Relevant bibliographies by topics / Theater within theater

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Theater within theater'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Theater within theater"

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Agratina, Elena E. "Jean-Honoré Fragonard’s Work and the Theatre Culture of the 18th Century." Observatory of Culture 16, no. 4 (2019): 406–17. http://dx.doi.org/10.25281/2072-3156-2019-16-4-406-417.

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The article, for the first time, exami­nes the work of the master of the 18th century Jean-Honoré Fragonard (1732—1806) within the context of the theatre culture of that time. Being a student of François Boucher (1703—1770), who was working as a theater decorator for a long time, Fra­gonard from his youth had the opportunity to join the world of theater. The painter’s passion for the stage greatly influenced the thema­tic and figu­rative composition of his works. Early histo­rical pain­tings of Fragonard, such as “Jeroboam Sacrifi­cing to Idols” (1752, School of Fine Arts, Paris), were crea­te
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Lupu, Andreea Gabriela. "The Reconfiguration of the Theatre Space and the Relationship between Public and Private in the Case of Apartment Theatre." Romanian Journal of Communication and Public Relations 18, no. 3 (2017): 77. http://dx.doi.org/10.21018/rjcpr.2016.3.217.

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<p>This article tackles the means of theatre space reconfiguration in the apartment theater (<em>lorgean theater</em>), simultaneously analyzing the relation between public and private specific to this form of art. Structured around both a theoretical analysis and a qualitative empirical investigation, this paper emphasizes the traits of the theatre space as component of an artistic product received by the audience, and its value in the process of artistic production, within the theatre sector. The case study of <em>lorgean theater, </em>including a participant ob
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Vukajlov, Ljiljana, Aleksandra Milinkovic, and Dijana Brkljac. "Recommendations for urban revitalization of theater locations: A case study - Republic of Serbia." Facta universitatis - series: Architecture and Civil Engineering 17, no. 4 (2019): 387–400. http://dx.doi.org/10.2298/fuace190708023v.

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Theater location quality is researched according to a pre-formed model with the aim to improve quality in the functioning of theaters in settlements of the Republic of Serbia. An omnipresent process of globalization has led to significant changes in the field of culture, and thus a reduction in interest for classic theater performances has occurred. The poor condition of theater buildings in architectural and structural terms as well as their immediate environment, in urbanistic sense, is the result of neglecting the field of culture on a national level for many years. By summing up the total
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van den Berg, Klaus. "The Geometry of Culture: Urban Space and Theatre Buildings in Twentieth-Century Berlin." Theatre Research International 16, no. 1 (1991): 1–17. http://dx.doi.org/10.1017/s0307883300009986.

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In her 1983 book, Semiotik des Theaters, Erika Fischer-Lichte referred to theatre as part of ‘die Geometrie der Kultur’, a network of relationships materialized in space that symbolizes cultural experience. The concept of the geometry of culture may enable us to show how, in an urban space, different strands of human activities find their expression in the outline of urban space. Lewis Mumford demonstrates in The City in History that political programmes, economic interests, and cultural concepts influence the city's organization as well as the functions which individual buildings take in the
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Goldmann, Kerry L. "Keepers of the Culture at 3201 Adeline Street." California History 98, no. 1 (2021): 98–120. http://dx.doi.org/10.1525/ch.2021.98.1.98.

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This article examines how the increase in the numbers of black-operated theaters between the 1960s and 1980s molded the character of black cultural and social movements in the West and nationally. The emphasis placed on institutionalizing black theater demonstrated a significant cultural front within the larger social, political, and economic conflicts of this era. These theatrical institutions were physical manifestations of the heart of Black Power campaigns, facilitating community outreach and sovereignty through separatism. Black theaters reflected local distinctions in leadership and ideo
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Shishkin, Andrei Gennadievich. "Repertory theater of production type – trends in the dialogue of cultures in modern music and theater culture (on the example of the Ural Opera Ballet Theater)." Культура и искусство, no. 5 (May 2021): 37–46. http://dx.doi.org/10.7256/2454-0625.2021.5.35614.

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This article reviews a new model of repertory opera theater of production type, which has emerged at the intersection of traditional repertoire and project, or production theaters: it represents a special channel of intercultural communication. Opera performance creates a space simultaneously in several dimensions – musical, verbal, and visual; it resembles a form of polylogue of the authors and stage directors of the performance, becomes a realization of the dialogue of cultures, and turns into a unique form of art involving the representatives of different cultural systems. This is
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Carlile, Graeme S. "Teaching Within the Operating Theater." Perspectives in Biology and Medicine 55, no. 1 (2012): 127–36. http://dx.doi.org/10.1353/pbm.2012.0004.

