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1

Actors, audiences, and historic theaters of Kentucky. Lexington: University Press of Kentucky, 2000.

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2

The audience. Baltimore: Johns Hopkins University Press, 1990.

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3

Universität-Gesamthochschule-Siegen, ed. "Das Theater glich einem Irrenhause": Das Publikum im Theater des 18. und 19. Jahrhunderts. Heidelberg: Universitätsverlag Winter, 2012.

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4

Theatre as a prison of Longue Durée. Frankfurt am Main [Germany]: Peter Lang, 2011.

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5

L'acteur et son public: Petite histoire d'une étrange relation. Paris: L'Harmattan, 2009.

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6

Verdeil, Jean. L'acteur et son public: Petite histoire d'une étrange relation. Paris: L'Harmattan, 2009.

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7

Buzuk, R. L. Tėatralʹnyi͡a︡ dali͡a︡hli͡a︡dy: Rozdum ab suchasnym belaruskim tėatry i hledachu. Minsk: "Navuka i tėkhnika", 1990.

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8

Francoeur, Louis. Le théâtre brèche: Essai. Montréal: Triptyque, 2002.

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9

Lakatos, Gyuláné. A színházak adatai: 1992-2001. Budapest: Központi Statisztikai Hivatal, 2002.

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10

Mervant-Roux, Marie-Madeleine. L' assise du théâtre: Pour une étude du spectateur. Paris: CNRS, 1998.

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11

Victor, Emeljanow, ed. Reflecting the audience: London theatre going, 1840-1880. Hatfield: University of Hertfordshire Press, 2001.

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12

Curt, Isaksson, and Jansson Lisbeth, eds. Teaterögon: Publiken möter föreställningen upplevelse-utbud-vanor. [Stockholm]: Liber, 1986.

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13

Victor, Emeljanow, ed. Reflecting the audience: London theatregoing, 1840-1880. Iowa City: University of Iowa Press, 2001.

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14

Dressler, Roland. Von der Schaubühne zur Sittenschule: Das Theaterpublikum vor der vierten Wand. Berlin: Henschel, 1993.

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15

Freshwater, Helen. Theatre & audience. Houndmills, Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.

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16

Figurations du spectateur: Une réflexion par l'image sur le théâtre et sur sa théorie. Paris: L'Harmattan, 2006.

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17

Zimnica-Kuzioła, Emilia. Światła na widownię: Socjologiczne studium publiczności teatralnej. Łódź: Wydawn. Uniwersytetu Łódzkiego, 2003.

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18

Guy, Jean-Michel. Les publics du théâtre: Fréquentation et image du théâtre dans la population française âgée de 15 ans et plus : résultats d'une enquête par sondage réalisée en 1987 ... Paris: Documentation française, 1988.

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19

Calabar, University of, ed. Theatre audience engineering in Nigeria: Paradigm and syntagm : inaugural lecture delivered at the University of Calabar. [Calabar (Nigeria)]: University of Calabar Press, 2006.

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20

Engaging audiences: A cognitive approach to spectating in the theatre. New York: Palgrave Macmillan, 2008.

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21

Theater gegen das Publikum: Aida als Putzfrau und andere Missetaten. München: Langen Müller, 1985.

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22

Banu, Georges. Amour et désamour du théâtre. [Arles]: Actes sud, 2013.

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23

Blum, Jacques. Teaterliv i København. [Copenhagen]: Teaterudvalget for Storkøbenhavn, 1989.

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24

The open space: Theatre as opportunity for living. Brighton: Sussex Academic Press, 2014.

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25

Chansky, Dorothy. Composing ourselves: The Little Theatre movement and the American audience. Carbondale: Southern Illinois University Press, 2004.

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26

Fischer-Lichte, Erika. Die Entdeckung des Zuschauers: Paradigmenwechsel auf dem Theater des 20. Jahrhunderts. Tübingen: Francke, 1997.

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27

"Das böse Tier Theaterpublikum": Zuschauerinnen und Zuschauer in Theater- und Literaturjournalen des 18. und frühen 19. Jahrhunderts : eine Dokumentation. Heidelberg: Universitätsverlag Winter, 2014.

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28

Dahl-Tallgren, Nina. Publiken i huvudrollen: En introduktion till publikarbete. [Vasa]: KulturÖsterbotten, Svenska Österbottens förbund for utbildning och kultur i samarbete med Förlags Ab Scriptum, 2011.

