Relevant bibliographies by topics / Theater Theater Actors

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Theater Theater Actors'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Theater Theater Actors.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Theater Theater Actors"

1

Veksler, Asya F. "Nadezhda Bromley and Boris Sushkevich: Actors, Directors, Vakhtangov Followers (Materials for a Creative Biography)." Observatory of Culture 17, no. 5 (2020): 526–37. http://dx.doi.org/10.25281/2072-3156-2020-17-5-526-537.

Full text
Abstract:
Boris Sushkevich and Nadezhda Bromley (Sushkevich-Bromley) are remarkable theatrical figures, actors and directors whose lot was connected with the bright and dramatic periods of our country’s theatrical life from the beginning to the middle of the 20th century. They devoted a part of their professional life to the 1st Studio of the Moscow Art Theatre (from 1919 — Moscow Art Academic Theatre), which later became a separate theater (Moscow Art Academic Theatre II, 1924—1936). Since the middle of the 1930s, they worked in leading Leningrad theaters — the Leningrad State Academic Drama Theater (A
APA, Harvard, Vancouver, ISO, and other styles
2

Morozova, Irina Pavlovna. "Theatre activity in the southern Urals at the initial period of the thaw." Samara Journal of Science 6, no. 4 (2017): 169–73. http://dx.doi.org/10.17816/snv201764211.

Full text
Abstract:
The paper deals with the problems of theatre activity development in the southern Urals at the initial period of the thaw. The research objective is to define what changes happened in the theatre activity in the Southern Urals after Stalins repressions in 1953-1964. For the research the author used periodicals, archival documents, books about the theater. The research has shown that after Stalins personality cult exposure there were big theater changes in the southern Urals. People became more interested in the theatre. It was in Bashkiria where the theater developed greatly. The paper examine
APA, Harvard, Vancouver, ISO, and other styles
3

Krutova, Marina S. "“An Actor Is a Priest in Buffoon’s Clothes”." Observatory of Culture 16, no. 3 (2019): 278–89. http://dx.doi.org/10.25281/2072-3156-2019-16-3-278-289.

Full text
Abstract:
The article raises the actual questions: if the theater can be Christian and who in that case the actor is — “a priest” or “a buffoon”. The purpose of this article is to consider the issue of “Christian theater” at different levels: historical, psychological, social. The article analyzes the issues of actors’ personalities formation and their religious sear­ches. There are considered the conditions of Christian upbringing in families and faith preservation in the complex historical period of the Russian history of the late 19th — mid-20th century. The no­velty of this study lies in the fact th
APA, Harvard, Vancouver, ISO, and other styles
4

Wagner, Meike. "Performing in Crisis Mode: the Munich National Theater, the Great Exhibition and the Cholera Epidemic in 1854." Pamiętnik Teatralny 69, no. 4 (2020): 39–61. http://dx.doi.org/10.36744/pt.561.

Full text
Abstract:
In 1854, the city of Munich had arranged for the “First General German Industrial Exhibition” to promote German industry to the world and invited a global audience to the event. At the same time, Franz Dingelstedt, director of the National Theater, organized a festival displaying the finest actors from Germany. Right after the opening of the festival, cholera started raging in the city and leaving 3,000 deaths in the final count. The author sketches out the role of the theatre in this crisis, when Dingelstedt was ordered by the king to keep the theatre open at any cost. This appears awkward, i
APA, Harvard, Vancouver, ISO, and other styles
5

Gilula, Leah. "No Sabras in the Fields?" Israel Studies Review 36, no. 1 (2021): 128–43. http://dx.doi.org/10.3167/isr.2021.360109.

Full text
Abstract:
The Cameri Theatre of Tel Aviv has always presented itself as the first repertory theater in the Yishuv that represented the sabras, creating the impression that its actors and artists were themselves mainly sabras and Hebrew their native language. However, this image, based chiefly on the successful performance of the play He Walked through the Fields, does not reflect reality. The article questions the myth by exploring the actual number of sabra theater artists and actors in the troupe, their place and measure of influence. Exposing this image sheds light on The Cameri Theatre at its beginn
APA, Harvard, Vancouver, ISO, and other styles
6

Marchenko, Herman. "Vsevolod Meyerhold’s Biomechanics and Boris Zakhava's Educational Work." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (2020): 58–74. http://dx.doi.org/10.36340/2071-6818-2020-16-4-58-74.

