in the field of music journalism and publishing. The public debates on the artistic value of theater performances, on abilities of particular artists and on other subjects gained new quality after the 1860 October diploma because Czechs living in and around the traditional German town put pressure on theater directors and demanded Czech plays on the stage. The fights for the national repertoi

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17

Savell, Shelia C., Allyson A. Arana, Kimberly L. Medellin, et al. "Descriptive Analysis of Cardiac Patients Transported by Critical Care Air Transport Teams." Military Medicine 184, no. 7-8 (2019): e288-e295. http://dx.doi.org/10.1093/milmed/usy426.

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Abstract Introduction Critical Care Air Transport Teams (CCATTs) transport critically ill patients within and out of theaters of combat operations. Studies of the CCATT population reveal as many as 35% of patients have a non-trauma diagnosis, of which more than half are cardiac. The purpose of this retrospective study was to describe the epidemiology of critically ill patients with cardiac diagnoses evacuated from theater via CCATT. Materials and Methods We conducted a retrospective review of 290 medical patients with a primary cardiac diagnosis transported from any theater of operation to Lan

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18

Balme, Christopher B. "Cultural Anthropology and Theatre Historiography: Notes on a Methodological Rapprochement." Theatre Survey 35, no. 1 (1994): 33–52. http://dx.doi.org/10.1017/s0040557400002544.

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After a century of carefree source research conducted against the background of positivist objectivism, theatre historiography now finds itself in the throes of a methodological paradigm shift. Quite independent of its historical disciplinary affiliations, whether as an extension of literary criticism of the various national literatures or as a subsidiary of the historical sciences, theatre historiography is no longer able to resist engagement with fundamental and increasingly complex methodological debates. Particularly in North America there has been a broad discussion on the crisis of tradi

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19

Newbury, Michael. "Polite Gaiety: Cultural Hierarchy and Musical Comedy, 1893-1904." Journal of the Gilded Age and Progressive Era 4, no. 4 (2005): 381–407. http://dx.doi.org/10.1017/s1537781400002760.

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In 1903, Alan Dale, the theater critic for the New York American and Journal, when contemplating the state of the American stage, came to the conclusion that “the only national theatre I can find, after severe cogitation, is that beautiful, flip, and classic commodity known as musical comedy.” Dale pointed out that musical comedy's exorbitant popularity was a recent development, emerging only in the previous five or ten years, and that his anointing of the form as the national theater would not sit well with more serious-minded devotees of drama. “Well read gentlemen with heavy minds,” wrote D

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20

Astolfi, Arianna, Elena Bo, Francesco Aletta, and Louena Shtrepi. "Measurements of Acoustical Parameters in the Ancient Open-Air Theatre of Tyndaris (Sicily, Italy)." Applied Sciences 10, no. 16 (2020): 5680. http://dx.doi.org/10.3390/app10165680.

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The emerging field of archaeoacoustics is attracting increasing research attention from scholars of different disciplines: the investigation of the acoustic features of ancient open-air theatres is possibly one of its main themes. In this paper, the outcomes of a measurement campaign of acoustical parameters in accordance with ISO 3382-1 in the ancient theatre of Tyndaris (Sicily) are presented and compared with datasets from other sites. Two sound sources were used (firecrackers and dodecahedron) and their differences were analysed. A very good reproducibility has been shown between the two m

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21

Bo, Elena, Louena Shtrepi, David Pelegrín Garcia, Giulio Barbato, Francesco Aletta, and Arianna Astolfi. "The Accuracy of Predicted Acoustical Parameters in Ancient Open-Air Theatres: A Case Study in Syracusae." Applied Sciences 8, no. 8 (2018): 1393. http://dx.doi.org/10.3390/app8081393.

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Nowadays, ancient open-air theatres are often re-adapted as performance spaces for the additional historical value they can offer to the spectators’ experience. Therefore, there has been an increasing interest in the modelling and simulation of the acoustics of such spaces. These open-air performance facilities pose several methodological challenges to researchers and practitioners when it comes to precisely measure and predict acoustical parameters. Therefore this work investigates the accuracy of predicted acoustical parameters, that is, the Reverberation Time (T20), Clarity (C80) and Sound

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22

Grzegorzewska, Małgorzata. "Shakespeare’s curtain: The stage revealed or the stage re-veiled?" Cahiers Élisabéthains: A Journal of English Renaissance Studies 99, no. 1 (2019): 13–22. http://dx.doi.org/10.1177/0184767819835557.

