Relevant bibliographies by topics / Theater Theater Cold War

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Theater Theater Cold War'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Theater Theater Cold War"

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ashton, nigel j. "Cold War Political Theater." Diplomatic History 33, no. 3 (2009): 535–38. http://dx.doi.org/10.1111/j.1467-7709.2009.00789.x.

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Kosstrin, Hannah. "Whose Jewishness? Inbal Dance Theater and Cold War American Spectatorship." American Jewish History 104, no. 1 (2020): 31–58. http://dx.doi.org/10.1353/ajh.2020.0013.

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Young, Oran R. "Governing the Arctic: From Cold War Theater to Mosaic of Cooperation." Global Governance: A Review of Multilateralism and International Organizations 11, no. 1 (2005): 9–15. http://dx.doi.org/10.1163/19426720-01101002.

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Maguire, Nancy Klein. "The Theatrical Mask/Masque of Politics: The Case of Charles I." Journal of British Studies 28, no. 1 (1989): 1–22. http://dx.doi.org/10.1086/385923.

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Britain now wear's the sock; the Theater's clean Transplanted hither, both in Place and Scene.Martin Butler and Jonathan Dollimore have recently documented the importance of drama in English political life before 1642. Such scholarship, however, has stopped cold at the great divide of 1642. Except for Lois Potter in “‘True Tragicomedies’ of the Civil War and Interregnum,” no one has considered the relationship between politics and theater while the theaters were officially closed. Scholars have thereby missed a seminal question in understanding the discourse and complex political maneuvering e
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Jakovljevic, Branislav. "Theater of Atrocities: Toward a Disreality Principle." PMLA/Publications of the Modern Language Association of America 124, no. 5 (2009): 1813–19. http://dx.doi.org/10.1632/pmla.2009.124.5.1813.

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In October 1992, the united nations security council requested the secretary-general to appoint an impartial commission to examine and record the atrocities committed in the wars in the former Yugoslavia. Two years later, this commission produced its final report. Some of the goriest pages in this catalogue of infamy are dedicated to the explosion on the Markale open-air market in central Sarajevo that took place around noon on Saturday, 5 February 1994. The report describes it as “the worst attack on civilians during the siege” of Sarajevo, citing that it killed at least 66 persons and wounde
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Shcherbinina, Olga I. "LILLIAN HELLMAN AND THE SOVIET THEATER." Вестник Пермского университета. Российская и зарубежная филология 13, no. 2 (2021): 132–41. http://dx.doi.org/10.17072/2073-6681-2021-2-132-141.

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The article examines the contacts of the American playwright Lillian Hellman with the Soviet theatrical world. It focuses on Soviet productions of her plays, recollections of actors involved in those productions, critics’ reviews of the premieres. Hellman’s more than 20-year career in the USSR helps to trace back the changes of Soviet cultural and ideological agenda. Acting as a cultural emissary during the Second World War, Hellman visited Moscow where she was greeted as a dear guest, and her plays were staged by two lar­gest Moscow theaters. With the beginning of the Cold War, her dramas The
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Yudin, Kirill. "Cinema politics and ideology of the USA during the Cold War." OOO "Zhurnal "Voprosy Istorii" 2020, no. 12-1 (2020): 84–97. http://dx.doi.org/10.31166/voprosyistorii202012statyi07.

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The article analyzes the specifics of American ideology and cultural space, its influence on the activities of state and public institutions, the position of representatives of the theater and cinema corporation in the United States under conditions of control and censorship, propaganda pressure. Conclusions are drawn about the consequences of forced segregation of filmmakers into «friends» and «strangers» - the need to adapt in an atmosphere of «cold» information and ideological challenges, the examination of media-texts (films) and their images for political reliability. The ambiguity and in
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Odom, William E. "The Cold War Origins of the U.S. Central Command." Journal of Cold War Studies 8, no. 2 (2006): 52–82. http://dx.doi.org/10.1162/jcws.2006.8.2.52.

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During the Carter administration the Middle East and Southwest Asia became a third major theater in the Cold War struggle along with Europe and the Far East. Initially, President Jimmy Carter tried to remove this region from the Cold War competition, but the collapse of the shah's regime in Iran prompted Carter to reverse course and to build a “Persian Gulf security framework” that later allowed the United States to deal with three wars and many smaller clashes. The interagency process implementing this dramatic change was rent with clashes of departmental interests. The State Department and t
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Iacob, Bogdan C., Corina Doboș, Raluca Grosescu, Viviana Iacob, and Vlad Pașca. "State Socialist Experts in Transnational Perspective. East European Circulation of Knowledge during the Cold War (1950s–1980s): Introduction to the Thematic Issue." East Central Europe 45, no. 2-3 (2018): 145–59. http://dx.doi.org/10.1163/18763308-04502006.

