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Dissertations / Theses on the topic 'Theater Theater Cold War'

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1

Eschen, Nicole Marie. "Performing the past theatrical revisions of Cold War culture /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1679292491&sid=12&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Hwang, Seunghyun. "Remaking the American Family:Asian Americans on Broadway during the Cold War Era." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1403302910.

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Shapiro, Ann Katherine. "In defiance of censorship : an exploration of dissident theatre in Cold War Poland, Czechoslovakia, and the German Democratic Republic." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/7005/.

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This thesis explores dissident theatre in East Central Europe during the second half of the Cold War (1964-1989). Contextualised within the discussion of individual theatrical and performance cultures and practices in Poland, Czechoslovakia, and The German Democratic Republic, it examines how theatre was used to subvert the dominant ideologies and dissent from the status quos in these countries. It establishes a framework that addresses the divergences between Anglo-American political theatre and Eastern Bloc dissident theatre, and discusses the necessity of considering the work of subcultural
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Evans, Christine. "Art, war, and objects : reality effects in the contemporary theatre." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318314.

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Tisdale, Michael. "...among other things." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5662.

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Röder, Levin D. "Theater der Schrift." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2008. http://dx.doi.org/10.18452/15800.

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Eine Reihe literaturwissenschaftlicher Arbeiten seit Anfang der Neunzigerjahre bezeugt das lebhafte Interesse an der subjektiven Verfasstheit von Müllers Schreiben. Keine jedoch widmet sich erschöpfend Müllers als Autobiografie ausgewiesenem Text KRIEG OHNE SCHLACHT – LEBEN IN ZWEI DIKTATUREN. Zu Ehren kam der Text bislang nur als Zitatsteinbruch, Interpretationshilfe und umfangreiche poetologische Materialsammlung. Zumeist wird das Werk als gültiger Beleg der Intention müllerschen Schreibens herangezogen und erlangt damit einen unzulässigen Grad an Deutungshoheit. Dabei wird die poetische Dim
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Botham, Paola A. "Redefining political theatre in post Cold-War Britain (1990-2005) : an analysis of contemporary British political plays." Thesis, Coventry University, 2009. http://curve.coventry.ac.uk/open/items/f87298f3-39f6-86d2-9d5f-618aeb1e9eb8/1.

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After the end of the Cold War had signalled for many the demise of political theatre, a re-emergence of British political plays since the turn of the century has become an acknowledged phenomenon. Customary definitions of this cultural practice, however, have become historically and theoretically obsolete. An alternative philosophical framework is needed which breaks with both the unrealistic expectations of the traditional Left and the defeatist limitations of postmodernist positions. This thesis aims to provide a revised definition of political theatre based on the ideas of Jürgen Habermas.
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Lovell, Neal T. "Theater level operations other than war modeling : applications of decision making theory." Thesis, Monterey, California. Naval Postgraduate School, 1994. http://hdl.handle.net/10945/28601.

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Approved for public release; distribution is unlimited<br>This paper presents an automated model for generating courses of action in support of an Operations Other Than War (OOTW) simulation. The model simulates the decision making of a theater level staff in the OOTW humanitarian assistance mission environment. The model uses probabilistic forecasting models and Bayesian techniques to predict what the state of a region in the theater will be some time in the future. Decision tree structures and the forecasting module are used to solve the decision making problem using expected utility. The mo
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Fahey, Joseph Francis. "Rethinking the wasteland : Cold War history, theatre scholarship, and the challenges posed by the live television drama of the Fifties /." Connect to resource, 1995. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1165341753.

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Potter, George E. "Global Politics and (Trans)National Arts: Staging the “War on Terror” in New York, London, and Cairo." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1313427243.

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Tener, John V. "Exhibiting the Victorians: Melodrama and Modernity in Post Civil War American Show Prints." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu149259715322474.

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Keane, Thomas J. "Analysis of fuel tanker assets available in a dual multi-theater war (MTW)." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2000. http://handle.dtic.mil/100.2/ADA378033.

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Thesis (M.S. in Management) Naval Postgraduate School, March 2000.<br>Thesis advisor(s): Tudor, Rodney E. ; Edwards, Lee. "March 2000." Includes bibliographical references (p. 93-97). Also available online.
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Saddler, Sarah Louise. "Bill Cain's 9 Circles: Dramaturgically Re-Evaluating an American Understanding of Military and Individualism." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1371465573.