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This article takes advantage of Jean-Luc Marion’s post-phenomenological reflection in order to analyse the different modes of seeing and looking suggested in William Shakespeare’s plays. It highlights the difference between the indoor stage, where the audience’s attention is focused on the lighted and framed space of the stage, and an open-air performance, which struggles to wrest attention from the spectator’s gaze. A theological turn in the argument accounts for the transition from the description of a concealment/discovery space in Elizabethan theatre to what the author defines as the ‘spac

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23

Norman, Sally Jane. "Theater and ALife Art: Modeling Open and Closed Systems." Artificial Life 21, no. 3 (2015): 344–53. http://dx.doi.org/10.1162/artl_a_00175.

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The live art of theater remains curiously missing from ALife art history, despite the fact that its very existence is poised on the cusp of the living and the artificial, and on the modeling of life as artefact—what can be called the containment-versus-continuity dilemma. How far one seeks to affirm autonomy of the creative artwork or, in contrast, how far one seeks to affirm its continuity with its supposed real-life contexts is a question that has forever haunted theater, and that has naturally come to haunt ALife and ALife arts. Investigation of the boundary separating observers from modele

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Aebi, M., and R. Gunzburg. "OOT: The Open Operating Theatre." European Spine Journal 20, no. 6 (2011): 825. http://dx.doi.org/10.1007/s00586-011-1832-4.

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25

ISEKI, Hiroshi, Yoshihiro MURAGAKI, Ryoichi NAKAMURA, et al. "Intelligent Operating Theater Using Intraoperative Open-MRI." Magnetic Resonance in Medical Sciences 4, no. 3 (2005): 129–36. http://dx.doi.org/10.2463/mrms.4.129.

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26

Phipps, Alison M. "Risking Everything: Political Theatre for Mass Audiences in Rural Germany." New Theatre Quarterly 15, no. 2 (1999): 109–22. http://dx.doi.org/10.1017/s0266464x0001280x.

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In the south-west German village of Hayingen, the playwright-director Martin Schleker presents large open-air productions of politically sensitive yet entertaining plays to mass audiences on an annual basis. This article explores the element of risk in Schleker's work: his use of purely amateur performers; his job-creation schemes for young people; and his left-wing and often anti-Catholic stance on issues such as racism and nuclear arms before often deeply conservative, culturally Catholic audiences. Schleker's work is situated in the wider context of the state-funded, civic theatres in Germa

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27

Kvasnytsia, Roksoliana. "Scenography as a Design Component of Presentation spaces for Fashion Shows." Bulletin of Lviv National Academy of Arts, no. 41 (December 26, 2019): 57–64. http://dx.doi.org/10.37131/2524-0943-2019-41-05.

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Competition for the attention of consumers in the modern fashion industry makes the problem of finding new effective means of marketing communications a topical issue. Fashion designers are interested in creating conditions of high quality for a vivid demonstration of new collections, it enables to increase the popularity of the brand, to strengthen the prestige on the market, to attract the attention of potential customers to the products. Modern trends demonstrate how often designers prefer original and unusual locations for defile, which are oriented on maximally spectacular design planning

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28

Skorokhodova, P. S. "«Heritage of the Arts Theater» is on Open Access." Bibliotekovedenie [Library and Information Science (Russia)], no. 2 (April 28, 2014): 28–31. http://dx.doi.org/10.25281/0869-608x-2014-0-2-28-31.

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The author reveals the significance of the Digital Project «Heritage of the Arts Theater», which presents in the form of E-books over 40 publications of the Moscow Arts Theater named after A. Chekhov. There are described the features of the project and the details of information organization, associated mainly with the large amounts of material. The results of the work are presented in the form of references, electronic publications and programs.

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29

Saro, Anneli. "Mobility and Theatre: Theatre Makers as Nomadic Subjects." Nordic Theatre Studies 27, no. 1 (2015): 90. http://dx.doi.org/10.7146/nts.v27i1.24242.

