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Relevant bibliographies by topics / Theater script

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Academic literature on the topic 'Theater script'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Theater script"

1

Maryelliwati, Maryelliwati, Hari Adi Rahmad, and Kenji Putra Charaka. "MINANGKABAU TRADITIONAL THEATER IN THE FRAMEWORK OF DISCOURSE STUDIES." Journal of Pragmatics and Discourse Research 2, no. 1 (2022): 31–38. http://dx.doi.org/10.51817/jpdr.v2i1.196.

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Basically, a theater script is a disclosure of life through the form of language. This study will look at how the Minangkabau traditional theater analyzed the frame of discourse studies and raised its moral message. The method is qualitative analysis with literature and field research. From the results of literature and field found that discourse that appears in theater scripts such as ceremonies, rituals, stories, or entertainment is an act of speech or events. As a cultural index, the language in the Minangkabau theater script also reveals the way of thinking and organizing the experience of

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Szuster, Magdalena. "Theater Without a Script—Improvisation and the Experimental Stage of the Early Mid-Twentieth Century in the United States." Text Matters, no. 9 (December 30, 2019): 374–92. http://dx.doi.org/10.18778/2083-2931.09.23.

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It was in the mid-twentieth century that the independent theatrical form based entirely on improvisation, known now as improvisational/improvised theatre, impro or improv, came into existence and took shape. Viola Spolin, the intellectual and the logician behind the improvisational movement, first used her improvised games as a WPA worker running theater classes for underprivileged youth in Chicago in 1939. But it was not until 1955 that her son, Paul Sills, together with a college theater group, the Compass Players, used Spolin’s games on stage. In the 1970s Sills made the format famous with

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Abani, Kevin, Wahid Nurcahyono, and Rukman Rossadi. "PEMERANAN TOKOH ROBERT DALAM NASKAH A LIFE IN THE THEATRE KARYA DAVID MAMET." TONIL: Jurnal Kajian Sastra, Teater dan Sinema 19, no. 2 (2022): 113–24. http://dx.doi.org/10.24821/tnl.v19i2.8372.

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A Life In The Theater by David Mamet is a theater script that tells about the problems of a stage actor's life between teacher and student that describes friendship, growth, development, and the human condition in life as a stage actor. To realize the character of Robert in the script of A Life In The Theater by David Mamet, the author uses the acting theory of Stanislavski The System, which is a systematic approach to training actors. In the process of playing the role, the magic if method is used, namely the ability to imagine the character is in a series of fictional situations and imagine

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Prabowo, Anik, Udi Utomo, and Syahrul Syah Sinaga. "Komposisi Musik Ilustrasi Pada Kelompok Teater Kembang SMA N 1 BREBES." Jurnal Seni Musik 9, no. 2 (2020): 99–108. http://dx.doi.org/10.15294/jsm.v9i2.39608.

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Theater is a performing art which in its performance brings a story that is delivered through acting on the stage. Theater performance is inseparable from music as supporting atmosphere. Based on that, this research aims to know the types of illustration music composition in “Kembang” Theater group from SMA N 1 Brebes. This study used qualitative method. To obtain the accurate data, this study used observation, interview, and documentation. This research consists of data collection, data reduction, data presentation, and conclusion. The result shows that “Kembang” Theater always makes music co

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Abdul Halim, Hazlina. "The integration of affective domains in French Language learning: Translating molière into Malay." Issues in Language Studies 11, no. 2 (2022): 137–51. http://dx.doi.org/10.33736/ils.4502.2022.

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Translation is the communication of meaning by converting the source language to the target language. The discipline requires excellent mastery and control of both source and target language, as well as their affective values as in the cultures of both languages. As translation includes the high order thinking skills, the teaching of learning of translation is normally conducted using a traditional method. Hence, this research evaluates the effectiveness of theatre-based task in the learning of French-Malay translation. The respondents for the study were 54 French Language Studies students at

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Vaughn, Kyle, and Robert Kallos. "Figurative Theater." English Journal 103, no. 3 (2014): 64–72. http://dx.doi.org/10.58680/ej201424547.

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The article describes a collaborative project co-taught by a creative writing teacher and the theater department’s technical director that required students to write an original script and perform it as toy theater or shadow theater.

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Bloom, Leslie Rebecca, Danielle Cooperstock, Gianna Chacon, et al. "The Myth of the American Dream." International Review of Qualitative Research 11, no. 1 (2018): 95–115. http://dx.doi.org/10.1525/irqr.2018.11.1.95.

