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Journal articles on the topic 'Theater Puritans. Theater Theater'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Pritchard, Allan. "Puritans and the Blackfriars Theater: The Cases of Mistresses Duck and Drake." Shakespeare Quarterly 45, no. 1 (1994): 92. http://dx.doi.org/10.2307/2871296.

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2

McKee, Patricia J. "Scorning the Image of Virtue." Religion and the Arts 20, no. 3 (2016): 267–89. http://dx.doi.org/10.1163/15685292-02003001.

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There survives an extraordinary letter of 1616 by the prominent English stage player, Nathan Field. His missive is one of the only extant apologies for the theater written by a player. Field’s letter is a response to a sermon preached by Thomas Sutton, and it richly characterizes Field’s relationship to his parish and to the larger ecclesial powers. This discussion shows how Field ironically employs the very charges often levied by opponents of theater—deception, emotional indulgence, and idolatry—to indict Sutton for a public attack he wielded against Field from the Sunday pulpit. Field’s apology is read within the context of the era’s antitheatricalist polemics, Jacobean politics, Reformation theology, and Field’s history as the son of a radical puritan preacher. The letter invites deep consideration of church and theater—preaching and playing—as competing kinds of performance. Field’s apology also focuses attention on a neglected area in theater studies—the history of players and playing in early modernity. What was an actor’s idea of himself at a time when his profession was redefined by religious reforms? Further, this discussion offers preliminary suggestions for an early modern aesthetics of performance by inviting a dialogue between the era’s extreme antitheatricalism and concurrent prescriptions for effective oratory.
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3

Rakow, Christian. "Theater. Pop-Theater." POP 6, no. 1 (March 1, 2017): 87–93. http://dx.doi.org/10.14361/pop-2017-0115.

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4

Rakow, Christian. "THEATER: THEATER ALS popKONZERT." POP 2, no. 2 (September 1, 2013): 76–80. http://dx.doi.org/10.14361/pop.2013-0214.

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5

Rakow, Christian. "THEATER: THEATER ALS POPKONZERT." POP 3, no. 2 (September 1, 2013): 76–80. http://dx.doi.org/10.14361/pop.2013.0214.

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6

Kaiser, Johanna. "„Theater, Theater — einfach wunderbar!“." Sozial Extra 37, no. 11-12 (December 2013): 27–30. http://dx.doi.org/10.1007/s12054-013-1087-x.

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7

Cohn, Ruby. "Theater in Recent English Theater." Modern Drama 30, no. 1 (March 1987): 1–13. http://dx.doi.org/10.3138/md.30.1.1.

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8

Sofer, Andrew. "All Theater Is Revolutionary Theater." Theatre Survey 47, no. 2 (September 12, 2006): 341–42. http://dx.doi.org/10.1017/s0040557406340306.

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9

Sawara, Shinichi, Fukushi Kawakami, and Kiyoteru Ishii. "Saitama Arts Theater (Main Theater)." Journal of the Acoustical Society of America 115, no. 5 (May 2004): 2441. http://dx.doi.org/10.1121/1.4782060.

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10

Carlson, M. "All Theater Is Revolutionary Theater." Modern Language Quarterly 67, no. 3 (August 18, 2006): 416–18. http://dx.doi.org/10.1215/00267929-2006-010.

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11

Garcia, Lorenzo. "Theater." Multicultural Perspectives 1, no. 2 (January 1999): 20–24. http://dx.doi.org/10.1080/15210969909539897.

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12

Hoem, Ingjerd. "Theater." Journal of Linguistic Anthropology 9, no. 1-2 (June 1999): 247–50. http://dx.doi.org/10.1525/jlin.1999.9.1-2.247.

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13

Sharif, Solmaz. "Theater." New Labor Forum 26, no. 3 (August 28, 2017): 106. http://dx.doi.org/10.1177/1095796017723910.