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This article discusses the pros and cons of theatrical mobility, investigating situ- ations where theatre is breaking its traditional practices of being local and urban by becoming mobile, international and rural. The main features in this context are guest performances at home and abroad, the importation of guest directors, performers, designers et cetera, and finally, site-specific and open-air productions. The structure of the analysis is based on these features, partly derived from the historical development of theatre but partly also from the aim of contrary thinking, insisting that contr

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30

Barkas, Nicolaos. "Open‐air theatre in the centre of the city: Acoustic design and noise environment control." Journal of the Acoustical Society of America 123, no. 5 (2008): 3354. http://dx.doi.org/10.1121/1.2933925.

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31

Humphreys, H. "Theatre air and operating conditions." Journal of Hospital Infection 31, no. 2 (1995): 154–55. http://dx.doi.org/10.1016/0195-6701(95)90172-8.

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32

Hummelen, W. M. H. "Doubtful Images." Theatre Research International 22, no. 3 (1997): 202–18. http://dx.doi.org/10.1017/s0307883300017016.

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The earliest Dutch illustrations of indoor theatrical performances date from the seventeenth century, and portray the activities of itinerant professional actors or plays performed in fixed areas, in chambers of rhetoric (Het Wit Lavendel in Amsterdam) and in what may be classed as their successors: the Nederduytsche Academie (1617–37) and Jacob van Campen's Theatre (1637–65). There are also between thirty and forty illustrations of open-air theatre performances given by non-professional actors (mostly rhetoricians), in paintings and prints of the sixteenth and seventeenth centuries. Sometimes

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33

Peck, James, Peter Brook, David Cole, and Phillip B. Zarrilli. "The Open Door: Thoughts on Acting and Theater." TDR (1988-) 41, no. 2 (1997): 171. http://dx.doi.org/10.2307/1146634.

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34

Sonmez, H., B. Gurkan, and B. Sonmez. "Engineering characteristics of Ankara Greywacke under the foundation of the Beytepe open air theatre, Ankara, Turkey." Environmental Geology 55, no. 3 (2007): 485–97. http://dx.doi.org/10.1007/s00254-007-0994-1.

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35

Dettenkofer, Markus, M. Scherrer, V. Hoch, et al. "Shutting Down Operating Theater Ventilation When the Theater Is Not in Use: Infection Control and Environmental Aspects." Infection Control & Hospital Epidemiology 24, no. 8 (2003): 596–600. http://dx.doi.org/10.1086/502260.

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AbstractObjective:In hospital operating rooms (ORs), specially conditioned air is supplied to protect patients from airborne agents that may cause infections. This study investigated whether it is hygienically safe to shut down the air supply at night if measures are taken to ensure a timely restart before surgery is performed.Design:Experimental study.Setting:Neurosurgical OR of a German university hospital.Methods:The ventilation system was switched off and restarted after 10 hours. Particles suspended in the air near the operating table were counted, OR temperature was measured, and settle

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Williamson, David T., and Timothy P. Barry. "The Design and Evaluation of a Speech Interface for Generation of Air Tasking Orders." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 44, no. 22 (2000): 750–53. http://dx.doi.org/10.1177/154193120004402266.

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This paper discusses the design, implementation, and evaluation of a prototype speech recognition interface to the Theater Air Planning (TAP) module of Theater Battle Management Core Systems (TBMCS). This effort was in support of a Kenney Battlelab Initiative proposal submitted to the Command and Control Battlelab at Hurlburt Field, FL to assess the operational benefits of speech recognition for data entry applications in a Joint Air Operations Center environment. Several factors contributing to the design of the “TAPTalk” speech interface included interviews with subject matter experts, speec

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Thomas, Stephanie, Rish Palmer, Edward Phillipo, and Geoffrey Chipungu. "Reducing bacterial contamination in an Orthopedic Theatre ventilated by natural ventilation, in a Developing Country." Journal of Infection in Developing Countries 10, no. 05 (2016): 518–22. http://dx.doi.org/10.3855/jidc.7436.

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Introduction: All surgical procedures have the potential for infection and some of the main sources are contamination from airborne particles, theatre personnel and the theatre environment. There is strong evidence that the use of ultra-clean air flow systems in orthopedic operating theatres reduces the incidence of deep sepsis after surgery. In the developing world however, this is often an unrealistic solution. The aim of this study was to establish baseline levels of contamination in a working orthopedic theatre, at the Queen Elizabeth Central Hospital, Blantyre, Malawi. To feedback results

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38

Fox, C., and A. Whyte. "Theatre air sampling—ignorance is bliss!" Journal of Hospital Infection 30, no. 1 (1995): 80–82. http://dx.doi.org/10.1016/0195-6701(95)90256-2.