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This article presents the script of “The Myth of the American Dream,” a readers theater researched, written, and presented by students in a women's and gender studies class called “Women, Social Class, and Social Policy.” The script illustrates six diverse respondents’ perspectives on how family backgrounds, intersectional identities, and high school experiences influenced college access and experiences, student debt, and current circumstances. The script poses the question: Does higher education, especially for students raised in low incomes, help achieve the American Dream? The article concl

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Barnes Lipscomb, Valerie. "“The play’s the thing”: theatre as a scholarly meeting ground in age studies." International Journal of Ageing and Later Life 7, no. 2 (2013): 117–41. http://dx.doi.org/10.3384/ijal.1652-8670.1272a6.

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Addressing three current critical turns in gerontology, this article proposes the theatre as a fertile ground for various theoretical angles in age studies - including the performative on and off stage, the narrative in the script and the critical questioning of age and ageism in the multiple realities of performance. Beginning from a shared site in the theatre, researchers may be able to establish greater common ground, resulting not only in multi-disciplinary efforts but also in truly interdisciplinary work. With a foundation in performance studies, this article suggests promising directions

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Wang, Jingyao. "A Comprehensive Review of Research Literature on the Development of Childrens Drama in China -Using the Example of the Play Malanhua." Communications in Humanities Research 14, no. 1 (2023): 329–34. http://dx.doi.org/10.54254/2753-7064/14/20230513.

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Childrens theater plays a significant role in the cultural landscape of theater and has a major impact on childrens education. In this study, the author uses a literature review method, focusing on the play Malanhua, to review the research progress in Chinese childrens theater, specifically in terms of script content, themes and so on. The research results on the innovation and development of stage design, characterization, and main theme of Chinese childrens theatre represented by Malanhua are summarized and concluded. With the changes in the times and the evolving societal needs, the perspec

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Pransiska, Dona, and Hasan Hasan. "Pembelajaran Teater Tradisional Melalui Metode Sosiodrama Pada Kelas X SMA Islam Az-Zahrah Palembang." Jurnal Sitakara 8, no. 2 (2023): 183–92. http://dx.doi.org/10.31851/sitakara.v8i2.12830.

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This study aims to identify and describe the traditional theater learning process through the sociodrama method in class X Islamic Senior High School Az-Zahrah Palembang. This research method uses qualitative methods with data collection techniques, namely observation, interviews and documentation. In the processof collecting data, the researchers directly observed the traditional theater learning process at Islamic Senior High School AzZahrah Palembang, where the subject in this study wasclass X IPA3 withatotalof 20 students. The researcher also directly interviewed the arts and culture teach

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Dissertations / Theses on the topic "Theater script"

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Tourse, Anike L. "Zanni's Story: An Original Script and Performance Project." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392805314.

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Latham-Jones, Angela. "Frames: a script and solo performance of selected writings of Anne Morrow Lindbergh." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc798308/.

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this thesis explores the writings of Anne Morrow Lindbergh and their potential for oral performance. Lindbergh's life and works are examined, theories of interpretation are explored, and a solo performance script is compiled from various writings of Anne Morrow Lingbergh. The script was rehearsed and presented so that its effectiveness in oral performance could be evaluated. Both the performer and the audience members attest to the appeal of Lindbergh's writings as literature to be performed orally.

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Bosnak, Judith Ernestine. "Shaping the Javanese play improvisation of the script in theatre performance /." [S.l. : s.n.], 2006. http://catalog.hathitrust.org/api/volumes/oclc/150381068.html.

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Robertson, Pandora. "SCRIPT ANALYSIS AND CHOREOGRAPHY: A STUDY OF INTERRELATING SKILLS." Case Western Reserve University School of Graduate Studies / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1238707399.

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Jang, Ren-Hui. "Traditional Chinese theatre for modernized society a study of one "new" Chinese opera script in Taiwan /." online access from Digital Dissertation Consortium access full-text, 1989. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?8913981.

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Crosby, Aaron James. "Brigadoon Lighting Design: In Process and Production." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/313244.

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Theater<br>M.F.A.<br>The following thesis document examines the production process for the lighting design of Temple University Theatre Department's production of Brigadoon. It will explore the analytical, conceptual, and technical aspects of my personal process as a lighting designer, as well evaluate the department's Master of Fine Arts program and how it contributed to my development as a fine artist in the field of lighting design.<br>Temple University--Theses

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Bacala, Desiree. "Updating the Classics: An Actor's Approach to Portraying Dickensian Characters in a Modern Script." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2271.

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The focus of this thesis is my performance in the play The Trial of Ebenezer Scrooge by Mark Brown. I will research and perform the role of The Ghost of Christmas Past, a role which also plays the parts of Fan and Belle from Charles Dickens's A Christmas Carol. I shall perform in The Trial of Ebenezer Scrooge at the Orlando Shakespeare Theatre, in Partnership with UCF in December 2008 as a part of their 2008-2009 Signature Series season. The main focus of this thesis is the exploration of how to create a performance of a classical character for a modern audience. I hope to maintain the integri

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Doyle, Dennis M. (Dennis Michael) 1958. "American Gothic: A Group Interpretation Script Depicting the Plight of the Iowa Farmer." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500827/.