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14

Ehrman, James M. "Ways of war and the American experience in the China-Burma-India theater, 1942-1945 /." Search for this dissertation online, 2006. http://www.lib.umi.com/cr/ksu/main.

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Buis, Katelyn J. "Surviving Antigone: Anouilh, Adaptation and the Archive." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1392378901.

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Butsky, Chris. "Cultural Factors and How They Shape Military Sustainment and Transition Operations in a Theater of War." University of Toledo / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1353030200.

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Baker, William C. "Capital Ships, Commerce, and Coalition: British Strategy in the Mediterranean Theater, 1793." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699881/.

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In 1793, Great Britain embarked on a war against Revolutionary France to reestablish a balance of power in Europe. Traditional assessments among historians consider British war planning at the ministerial level during the First Coalition to be incompetent and haphazard. This work reassesses decision making of the leading strategists in the British Cabinet in the development of a theater in the Mediterranean by examining political, diplomatic, and military influences. William Pitt the Younger and his controlling ministers pursued a conservative strategy in the Mediterranean, reliant on Allie
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Rawlings, Cara E. "The Civil War: A Collaboration in Direction and Choreography." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/751.

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This text is a partial record of the development of the Virginia Commonwealth University production of The Civil War: A Musical that opened on April 7, 2005 for a three-week run ending April 28, 2005. The greater part of the text is devoted to the evaluation of the underlying principles of direction and choreography applied in the creation of an artistically aid financially successful production of this size. Included in the evaluation of The Civil War: A Musical are analyses of the directors' --Patti D'Beck and David Leong --individual creative processes, aesthetics, and working styles. The
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Linn, James. "Supplying the Asia-Pacific Theater: United States Logistics and the American Merchant Marine in World War II." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2167.

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America’s victory in World War II came from a number of successes such as production of war materiel, technological advances, and national mobilization on levels not seen before or since. America went into the war behind the Axis Powers both militarily and economically. The Great Depression had a devastating effect on merchant ship building in the United States during the 1930’s. In response, the U.S. Congress passed the Merchant Marine Act of 1936, which created the U.S. Maritime Commission whose mission was to modernize and build ships for the looming world war. Originally slated to build fi
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Reiger, Bryon E. "The Killing Noise of the Out of Style." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2355.

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May, Heather. "Middle-class morality and blackwashed beauties Francis Leon and the rise of the prima donna in the post-war minstrel show /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3264313.

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Thesis (Ph.D.)--Indiana University, Dept. of Theatre and Drama, 2007.<br>Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1735. Adviser: Ronald H. Wainscott. "Title from dissertation home page (viewed Jan. 12, 2008)."
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Cakit, Erman. "Investigating The Relationship Between Adverse Events and Infrastructure Development in an Active War Theater Using Soft Computing Techniques." Doctoral diss., University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5777.

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The military recently recognized the importance of taking sociocultural factors into consideration. Therefore, Human Social Culture Behavior (HSCB) modeling has been getting much attention in current and future operational requirements to successfully understand the effects of social and cultural factors on human behavior. There are different kinds of modeling approaches to the data that are being used in this field and so far none of them has been widely accepted. HSCB modeling needs the capability to represent complex, ill-defined, and imprecise concepts, and soft computing modeling can deal
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Barry, Steven Thomas. "Battle-scarred and Dirty: US Army Tactical Leadership in the Mediterranean Theater, 1942-1943." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1313541748.

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Seahorn, Christal R. "Fighting Words| The Discourse of War in Early Modern Drama and Military Handbooks." Thesis, University of Louisiana at Lafayette, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3687704.

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<p> This dissertation analyzes war discourse in sixteenth-century military handbooks and history plays with a focus on formal performances of martial rhetoric and the informal language used to rally audiences and justify war. Chapter One uses Rhetorical Genre Studies to classify the pre-battle oration as a social genre with common structures and themes, familiar not only to exhorting commanders and their soldiers but also to the general Renaissance populace. Establishing the pre-battle speech as a highly-conventionalized, even ritualized form of oratory, Chapter Two argues that performances of
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Komporaly, Jozefina. "Configurations of mothering in post-war British women's playwriting." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/34665/.