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State socialist experts were at the center of Eastern Europe’s internationalization from the mid-1950s until 1989. They acted as intermediaries between their states and other national, regional, and international environments. The contributions integrate national milieus within broader frameworks mostly circumscribed by inter- and nongovernmental specialized organizations (the United Nations Economic Commission for Europe; the United Nations Educational, Scientific and Cultural Organization; International Theater Institute, or the un Commission on Population and Development). The issue is an i
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Armstrong, Charles K. "The Cultural Cold War in Korea, 1945–1950." Journal of Asian Studies 62, no. 1 (2003): 71–99. http://dx.doi.org/10.2307/3096136.

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By definition, the cold war was understood on both sides of the conflict to be a global struggle that stopped short of direct military engagement between the superpowers (the U.S. and the USSR). In Europe, the putative center ofthat struggle, the geopolitical battle lines were fixed after the early 1950s, or they at least could not be altered by normal military means without provoking World War III—which would result in mutual annihilation. Therefore, each side hoped to make gains over the other by using more subtle, political, and often clandestine methods, winning the “hearts and minds” of p
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Dissertations / Theses on the topic "Theater Theater Cold War"

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Eschen, Nicole Marie. "Performing the past theatrical revisions of Cold War culture /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1679292491&sid=12&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Hwang, Seunghyun. "Remaking the American Family:Asian Americans on Broadway during the Cold War Era." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1403302910.

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Shapiro, Ann Katherine. "In defiance of censorship : an exploration of dissident theatre in Cold War Poland, Czechoslovakia, and the German Democratic Republic." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/7005/.

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This thesis explores dissident theatre in East Central Europe during the second half of the Cold War (1964-1989). Contextualised within the discussion of individual theatrical and performance cultures and practices in Poland, Czechoslovakia, and The German Democratic Republic, it examines how theatre was used to subvert the dominant ideologies and dissent from the status quos in these countries. It establishes a framework that addresses the divergences between Anglo-American political theatre and Eastern Bloc dissident theatre, and discusses the necessity of considering the work of subcultural
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Evans, Christine. "Art, war, and objects : reality effects in the contemporary theatre." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318314.

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Tisdale, Michael. "...among other things." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5662.

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Röder, Levin D. "Theater der Schrift." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2008. http://dx.doi.org/10.18452/15800.

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Eine Reihe literaturwissenschaftlicher Arbeiten seit Anfang der Neunzigerjahre bezeugt das lebhafte Interesse an der subjektiven Verfasstheit von Müllers Schreiben. Keine jedoch widmet sich erschöpfend Müllers als Autobiografie ausgewiesenem Text KRIEG OHNE SCHLACHT – LEBEN IN ZWEI DIKTATUREN. Zu Ehren kam der Text bislang nur als Zitatsteinbruch, Interpretationshilfe und umfangreiche poetologische Materialsammlung. Zumeist wird das Werk als gültiger Beleg der Intention müllerschen Schreibens herangezogen und erlangt damit einen unzulässigen Grad an Deutungshoheit. Dabei wird die poetische Dim
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Botham, Paola A. "Redefining political theatre in post Cold-War Britain (1990-2005) : an analysis of contemporary British political plays." Thesis, Coventry University, 2009. http://curve.coventry.ac.uk/open/items/f87298f3-39f6-86d2-9d5f-618aeb1e9eb8/1.

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After the end of the Cold War had signalled for many the demise of political theatre, a re-emergence of British political plays since the turn of the century has become an acknowledged phenomenon. Customary definitions of this cultural practice, however, have become historically and theoretically obsolete. An alternative philosophical framework is needed which breaks with both the unrealistic expectations of the traditional Left and the defeatist limitations of postmodernist positions. This thesis aims to provide a revised definition of political theatre based on the ideas of Jürgen Habermas.
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Lovell, Neal T. "Theater level operations other than war modeling : applications of decision making theory." Thesis, Monterey, California. Naval Postgraduate School, 1994. http://hdl.handle.net/10945/28601.

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Approved for public release; distribution is unlimited<br>This paper presents an automated model for generating courses of action in support of an Operations Other Than War (OOTW) simulation. The model simulates the decision making of a theater level staff in the OOTW humanitarian assistance mission environment. The model uses probabilistic forecasting models and Bayesian techniques to predict what the state of a region in the theater will be some time in the future. Decision tree structures and the forecasting module are used to solve the decision making problem using expected utility. The mo
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Fahey, Joseph Francis. "Rethinking the wasteland : Cold War history, theatre scholarship, and the challenges posed by the live television drama of the Fifties /." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1165341753.

