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Relevant bibliographies by topics / Theater writer

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Journal articles
Dissertations / Theses
Books
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Academic literature on the topic 'Theater writer'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Theater writer"

1

Oltuszyk, A. B. "Fedor Dostoevsky in Polish Literature, Theater and Cinema." Язык и текст 7, no. 1 (2020): 83–89. http://dx.doi.org/10.17759/langt.2020070108.

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Fyodor Mikhailovich Dostoevsky is a Russian great writer, thinker, philosopher and publicist. His skill influenced the literature and culture of the whole world, including Polish. This article discusses the role of the author of Crime and Punishment in Polish literature and culture, including the presence of his works in Polish theater and cinema. Many Polish writers, who studied the artistic skills of Dostoevsky, were attracted by the composition and structure of his novel, introspection and reflection of characters showing interpersonal relationships, a “borderline” state of mind. Even more

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Galloway, Terry. "Strike Up the Band." Departures in Critical Qualitative Research 3, no. 1 (2013): 19–22. http://dx.doi.org/10.1525/dcqr.2014.3.1.19.

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Kozlova, Larissa Ya. "Componential Analysis as a Fundamental Senses Microsystem in W.S. Maugham’s ‘THEATRE’." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 3 (2019): 687–99. http://dx.doi.org/10.22363/2313-2299-2019-10-3-687-699.

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Identification of fundamental senses in the work “Theatre” by the outstanding British writer and playwright W.S. Maugham was an objective of this research. In the given work both the conceptual analysis and the componential analysis of the main character Julia Lambert`s sphere of concepts was used. The componential analysis of the revealed lexico-semantic group of the words representing a concept “theater” showed a microsystem of the meanings having two main ones at its core: LIE, belonging to the concept sphere of theater - TRUTH, concerning the concept sphere of reality.

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4

Kudimova, Marina V. "The Reduce to Dostoevsky’s Artistic Mastery. The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press." Dostoevsky and world culture. Philological journal, no. 1 (2021): 193–231. http://dx.doi.org/10.22455/2541-7894-2021-1-193-231.

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The article is dedicated to the history of the Moscow Art Theater productions in 1913–1914 based on F.M. Dostoevsky’s novels The Brothers Karamazov and The Devils, and to the fierce controversy that surrounded them. It analyzes the problem of finding an adequate stage form for the two novels, and the story of the birth of the so-called “Dostoevsky theater” and the Director’s theater, now dominating the stage. Despite Dostoevsky’s great interest in theater and his brother’s witness that the future novelist’s literary activity began with three (unfortunately lost) dramatic works, the writer hims

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Nuraeni, Iin, and Fahrus Zaman Fadhly. "CREATIVE PROCESS IN FICTION WRITING OF THREE INDONESIAN WRITERS." Indonesian EFL Journal 2, no. 2 (2017): 117. http://dx.doi.org/10.25134/ieflj.v2i2.644.

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This research investigates the creative process in fiction writing employed by three writers of different writing genres: short story, novel, and poem. This study applied a qualitative method that involved one male and two female writers in Kuningan and Majalengka. The data collected from document analysis, observation, and interview were analyzed through descriptive qualitative method. The results of the analysis revealed that there were five creative processes of writing fiction used by the writers in writing fiction, namely preparation, incubation, insight, evaluation, and elaboration. Besi

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Liubivaia, Irina, and Natal'ya Evgen'evna Korol'kova. "The phenomenon of personality of T. L. Schepkina-Kupernik in the context of theatrical process of the late XIX – early XX century." Философия и культура, no. 6 (June 2020): 1–8. http://dx.doi.org/10.7256/2454-0757.2020.6.33305.

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The interest to the almost forgotten names of female writers of the Silver Ages gas grown over the recent decades. Among them is a prominent and talented Russian and Soviet poetess, translator, writer, play writer, memoirist, journalist T. L. Schepkina-Kupernik. She dedicated approximately 60 years of her life to literary work, and in 1940 was awarded the title of &ldquo;Honored Master of Arts of RSFSR&rdquo;. Relevance of the article is defined by the fact that presently the artistic heritage of T. L. Schepkina-Kupernik became undeservingly forgotten, even though it represents great v

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Johnston, Anna. "Becoming “Pacific-Minded”." Transfers 7, no. 1 (2017): 88–107. http://dx.doi.org/10.3167/trans.2017.070107.

