Relevant bibliographies by topics / Theaters Theater architecture / Dissertations / Theses
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Dissertations / Theses on the topic 'Theaters Theater architecture'

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Published: 4 June 2021
Last updated: 2 February 2022

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1

Hemingway, Simon Peter. "Hierophanies and heterotopias : magic, moving picture theaters and churches, 1907-1922 /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008349.

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2

McKee, Cameron Taylor. "The Caldwell Theater Complex /." Online version of thesis, 1995. http://hdl.handle.net/1850/12251.

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3

Whitmire, Derrick. "Architecture as Theater; Creating a Vital Architectural Narrative." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337950009.

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4

Ruoff-Siler, Lees. "Pneumatic world theater." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/78976.

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5

Xagoraris, Zafirios. "The automaton theater." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/70642.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1991.<br>Includes bibliographical references (leaves 45-47).<br>Hero of Alexandria was a Greek geometrician, engineer, and inventor who lived in Alexandria probably during the first century A.D. He wrote in Greek a number of theoretical treatises revealing a thorough knowledge of geometry, mechanics, optics, and pneumatics. Being more interested in the applications of his theoretical principles than in the principles themselves, Hero is known as the inventor of a number of ingenious devices based on principles of
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6

Ozdeniz, Cem. "Theater: Architecture of the Horizon." Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/23735.

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Architecture exists where the world of ideas meets the world of materials. From its general scheme all the way to the joinery of the floorboards, the proposed building should serve a guiding idea. Otherwise, architecture is not architecture but simply functional construction. <br /><br />Theater exists within a similar framework, whereby the actor\'s work is a mundane manifestation of the elements extracted from the world of ideas, making it the perfect conduit to examine the reconciliation of these oppositions: the mundane and the ethereal, the quotidian and the philosophical, the earth and t
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7

MILLER, SCOTT N. "A Theater for Interaction." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085115966.

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8

Moser, Ruby Edna. "A Theater in Berlin." Thesis, Virginia Tech, 2002. http://hdl.handle.net/10919/42346.

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Architecture and Man: Berlin, with all its contradictions sets the stage for my thesis. I would like to receive you with pleasure in the reading of my drawings. To receive guests is a psychological proviso in which you invite them into the privacy of your home, a place that is not only physical, as sharing these spheres imply the cognizance of being together. The character of the host or hostess is unveiled not by way of the objects in the environment but via the representation or reflection of him or herself projected into these objects. The reception is in this way an attribute narrated
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9

Chan, Ping-hung Joseph. "New Chinese opera house in Temple Street." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949421.

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10

Slattery, Maureen L. (Maureen Louise). "Walking in the city--an operational theater." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/70285.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.<br>Includes bibliographical references (p. 79-81).<br>The city is to be considered a site of power. Privileged, gendered, uneven, the city exercises authority and control over its inhabitants. What masks as public, in truth, is private. Its space and structures are fixed by its economic and political operations, impenetrable to the lived practices of its inhabitants. To transgress boundaries is to reclaim urban space for its residents. Urbanism is recast as a space of social production; the city is a contest
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11

Strassmann, Steven Henry. "Desktop theater : automatic generation of expressive animation." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/12871.

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12

Miller, Laurie Kathleen. "Theatre of perception." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/21591.

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13

Wong, Ching-long Jerome. "Opera centre & cultural park at Central-Wanchai waterfront." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25945725.

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14

Braude, Talia 1973. "Computational design of a theater complex for Boston." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/64910.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2001.<br>Includes bibliographical references (p. 89-91).<br>The design of a theater complex for Boston is used as a test case for the more integrated use of computers in the design process. In architecture digital media remain mostly tools for efficiency and productivity rather than design and creativity. Simultaneously computational studies have been undertaken which produce exciting diagrams or seductive forms without necessarily leading to a built or buildable work. I believe that for the computer to become a us
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15

Schwartz, Janet Elizabeth. "The city as theater / by Janet Elizabeth Schwartz." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/23441.

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16

Weller, Samantha Joanne. "The Lake Theatre." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/53947.

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At the beginnings of this thesis, the importance was solely focused on the design of an independent multipurpose theater and the transitions between the public area and backstage. As the year and project progressed, it changed to become a realization and study of architectural experiences within a space. After choosing a site within the Snoqualmie National Forest in Seattle overlooking Lake Serene, decisions were made to design a theater that would not hinder the natural landscape but immerse the audience in it. Years of backpacking, camping, and hiking, I have personal experiences and mem
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17

Prisco, Lauren. "Immersive Theater & The Physical Narrative." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4896.