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While examining a selection of plays centred on the phenomenon of mothering, my thesis also investigates the interaction between theatre and feminism in post-war Britain, aiming to highlight mutual correspondences between women's theatre making and feminist agendas. I focus mainly on the period of second-wave feminism, but I also discuss the decade preceding the appearance of the Women's Liberation Movement, as well as its aftermath up to the mid-nineties. Scrutinising proto-feminist, feminist and post-feminist stances, I argue that several fifties women dramatists anticipated key concerns of
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Jeff, List. "“From Hidden to (Over-)Exposed”: The Grotesque and Performing Bodies of World War II Nazi Concentration Camp Prisoners." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1191601326.

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Bozkurt, Halil. "Modeling of Socio-Economic Factors and Adverse Events In an Active War Theater By Using a Cellular Automata Simulation Approach." Doctoral diss., University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5771.

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Department of Defense (DoD) implemented Human Social Cultural and Behavior (HSCB) program to meet the need to develop capability to understand, predict and shape human behavior among different cultures by developing a knowledge base, building models, and creating training capacity. This capability will allow decision makers to subordinate kinetic operations and promote non-kinetic operations to govern economic programs better in order to initiate efforts and development to address the grievances among the displeased by adverse events. These non-kinetic operations include rebuilding indigenous
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Derbes, Brett J. "Prison Productions: Textiles and Other Military Supplies from State Penitentiaries in the Trans-Mississippi Theater during the American Civil War." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84198/.

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This thesis examines the state penitentiaries of Louisiana, Arkansas, and Texas that became sources of wartime supplies during the Civil War. A shortage of industry in the southwest forced the Confederacy to use all manufactories efficiently. Penitentiary workshops and textile mills supplied a variety of cloth, wood, and iron products, but have received minimal attention in studies of logistics. Penitentiary textile mills became the largest domestic supplier of cloth to Confederate quartermasters, aid societies, citizens, slaves, and indigent families. This study examines how penitentiary work
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Mitschke, Samantha. "Empathy effects : towards an understanding of empathy in British and American Holocaust theatre." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6362/.

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This thesis considers how and why empathy is important in Anglo-American Holocaust theatre, utilising close readings of selected plays, existing theories of empathy and Holocaust representation, and authorial formulations of new empathic definitions. The first chapter examines the empathic responses of Frances Goodrich & Albert Hackett and Meyer Levin to Anne Frank's Diary of a Young Girl, and how these subsequently affected their stage adaptations of the book. The second chapter interrogates how spectator empathy with child protagonists is problematic in terms of the 'Holocaust fairytale' nar
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Vrtis, Catherine Ann Peckinpaugh. "Gentleman Johnny Plays War: John Burgoyne and The Blockade of Boston." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1151.

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John Burgoyne, a British general during the American Revolution, is best known for his defeat by the Continental Army at Saratoga. In addition to serving as a general,Burgoyne was a playwright. While in Boston during the blockade following the Battle ofBunker Hill Burgoyne combined his interests, writing a satire of the war. The Blockade of Boston, Burgoyne's play, was first presented as an afterpiece to a production of The Busybody on January 8, 1776 (Silverman 292).Accounts of the performance differ in detail, but the central event is consistent: during the performance a soldier walked out o
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Ruozzo, Stephanie Marie. "The Legitimate Princess: Intersections of Broadway and the Little Theatre Movement in Jerome Kern's Musical Comedies." Case Western Reserve University School of Graduate Studies / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1591286570783829.

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Ferdinand, Laura Jeanne. "IMAGINING CHILDHOOD: CONSTRUCTIONS OF YOUTH, GENDER, AND IDENTITY AS PARTICIPANTS IN THE CULTURAL TRANSMISSION OF J.M. BARRIE'S PETER PAN." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1407511599.

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Kait, Thomas C. "Are commercial ports in the continental U.S. capable of supporting military sealift requirements in event of a major theater war or other major contingency?" Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2000. http://handle.dtic.mil/100.2/ADA379077.

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Fluker, Katherine M. "Creating a Canteen Worth Fighting For: Morale Service and the Stage Door Canteen in World War II." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1291943008.

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Griebling, Erik Karl. "INTELLIGENCE PROFESSIONALISM: A STUDY OF DEVELOPING INTELLIGENCE PROFESSIONALISM IN THE OFFICE OF STRATEGIC SERVICES IN ITALY AND THE CENTRAL MEDITERRANEAN 1941-1945." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/459525.