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The travel writer Frank Clune saw World War II as a turning point in Australia’s consciousness, turning its inhabitants’ attention to the Pacific region. Similarly, the writer Ernestine Hill was delighted to find new American markets for her Australian books in wartime as troops were mobilized across the Pacific theater. In America, as Janice Radway has shown, the sentimental mode of “middlebrow personalism” enabled writers to engage their readers in wider geopolitical affairs. Middlebrow intellectuals, texts, and institutions were crucial in educating Americans about their evolving midcentury

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Krutova, Marina S. "“An Actor Is a Priest in Buffoon’s Clothes”." Observatory of Culture 16, no. 3 (2019): 278–89. http://dx.doi.org/10.25281/2072-3156-2019-16-3-278-289.

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The article raises the actual questions: if the theater can be Christian and who in that case the actor is — “a priest” or “a buffoon”. The purpose of this article is to consider the issue of “Christian theater” at different levels: historical, psychological, social. The article analyzes the issues of actors’ personalities formation and their religious searches. There are considered the conditions of Christian upbringing in families and faith preservation in the complex historical period of the Russian history of the late 19th — mid-20th century. The novelty of this study lies in the fact th

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Goncharova, E. I. "P.P. Pertsov and gazeta «Novoye vremya» (1898–1901) (New aspect of creative biography)." Solov’evskie issledovaniya, no. 3 (September 30, 2020): 157–68. http://dx.doi.org/10.17588/2076-9210.2020.3.157-168.

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The article examines the early stage of cooperation between the writer and philosopher P.P. Pertsov and the conservative newspaper Novoe Vremya (1868–1917). Fragments of Pertsov's archival correspondence with the philosophical writer V.V. Rozanov, Pertsov's father and the critic of the liberal magazine «Russian wealth» A.G. Gornfeld are partially introduced into scientific circulation. The author analyzes the reasons for Pertsov's difficult attitude to the publisher and editor of Novoye Vremya, the playwright and founder of the Maly theater in St. Petersburg, A.S. Suvorin. The author substanti

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Lammers, Jayne C., and Valerie L. Marsh. "“A Writer More Than . . . a Child”: A Longitudinal Study Examining Adolescent Writer Identity." Written Communication 35, no. 1 (2017): 89–114. http://dx.doi.org/10.1177/0741088317735835.

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This article reconsiders theoretical claims of identity fluidity, stability, and agency through a longitudinal case study investigating one adolescent’s writing over time and across spaces. Qualitative data spanning her four years of high school were collected and analyzed using a grounded theory approach with literacy-and-identity theory providing sensitizing concepts. Findings uncovered how she laminated identity positions of perfectionism, expertise, risk taking, and learning as she enacted her passionate writer identity in personal creative writing, English classrooms, an online fanfiction

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Dissertations / Theses on the topic "Theater writer"

1

Francombe, Benedict John. ""The home of the living writer" : the playwright and the Abbey Theatre." Thesis, University of Glasgow, 1993. http://theses.gla.ac.uk/1852/.

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This thesis attempts to outline the practical relationship between Irish playwrights and the Abbey Theatre, from the early work of the Irish Literary Theatre in 1899, until the present day. It argues that the Abbey's reputation for being a writer's theatre tends to be contradicted by its distant association with Irish playwrights during the greater part of its history. Only during the early 1980s was there an active attempt to integrate the playwright within the company, creating a vibrant and active community for the development of new writing. Up until the 1980s the Abbey subscribed to the e

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2

Phillips, Laura J. "The Write Way to Act." Youngstown State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1433594247.

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Mancino, Nicole. "Woman Writes Herself: Exploring Identity Construction in Laura Ingalls Wilder’s “Pioneer Girl.”." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1282590942.

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Pohli, Carol M. "The feminization of wit : satire by British women writers, 1660-1800 /." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1299006501.