Full text
Abstract:
The article deals with two different approaches to training actors. One of them is Stanislavski’s system, and the other is Meyerhold’s biomechanics. Konstantin Stanislavski and Vladimir Nemirovich-Danchenko are reformers of the Russian theater. As the Art Theater founders, they understood that the emergence of a new drama would require a completely different approach to working with actors and a different design of the stage space. With regard to new performances, it became possible to pose critical social questions related to everyday life before the viewer. Therefore, it was logical that the
APA, Harvard, Vancouver, ISO, and other styles
7

Rigatelli, Gianluca, Aravinda Nanjudnappa, Robert S. Dieter, and Thach Nguyen. "New actors, new theater." Interventional Cardiology 2, no. 4 (2010): 501. http://dx.doi.org/10.2217/ica.10.50.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Neamțu, Carmen. "Genres of Cultural Journalism: Theatre Review." Cadernos de Literatura Comparada, no. 44 (2021): 227–38. http://dx.doi.org/10.21747/2183-2242/cad44a13.

Full text
Abstract:
This paper focuses on cultural journalism and its main species. After a brief review of the main genres of the cultural writing press, I will dwell on the theater chronicle, trying to see what style of writing is circumscribed and what are the main steps in writing a theatre review. Based on my 23 years of experience as a journalist in the daily generalist and specialized cultural press (Cultural Magazine of the Romanian Writers' Union, ARCA), I dare to say that the secret of any theater review lies in the balance between the information transmitted and the journalist's comment, between the st
APA, Harvard, Vancouver, ISO, and other styles
9

Stefanova, Kalina. "When drama theatre meets puppetry: How a unique symbiosis brought about distinctive changes in Bulgaria’s theatre." Maska 31, no. 181 (2016): 120–28. http://dx.doi.org/10.1386/maska.31.181-182.120_1.

Full text
Abstract:
The text outlines the unique symbiosis between drama and puppetry that started taking shape on Bulgarian theatre stages in the mid-1990s and gradually became a distinctive new theatre reality that changed the face of Bulgarian theatre. It was created by Alexander Morfov, CREDO Theatre and Stefan Moskov, along with a number of actors – all of them puppet theatre graduates – in their collaboration with the Bulgarian National (and other drama) Theater(s).
APA, Harvard, Vancouver, ISO, and other styles
10

Vasilenko, A. B., N. V. Polshchikova, O. I. Marceniuk, and А. V. Namchuk. "DEVELOPMENTANDESTABLISHMENTTHEARCHITECTURE OF THE HELLENIC THEATER FROM FOIKDANCE TO THEATER BUILDINGS, VII-II beforec.b." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 140–48. http://dx.doi.org/10.31650/2519-4208-2020-20-140-148.

Full text
Abstract:
The tradition of the holidayswhich dedicatedtotheendof the grape harvest, was born in Hellada in ancient times, in the countryside and gradually moved to the cities. This process began in the VIII century BC. Holidays were dedicated to God Dionysus, he was responsible about the natural forces of the earth and vegetation, the mastery of viticulture and winemaking. The holiday started to name Dionysuy. One of the most important action –dance around a circle. Then it becamenational, it conducted in cities, where was taken the new forms. Actors or other free citizens of the city performed on the l
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Theater Theater Actors"

1

Shane, Rachel. "Negotiating the creative sector understanding the role and impact of an artistic union in a cultural industry : a study of Actors' Equity Association and the theatrical industry /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1158512076.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hedden, Jason. ""Hidden Voices: A Creation through Collaboration with Fellow MFA Actors and Community Partner Turning Point."." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392069669.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kochensparger, Jonathan Wayne. ""Disability On Stage": The DisAbility Project (USA) and Graeae Theatre (UK) Theatre's Impact on Disabled Actors: A Comparative Study." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574727755697283.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Roche, Christopher M. ""Hidden voices: a creation through collaboration with fellow MFA actors and community partner Turing Point." Outreach & engagement: working portfolio." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392302865.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Schutt, Megan Faye. ""Hidden voices: a creation through collaboration with fellow MFA actors and community partner Turning Point." Outreach & engagement: working portfolio." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392714012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Garcia, Antonio. "Hidden Voices: A creation through collaboration with fellow MFA actors and community partner Turning Point. Outreach & Engagement Working Portfolio." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391590550.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Trujillo, Anthony. ""Hidden Voices: A Creation through collaboration with fellow MFA actors and community partner Turning Point." Outreach & Engagement Working Portfolio." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392804247.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Brown, Adrian. ""Hidden Voices: A creation through collaboration with fellow MFA actors and community partner Turning Point." Outreach & Engagement Working Portfolio." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392897628.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

McBride, Tanya Chu. "Hidden Voices: A Creation through Collaboration with Fellow M.F.A. Actors and Community Partner Turning Point, Outreach and Engagement Working Portfolio." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392909296.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Strukus, Wanda. "Unidentified performing objects : perception, phenomenology, and the object as actor /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2003.