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Aita, Sean. "The Theatre in Language Learning (TiLL) Model." Scenario: A Journal of Performative Teaching, Learning, Research III, no. 1 (2009): 64–80. http://dx.doi.org/10.33178/scenario.3.1.6.

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This article presents an outline of the Theatre in Language Learning (TiLL) model for second language learners, pioneered since 1966 by Vienna’s English Theatre in partnership with the Austrian Bundesministerium für Unterricht, Kunst und Kultur (BMUKK), linking text study, classroom based role play and professional performance with preshow and in-performance student interaction. It offers a reflection on the dramaturgy and practice of the Englisches Theater geht in die Schulen programme and explores how the model may impact upon student motivation in light of Ema Ushioda’s qualitative research
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Vasilenko, A. B., N. V. Polshchikova, O. I. Marceniuk, and А. V. Namchuk. "DEVELOPMENTANDESTABLISHMENTTHEARCHITECTURE OF THE HELLENIC THEATER FROM FOIKDANCE TO THEATER BUILDINGS, VII-II beforec.b." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 140–48. http://dx.doi.org/10.31650/2519-4208-2020-20-140-148.

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The tradition of the holidayswhich dedicatedtotheendof the grape harvest, was born in Hellada in ancient times, in the countryside and gradually moved to the cities. This process began in the VIII century BC. Holidays were dedicated to God Dionysus, he was responsible about the natural forces of the earth and vegetation, the mastery of viticulture and winemaking. The holiday started to name Dionysuy. One of the most important action –dance around a circle. Then it becamenational, it conducted in cities, where was taken the new forms. Actors or other free citizens of the city performed on the l
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Fedorov, Alexey A. "INNOVATIVE CODES OF THE LANGUAGE OF STAGE ART OF EUGENIY BAGRATIONOVICH VAKHTANGOV ON THE MATERIAL OF PERFORMANCES OF THE BEGINNING OF THE XX CENTURY." Interexpo GEO-Siberia 5 (July 8, 2020): 11–18. http://dx.doi.org/10.33764/2618-981x-2020-5-11-18.

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The creative work presented at the International intramural and extramural festival competition of youth theater companies - “Prometheus of a Rukh” - “Spirit of Prometheus” became a threshold of the present article, devoted to the Year of theater in Russia and to the 100 anniversary from the date of the birth of the National poet of Bashkortostan, the playwright Mustaya Karim, and gained the diploma of the Winner of the First degree. In the present work, as part of the creative path, the practice and theorist of the field of art of Eugeniy Bagrationovich Vakhtangov, the language of fantastic r
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Dissertations / Theses on the topic "Theater within theater"

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Conboy, Ana. "Rébellion, révélation et résurrection: l'avènement et la chute du théâtre hagiographique et les implications de son discours métathéâtral dans la France post-Tridentine, 1620-1650." Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:104225.

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Thesis advisor: Stephen C. Bold<br>Hagiography, or accounts of saints' lives, persists in literature through the ages. It accompanies historical movements and moments, serves as a memorial and remembrance, and often sends a message, explicit or implicit, relevant to the reader's contemporary world. In the early 17th century, hagiographic plays were a brief vogue on the recently renewed Parisian secular stage. In recent years, there has been a reawakening to this dramatic corpus, to its value and its challenges. The current work continues the effort to shed light upon the genre, which is often
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Miller, Jeffrey S. "Enter Stage Right| A Study of Marginalization Related to Conservative Theatre Artists and the Journey to Finding Their Voice Within the Greater Theatre Community." Thesis, Regent University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10784538.

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<p> The issue of marginalization has acquired a position of important scrutiny over the past fifty years among Communication scholars. Two theories in particular deal with this issue in a theoretical and practical way: Muted Group Theory and Standpoint Theory. Muted Group Theory, based on the work of Kramarae (Foss, Foss, &amp; Griffin, 1999), Ardener, and Ardener (1973, 1975, 1980, 2005), purports that the linguistic nature of the world lends itself to power structures in which the language and word choice of one group is able to dominate the voice of another. Standpoint Theory, popularized b
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Stanford, Valerie. "Finding theatre from within| Augusto Boal's Games for Non-Actors in an Introduction to Acting class." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10150592.