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History<br>Ph.D.<br>The legacy of the wartime Office of Strategic Services (OSS) as the forerunner of the post-war Central Intelligence Agency (CIA) is well chronicled. However, the professional path of those involved in covert American Intelligence special operations has been almost completely neglected. Popular writers have focused on OSS heroics while CIA-insiders have meticulously detailed the bureaucratic struggles fought by the OSS in Washington, D.C. The special skills and organization developed by the OSS were unlike any ever before utilized by an American institution. The OSS built an
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Groomes, Joshua Benjamin. "The Impact of the United States Army Nurses Corps on the United States Army Fatality Rate in the Mediterranean and European Theater of Operations during World War II." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etd/3980.

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World War II was the most devastating war in human history in terms of loss of life. The Japanese attack on Pearl Harbor on December 7, 1941, plunged the United States into war. Less than seven thousand military nurses were on active duty at the time of the attack. By the end of the war, there were over fifty-thousand active-duty nurses. The army nurses performed under fire in field and evacuation hospitals, on hospital trains and ships, and as flight nurses on medical evacuation transport aircraft. The skill and dedication of the Army Nurses Corps insured a 95% survival rate for the wounded s
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Abel, Lydia L. "“Jester to His Majesty the People” or Jester to His Majesty the Soviets: Politics of Clowning During the Russian Civil War." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1249526440.

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Cau, Nathalie. "« La terre seule reste en place » : performances et représentation dans les communautés de personnes déplacées entre 1945 et 1952." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100028.

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De 1945 à 1956, les « personnes déplacées » (réfugiés volontaires ou exilés par les déportations, les persécutions et le projet d’extermination) ont vécu sous la garde des autorités internationales dans les centres initialement ouverts par l’UNRRA (United Nations Relief and Rehabilitation Administration). En attente d’un retour toujours plus hypothétique ou d’un visa d’émigration, la majorité de ces milliers de DPs, ainsi que les a baptisés la pudeur de l’administration internationale, se trouvait sur le sol allemand. Parmi eux se trouve une petite proportion de rescapés de la destruction des
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Powell, James Scott. "Learning under fire: a combat unit in the Southwest Pacific." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4237.

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Engaging a determined enemy across a broad range of conditions, the U.S. Army in World War II's Southwest Pacific Area (SWPA) played an important role in the defeat of Japan. How units fought and learned in SWPA and how they adapted to the evolving challenges of their environment is the focus of this dissertation. The subject remains largely unexplored, especially in contrast to the attention the European theater has received. An examination of the 112th's performance not only illuminates an understudied area in the historiography of World War II but also offers relevant lessons for contempora
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Klinek, Eric William. "The Army's Orphans: The United States Army Replacement System in the European Campaign, 1944-1945." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/268724.

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History<br>Ph.D.<br>Military historians have been debating the U.S. Army's World War II replacement system for decades, but no one has completed a detailed study of the War Department's policies and practice. Authors have focused primarily on how combat units overcame the system's limitations, but they have not conducted an in-depth examination of its creation, structure, and function. Nor did they question why infantry divisions had to devise their own replacement policies in the first place. The extant literature is too celebratory of the army and utilizes ultimate victory as a measure of ef
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Hegi, Benjamin P. "Extermination Warfare? The Conduct of the Second Marine Division at Saipan." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6098/.

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Historians John W. Dower, Craig Cameron, and Ronald Takaki argue that the Pacific War was a war of extermination fueled by race hate. Therefore, the clash between the military forces of the Japanese Empire and United States of America yielded a "kill or be killed" environment across the battlefields of the Pacific. This work examines the conduct of the Second Marine Division during its campaign of conquest against the Japanese held island of Saipan from June 15, 1944-July 9, 1944. It is based upon traditional military history sources to test their theories in context of the conduct of Marin
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Kelsey, Jonathan Melvin. "The Writing of JI: From These Walls." Akron, OH : University of Akron, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1247708978.

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Thesis (M.A.)--University of Akron, School of Dance, Theatre, and Arts Administration-Theatre Arts, 2009.<br>"August, 2009." Title from electronic thesis title page (viewed 10/21/2009) Advisor, James Slowiak; Faculty readers, Durand Pope, David Bush; School Director, Neil Sapienza; Dean of the College, Dudley Turner; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.
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Street, Anna. "Comedy of the Impossible : The Power of Play in Post-war European Theatre." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040179.

