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Dissertations / Theses on the topic 'Theater script'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Tourse, Anike L. "Zanni's Story: An Original Script and Performance Project." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392805314.

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2

Latham-Jones, Angela. "Frames: a script and solo performance of selected writings of Anne Morrow Lindbergh." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc798308/.

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this thesis explores the writings of Anne Morrow Lindbergh and their potential for oral performance. Lindbergh's life and works are examined, theories of interpretation are explored, and a solo performance script is compiled from various writings of Anne Morrow Lingbergh. The script was rehearsed and presented so that its effectiveness in oral performance could be evaluated. Both the performer and the audience members attest to the appeal of Lindbergh's writings as literature to be performed orally.

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3

Bosnak, Judith Ernestine. "Shaping the Javanese play improvisation of the script in theatre performance /." [S.l. : s.n.], 2006. http://catalog.hathitrust.org/api/volumes/oclc/150381068.html.

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4

Robertson, Pandora. "SCRIPT ANALYSIS AND CHOREOGRAPHY: A STUDY OF INTERRELATING SKILLS." Case Western Reserve University School of Graduate Studies / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1238707399.

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5

Jang, Ren-Hui. "Traditional Chinese theatre for modernized society a study of one "new" Chinese opera script in Taiwan /." online access from Digital Dissertation Consortium access full-text, 1989. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?8913981.

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6

Crosby, Aaron James. "Brigadoon Lighting Design: In Process and Production." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/313244.

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Theater<br>M.F.A.<br>The following thesis document examines the production process for the lighting design of Temple University Theatre Department's production of Brigadoon. It will explore the analytical, conceptual, and technical aspects of my personal process as a lighting designer, as well evaluate the department's Master of Fine Arts program and how it contributed to my development as a fine artist in the field of lighting design.<br>Temple University--Theses

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7

Bacala, Desiree. "Updating the Classics: An Actor's Approach to Portraying Dickensian Characters in a Modern Script." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2271.

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The focus of this thesis is my performance in the play The Trial of Ebenezer Scrooge by Mark Brown. I will research and perform the role of The Ghost of Christmas Past, a role which also plays the parts of Fan and Belle from Charles Dickens's A Christmas Carol. I shall perform in The Trial of Ebenezer Scrooge at the Orlando Shakespeare Theatre, in Partnership with UCF in December 2008 as a part of their 2008-2009 Signature Series season. The main focus of this thesis is the exploration of how to create a performance of a classical character for a modern audience. I hope to maintain the integri

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8

Doyle, Dennis M. (Dennis Michael) 1958. "American Gothic: A Group Interpretation Script Depicting the Plight of the Iowa Farmer." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500827/.

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This thesis examines the possibilities of social-context issues in interpretation. A group interpretation script relating the current difficult conditions of rural Iowa was compiled. Three experts in the field of interpretation were asked to evaluate the potential of this social-context script. It was discovered that a compiled interpretation script of Iowa literature can successfully depict the social concerns facing the family farms of Iowa.

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9

Marlin, Maggie. "Musical Theatre Handbook for the Actor." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1774.

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MUSICAL THEATRE HANDBOOK FOR THE ACTOR By Maggie Elizabeth Marlin, MFA A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2009 Major Director: David S. Leong Chairman, Department of Theatre Musical Theatre is a performance style deeply woven into the fabric of the American theatre. We live in time and social climate where over half of the productions open on Broadway right now are musicals. If actor training institutions profess a mission to prepare their students for a ca

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10

Gallagher, Kelly A. "RUBBER MEETS ROAD: RESEARCHING, WRITING, AND PRODUCING ANORIGINAL PLAY." Kent State University Honors College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1526384703233597.

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11

Salmon, Mary Dwight. "Script training with storybooks and puppets a social skills intervention package across settings for young children with autism and their typically developing peers /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1124238875.

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Thesis (Ph. D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xvii, 326 p.; also includes graphics (some col.). Includes bibliographical references (p. 236-244). Available online via OhioLINK's ETD Center

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12

Moran, Patrick. "A 16 BAR CUT:THE HISTORY OF AMERICAN MUSICAL THEATREAN ORIGINAL SCRIPT AND MONOGRAPH DOCUMENT." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2294.