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14

Lee, Seungjin. "Brecht’s Epic Theater and Theater Therapy." Hankuk University of Foreign Studies Literature Studies, no. 65 (February 7, 2016): 423–42. http://dx.doi.org/10.22344/fls.2017.65.423.

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15

Talaske, Richard H. "The O’Reilly Theater, Pittsburgh Public Theater." Journal of the Acoustical Society of America 115, no. 5 (May 2004): 2438. http://dx.doi.org/10.1121/1.4781721.

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16

Garner, Stanton B. "All Theater Is Revolutionary Theater (review)." Modern Drama 48, no. 4 (2005): 842–44. http://dx.doi.org/10.1353/mdr.2006.0027.

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17

Buldakov, Vladimir. "Revolution and theater, revolution as theater." Rossiiskaia istoriia, no. 4 (2021): 214. http://dx.doi.org/10.31857/s086956870016235-9.

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18

Tiefenbacher, Sara. "Alternatives Theater in Polen: das ›Theater Węgajty‹." Maske und Kothurn 63, no. 1 (March 28, 2017): 78–86. http://dx.doi.org/10.7767/muk-2017-630112.

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19

McPherson, David. "THEATER REVIEWS." Ben Jonson Journal 15, no. 1 (May 2008): 98–111. http://dx.doi.org/10.3366/e1079345308000102.

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20

Engle, Ron, and Henning Rischbieter. "Theater-Lexikon." Theatre Journal 37, no. 4 (December 1985): 515. http://dx.doi.org/10.2307/3207539.

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21

Bel, Jérôme. "Disabled Theater." Chimères 80, no. 2 (2013): 195. http://dx.doi.org/10.3917/chime.080.0195.

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22

Arkin, William M. "Theater defense." Bulletin of the Atomic Scientists 57, no. 5 (September 1, 2001): 73. http://dx.doi.org/10.2968/057005020.

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23

Collier, Susanne. "Operating Theater." Renaissance Quarterly 53, no. 2 (2000): 529–41. http://dx.doi.org/10.2307/2901878.

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24

Stalter-Pace, Sunny. "Underground Theater." Transfers 5, no. 3 (December 1, 2015): 4–22. http://dx.doi.org/10.3167/trans.2015.050302.

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This article begins from the premise that modern American drama provides a useful and understudied archive of representations of mobility. It focuses on plays set on the New York City subway, using the performance studies concept of “restored behavior” to understand the way that these plays repeat and heighten the experience of subway riding. Through their repetitions, they make visible the psychological consequences of ridership under the historical and cultural constraints of the interwar period. Elmer Rice's 1929 play The Subway is read as a particularly rich exploration of the consequences of female passenger's presumed passivity and sexualization in this era. The Subway and plays like it enable scholars of mobility to better understand the ways that theatrical texts intervene in cultural conversations about urban transportation.
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25

Zorin, Sergei M. "Optical Theater." Leonardo Music Journal 6 (1996): 66. http://dx.doi.org/10.2307/1513316.

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26

Bronson, Daniel R., and Philip Roth. "Sabbath's Theater." World Literature Today 70, no. 3 (1996): 693. http://dx.doi.org/10.2307/40042201.

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27

Wiesel, Jörg. "Theater / Prekarität." Figurationen 8, no. 1 (January 2007): 95–106. http://dx.doi.org/10.7788/figurationen.2007.8.1.95.

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28

G.M.D. "Spanish Theater." Americas 42, no. 4 (April 1986): 499. http://dx.doi.org/10.1017/s0003161500052287.

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29

Costa, Pablo Assumpção Barros. "Disabled Theater." TDR/The Drama Review 62, no. 1 (March 2018): 209–11. http://dx.doi.org/10.1162/dram_r_00735.

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30

Daane, Abigail R., Lindsay Wells, and Rachel E. Scherr. "Energy Theater." Physics Teacher 52, no. 5 (May 2014): 291–94. http://dx.doi.org/10.1119/1.4872412.