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Irvine, Ian Kyle. "But what I really want to do is write : adapting the Mike Leigh Method for writers for the stage." Queensland University of Technology, 2008. http://eprints.qut.edu.au/20126/.

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This thesis, comprised of a stage play and exegesis, asks whether the Mike Leigh Method, commonly used by Auteur directors could be adapted to benefit a playwright during the redrafting and development process. I seek to answer this question by examining differing methodologies of drama creation and charting my process as I work to redraft my character driven stage play Deceased Estate through the adaptation and application of the Mike Leigh Method. I contend that Leigh’s method affords a set of honed and proven guidelines that can help the playwright get to the heart of the character driven d

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Elston, Ken D. "Written Record for an MFA Showcase Production in Acting." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392212218.

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Gavalda, Elisabeth. "Les Cahiers de Prospero (1991-2002). Une revue d’auteurs de théâtre." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA119.

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L’histoire de la revue Les Cahiers de Prospero est intimement liée à la Chartreuse de Villeneuve lez Avignon et à la double naissance en 1991 du Centre National des Écritures du Spectacle et de la revue Prospero, son aînée. La recherche décrit et analyse les conditions et les enjeux politiques, patrimoniaux, culturels et éditoriaux qui ont construit leur avènement et dont les deux étapes principales sont la réhabilitation du monument en un centre culturel de rencontre à visée européenne et le Compte rendu d’Avignon, vaste enquête dirigée par Michel Vinaver au sein du Centre National des Lettre

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Rees, Katie. "Women writers for the theatre in early modern Italy : Valeria Miani Negri." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608515.

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Adams, Susan M. "Rhetorical performance: inscription, embodiment, and resistance in the work of nineteenth-century actress/writers /." Related electronic resource:, 2007. http://proquest.umi.com/pqdweb?did=1410677841&sid=1&Fmt=2&clientId=3739&RQT=309&VName=PQD.

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Hermanson, Lisa K. "How To Write A Musical: Concerning The Creation Of A Musical From Start To End Of First Draft." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5730.

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The Golden Door is a new musical created in answer to the question "how does one write a musical?" This short work is based on immigration through Ellis Island in the 1920s. The script focuses on three young adults immigrating from Sweden in 1922, exploring the reasons why each might choose to leave their homeland and attempt a new life in a completely foreign land. The script also details historical information such as how long the crossing was and the reception that awaited them in the "promised land", juxtaposing promises and actuality. The script and score examines themes such as bravery,

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Books on the topic "Theater writer"

1

Richard, Nelson. Making plays: The writer-director relationship in the theatre today. Faber and Faber, 1995.

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2

Stanisław Bogusławski: Stanisław Bogusławski, 1804-1870, a writer and an actor. Akademia Teatralna im. Aleksandra Zelwerowicza w Warszawie, 2010.

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3

Charles, Schwartz, ed. The law of motion pictures: Including the law of theatre treating of the various rights of the author, actor, professional scenario writer, director, producer, distributor, exhibitor and the public, with chapters on unfair competition, and copyright protection in the United States, Great Britain and her colonial possessions / by Louis D. Frohlich & Charles Schwartz. Lawbook Exchange, 2007.

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4

Guild, Dramatists. The Dramatists Guild resource directory 2008: The writer's guide to the theatrical marketplace. Focus Pub. / R. Pullins & Co., 2008.

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5

German-American urban culture: Writers & theaters in early Milwaukee. University of Wisconsin, 2000.

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6

England, Arts Council of. New theatre writing 1998/99: Scheme for writers and theatre companies. Arts Council, 1998.

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7

Arts Council of Great Britain. Drama Department. New theatre writing 1992/93: Scheme for writers and theatre companies. Arts Council, 1992.

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8

How to write about theatre and drama. Harcourt College Publishers, 2000.

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9

Arts Council of Great Britain. Schemes for writers and theatre companies, 1992/93. Arts Council of Great Britain, 1992.

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10

Fantacci, Silvia, ed. Ruggero Jacobbi. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-688-4.