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A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. The History of Musical Theatre: A 16 Bar Cut will be a two-man musical that will capsulate all of musical theatre history in a single evening. Starting with the Greeks and finishing in the present, the show will comedically inform the audience, while paying homage to, the asto

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13

Pieschel, Alex. "Character in the cue space| An analysis of part scripts in Shakespeare's "Coriolanus" and "Julius Caesar"." Thesis, The University of Alabama, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1584499.

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<p> This paper aspires to perform an analysis of Early Modern character by thinking of character as a formative process, spanning playwriting to part-learning to dramatic performance. My analysis, which will focus on Shakespeare's <i> Coriolanus</i> and <i>Julius Caesar</i>, dismisses any notion of the Shakespeare play as holistic or complete text. I draw from Tiffany Stern and Simon Palfrey's <i>Shakespeare in Parts</i>, which establishes a methodology for the analysis of "part" or "cue" scripts, texts that feature a single character's lines amputated from the larger play. </p><p> In the

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14

Sansom, Rockford. "A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATREAN ORIGINAL SCRIPT AND MONOGRAPH DOCUMENT." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2295.

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Believing that a thesis should encompass all aspects of a conservatory training program, I will write and perform--in collaboration with my classmate Patrick John Moran--a new musical entitled A 16 Bar Cut: The History of American Musical Theatre as the capstone project for my Master of Fine Arts in Musical Theatre. A 16 Bar Cut will be a two-man show that tells the entire history of American musical theatre from the ancient Greeks to today in a tongue-in-cheek manner. The goal of the project is to pay homage to an original American art form in a night of zany silliness and hilarity. The show

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15

Nelson, Ross Peter. "Becoming Number Six." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1983.

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Becoming Number Six is an original dramatic work: Stephanie Dylar is disturbed when two shadowy figures claiming to be intelligence agents appear on her doorstep. The agents, Lovelace and Babbage, represent a government branch known as The Division, and inform her that her son Jeremy may be involved in illegal computer activity. When Jeremy subsequently goes missing, Stephanie turns to her friend Julia for help, and is confronted with the realities of constant surveillance as Julia brings the hacking group Incognito into the mix.

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Hermanson, Lisa K. "How To Write A Musical: Concerning The Creation Of A Musical From Start To End Of First Draft." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5730.

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The Golden Door is a new musical created in answer to the question "how does one write a musical?" This short work is based on immigration through Ellis Island in the 1920s. The script focuses on three young adults immigrating from Sweden in 1922, exploring the reasons why each might choose to leave their homeland and attempt a new life in a completely foreign land. The script also details historical information such as how long the crossing was and the reception that awaited them in the "promised land", juxtaposing promises and actuality. The script and score examines themes such as bravery,

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17

Kneale, Michelle E. "The Electric Company script development process : "Brilliant! The Blinding Englightenment of Nikola Tesla"." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/794.

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Ensemble creation in Canada is a popular form of script development. It began essentially in the 1970’s with The Farm Show, and has become the site for much theoretical and critical discussion. The Electric Company Theatre began as an ensemble in 1996 and since then has created fascinating productions with a range of topics in both site specific and touring venues. Brilliant! The Blinding Enlightenment of Nikola Tesla was a cornerstone piece for this group and existed in a number of incarnations before the script was eventually published in 2004 and the production toured again in 2006. This

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18

Brien, Timothy A. "Searching For the Impossible Dream, Staging the Impossible Script." VCU Scholars Compass, 2003. http://scholarscompass.vcu.edu/etd/923.

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This thesis is an exploration of the novella The Malady of Death by Marguerite Duras and my subsequent production of this book. It covers Duras' history and influences in writing this book while at the same time gives an account of all my directorial attempts with this piece. With regards to Duras, the influence of the nouveau roman writers in the mid twentieth century and her relationship at the time of her writing Malady is discussed. For my part, I divulge my initial exposure to the piece, the previous attempts to stage the work, my latest attempt with extensive research, and finally provid

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Bermudez, Jorge A. "One Script, Two Perspectives: Generation Me and The Staging of Really Really." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3864.

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One Script, Two Perspectives: Generation Me and The Staging of Really Really is a reflection on the approach, pre-production, rehearsal and post-production phases of the play, Really Really by Paul Downs Colaizzo, which debuted in the Shafer Street Playhouse on February 20, 2015 on the campus of Virginia Commonwealth University. The cast included Kaelie Ukrop, Adam Valentine, Ethan Malamud, Telos Fuller, Solomon Dixon, Molly Kaufman, and Katie Stoddard. This paper looks at the processes involved with the creation of that piece. Focus is given to the problems and challenges involved with castin

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Hensley, Kirstin R. "One Script, Two Perspectives: Generation Me and the Staging of Really Really." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3866.