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En retraçant le développement des théories de la comédie dans la philosophie occidentale, cette thèse avance que des préjugés l’ont empêchée d’être reconnue comme un genre littéraire sérieux. Il est montré que la place donnée à la comédie comme genre mineur pendant plus de deux mille ans correspond à un modèle éthique qui affirme, en distinguant le réel de l'Idéal, une vision néo-platonicienne de l'existence. Partant de l’analyse d’un phénomène théâtral précis dans l’Europe de l’après-guerre et à travers de nombreux exemples choisis parmi des pièces de cinq dramaturges différents, cette thèse
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"Cold War confessions and the metapolitics of incest." Tulane University, 2000.

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This project explores representations of the family in confessional literature produced after 1945. More specifically, I analyze the role confessional representations of father-daughter, or intergenerational, incest played in the postwar imagination and in forging American empire during the Cold War. As a discursive practice by which institutions are able to maintain surveillance and therefore regulation of the body politic, the confessional mode, defined here as any first-person narrative in which research of the past is precipitated by a moment of crisis in the present, is a particularly apt
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"Vintage drag: Female impersonators performing resistance in Cold War New Orleans." Tulane University, 2004.

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Post-World War II New Orleans was home to several famous and successful venues for female impersonators. In the white club My-O-My, situated in a lightly policed border-space on the fringe of New Orleans, men performed women to a largely heterosexual audience of locals and tourists in a fast-paced nightclub review. Black clubs included the Dew Drop Inn and the Caledonia. On all stages, the female impersonators, utilizing sex, humor, talent and falsies, acted to undermine the basis of patriarchy During this Cold War period, patriarchy was the law of the land. Women, confined to the home and rel
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Chen, Chang Chia, and 張家蓁. "The Research on the Taoyuan Theater After World War II." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/27904625482913886358.

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碩士<br>國立臺北大學<br>古典文獻與民俗藝術研究所民俗藝術組<br>102<br>During Japanese Colonial Era, the recreational activities on Taoyuan Street including not only theatrical entertainments but picture projection were thriving. Due to the urgent demand of commercial theater from local residents, the first and only commercial theatre, Taoyuan Seats, was founded on Taoyuan Street in 1934. After the post-war chaos and the 228 incident, new theaters in business district around big temples were continually established by the motion picture projection in Taoyuan City from 1950s. Besides, in 1980s, with the rise of the busi
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SHEN, HAO-TING, and 沈豪挺. "The Entanglement between Cold War Structures and Colonial Legacies: Leftist Practices of Chinese Theatre in Singapore, 1965-1976." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/93g5sz.

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博士<br>國立暨南國際大學<br>東南亞學系<br>106<br>The purpose of this study is to understand the characteristics of Singapore’s leftism by focusing on Singaporean Chinese theatrical troupes during the Cold War Era, the early stage of Singapore’s independence. Under the influence of the Cold War Structure and colonial legacy, these troupes simultaneously imitated and transformed the leftist thoughts imported from China. Heonik Kwon and Wing-Sang Law argue that in order to understand the impact of Cold War structure on the Asians, it is necessary to take into consideration of the individual colonial experiences
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LaMarca, Mary Ann. "Guilt and the War within: the Theater of Jean-Paul Sartre and Jean Giraudoux." Diss., 2008. http://hdl.handle.net/10161/916.

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<p>The moral and ethical choices made during the Nazi Occupation of France would echo for generations: they served as a source of pain and pride when the French sought to rebuild their national identity after the ignominy of the defeat, and acted as the foundation for the intellectual legacy on which post-war life stands.</p><p>In my dissertation I examine the diverse trajectory of two writers, Jean-Paul Sartre and Jean Giraudoux, during the Occupation by focusing on their dramatic works. During this period, no writer could legally exercise his vocation and receive compensation without submit
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Ronald, John Jamison. "Love and war: German-Slavic wartime relationships in post-World War II literature." Thesis, 1997. http://hdl.handle.net/1911/17129.

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Abstract:
The glorification of war and the thoughtless use of "national" stereotypes characteristic of 19th century literature have broken down in the later 20th century after World War II and the end of the Cold War in 1991. German-speaking authors from various parts of Europe have participated in this dismantling through their creation of engaging fictions related to the war experience that contain critical reexaminations of relationships between the German and Slavic peoples of Europe at an individual, existential level. They have proven that "national" stereotypes perish when individuals are present
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50

"Guilt and the War within: the Theater of Jean-Paul Sartre and Jean Giraudoux." Diss., 2008. http://hdl.handle.net/10161/916.

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