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39

Peterson, Eugene H. "Annie Dillard: With Her Eyes Open." Theology Today 43, no. 2 (1986): 178–91. http://dx.doi.org/10.1177/004057368604300204.

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“Annie Dillard prays with her eyes open. She says, Spread out your hands, lift up your head, open your eyes, and we'll pray… She gets us into the theater that Calvin told us about, and we find ourselves in the solid biblical companionship of psalmists and prophets who watched the ‘hills skip like lambs’ and heard the ‘trees clap their hands,’ alert to God everywhere.”

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40

Noguera, Hector. "The Parallel Chile: an Open Letter to Eugenio Barba." New Theatre Quarterly 6, no. 23 (1990): 261–65. http://dx.doi.org/10.1017/s0266464x00004565.

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On 11 September 1973 the Chilean armed forces, led by General Augusto Pinochet, overthrew the democratically elected Socialist–Communist coalition government of President Salvador Allende Gossens. The coup marked the beginning of severe repression against leftists, trade unionists, journalists, and artists, many of whom were exiled, killed, or merely ‘disappeared’ after being arrested. This letter focuses on the years following the coup: it was written almost one year before the plebiscite on 5 October 1988 when Chileans voted against Pinochet continuing in power as president for another eight

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Ioannidis, D., A. Tsagkovits, and A. Rokade. "Minimising aerosol spread during endoscopic sinus and skull base surgery. Experimental model evaluation of the efficacy of the microscope drape method." Journal of Laryngology & Otology 134, no. 9 (2020): 804–10. http://dx.doi.org/10.1017/s0022215120001838.

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AbstractBackgroundEndoscopic sinus and anterior skull base surgery is considered particularly high risk for severe acute respiratory syndrome coronavirus-2 transmission in the operating theatre setting. In this context, the use of a microscope drape method is proposed, to minimise aerosol spread in the wider operating theatre environment.MethodsThe efficacy of the method is assessed with a simulation model, using a CMI Concept Air Trace MK2 smoke generator for aerosol generation and a Fluke 985 air particle counter to measure air particles sized 0.3–10 μm in the operating theatre environment.R

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Sukaj, Silvana, Giuseppe Ciaburro, Gino Iannace, Ilaria Lombardi, and Amelia Trematerra. "The Acoustics of the Benevento Roman Theatre." Buildings 11, no. 5 (2021): 212. http://dx.doi.org/10.3390/buildings11050212.

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During the Imperial Roman period, thousands of theatres were built. The theatres have three principal elements: the scene building (actor position), the orchestra and the cavea (spectator seating). The theatres were built without a roof, so they were open-air spaces. The theatres were abandoned afterward the barbarian invasions, and during the Middle Ages, homes were built inside the cavea. The theatres were rediscovered during the Renaissance period. Today, ancient theatres are the center of cultural events and are used for various kinds of shows. This work discussed the acoustics of the Roma

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Kurmalasari, Tety, Abdul Rahim Hamdan, and Satria Agust. "The Role of Mantra in Theater Makyong." Asian Culture and History 9, no. 2 (2017): 71. http://dx.doi.org/10.5539/ach.v9n2p71.

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The research is based on the study of literature. The problem of this research was uses of the spell in theater makyong. The study of uses of the spell in theater makyong is assumed so interesting, because until now theater makyong has still been using spell used by the Panjak chairman to chase away the evil and averse evil before the show begins which is well-known as the ceremony of the"discard wet" or "open land". The spell in theater makyong consists of swearing, the evil, and averse evil spells related to ceremonies open land or discard wet, installing fabric spell, advanced series spell,

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D’Orazio, Dario, Anna Rovigatti, and Massimo Garai. "The Proscenium of Opera Houses as a Disappeared Intangible Heritage: A Virtual Reconstruction of the 1840s Original Design of the Alighieri Theatre in Ravenna." Acoustics 1, no. 3 (2019): 694–710. http://dx.doi.org/10.3390/acoustics1030041.