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Really, Really, by Paul Downs Colaizzo, is loosely based on the 2006 Duke University sexual assault scandal resulting from what proved to be a false accusation of rape made against three members of the men’s lacrosse team. After individually reading the play, Jorge Burmudez and I both arrived at differing opinions of who was the true victim, in turn inspiring this thesis, which is an exploration of two separate productions of the play demonstrating contrasting perspectives/outlooks regarding sex crimes within sports organizations in the university setting. It will describe our process from c

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21

Lyall-Watson, Katherine. "The collaborative impact : writing a play with the collaboration of actors." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16582/1/Katherine_Lyall-Watson_-_The_Woods.pdf.

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How can a playwright share authorial control with a group of actors when creating a new play script? How does the individual playwright address matters of genre, form, style and structure to create a unifying theme, while remaining true to the dramatic intention and aesthetics of the group? What impact will the collaborators have on a playwright's work? Will they help or hinder the writing process? This exegesis closely follows the creation of a new play, The Woods, in a process where the playwright intended to facilitate a collaborative process with the actors rather than act as sole author.

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Lyall-Watson, Katherine. "The collaborative impact : writing a play with the collaboration of actors." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16582/.

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How can a playwright share authorial control with a group of actors when creating a new play script? How does the individual playwright address matters of genre, form, style and structure to create a unifying theme, while remaining true to the dramatic intention and aesthetics of the group? What impact will the collaborators have on a playwright's work? Will they help or hinder the writing process? This exegesis closely follows the creation of a new play, The Woods, in a process where the playwright intended to facilitate a collaborative process with the actors rather than act as sole author.

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23

Miller, Susan J. "The mathematics of longing: Exploring the interface between science and theatre by translating mathematical theorems into a play script." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/201671/1/Susan_Miller_Thesis.pdf.

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This PhD investigated how a playwright could translate what is elemental and elegant about a series of disparate mathematical equations into a play script such that the translations were expressed as an overall unified narrative that makes an overarching comment about science and humanity. By combining cultural translation and ekphrasis, a new methodology model was created for writing my PhD play entitled The Mathematics of Longing. Furthermore, the play script was presented in a non-traditional publishing format that visually invokes the subtext of the play, and potentially influences future

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24

Freeman, Grant HS. "A Pact Sealed in Blood: The Creation of Blood Letters: An American Odyssey." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3630.

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A Pact Sealed in Blood: The Creation of Blood Letters: An American Odyssey is a reflection on the project, writing, script and production phases of a student researched and written theatrical script, which debuted in the Shafer Street Playhouse on April 24, 2014 on the campus of Virginia Commonwealth University. This paper looks at the processes involved with the creation of that piece. The theatrical piece tells the tales of three men over the course of 150 years as each man goes through his own personal crucible. The first fights for his country and his family during the American Civil War.

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25

Helfgott, Louise. "Framing anorexia : a play script and multidimensional investigation of anorexia : a play and critical essay." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/580.

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This thesis explores anorexia nervosa in young people. It comprises two components: a play script, "Frames", about 16-year-old Elizabeth who is combating the disorder, her troubled friend Ben, and their families, and a critical essay that reviews qualitative and quantitative literature about anorexia and contextualises the play in relation to selected narratives, plays and films. In my field research, I interviewed a number of professionals working in the field of anorexia and the essay also discusses their views and insights. Few plays deal with anorexia in an in-depth manner to explore the o

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26

Joyner, Margarette. "Staying True To The Script: A Dramaturgical Examination of From The Mississippi Delta: Endesha Ida Mae Holland." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2377.

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27

Stewart, Elizabeth. "Turkish-German scripts of postmigration : mimesis and mimeticism in the plays of Emine Sevgi Özdamar and Feridun Zaimoglu/Günter Senkel." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/25972.

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Fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germany’s influential state-funded theatrical landscape. So whilst much scholarship in recent years has focused on Turkish-German literature and film, very little research has been conducted into Turkish-German theatre. This doctoral thesis addresses this neglected field of study and examines contemporary theatre practice and theatrical representation in the Federal Republic of Germany as a country of immigration. It tra

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28

Vadnais, Matthew W. "According to the Scrippe: Speeches, Speech Order, and Performance in Shakespeare's Early Printed Play Texts." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342978643.