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"Ah, if only I were not so alive and so crowded with things, what a book I would write […] but there's so little time […]. There's lots of time to map them out, that's true, but it's not enough." This is the voice of the protagonist of Convalescenza, one of the stories in this book that – thanks to the painstaking editorial attention of Silvia Fantacci – presents the prose written by Ruggero Jacobbi starting from his precocious youth through to the Sixties. The nine sections, recording fragments of memories, vestiges of mystery and bitter solitude, meander between cinema and theatre, revoke th

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Book chapters on the topic "Theater writer"

1

Masura, Nadja. "Writer and Audience (Authorship)." In Digital Theatre. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55628-0_8.

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Sigal, Sarah. "The Writer/Director." In Writing in Collaborative Theatre-Making. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-33170-0_5.

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Sigal, Sarah. "The Multiple Writer." In Writing in Collaborative Theatre-Making. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-33170-0_7.

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Itzin, Catherine. "Theatre Writers Union (TWU)." In Stages in the Revolution. Routledge, 2021. http://dx.doi.org/10.4324/9781003194255-43.

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Sigal, Sarah. "Writer as Co-creator." In Writing in Collaborative Theatre-Making. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-33170-0_3.

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Sigal, Sarah. "The Writer as Poet." In Writing in Collaborative Theatre-Making. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-33170-0_6.

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Grene, Nicholas. "Irish Theatre: A Writer’s Theatre." In The Palgrave Handbook of Contemporary Irish Theatre and Performance. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-58588-2_30.

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Sigal, Sarah. "The Writer as Company Scribe." In Writing in Collaborative Theatre-Making. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-33170-0_4.

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Ismat, Riad. "Modern Theatre in Tunisia." In Artists, Writers and The Arab Spring. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02668-4_10.

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Tracie, Rachel. "A Woman and a Writer." In Christina Reid's Theatre of Memory and Identity. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97876-5_2.

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Conference papers on the topic "Theater writer"

1

Banno, Mariasole, Andrea Albertini, Ileana Bodini, Sandro Trento, and Valerio Villa. "Theatre teaches." In Fourth International Conference on Higher Education Advances. Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.8098.

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Theatre teaches is a new experiment carried out at the University of Brescia. The growing importance of transversal competences i.e. those skills that essentially concern attitudes in the workplace and interpersonal relationships such as team work, language and communication skills, gave us the idea to develop an educational innovation to help students bring out these skills. We asked students to wrote a play using topics seen in class. So, they tried to wrap their mind around it and worked in team to write a script and get him to scene. Not to be confused to business theatre, this method is a

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Ormanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.

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Covid-19, a disease that transformed into a pandemic at the beginning of 2020, caused catastrophic results in the world and Turkey. There have been some restrictions on trade, education, tourism, and art. Daily life was not interrupted but some services and events that they have not primary functions (for some people) like “art” were on the verge of stopping and carried to the digital platforms. In this context, some corporations opened their archives and sometimes actual events to the public free of charge or for a certain amount of money. Art, which has always had “healing”, “mediating” and

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Rosa, Rudolf, Tomáš Musil, Ondřej Dušek, et al. "When a Robot Writes a Play: Automatically Generating a Theatre Play Script." In The 2021 Conference on Artificial Life. MIT Press, 2021. http://dx.doi.org/10.1162/isal_a_00372.

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Le Quoc, Hieu. "Intersemiotic Translation in Adaptation: The Case Study of the Adaptation of Narrative Poem The Tale of Kiều (Nguyễn Du) to Cải lương Film Kim Vân Kiều (Nguyễn Bạch Tuyết)". У GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-4.

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We are living in the age of adaptation. In contemporary art, the power of adaptation is evidenced by the fact that a textual semiotic system is continuously passing through the different genres and means to establish new texts. Adaptation is also an intercultural translation as each work adapted experiences a cultural shift so as to adapt to the target culture. Although The Tale of Kieu (Nguyen Du) made use of the plot of Kim Van Kieu, written as the pseudonym Qingxin Cairen (青心才人, Pure Heart Talented Man), in the Vietnamese artistic context, the tale can be considered as the “original text” t

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