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31

Birgfeld, Johannes. "Theater und ..." KulturPoetik 11, no. 1 (April 2011): 133–43. http://dx.doi.org/10.13109/kult.2011.11.1.133.

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32

Raischl, Bernadette. "Playback-Theater." Leidfaden 3, no. 2 (May 2014): 58–60. http://dx.doi.org/10.13109/leid.2014.3.2.58.

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33

Liu, Chun-Jo. "CHINESE THEATER." Ming Studies 1986, no. 1 (January 1986): 70–71. http://dx.doi.org/10.1179/014703786788760378.

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34

Glosemeyer, Robin. "Biltmore Theater." Journal of the Acoustical Society of America 115, no. 5 (May 2004): 2439. http://dx.doi.org/10.1121/1.4781751.

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35

Terroux, Peter, Gregory C. Tocci, and Christopher A. Storch. "Neptune Theater." Journal of the Acoustical Society of America 115, no. 5 (May 2004): 2440. http://dx.doi.org/10.1121/1.4781897.

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36

Pasculli, Thom, and Kendra Miller. "Walkabout Theater." Theatre Topics 26, no. 2 (2016): E—23—E—26. http://dx.doi.org/10.1353/tt.2016.0028.

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37

Eikels, Kai Van. "Theater raus!" Zeitschrift für Kulturwissenschaft 7, no. 2 (December 2013): 117–18. http://dx.doi.org/10.14361/zfk.2013.0216.

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38

Koledin, Alicia. "Founders Theater." Journal of the Acoustical Society of America 115, no. 5 (May 2004): 2479. http://dx.doi.org/10.1121/1.4782623.

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39

Koledin, Alicia. "Ohio Theater." Journal of the Acoustical Society of America 115, no. 5 (May 2004): 2479. http://dx.doi.org/10.1121/1.4782636.

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40

Baron, Steve, Kim Harris, and Richard Harris. "Retail Theater." Journal of Service Research 4, no. 2 (November 2001): 102–17. http://dx.doi.org/10.1177/109467050142003.

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41

Leiter, Robert. "Theater Chronicle." Hudson Review 38, no. 2 (1985): 297. http://dx.doi.org/10.2307/3851025.

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42

Greisenegger, Wolfgang. "Theater = Raum." Maske und Kothurn 62, no. 4 (November 2016): 47. http://dx.doi.org/10.7767/muk-2016-0407.

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43

Sakai, Kelly. "Scream Theater." About Campus: Enriching the Student Learning Experience 5, no. 2 (May 2000): 29–30. http://dx.doi.org/10.1177/108648220000500207.

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44

Romm, David. "“Restauration” Theater." Cornell Hotel and Restaurant Administration Quarterly 29, no. 4 (February 1989): 30–39. http://dx.doi.org/10.1177/001088048902900409.

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45

Molnár, Virág. "Political Theater." Contexts 13, no. 2 (May 2014): 76–78. http://dx.doi.org/10.1177/1536504214533506.

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46

Meng, Anne L., and John Sullivan. "Interactive Theater." Journal for Nurses in Staff Development (JNSD) 27, no. 2 (March 2011): 65–68. http://dx.doi.org/10.1097/nnd.0b013e31820eee5b.

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47

Rakow, Christian. "Game - Theater." POP 4, no. 1 (March 1, 2015): 88–93. http://dx.doi.org/10.14361/pop-2015-0115.

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48

Camp, R. Q., and G. Kroeber. "Postshow Theater." Theater 44, no. 3 (January 1, 2014): 19–29. http://dx.doi.org/10.1215/01610775-2714550.

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49

Channer, L. "VITAL THEATER." Theater 28, no. 3 (June 1, 1998): 85–88. http://dx.doi.org/10.1215/01610775-28-3-85.

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50

Enelow, Shonni. "Home Theater." Theater 47, no. 2 (2017): 100–107. http://dx.doi.org/10.1215/01610775-3785045.

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