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29

Henry, Bobbi J. "Talking back: A new theatrical representation of Noongar women's experience." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2604.

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This thesis looks at Indigenous theatre and storytelling within Western Australia, with a focus on women and the emotional turmoil of oppression and intergenerational trauma. I have looked towards the women in my family to explore stories of matriarchal strength and leadership. By looking at the women of the past, I wanted to highlight the inner turmoil that people feel now and how through the strength of storytelling we can express our emotions that we as women have experienced. Through Indigenous women’s standpoints I have shared stories and creatively reworked from the colonial past and pre

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Irvine, Ian Kyle. "But what I really want to do is write : adapting the Mike Leigh Method for writers for the stage." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/20126/1/Ian_Irvine_Thesis.pdf.

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This thesis, comprised of a stage play and exegesis, asks whether the Mike Leigh Method, commonly used by Auteur directors could be adapted to benefit a playwright during the redrafting and development process. I seek to answer this question by examining differing methodologies of drama creation and charting my process as I work to redraft my character driven stage play Deceased Estate through the adaptation and application of the Mike Leigh Method. I contend that Leigh’s method affords a set of honed and proven guidelines that can help the playwright get to the heart of the character driven d

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Irvine, Ian Kyle. "But what I really want to do is write : adapting the Mike Leigh Method for writers for the stage." Queensland University of Technology, 2008. http://eprints.qut.edu.au/20126/.

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This thesis, comprised of a stage play and exegesis, asks whether the Mike Leigh Method, commonly used by Auteur directors could be adapted to benefit a playwright during the redrafting and development process. I seek to answer this question by examining differing methodologies of drama creation and charting my process as I work to redraft my character driven stage play Deceased Estate through the adaptation and application of the Mike Leigh Method. I contend that Leigh’s method affords a set of honed and proven guidelines that can help the playwright get to the heart of the character driven d

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32

Testad, Gunnel. ""Solidariteten, det vackra i denna strid...". Spelet om Norbergsstrejken 1891-92 : En studie i arbetarkultur." Doctoral thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-75218.

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This thesis is a monograph on The Play about the Norberg Strike 1891–92, a pioneering project and performance relating to working-class cultural expressions. The project was initiated in the summer of 1975, and the first successful performances were held in June and July 1977. The democracy of cultural life was very positively manifested in The Play and in Swedish media, it was described as the first working-class play. It served as a model for other similar productions, set in many places in Sweden. The investigation began with field studies, which facilitated the choice of a suitable theory.

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Saccomano, Olivier. "Le théâtre comme pensée." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10148.

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Ce travail se propose une double tâche : penser l’expérience théâtrale à partir de ses coordonnées internes et, partant de là, voir à quelles conditions elle peut constituer une expérience de pensée. Dans la première partie, nous procédons à une analyse praxéologique de la situation théâtrale (ses termes, sa numéricité, son unité) qui met à jour l’articulation de deux dimensions (poïétique et pratique) auxquelles sont diversement noués chacun des termes de cette expérience triadique (« acteurs », « public » « texte »). Cette analyse s’efforce de mettre à jour ses propres procédés méthodologiqu

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34

Pinheiro, Fabio Luciano Francener. "Roteiro Uma bicicleta, minha mãe e dois cinemas e breve história dos cinemas de rua de Curitiba." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-23052013-112621/.

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Este trabalho apresenta o roteiro do longa-metragem Uma Bicicleta, Minha Mãe e Dois Cinemas, que aborda o cotidiano de uma família que mora e trabalha em um cinema de bairro em Curitiba. Paralelamente ao roteiro, foi desenvolvida uma pesquisa sobre a história dos cinemas de rua de Curitiba, privilegiando depoimentos de profissionais que trabalharam na atividade exibidora. Os relatos influenciaram o formato final da dramaturgia, fornecendo indicações para a criação de personagens e situações, delimitando ainda as épocas onde acontece a estória. O roteiro resulta, portanto, em um tratamento ficc

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Awi, Jane Pumai. "Creating new folk opera forms of applied theatre for HIV and AIDS education in Papua New Guinea." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/81643/1/Jane%20Awi%20Thesis.pdf.