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Potter, George E. "Global Politics and (Trans)National Arts: Staging the “War on Terror” in New York, London, and Cairo." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1313427243.

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Books on the topic "Theater Theater Cold War"

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Cold War theatre. Routledge, 1992.

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Theatres of war: French committed theatre from the Second World War to the Cold War. University of Exeter Press, 1998.

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Meyer-Braun, Renate. Löcher im Eisernen Vorhang: Theateraustausch zwischen Bremen und Rostock während des Kalten Krieges (1956-1961) : ein Stück deutsch-deutscher Nachkriegsgeschichte. Trafo, 2007.

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American theater in the culture of the Cold War: Producing and contesting containment, 1947-1962. University of Iowa Press, 2003.

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Corporation, Rand, and United States Army, eds. NATO's future conventional defense strategy in Central Europe: Theater employment doctrine for the post-Cold War era. Rand, 1991.

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Davis, Tracy C. Stages of emergency: Cold War nuclear civil defense. Duke University Press, 2008.

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Balme, Christopher B., and Berenika Szymanski-Düll, eds. Theatre, Globalization and the Cold War. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48084-8.

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Theater of war. New Press, 2002.

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Allen, Patrick D. Secondary land theater model. Rand, 1987.

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Nicoletti, Susi. Nicht alles war Theater: Erinnerungen. List, 1997.

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Book chapters on the topic "Theater Theater Cold War"

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Bell, John. "Beyond the Cold War: Bread and Puppet Theater at the End of the Century." In American Puppet Modernism. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613768_11.

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Jenkins, Philip. "Asian Theaters." In A Global History of the Cold War, 1945-1991. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81366-6_5.

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Braun, Juliane. "Theater of War." In American Cultures as Transnational Performance. Routledge, 2021. http://dx.doi.org/10.4324/9781003048947-11.

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Fayard, Nicole. "Shakespeare’s Theatre of War in 1960s France." In Shakespeare in Cold War Europe. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-51974-0_6.

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Smith, James. "MI5 Surveillance of British Cold War Theatre." In Theatre, Globalization and the Cold War. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48084-8_8.

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Balme, Christopher B., and Berenika Szymanski-Düll. "Introduction." In Theatre, Globalization and the Cold War. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48084-8_1.

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Kunakhovich, Kyrill. "The Cultural Cold War on the Home Front: The Political Role of Theatres in Communist Kraków and Leipzig." In Theatre, Globalization and the Cold War. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48084-8_10.

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Prykowska-Michalak, Karolina. "Years of Compromise and Political Servility—Kantor and Grotowski during the Cold War." In Theatre, Globalization and the Cold War. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48084-8_11.

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Szeman, Ioana. "‘A Memorable French-Romanian Evening’: Nationalism and the Cold War at the Theatre of Nations Festival." In Theatre, Globalization and the Cold War. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48084-8_12.

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Papadogiannis, Nikolaos. "An Eastern Bloc Cultural Figure? Brecht’s Reception by Young Left-wingers in Greece in the 1970s." In Theatre, Globalization and the Cold War. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48084-8_13.

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Conference papers on the topic "Theater Theater Cold War"

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Shi, Donghui, Jozef Zurada, Waldemar Karwowski, and Jian Guan. "Data Stream Models for Predicting Adverse Events in a War Theater." In Hawaii International Conference on System Sciences. Hawaii International Conference on System Sciences, 2019. http://dx.doi.org/10.24251/hicss.2019.142.

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Bolling, Robert H. "The joint theater level simulation in military operations other than war." In the 27th conference. ACM Press, 1995. http://dx.doi.org/10.1145/224401.224785.

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Dimarogonas, Andrew D. "Mechanisms of the Ancient Greek Theater." In ASME 1992 Design Technical Conferences. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/detc1992-0301.

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Abstract The word Mechanism is a derivative of the Greek word mechane (which meant machine, more precisely, machine element) meaning an assemblage of machines. While it was used for the first time by Homer in the Iliad to describe the political manipulation, it was used with its modern meaning first in Aeschylos times to describe the stage machine used to bring the gods or the heroes of the tragedy on stage, known with the Latin term Deus ex machina. At the same time, the word mechanopoios, meaning the machine maker or engineer, was introduced for the man who designed, built and operated the m
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Woodward, Jay, and Michelle Kwok. "CREATING A VIRTUAL STUDY ABROAD EXPERIENCE TO RUSSIA." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end141.