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This thesis examines the possibilities of social-context issues in interpretation. A group interpretation script relating the current difficult conditions of rural Iowa was compiled. Three experts in the field of interpretation were asked to evaluate the potential of this social-context script. It was discovered that a compiled interpretation script of Iowa literature can successfully depict the social concerns facing the family farms of Iowa.

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Marlin, Maggie. "Musical Theatre Handbook for the Actor." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1774.

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MUSICAL THEATRE HANDBOOK FOR THE ACTOR By Maggie Elizabeth Marlin, MFA A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2009 Major Director: David S. Leong Chairman, Department of Theatre Musical Theatre is a performance style deeply woven into the fabric of the American theatre. We live in time and social climate where over half of the productions open on Broadway right now are musicals. If actor training institutions profess a mission to prepare their students for a ca

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Gallagher, Kelly A. "RUBBER MEETS ROAD: RESEARCHING, WRITING, AND PRODUCING ANORIGINAL PLAY." Kent State University Honors College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1526384703233597.

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Books on the topic "Theater script"

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Laughlin, Mildred. Readers theatre for children: Scripts and script development. Teacher Ideas Press, 1990.

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Editions, Kenning, ed. Pqrs: A poets theater script. Kenning Editions., 2013.

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3

ill, Carter Abby, ed. What a world!: Play script. Pleasant Co., 1998.

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illustrator, Henninger Michelle, ed. Farmyard security: A readers' theater script and guide. Magic Wagon, 2014.

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Hornby, Richard. Script into performance: A structuralist approach. Paragon House Publishers, 1987.

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1943-, Casey Carol, and Gann Linda A. 1949-, eds. Social studies readers theatre for young adults: Scripts and script development. Teacher Ideas Press, 1991.

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Playwrights, Outlaw, ed. Mortuary Puppies (original script en totem). P.F.S., 2016.

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8

Miller, Bruce J. Actor's alchemy: Finding the gold in the script. Limelight Editions, 2011.

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9

illustrator, Fleming Lucy, ed. Turkey and takeout: A readers' theater script and guide. Looking Glass Library, an imprint of Magic Wagon, 2016.

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illustrator, Fleming Lucy, ed. Pickles and parks: A readers' theater script and guide. Magic Wagon, 2016.

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Book chapters on the topic "Theater script"

1

Roznowski, Rob, and Kirk Domer. "Script Analysis for Collaboration." In Collaboration in Theatre. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620193_2.

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Knowles, Ric. "Script Analysis and Devising." In How Theatre Means. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-44228-4_5.

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Crook, Paul B. "Approaching a Script." In The Art and Practice of Directing for Theatre. Routledge, 2016. http://dx.doi.org/10.4324/9781315669588-4.

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Crook, Paul B. "Approaching a Script." In The Art and Practice of Directing for Theatre, 2nd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781032630236-6.

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Kriegler, Julie A. "The Story Before the Script." In Theatre Responds to Social Trauma. Routledge, 2024. http://dx.doi.org/10.4324/9781003197034-3.

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Lei, Daphne P., Phillip B. Zarrilli, and Carol Fisher Sorgenfrei. "Pleasure, power, and transmission: Scripted and non-scripted theatres." In Theatre Histories, 4th ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003185185-4.

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Bogad, L. M. "A collection of street theatre scripts." In Performing Truth. Routledge, 2021. http://dx.doi.org/10.4324/9781003044116-11.

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Bogad, L. M. "A collection of street theatre scripts." In Performing Truth. Routledge, 2021. http://dx.doi.org/10.4324/9781003044116-11.

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Jin, Fu, and Zhang Qiang. "Eight “model scripts”." In A History of Chinese Theatre in the 20th Century IV. Routledge, 2021. http://dx.doi.org/10.4324/9781003205159-3.

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Andrews, Richard. "Scripted Theatre and the Commedia Dell’Arte." In Theatre of the English and Italian Renaissance. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21736-6_2.

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Conference papers on the topic "Theater script"

1

Alexei, Ludmila. "THE RELATIONSHIP BETWEEN TEXT AND PERFORMANCE IN THE RADIO THEATER." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.25.

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The object of the research is the relationship between text and performance in the dramatic theater, text and performance in the radio theater, with the identification of the main similarities and differences between these forms of theatrical art. Our finding starts from the fact that both in the case of radio and dramatic theater, the basis is dramaturgy, i.e. dramatic literature, the plays of authors who have written or are writing specifically for the radio, theater, with the exception that in the sound theater, it is the sound that creates the images in the absence of scenery, lights, scen

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CRUZ, PEDRO CRUZ. "The Theater of the People: A look into Queens Street Vending Culture." In 2021 AIA/ACSA Intersections Research Conference. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.aia.inter.21.25.

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The Theater of the People project recognizes street vendors in Queens, Corona Plaza as merely the visible performance of a network of distributed and transient actors and social infrastructure. Simultaneously, an actual theater sits between a public plaza and a public park, offering a potential political, economic and social connection between the two public arenas. What can a building built for performance teach us when it becomes a scaffold for an entirely different play? How might we imagine a Theater for the People? Within the practice of everyday life, street vendors produce an inherently

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Hadzantonis, Michael. "Karangiozis in the Shadows: A Linguistic Anthropology of Greece's Shadow Puppetry." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-4.

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The Karangiozi theatre play has existed for centuries in its various forms and across territories. Initially emanating from the Ottoman regions, it entered Greece several centuries prior, and was popularized during Ottoman occupation of Greece. Structured on a system of multilayered symbolisms, the visuals, performances and narratives in Karangiozi present the lead character, Karangiozi, a poor and benevolent man who is frequently oppressed and beaten for his misdoings. The character must contend with the arrogance and comical approaches of other characters, and must support his family, all wh

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Banno, Mariasole, Andrea Albertini, Ileana Bodini, Sandro Trento, and Valerio Villa. "Theatre teaches." In Fourth International Conference on Higher Education Advances. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.8098.

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Theatre teaches is a new experiment carried out at the University of Brescia. The growing importance of transversal competences i.e. those skills that essentially concern attitudes in the workplace and interpersonal relationships such as team work, language and communication skills, gave us the idea to develop an educational innovation to help students bring out these skills. We asked students to wrote a play using topics seen in class. So, they tried to wrap their mind around it and worked in team to write a script and get him to scene. Not to be confused to business theatre, this method is a

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Rosa, Rudolf, Patrícia Schmidtová, Ondřej Dušek, et al. "GPT-2-based Human-in-the-loop Theatre Play Script Generation." In Proceedings of the 4th Workshop of Narrative Understanding (WNU2022). Association for Computational Linguistics, 2022. http://dx.doi.org/10.18653/v1/2022.wnu-1.4.

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Tanner, Samuel. "Improv Theater and Racial Scripts in Education: A Systematic Literature Review." In 2022 AERA Annual Meeting. AERA, 2022. http://dx.doi.org/10.3102/1882305.

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Rosa, Rudolf, Tomáš Musil, Ondřej Dušek, et al. "When a Robot Writes a Play: Automatically Generating a Theatre Play Script." In The 2021 Conference on Artificial Life. MIT Press, 2021. http://dx.doi.org/10.1162/isal_a_00372.

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Mirowski, Piotr, Kory W. Mathewson, Jaylen Pittman, and Richard Evans. "Co-Writing Screenplays and Theatre Scripts with Language Models: Evaluation by Industry Professionals." In CHI '23: CHI Conference on Human Factors in Computing Systems. ACM, 2023. http://dx.doi.org/10.1145/3544548.3581225.

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Coney, Shun, and Yasunobu Ito. "The production process of films from a relational perspective: A case study of independent films about Parkinson's disease in Japan." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002555.

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The purpose of this paper is to clarify how creativity is produced in filmmaking from a relational perspective. Creativity here refers to the fact that films that contain original ideas and evoke sympathy in the audience are not produced solely through the internal mechanisms of individuals, but rather as a result of the collective actions and activities of various people.In recent years, movies have moved beyond the confines of theaters, and infrastructures such as Amazon Prime and Netflix are rapidly expanding. Against this backdrop, independent Japanese films have been receiving high acclai

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Reports on the topic "Theater script"

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Secules, Stephen, Darryl Dickerson, Maimuna Begum Kali, Nivedita Kumar, and Bailey Bond. Advisor Intervention Training: Diversity and Culture of Inclusion. Florida International University, 2024. http://dx.doi.org/10.25148/succeed.2024.4.

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This document contains the PowerPoint presentation, the handout, and the script for an interactive theater-based training we created for inclusive graduate advising. The scripts and scenarios were drawn from a graduate student inclusion education research study conducted by FIU student researchers. We created scenarios of inequity on their basis and helped scaffold participants to be able to respond to the inequities. The Bystander Intervention process (adapted from the FIU ADVANCE team) was: Notice, Interpret, Take responsibility, Think strategically, and Act. The decision for how to act in r

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