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<p> This thesis explores the application of Augusto Boal&rsquo;s exercises as a basis for an Introduction to Acting class, wherein students are required to move outside of their comfort zones in order to change their perceptions of themselves and of the world around them. I will demonstrate that Boal&rsquo;s <i>Games for Actors and Non-Actors</i> effectively challenges students&rsquo; boundaries in a fun and engaging way, thereby preparing them for the task of performing. Through his techniques, students find it easier to socialize, overcome shyness, and acquire the courage that is required t
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Adams, Jennifer. "Writes of spring a study of communication within collective devising." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4835.

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Communication is a pivotal element in creating theatre with other artists, with audiences, and with the outside world. Theatre artists are required to collaborate at nearly every step of the process. Despite the necessity of highly developed collaboration skills, communication in the creation of theatre is an often-underdeveloped curriculum area. As a Director and Teaching Artist I am particularly interested in how to find new ways of collaborating so I may model and pass these skills to my students. Through a qualitative research survey of communication used in collaborative devising, this re
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Shaw, Jene Rebbin. "The Paradox Within Us: The Archetypal Struggle in How I Learned to Drive." Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1155230874.

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Duke, Wendy S. "Experiencing Ionesco’s Nightmare World: The Preparation and Production of Man with Bags." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1289585453.

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Whitaker, Macaela Carder. "Women in Stage Combat: A Study on Babes With Blades Theatre Company." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1429273849.

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Bradford, Shannon Leigh. "The Australian Theatre of the Deaf essence, sensibility, style /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3014976.

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Joseph, Rachel. "Screened states : representations of theatre within cinema /." May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Pattillo, Carmela L. "Searching for the Womanist Within." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/wsi_theses/14.

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Searching for the Womanist Within is a play about self identity and the daily experience of African-American women who are at the intersecting oppressions of race, gender and class. The unique life perspective of Afeican-American women is explored through the retelling of stories from the writer’s life as well as the lives of other black women. In Feminist, Black Feminist, Afrocentric and Womanist drama it is common to steer away from conventional theatrical structures, Solo drama, a less conventional structure, was selected for this play. In addition to the play is an essay about the writing
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Books on the topic "Theater within theater"

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Beach, Kimmy. Alarum within: Theatre poems. Turnstone Press, 2003.

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Theater im Theater: Formen und Funktionen eines dramatischen Phänomens im Wandel. P. Lang, 1993.

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Text in contemporary theatre: The Baltics within the world experience. Cambridge Scholars Pub., 2013.

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Bakelen, Maria P. van. Creating theatre art & aesthetics: A slippery spot within theatre education. Editions Lansman, 1995.

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Theater, communication, critical realism. Palgrave Macmillan, 2010.

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Cashman, Kimberly. Staging subversions: The performance-within-a-play in French classical theater. P. Lang, 2005.

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Teatar u teatru u hrvatskom teatru. Naklada MD, 1997.

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Anderson, Carole L. The actoress within you: A workbook of theater activities for grades seven through twelve. Teacher's Discovery, 2002.

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Miranda, Carolina. Rereading the writings of Roberto Arlt (1900-1942) within the framework of Argentine theatre and popular literature: A new way of interpreting a major Latin American author. Edwin Mellen Press, 2013.

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1948-, Hirt-Manheimer Aron, ed. The dancer within: Intimate conversations with great dancers. Wesleyan University Press, 2008.

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Book chapters on the topic "Theater within theater"

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Prati, D., G. Predari, A. Massafra, and B. Salmi. "A reinforced concrete stage tower within a 18th-century masonry theater: The Municipal Theater of Bologna." In History of Construction Cultures. CRC Press, 2021. http://dx.doi.org/10.1201/9781003173359-95.

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Purkis, Charlotte. "The Other Gates: Anglo-American Influences on and from Dublin." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_5.

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Abstract An important influence on the foundation of the Dublin Gate Theatre in 1928 was the London Gate Theatre Studio. This chapter offers a historiographical survey concerning how the range of connections between these theatres have been treated by theatre commentators up to the present. Alongside this re-examination is a discussion of two other theatres that were also inspired by the London Gate, but established independently by the two London co-directors, Peter Godfrey and Velona Pilcher. Godfrey revived the early programming from London in 1943 at his ‘transplanted’ theatre in Hollywood, which also connected Los Angeles emigré culture back to Ireland. In London, Pilcher worked with a group of women associates to found a ‘new Gate’, the Watergate Theatre Club in 1949, which, with its avant-garde artistic ethos, had a cultural impact on the post-war London scene similar to the achievements of the earlier Gate theatres.
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Muijen, Heidi S. C. A., René Brohm, and Stanske Lomans. "Art Dialogues for Professional Communities: Theater and Play for Imagining and Developing the Good Life Within Organizations." In Handbook of Innovative Career Counselling. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22799-9_8.