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29

Gosudarstvennyĭ institut iskusstvoznanii︠a︡ Ministerstva kulʹtury Rossiĭskoĭ Federat︠s︡ii, ed. Teatr kak sot︠s︡iologicheskiĭ fenomen. Sankt-Peterburg: Aleteĭi︠a︡, 2009.

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30

Deldime, Roger. La memoire du jeune spectateur. Paris: Editions universitaires, 1989.

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31

Gonon, Anne. La relation au public dans les arts de la rue. Vic la Gardiole: Entretemps, 2006.

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32

Egorova, M. N. Teatralʹnai︠a︡ publika: Ėvoli︠u︡t︠s︡ii︠a︡ anketnogo metoda. Moskva: Gos. institut iskusstvoznanii︠a︡, 2010.

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33

Forsare, Malena, and Anja Mølle Lindelof. Publik i perspektiv: Teaterarbete i Öresundsregionen. Göteborg: Makadam, i samarbete med Centrum för Danmarksstudier vid Lunds universitet, Malmö högskola, Roskilde Universitet, 2013.

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34

Kowalewicz, Kazimierz. Teatr i odbiorca: Przygotowanie do teorii odbioru przedstawienia teatralnego. Łódź: Wydawn. Uniwersytetu Łódzkiego, 1993.

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35

Baghdādī, Nisrīn. al- Masraḥ al-Miṣrī wa-jumhūruh. al-Qāhirah: al-Markaz al-Qawmī lil-Buḥūth al-Ijtimāʻīyah wa-al-Jināʾīyah, Qism Buḥūth al-Ittiṣāl al-Jamāhīrī wa-al-Thaqāfah, 1999.

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36

Theatre and feeling. New York: Palgrave Macmillan, 2010.

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37

Yancey, Diane. Life in the Elizabethan theater. San Diego, CA: Lucent Books, 1997.

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38

Space in performance: Making meaning in the theatre. Ann Arbor: University of Michigan Press, 1999.

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39

Meyer-Dinkgräfe, Daniel. Boulevard Comedy Theatre in Germany. Newcastle-upon-Tyne: Cambridge Scholars, 2005.

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40

Sciarelli, Fabiana. Il pubblico del teatro in Italia: Il quadro attuale e gli scenari futuri. Napoli: Electa Napoli, 2004.

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41

The actor in costume. New York: Palgrave Macmillan, 2010.

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42

Tuszyńska, Agata. Gwiazdy i gwizdy: Z dziejów publiczności teatralnej 1765-1949. Lublin: Wydawn. Uniwersytetu Marii Curie-Skłodowskiej, 2002.

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43

Tanju, İsmail. 12 Eylül sonrası teatral yapı: Teatral seyircinin estetik çözümlemeleri anket ve sonuçları. İstanbul: Gökçem Tiyatro Sinema Yayınları, 1989.

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44

Robinson, Simon. Theaterbesuch in Essen: Untersuchung zur aktuellen und potentiellen Nutzung des Theaters Essen. Duisburg: Rhein-Ruhr-Institut für Sozialforschung und Politikberatung (RISP), 1986.

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45

Vliet, Harry van. De schone schijn: Een analyse van psychologische processen in de beleving van fictionaliteit en werkelijkheid bij theatrale produkten. Amsterdam: Thesis Publishers, 1991.

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46

Monks, Aoife. The actor in costume. Houndmills, Balsingstoke, Hampshire: Palgrave, 2010.

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47

Christophe, Bailly Jean, and Guénoun Denis 1946-, eds. Le théâtre, le peuple, la passion: Rencontres de Rennes. Besançon: Solitaires intempestifs, 2006.

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48

Dressler, Roland. Von der Kunst des Zuschauens. Berlin: Dietz, 1986.

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49

Masraḥī, ʻAbd Allāh Ismāʻīl, and Ṣabrī ʻAbd al-Fattāḥ, eds. al-Masraḥ wa-al-jumhūr: Waqāʼiʻ Multaqá al-Shāriqah al-Sābiʻ lil-Masraḥ al-ʻArabī. al-Shāriqah: Dāʼirat al-Thaqāfah wa-al-Iʻlām, Ḥukūmat al-Shāriqah, 2010.

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50

Le théâtre et ses publics: La création partagée : colloque de Liège. Besançon: Les Solitaires intempestifs, 2013.

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