Find full text
Abstract:
Thesis (Ph.D.)--Tufts University, 2003.<br>Adviser: Laurence Senelick. Submitted to the Dept. of Drama and Dance. Includes bibliographical references (leaves 302-306). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Theater Theater Actors"

1

Theater. Atheneum Books for Young Readers, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Actors, audiences, and historic theaters of Kentucky. University Press of Kentucky, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Haider-Pregler, Hilde. Überlebens-Theater: Der Schauspieler Reuss. Holzhausen, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Schriften zum Theater. Suhrkamp, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Robert, James. Twenty names in theater. M. Cavendish, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nicoletti, Susi. Nicht alles war Theater: Erinnerungen. List, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

About the theater. Sheep Meadow Press, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Veṅkaṭacelaṃ, Rāvi. 77 ēḷḷa nāṭakānubhavaṃ. Aśok Pablikēṣans, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lacombe, Brigitte. Lacombe: Cinema/theater. Schirmer/Mosel, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Acito, Marc. Attack of the theater people. Broadway Books, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Theater Theater Actors"

1

Scannapieco, Anna. "«Il Sacchi mi mandava tratto tratto de’ fasci di quelle strane, e mostruose opere di quel Teatro…»: Carlo Gozzi e il teatro spagnolo." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.26.

Full text
Abstract:
The contribution proposes a reflection on the greatest author of the 18th Century Italian theater who drew on the dramaturgical heritage of the siglos de oro. The main elements dealt with are: Carlo Gozzi's theoretical reflection on the characteristics of Spanish theater; the fundamental role in the repêchage that the actors of Antonio Sacco's company had in that theater, for which the author provided - according to him - a "voluntary friendly assistance"; finally, the most significant data that emerge, or could emerge, from the first National Edition of the works of Carlo Gozzi (launched in 2011).
APA, Harvard, Vancouver, ISO, and other styles
2

Cheok, Adrian David. "Interactive Theater Experience with 3D Live Captured Actors and Spatial Sound." In Art and Technology of Entertainment Computing and Communication. Springer London, 2010. http://dx.doi.org/10.1007/978-1-84996-137-0_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Sweeney, Bernadette. "Irish Theatre: An Actor’s Theatre." In The Palgrave Handbook of Contemporary Irish Theatre and Performance. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-58588-2_26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Lavender, Andy. "Multimodal Acting and Performing." In Beyond Media Borders, Volume 1. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49679-1_3.

Full text
Abstract:
Abstract This chapter considers how one might understand the work of actors and performers with reference to ideas of multimodality. The actor is not a ‘medium’ in the way of the media types in which she performs (theatre, film, radio drama, etc.). Yet, the actor does have a communicative function. It is argued that the modes of communicative media operate in a contemporary field of modal expansion, interrelation and transposition and that an account of acting and performing that considers such a field amends the longstanding focus on the actor’s ‘intention’ and ‘presence’. Instead, such an account delineates a technical infrastructure that suggests new insights into the actor’s work. Is the actor’s mode of performing expressed, shaped or constrained by the shifting media modalities in which her or his work is conveyed? The chapter examines instances of performances in theatre, in film, in ‘reality trend’ events and online.
APA, Harvard, Vancouver, ISO, and other styles
5

Masura, Nadja. "The Actor (Agency)." In Digital Theatre. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55628-0_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Masura, Nadja. "The ‘Other’ Actor." In Digital Theatre. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55628-0_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Anderson, Joel. "Actor portraits." In Theatre & Photography. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-34562-2_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Hulton, Dorinda. "Creative Actor (Empowering the Performer)." In Theatre Praxis. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26996-9_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hirst, David L. "Theatres, Actors and Audiences." In Edward Bond. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17983-1_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Henson, David, and Kenneth Pickering. "The Loneliness of the Young Actor-Singer in Training." In Musical Theatre. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-33163-2_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Theater Theater Actors"

1

Frank, Carlos, Carlos De Marziani, Eduardo Del Valle, and Andres Frank. "A THEATER THAT LACKS ACTORS / SLOW ADOPTION OF THE "INVERTED CLASSROOM" (FLIPPING)." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.0837.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Koji Iida, Shiroh Itai, Takabumi Watanabe, and Yoshiyuki Miwa. "Public viewing with shadows: Design of theater-type space where remote actors and audiences can coexist using the shadow as their own agents." In 2008 RO-MAN: The 17th IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2008. http://dx.doi.org/10.1109/roman.2008.4600745.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Koch, Renate. "Marcel Prawy und das erste Broadway-Musical im Österreich der Nachkriegszeit." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.57.