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Limon, Jerzy. "Theatre-Within-the-Theatre, or Time-Within-the-Time." In The Chemistry of the Theatre. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230289864_9.

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Iurgel, Ido Aharon, and Mário Pinto. "Existential Waters: On Employing a Game Engine for Artistic Expression within a Theater Play, and on the Implications of This towards Existential Games." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34292-9_31.

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Taylor, Willa J. "Goodman Theatre." In Applied Theatre with Youth. Routledge, 2021. http://dx.doi.org/10.4324/9781003039419-3.

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Orozco, Lourdes. "Theatre and Performance Studies Within Animal Studies." In Theatre & Animals. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-10431-1_2.

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Read, Alan. "Within the Law: Ten Rules of Engagement." In Theatre & Law. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46956-4_1.

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Davies, Andrew. "Alternatives within Radio and Television Drama." In Other Theatres. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18723-2_12.

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Shearing, David. "Intimacy, Immersion and the Desire to Touch: The Voyeur Within." In Theatre as Voyeurism. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137478818_4.

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Conference papers on the topic "Theater within theater"

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Oosthuizen, Patrick H. "A Numerical Study of the Effect of Inlet Vent Position and Size on the Velocity and Temperature Distributions in a Smaller Naturally Ventilated Theater in Canada." In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-36781.

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Many smaller churches and similar buildings in Canada have been converted into small theaters. Such theatres are often not fitted with an air-conditioning system. For performances in the fall these theaters sometimes rely on buoyancy driven natural ventilation to moderate the indoor air temperature. Such ventilation systems usually involve near floor inlet vents and a roof level air discharge system. A preliminary numerical study of the effect of inlet vent position and size on the performance of such a system has been undertaken. A simple model of a typical theater building of the type consid
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Wittman, Robert L. "Case tool integration and utilization within the joint theater level simulation (JTLS)." In the 27th conference. ACM Press, 1995. http://dx.doi.org/10.1145/224401.224787.

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C. Clark, John. "Double Feature At The Bijou: Shear Wave Vibroseis Reflection Seismic Acquired Within A Working Movie Theater." In 15th EEGS Symposium on the Application of Geophysics to Engineering and Environmental Problems. European Association of Geoscientists & Engineers, 2002. http://dx.doi.org/10.3997/2214-4609-pdb.191.11eg6.

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Clark, John C. "Double Feature at the Bijou: Shear Wave Vibroseis Reflection Seismic Acquired within a Working Movie Theater." In Symposium on the Application of Geophysics to Engineering and Environmental Problems 2002. Environment and Engineering Geophysical Society, 2002. http://dx.doi.org/10.4133/1.2927084.

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Bannò, Mariasole, and Giorgia Maria D'Allura. "Art-based methods: Theatre Teaches and Business Theatre." In Fifth International Conference on Higher Education Advances. Universitat Politècnica València, 2019. http://dx.doi.org/10.4995/head19.2019.9249.

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The paper aims to investigate the use of arts in teaching, specifically the art of theater, to provide the new skills searched from the job market. Our work compares the two experiences of the Theatre Teaches performed at University of Brescia and of Business Theatre at University of Catania. The idea of the paper is based on the scientific collaboration among the two co-authors involved, during the last 10 years, on the development of innovative method of teaching focused on non- technical skills. After depicting the incumbent needs of non-technical skills searched from the job market, the co
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Di Gregorio, Giuseppe. "THE TAORMINA THEATER: THE DIGITAL SURVEY SYSTEM OF KNOWLEDGE OPEN IN TIME." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12168.

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In Sicily there are 19 show venues including ancient theaters and theatrical architectures. Many of these structures are fully functional and subject to visitor flows such as the theater of Syracuse and that of Taormina. They are object of interest and curiosity, revealed in the eighteenth century during the grand tour by travelers and landscape painters, in the last twenty years they have become reasons for study in various scientific areas as from acoustics to archeology, always passing through digital surveying. Studied through classical photogrammetry, structure from motion (SFM), 3D laser
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Falsetti, Marco, and Pina Ciotoli. "Introverted and knotted spaces within modern and contemporary urban fabrics: passages, gallerias and covered squares." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5913.