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In a Historical Opera House (HOH), the proscenium is the foreground part of the stage. Until the end of the 19th Century, it was extended through the cavea, being the orchestra placed at the same level of the stalls, without an orchestra pit. Soloists often moved in the proscenium when they sung, in order to increase the strength of the voice and the intelligibility of the text. The Alighieri theatre in Ravenna, designed by the Meduna brothers, the former designers of Venice’s “La Fenice” theater, is chosen as a case study. During a refurbishment in 1928, the proscenium of the stage was remove

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Lee, Wei‐chin. "Thunder in the air: Taiwan and theater missile defense." Nonproliferation Review 8, no. 3 (2001): 107–22. http://dx.doi.org/10.1080/10736700108436867.

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Montagna, Maria Teresa, Serafina Rutigliano, Paolo Trerotoli, et al. "Evaluation of Air Contamination in Orthopaedic Operating Theatres in Hospitals in Southern Italy: The IMPACT Project." International Journal of Environmental Research and Public Health 16, no. 19 (2019): 3581. http://dx.doi.org/10.3390/ijerph16193581.

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Postoperative infections are a concern, especially in total knee and total hip arthroplasty. We evaluated the air quality in orthopaedic operating theatres in southeastern Italy to determine the level of bacterial contamination as a risk factor for postoperative infection. Thirty-five hospitals with operating theatres focused on total knee and total hip arthroplasty participated. We sampled the air passively and actively before surgeries began for the day (at rest) and 15 min after the surgical incision (in operation). We evaluated bacterial counts, particle size, mixed vs turbulent airflow sy

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Annichev, О. Ye. "The interaction of theatrical journalism and theatrical criticism in the modern media." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 115–26. http://dx.doi.org/10.34064/khnum1-51.06.

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Background. Topicality of the theme. With the advent of the Internet, Internet journalism has appeared. In relating to theater, in essence, it is theatrical criticism, which has only undergone major changes. In recent years, there have been lively discussions in professional circles about the state and prospects of theater criticism as a profession, about the nature of theater criticism, its self-identification in the modern information space. Round tables with the participation of leading theater critics are devoted to the issues of the current state of theater criticism, a number of relevant

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Popovici, Cătălin George, Sebastian Valeriu Hudişteanu, and Nelu-Cristian Cherecheş. "The necessity of HVAC system for the registered architectural cultural heritage building." E3S Web of Conferences 32 (2018): 01008. http://dx.doi.org/10.1051/e3sconf/20183201008.

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This study is intended to highlight the role of the ventilation and air conditioning system for a theatre. It was chosen as a case study the "Vasile Alecsandri" National Theatre of Jassy. The paper also sought to make a comparison in three distinct scenarios for HVAC Main Hall system - ventilation and air conditioning system of the Main Hall doesn’t work; only the ventilation system of the Main Hall works and ventilation and air conditioning system of the Main Hall works. For analysing the comfort parameters, the ANSYS-Fluent software was used to build a 2D model of the building and simulation

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Kwon, Yong-Il. "A Study on the Improvement of ADPI and Ventilation Effectiveness in a Small Theater." International Journal of Air-Conditioning and Refrigeration 24, no. 03 (2016): 1650019. http://dx.doi.org/10.1142/s201013251650019x.

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In the air distribution design of a small theater, either a downward or an upward displacement ventilation is applied generally. The cool air is supplied from openings distributed over the ceiling and extracted beneath the seats for the downward flow and supplied from beneath the seats and extracted from the ceiling for the upward flow system. By the change of air exchange rate (ACH) produced by two divergent ventilation systems inside theater, thermal comfort and ventilation effectiveness around the seats show a different phenomenon. Thereby, it can be seen that the selection of the ventilati

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Leal, Paula Glenadel. "Théâtres minuscules: poésie contemporaine et éthique / Tiny Theaters: Contemporary Poetry and Ethics." Aletria: Revista de Estudos de Literatura 24, no. 3 (2014): 87–96. http://dx.doi.org/10.17851/2317-2096.24.3.87-96.

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Résumé: Ce travail interroge les possibilités éthiques ouvertes par um rapprochement entre la poésie et le théâtre. À la confluence de ces deux pratiques, une certaine écriture contemporaine configurerait un minuscule théâtre de l’éthique, capable d’ouvrir la scène de la pensée à un autre inconnu, à venir.Mots-clés: poésie contemporaine; théâtralité; éthique.Abstract: This paper interrogates the ethical possibilities open by a look which takes poetry and theater together. At the confluence of those practices, a certain contemporary writing could appear as a tiny theater of ethics, able to open

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