Full text
Abstract:
Marcel Prawy, born in Vienna, graduated in law. In 1936, the couple Kiepura/Eggerth engaged him as private assistant. Two years later Jan Kiepura helped him to emigrate to New York. In 1943, after his employment ended, Prawy joined the US Army. Finally he returned as an elite soldier to Vienna and began his pioneering work for ‘Broadway Musicals’. In 1955, he was appointed dramaturge at the ‘Wiener Volksoper’. One year later in February, Kiss Me, Kate was performed in two Austrian theatres. The Viennese version was produced by Prawy himself and staged by Heinz Rosen. In Graz André Diehl direct
APA, Harvard, Vancouver, ISO, and other styles
4

Zaytsev, Pavel. "Modernism, Publicness, Zombification: Gestalt of "Worker" by E. Junger, And Phenomena of Contemporary Exploitative Culture." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-17.

Full text
Abstract:
The need for researching into ideological sources of contemporary exploitative culture is necessitated by both the outer edge of its interaction with other triggers of modernity, and the inner edge consisting in the answer to the following question: ‘what is an exploitative culture?’. The modernism era gave rise not only to global mass culture, but diverse oppositions of ‘privacy’ and ‘publicity’ categories in their key anthropological images. It seems to us to be no coincidence that exploitative culture is presented by researchers primarily in the anthropological dimension of race and sex. Wh
APA, Harvard, Vancouver, ISO, and other styles
5

Cicirelli, Franco, and Libero Nigro. "Home Energy Management Using Theatre With Hybrid Actors." In 2019 IEEE/ACM 23rd International Symposium on Distributed Simulation and Real Time Applications (DS-RT). IEEE, 2019. http://dx.doi.org/10.1109/ds-rt47707.2019.8958695.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gagneré, Georges, Tom Mays, and Anastasiia Ternova. "How a Hyper-actor directs Avatars in Virtual Shadow Theater." In MOCO '20: 7th International Conference on Movement and Computing. ACM, 2020. http://dx.doi.org/10.1145/3401956.3404234.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Petrovic, Dominik, Luka Kicinbaci, Frano Petric, and Zdenko Kovaaic. "Autonomous Robots as Actors in Robotics Theatre - Tribute to the Centenary of R.U.R." In 2019 European Conference on Mobile Robots (ECMR). IEEE, 2019. http://dx.doi.org/10.1109/ecmr.2019.8870908.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ward, Jamie A., Daniel Richardson, Guido Orgs, Kelly Hunter, and Antonia Hamilton. "Sensing interpersonal synchrony between actors and autistic children in theatre using wrist-worn accelerometers." In UbiComp '18: The 2018 ACM International Joint Conference on Pervasive and Ubiquitous Computing. ACM, 2018. http://dx.doi.org/10.1145/3267242.3267263.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Vishnyakova, Elizaveta, Olga Vishnyakova, Alla Minyar-Beloroucheva, and Polina Sergienko. "L2 teaching to PR undergraduates through theatre techniques elements." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.01001v.

Full text
Abstract:
Modern methods of L2 teaching aimed at improving its efficiency to overcome language barriers require the construction of the learning climate for undergraduates to develop professional skillsand competencies essential for their academic communication with ease and pleasure. The purpose of this article is to demonstrate one of the ways of achieving educational goals by creating positive emotions that PR undergraduates experience during L2 classwork through the introduction of the elements of theatrical techniques, which can help educators perform the tasks required to instill creativity. Effec
APA, Harvard, Vancouver, ISO, and other styles
10

Vishnyakova, Elizaveta, Olga Vishnyakova, Alla Minyar-Beloroucheva, and Polina Sergienko. "L2 teaching to PR undergraduates through theatre techniques elements." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.01001v.

Full text
Abstract:
Modern methods of L2 teaching aimed at improving its efficiency to overcome language barriers require the construction of the learning climate for undergraduates to develop professional skillsand competencies essential for their academic communication with ease and pleasure. The purpose of this article is to demonstrate one of the ways of achieving educational goals by creating positive emotions that PR undergraduates experience during L2 classwork through the introduction of the elements of theatrical techniques, which can help educators perform the tasks required to instill creativity. Effec
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Theater Theater Actors"

1

Sunardi, Mathias. Expressive Motion Synthesis for Robot Actors in Robot Theatre. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.720.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kabat, Brian W. The Sun as a Non-state Actor: The Implications on Military Operations and Theater Security of a Catastrophic Space Weather Event. Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada525043.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Health hazard evaluation report: HETA-90-0355-2449, Actors' Equity Association/The League of American Theatres and Producers, Inc., New York, New York. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1994. http://dx.doi.org/10.26616/nioshheta9003552449.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Theater Theater Actors' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography