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Books on the topic 'Theater Theater Realism Realism'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Theater, communication, critical realism. New York: Palgrave Macmillan, 2010.

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2

Musical theatre, realism and entertainment. Farnham, Surrey, England: Ashgate, 2012.

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3

German actors of the eighteenth and nineteenth centuries: Idealism, romanticism, and realism. Westport, Conn: Greenwood Press, 1985.

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4

Williams, Simon. German actors of the eighteenth and ninteenth centuries: Idealism, romanticism, and realism. Westport, Conn: Greenwood Press, 1985.

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5

Cong xie shi zhu yi dao hou xian dai zhu yi: Ni ye ke yi da tong ren du er mo! Taibei Shi: Shu lin chu ban you xian gong si, 1995.

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6

Modernism to realism on the Soviet stage: Tairov-Vakhtangov-Okhlopkov. Cambridge [Cambridgeshire]: Cambridge University Press, 1989.

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7

Stephen, Lacey. British Realist Theatre. London: Taylor & Francis Group Plc, 2004.

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8

Schattenhofer, Monika. Eine Modellwirklichkeit: Literarisches Theater der 50er und 60er Jahre, Tankred Dorst schreibt "Toller". Frankfurt: P. Lang, 1985.

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9

Shadows of realism: Dramaturgy and the theories and practices of modernism. Westport, Conn: Greenwood Press, 1996.

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10

Shadows of realism: Dramaturgy and the theories and practices of modernism. Westport, Conn: Praeger, 1996.

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11

Szocialista sematizmus: Sematizmus és komédia : definíciók és határaik. Budapest: MTA Politikai Tudományok Intézete Etnoregionális Kutatóközpont, 1997.

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12

Bowie, José Antonio Pérez. Realismo teatral y realismo cinematográfico: Las claves de un debate (España, 1910-1936). Madrid: Biblioteca Nueva, 2004.

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13

Hanʼguk sasilchuŭi hŭigok, kŭ yongmang ŭi singminsŏng: Realism drama in Korea, the desire' coloniality. Sŏul-si: Somyŏng Chʻulpʻan, 2004.

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14

Hanʾguk pʻŭrolletʻaria yŏnʾgŭk undong ŭi pyŏnchʻŏn kwajŏng. Sŏul: Yŏngnak, 2001.

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15

Tyszka, Juliusz. Między prawdą a doktryną: "system" Stanisławskiego w Polsce 1944-1956. Poznań: Wydawn. Fundacji Humaniora, 2001.

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16

White, R. Kerry. Dramaturgy of the text: A guide to script analysis for performance : naturalism/realism "The Hedda Gabler model". Sudbury, Ont: Serendipity Productions, 1990.

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17

El realismo en el nuevo teatro venezolano. Caracas: Comisión de Estudios de Postgrado, Facultad de Humanidades y Educación, Universidad Central de Venezuela, 2002.

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18

A estética do oprimido: Reflexões errantes sobre o pensamento do ponto de vista estético e não científico. Rio de Janeiro, Brasil: FUNARTE-Fundação Nacional de Artes, 2008.

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19

Puzyna, Konstanty. Szkoła dramaturgów i inne szkice. Wrocław: "Wiedza o Kulturze", 1993.

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20

British realist theatre: The new wave in its context 1956-1965. London: Routledge, 1995.

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21

Melosh, Barbara. Engendering culture: Manhood and womanhood in New Deal public art and theater. Washington: Smithsonian Institution Press, 1991.

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22

Fini, Leonor. Leonor Fini: The artist as designer : an exhibition of ballet, theater, film, book & commercial designs. New York: CFM, 1992.

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23

Fini, Leonor. Leonor Fini: The artist as designer : an exhibition of ballet, theater, film, book & commercial designs. New York: CFM, 1992.

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24

Inwardness and theater in the English Renaissance. Chicago: University of Chicago Press, 1995.

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25

Nellhaus, Tobin. Theatre, Communication, Critical Realism. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230107953.

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26

Zaman, zemin, zuhûr: Gerçekçi Türk tiyatrosunda minyatur kurgusu. Kızılay, Ankara: Deniz Kitabevi, 2006.

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27

Bibikova, I. M. Agitmassovoe iskusstvo Sovetskoĭ Rossii: Materialy i dokumenty : agitpoezda i agitparokhody, peredvizhnoĭ teatr, politicheskiĭ plakat, 1918-1932. Moskva: Izd. Dom "Iskusstvo", 2002.

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28

Bili͡ukina, A. A. I͡Akutskai͡a sovetskai͡a dramaturgii͡a: (zarozhdenie i razvitie sot͡sialisticheskogo realizma). Moskva: Nauka, 1988.

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29

1949-, Clark Rosalind, Yeats W. B. 1865-1939, Yeats W. B. 1865-1939, and Yeats W. B. 1865-1939, eds. W.B. Yeats and the theatre of desolate reality. Washington, D.C: Catholic University of America Press, 1993.

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30

Haricandana, Nīḷādri Bhūshaṇa. Ādhunika Oḍiā nāṭakare bāstaba o udbhaṭa cetanā. Kaṭaka: Bidyāpurī, 1988.

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31

Faria, João Roberto. O teatro realista no Brasil, 1855-1865. São Paulo, SP, Brasil: Edusp, 1993.

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32

Demastes, William W. Beyond naturalism: A new realism in American theatre. New York: Greenwood Press, 1988.

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33

Dramaturgy of the real on the world stage. Basingstoke [England]: Palgrave Macmillan, 2010.

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34

Akademii︠a︡ mystet︠s︡tv Ukraïny. Instytut problem suchasnoho mystet︠s︡tva, ed. Teatralʹna kulʹtura rubez︠h︡u XIX-XX stolitʹ: Realizm, dyskurs. Kyïv: Feniks, 2013.

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35

Left-wing dramatic theory in the American theatre. Ann Arbor, Mich: UMI Research Press, 1985.

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36

Fazio, Mara. Lo specchio, il gioco e l'estasi: L'arte del teatro in Germania dal realismo storico all'espressionismo. Roma: V. Levi, 1988.

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37

American realism and American drama, 1880-1940. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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38

Taylor, Millie. Musical Theatre, Realism and Entertainment. Taylor & Francis Group, 2016.

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39

Acts and Apparitions: Discourses on the Real in Performance Practice and Theory, 1990-2010. Manchester University Press, 2013.

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40

Tomlin, Liz. Acts and Apparitions. Manchester University Press, 2016.

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41

Theatre Of The Real. Palgrave MacMillan, 2012.

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42

W, Demastes William, ed. Realism and the American dramatic tradition. Tuscaloosa: University of Alabama Press, 1996.

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43

Realismo Teatral y Realismo Cinematografico: Las Claves de Un Debate (Espa~na, 1910-1936) (Biblioteca Otras Eutopias). Biblioteca Nueva, 2004.

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44

Theodoraki, Anezina. Iakovos Kambanellis and Karolos Koun: The pioneers of realism in modern Greek theatre and the translation of Kambanellis's The yard of miracles as the most representative play of this tendency. 2002.

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45

Nellhaus, T. Theatre, Communication, Critical Realism. Palgrave Macmillan, 2010.

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46

Agitmassovoe iskusstvo Sovetskoĭ Rossii: Materialy i dokumenty. Agitpoezda i agitparokhody. Peredvizhnoĭ teatr. Politicheskiĭ plakat. 1918-1932 v 2 t. Moskva: Iskusstvo, 2002.

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47

Lacey, Stephen. British Realist Theatre. Routledge, 2002. http://dx.doi.org/10.4324/9780203180624.

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48

Rooms in Dramatic Realism. Taylor & Francis Group, 2015.

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49

Robinson, Fred Miller. Rooms in Dramatic Realism. Taylor & Francis Group, 2015.

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50

Richards, Shaun. ‘We Were Very Young and We Shrank From Nothing’. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.8.

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Abstract:

In the first debates over the form the national theatre movement should take, it would seem as if the Ibsenites, George Moore and Edward Martyn, lost out to Yeats with his emphasis on a mythico-poetic theatre. However, a realist model of theatre, introduced first by the Fays influenced by Antoine, took root and was to become the Abbey’s dominant form, so much so that Yeats would admit in 1919 that the dominance of realism in the Irish theatre had become for him ‘a discouragement and a defeat’. This chapter argues that the tradition of Irish realism as manifested in the plays of T. C. Murray, Lennox Robinson, R. J. Ray, and others begins as a form of social critique, predicated on the belief that reflecting Irish society accurately would form the grounds for addressing social issues. However, as realism evolved in Irish theatre, it increasingly lost its critical edge.

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