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The scenic plaza mayor shares with the theater organisms some formative characters, since they both derive from a transformation, by knotting, of pre-existing buildings and fabrics. This architectural transformation is generated, at the beginning, by a change in the modalities of using public space. As for the corral de comedias, the process is due to the sedentarization of the theatrical practice, which abandons the itinerant dimension of the street to move inside the buildings (such as private homes and palaces). The original corral de comedias was in fact set up inside an open place that co
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Ormanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.

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Covid-19, a disease that transformed into a pandemic at the beginning of 2020, caused catastrophic results in the world and Turkey. There have been some restrictions on trade, education, tourism, and art. Daily life was not interrupted but some services and events that they have not primary functions (for some people) like “art” were on the verge of stopping and carried to the digital platforms. In this context, some corporations opened their archives and sometimes actual events to the public free of charge or for a certain amount of money. Art, which has always had “healing”, “mediating” and
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Woodward, Jay, and Michelle Kwok. "CREATING A VIRTUAL STUDY ABROAD EXPERIENCE TO RUSSIA." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end141.

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COVID-19 has drastically altered our world. Though travel is halted, global education does not have to stop. We used this time to reconceive the notion of study abroad and designed a study abroad program that could be facilitated virtually and enhanced with face-to-face classroom interaction. We were inspired to embark on this journey for several reasons. First, the realities of the pandemic create risks associated with international travel. Second, international experiences need to be more accessible–more students should be able to participate in global education, even if they do not have the
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Ryu, Ho Chul, Byung Ju Dan, In Ho Choi, and Jin Yong Kim. "Tactile Temperature Analysis of Home Theater System." In ASME 2005 Pacific Rim Technical Conference and Exhibition on Integration and Packaging of MEMS, NEMS, and Electronic Systems collocated with the ASME 2005 Heat Transfer Summer Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/ipack2005-73334.

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In this work, the tactile temperature of home theater systems under natural convection conditions has been investigated through numerical approaches and experiment. The CFD analysis method was used to observe temperature changes of both the case top and the heat source. Based on numerical simulation results, four types of steel sheet mock-up having different vent sizes and locations were tested. As a consequence of the experiments, relationships in temperature variation between the case top and the heat source were investigated and verified. In addition, by using the validated and improved ven
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Reports on the topic "Theater within theater"

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Salvi, Michael A. Within the Context of JV2010, Is There a Requirement for a Theater-Level Joint Forces Logistics Commander (JKLOGC) and a Joint Theater Logistics Command (JTLC). Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada363172.

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Vernon, Michael H. Air Interdiction: Joint Coordination Issues for the United States Army and Air Force Conducting Coalition Warfare within the NATO Theater of Operations. Defense Technical Information Center, 1986. http://dx.doi.org/10.21236/ada174193.

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Barnhill, Bruce W. Joint Theater Missile Defense: The Problem with Active Defense Doctrine. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada378850.

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Ford, Christopher S. Theater Security Cooperation Plan with China: Enabling a Blue Water Dragon. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada483802.

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Schott, John A. Maintaining Interoperability with Smaller Asian-Pacific Nations Through Effective Theater Engagement. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada382130.

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Brooks, Peter S., and Dennis DeRiggi. The Integration of SIMNET (Simulator Networking) with a Theater-Level Combat Model. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada228383.

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Jablon, Sara, and Eulanda A. Sanders. Benefits for Both: Connecting Textile and Clothing Collections with Theater and Costume Makers. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1353.

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Nolan, John P. Can Force Protection and Theater Engagement Plans Peacefully Co-Exist in Countries with a High Terrorist Threat. Defense Technical Information Center, 2000. http://dx.doi.org/10.21236/ada390114.

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9

Vining, Lisa C. Aligning the Mountain and the Molehill: How the Combatant Commander Coordinates his Theater Security Cooperation Plan with the State Department. Defense Technical Information Center, 2005. http://dx.doi.org/10.21236/ada464326.

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10

Chabot, Chrys. ?How to Banish a Demon? : An Attempt to Present Traditional Japanese Theater to an American Audience with an Original Kyogen Play. Portland State University Library, 2016. http://dx.doi.org/10.15760/honors.301.

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