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This research investigated the potential of folk opera as a tool for HIV and AIDS education in Papua New Guinea. It began with an investigation on the indigenous performativities and theatricalities of Papua New Guineans, conducting an audit of eight selected performance traditions in Papua New Guinea. These traditions were analysed, and five cultural forms and twenty performance elements were drawn out for further exploration. These elements were fused and combined with theatre techniques from western theatre traditions, through a script development process involving Australians, Papua New Gu

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Quinlan, Joshua Mortimer. "Reduce, Reuse, Recycle – Research: Sustainable Scene Design for a Production of Henrik Ibsen’s An Enemy Of The People." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461084681.

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Wurth, Paul Stephen. "The Director's Presence." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1013.

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This text is partial record and narrative of the process and productions of Orphans by Lyle Kessler that opened on March 29th 2007 for a four day run ending on April 1st, The Pillowman by Martin McDonagh that opened October 28th 2007 for a three day run ending on October 30th, and Terra Nova by Ted Tally that opened on February 21st 2008 for a four day run ending on February 24th. The majority of the text follows the three shows from Spring 2007, Fall 2007, to Spring 2008, focusing on the process of direction of each production. Incorporated in the writing are the experiences, lessons, and c

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Weber, Candice J. "The Process of Writing and Performing in a Live Wildlife Show." University of Akron / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=akron1145241110.

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Range, Regina Christiane. "Positioning Gina Kaus: a transnational career from Vienna novelist and playwright to Hollywood scriptwriter." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3515.

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This dissertation evaluates the career and work of the underappreciated Austrian-Jewish-American novelist, dramatist, essayist and screen writer Gina Kaus (1894 - 1985). The dissertation's approach is interdisciplinary in nature, drawing from the fields of German, American, exile, literary, feminist, performance, global, cultural as well as film studies. The unusually diverse corpus of Kaus's work in both the literary and filmic medium makes such an interdisciplinary approach indispensable. The dissertation argues that Kaus's specific female and little visible exile experience was shaped and a

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Wood, Hannah. "Video game 'Underland', and, thesis 'Playable stories : writing and design methods for negotiating narrative and player agency'." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/29281.

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Creative Project Abstract: The creative project of this thesis is a script prototype for Underland, a crime drama video game and digital playable story that demonstrates writing and design methods for negotiating narrative and player agency. The story is set in October 2006 and players are investigative psychologists given access to a secure police server and tasked with analysing evidence related to two linked murders that have resulted in the arrest of journalist Silvi Moore. The aim is to uncover what happened and why by analysing Silvi’s flat, calendar of events, emails, texts, photos, voi

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Uddenberg, Molly. "Metafor - en metod att göra det privata personligt." Thesis, Linnéuniversitetet, Institutionen för fysik och elektroteknik (IFE), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-28051.

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In this study I have met three authors in a dialogue seminar on their literary work. The discussion, starting from texts by Lacan and Socrates, revolved around the dichotomy of personal and private, and how to benefit from personal material in one’s literary work. The three authors reflected on the writer Karl Ove Knausgård and the photographer Sally Mann, who both are working with their own immediate family as a motif. In Knausgård, you can find a strong and self-dissecting writer persona as a medium of creating recognition in the readers mind. In Sally Mann the metaphorical dimensions of thi

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Horan, Tom Henning. "A playwright's process through sound and script." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5517.

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Two works, Static and The Fictional Life of Historical Oddities represent the dichotomy and symbiosis of two different models of playwriting I have pursued while at the University of Texas. This thesis reflects back on the processes that lead to these plays through periods of generation, revision and refinement. I've sought to find not only distinctions but areas of overlap.<br>text

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Chen, Chiehhui, and 陳潔慧. "Elementary School Students'' English Writing in a Readers Theater Script Adapting Task." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/87670675042448854456.

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碩士<br>國立中正大學<br>外國文學所<br>98<br>Recently readers theater (RT) has gained its popularity in elementary school and junior high school levels’ English teaching because it integrates multiple language skills in a meaningful context. Some research has been done to investigate reading fluency in RT instruction. Although some researchers suggest that script adapting for RT might improve students’ writing, research regarding RT writing activities is scarce. Therefore, this study aimed to explore elementary school students’ perceptions of writing, writing processes and strategies, and writing products i

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Clement, Colleen. "Theatre As Curriculum to Practice Vulnerability." Thesis, 2014. http://hdl.handle.net/1828/5413.

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This dissertation documents a doctoral endeavor to explore both the potential of theatre as a means to enable students to practice vulnerability and the potential curricular impact of such a practice, using an in-depth narrative study of six theatre and drama for the young specialists. The researcher attempts to gain understanding and create a discourse on the vulnerability of the every-student as a curricular concern as well as make a connection to the potential of theatre as a means to practice navigating vulnerability. This not only involves a reconsideration of the term vulnerability to be

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TAN, CHEE HOW, and 陳志豪. "From the Edge to Worldwide: The Theater Life and Script Literature of Mr. Kuo Pao Kun." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/622z9k.

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碩士<br>國立中正大學<br>中國文學研究所<br>104<br>Throughout the remarkable life of Mr. Kuo Pao Kun, he had made great contribution to Singaporean Performing Arts, including theater performance, script writing and theater education. Moreover, Mr. Kuo’s intensive interaction with worldwide organizations had brought in numerous brand new techniques as well as different perspectives for Singaporean Performing Arts. The author studies Mr. Kuo’s written scripts, reviews, articles and speeches; to analysis the impact of Mr. Kuo’s sense of art towards the Singaporean society, theater performing arts and the ideal wo

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Tsai, Shu-Chun, and 蔡淑君. "Readers Theater Instruction to Enhance First Graders’ Oral Reading Fluency – Effects of Applying Multiple Script Formats." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/13262531622135460066.

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碩士<br>文藻外語學院<br>外語文教事業發展研究所<br>100<br>The current study aimed to investigate the effects of Readers Theater (RT) instruction by applying multiple script formats on first graders’ English oral reading fluency in terms of accuracy, rate and smoothness, including using phrasing of meaningful word units without false pauses and repetition in an EFL elementary school. The RT program was conducted with 27 first graders in an elementary school located in a big city in southern Taiwan for four weeks. There were two forty-minute classes each week. This study utilized a single group time-series research

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DEMETER, Peter. "Reprezentace mužů s homosexuální orientací v současných českých a slovenských divadelních hrách." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-188921.

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The present thesis focuses on the representations of gays in Czech and Slovak contemporary theater plays. Its aim is to analyze the queer and campy aspects of the representations of gays in the mainstream plays and uncover the principles of creation of the gay character in the structure of dramatic Arts. The results of analysis explain the integrative mode of representation of gays in Czech and Slovak contemporary plays.

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Tsai, Chieh-yun, and 蔡杰芸. "Anaysis of Four Scripts by the Hehsing Shadow Puppet Theatre." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/56046699506836470634.

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碩士<br>國立成功大學<br>藝術研究所<br>97<br>Taiwan Hehsing Shadow Puppet Theatre was suspended to perform in 2007, and possessed the cultural relics to the Kaohsiung County Shadow Puppet Museum to be reserved. At present the official website photoed or the scaned the cultural relics to the phantom files. However, the readers still cannot understand the scripts as well, because of lacks of clear explanation and definations. This article gathers four scripts of the Hehsing Shadow Puppet Theatre: "The Golden Tortoise", "Second Bloom of Plums", "Di Qing suppressed the West", "Nine Swords" and rearranges the fo

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Li, Ya-hui, and 李雅惠. "The Application of English Reader’s Theater Scripts in Elementary EFL Classes in Taiwan." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/26327523580325589019.

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碩士<br>國立彰化師範大學<br>兒童英語研究所<br>101<br>This study aims to investigate the application of Reader’s Theater (RT) scripts in public elementary EFL classes in Taiwan. The RT scripts are divided into four types in this study, namely, story-based, poetry-based, drama-based, and curriculum-based scripts. The subjects consists of two groups of teachers, who mainly teach students of grade three to six. The first group includes four teachers who have taught RT scripts in class for over three years, and the research method focuses on interviews. The second group contains 227 teachers who have used RT script

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WONG, CHING-HAN, and 翁鏡涵. "The Study of Rewriting Science Picture Books into Reader Theater Scripts for Fifth-grade Elementary Students." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/67752137829236497480.

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碩士<br>國立臺中教育大學<br>教師專業碩士學位學程<br>103<br>The purpose of this study was designed to explore the effects of the fifth-grade elementary school students’ English reading, writing ability and their oral reading fluency by implementing the instruction of rewriting English science picture book into reader theater scripts. The study adopted a quasi-experimental research design and the participants were two classes of fifth-grade students in a public elementary school in Nantou city. One was the experimental group and the other was the control group. The experimental instruction lasted for 12 weeks w

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