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COVID-19 has drastically altered our world. Though travel is halted, global education does not have to stop. We used this time to reconceive the notion of study abroad and designed a study abroad program that could be facilitated virtually and enhanced with face-to-face classroom interaction. We were inspired to embark on this journey for several reasons. First, the realities of the pandemic create risks associated with international travel. Second, international experiences need to be more accessible–more students should be able to participate in global education, even if they do not have the
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Quick, Darrell A., and Mark A. Roth. "A development methodology for adding map-based graphics to the theater war exercise." In the 20th conference. ACM Press, 1988. http://dx.doi.org/10.1145/318123.318315.

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Schrock, Peter J., M. Elisa McQueen, Kathryn J. De Laurentis, Merry L. Morris, and Rajiv V. Dubey. "Wheelchair Modification for Hands-Free Motion for Dancers With Disabilities." In ASME 2008 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2008. http://dx.doi.org/10.1115/sbc2008-193178.

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Functional modifications to power and manual chairs are currently advancing in the areas of rehabilitation, sports and recreation and in the activities of daily living; however, these modification have yet to be directly applied in the field of performing arts. An assistive device was developed at the University of South Florida (USF) during collaboration between the Department of Mechanical Engineering and the School of Theatre and Dance. The project was initiated by Professor Merry Lynn Morris who identified a need for new conceptions of mobility; her work with dancers, with and without disa
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Falsetti, Marco, and Pina Ciotoli. "Introverted and knotted spaces within modern and contemporary urban fabrics: passages, gallerias and covered squares." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5913.

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The scenic plaza mayor shares with the theater organisms some formative characters, since they both derive from a transformation, by knotting, of pre-existing buildings and fabrics. This architectural transformation is generated, at the beginning, by a change in the modalities of using public space. As for the corral de comedias, the process is due to the sedentarization of the theatrical practice, which abandons the itinerant dimension of the street to move inside the buildings (such as private homes and palaces). The original corral de comedias was in fact set up inside an open place that co
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Novelli, Francesco. "Castle Garth in Newcastle (UK): processes of transformation, integration and discharge of a fortified complex in an urban context." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11548.

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Castle Garth is the name of the fortified area once enclosed within the castle walls. In the fifteenth century Newcastle became a county in its own right, however, the Garth, being within the castle walls, remained part of the County of Northumberland. The Great Hall, a building separate from the Castle Fortress (the “Keep”), which in later years became known as the “Old Moot Hall”, was used by courts that sat at regular intervals in every county of England and Wales. The Fortress then became a prison for the County and was used as such until the early nineteenth century. Beginning in the fift
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Colberg Poley, Celeste, and Balakumar Balachandran. "Motion Analysis of Robot Arm for Obstacle Avoidance." In ASME 2017 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/imece2017-71010.

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In the previous work of the authors, a modified version of Rapidly exploring Randomized Trees (RRT) algorithm was used to study trajectories of end effectors of multi-link robotic systems. They showed how constraints could be used for better trajectory control. The overall aim of the prior work and the current study is to develop path-planning algorithms that can be used for robots in surgical environments. The authors have picked the KUKA DLR LWR IV+, a seven link, 7 Degree of Freedom (DOF) system, as a representative system for their studies. In the current study, as an initial step, obstacl
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Reports on the topic "Theater Theater Cold War"

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Weaver, Brett H. War Termination: A Theater CINCs Responsibility. Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada442789.

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Davis, Michael H. Apache Force Structure for a Two Major Theater War Strategy. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada345712.

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Wall, Alan R. Theater Missile Defense in World War II - Some Operational Art Considerations. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada363065.

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Ryan, Michael A. Exploiting Peace Operations to Reduce Risk in the Second Major Theater War. Defense Technical Information Center, 2001. http://dx.doi.org/10.21236/ada394273.

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Christie, R. A. The United States' Second Major Theater of War: A Bridge Too Far? Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada432180.

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Smith, Tyler C., Thomas E. Corbeil, Margaret A. Ryan, Jack M. Heller, and Gregory C. Gray. In-Theater Hospitalizations of US and Allied Personnel During the Gulf War. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada430180.

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Sellers, Priscilla. Incorporation of Indigenous Forces in Major Theater War: Advantages, Risks and Considerations. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada423740.

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Woods, John D. Joint Air Operations Integration of MAGTF Aviation into the Theater Air War. Defense Technical Information Center, 1994. http://dx.doi.org/10.21236/ada280625.

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Campbell, Charlotte H., Roy C. Campbell, Laura A. Ford, David M. Pratt, and Daniel e. Deter. The COBRAS Synthetic Theater of War Exercise Trial: Summary and Report of Findings. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada359935.

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Partan, Matthew A. Soviet Assessments of the Theater Balance of Forces: A Case Study of the Beginning Period of War. Defense Technical Information Center, 1986. http://dx.doi.org/10.21236/ada269702.

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