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Immersive Theater is a form of experimental theater that places spectators at the heart of the created work, by removing them from the constraint of static seats and instead encouraging them to explore an installed environment as a way of understanding the narrative. This thesis explores how Interior Design directly enhances a performance by creating spaces that challenge a spectator’s physical understanding of a narrative.
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18

Jakes, Dhruti Paleja. "The theater as an instrument of memory." Thesis, Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23207.

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19

Koss, Juliet 1968. "Empathy abstracted : George Fuchs and the Munich Artists' Theater." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/8832.

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Thesis (Ph.D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.<br>Includes bibliographical references (v. 2, leaves 279-295).<br>Founded by the art critic Georg Fuchs and built by the architect Max Littmann in 1908, the Munich Artists' Theater is famous for its shallow "relief stage." Reworking the ideas of Friedrich Nietzsche and Richard Wagner in the service of the emerging mass audience, Fuchs advocated "the stage of the future," but created one embedded in its historical moment. Eliciting reactions from major figures in theater, architecture, and the visual arts, it pr
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20

Rodríguez, Ernesto F. "Theater and community : an architectural language for social integration." Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/69738.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1996.<br>Includes bibliographical references (leaves 57-58).<br>The experimentation with an alternative form of theater, which questioned the tradition dramatic heritage , emerged in Puerto Rico during the second half of the 1960's. This new form of theater, known as Experimental Theater, searched for a new aesthetic language rooted in the use of the human body as an instrument of expression. At the same time, the companies and groups - composed mostly of college students - working with this kind of theater had a
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21

Ro, Sung-Woo. "Space machine : the evolution of theater and its development." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/21751.

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Yau, Man-ching Cindy. "Redevelopment of State Theatre." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25948118.

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Wille, Dennis G. "A proposed architecture for theater coordination of global space capabilities." Thesis, Monterey, California. Naval Postgraduate School, 2006. http://hdl.handle.net/10945/2669.

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This thesis proposes an architecture for the coordination of global space capabilities in a joint force commanderâ s theater of operations. The current architecture for space capabilities coordination in a geographic area of operations is not standardized, and is instead left up to each theater to develop independently. As dependence on space capabilities proliferates to the lowest levels of operations, while the capabilities and products provided by space systems becomes increasingly complex, ad hoc relationships are no longer sufficient. Purely because of physics, assets on orbit are global
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24

Garlick, Anna Gorel Gunvor. "Neoclassicism and English theatre architecture 1775-1843." Thesis, University of Exeter, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337725.

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25

Jacobs, Ryan Patrick. "The Troupes of Theatre." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/91188.

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The art of theatre has been classified and critiqued as being a mimetic art which is different from architecture. The mimetic arts, such as the performing arts, occur in performance spaces concealed in the physical architecture of a theater building. This fixed location of the theatre has led to the elements of the theatre to be hidden and contained within the box of the architecture. These elements could be referred to as the "troupes of theatre" in the tradition of a group of thespians being considered a troupe. The performing arts have been traditionally confined as temporary entertainment
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26

Grobbelaar, Leon. "New Royal Theatre : the Marabi Theatre as locus for cultural reproduction." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/29697.

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This dissertation investigates the role of architecture in the conservation of intangible heritage with specific reference to the ‘Marabi’ culture, a vibrant township culture unique to Marabastad in the North West of Pretoria which played a formative role in the development of South African popular culture from as early as the 1930’s. Due to the relocation of its citizens, the demolition of the Royal Theatre (together with the decommissioning of the Empire and Orient theatres) and the increasing effects of global cultural homogenization Marabastad has become dislocated from its cultural herita
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Parker, Alyssa Beth. "Performing in the landscape : a community theater for Marblehead, Massachusetts." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/69340.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1995.<br>Includes bibliographical references (p. 101-105).<br>This thesis is an investigation of our perception of place and what constitutes our experience of place. It is a journey through a multitude of scales: region, site and individual. Architecture, in this sense, is the phenomonological perspective of placemaking and relationship between human and environment which is oft boundary, but many times a threshold. Stemming from a criticism of modern architecture that is placeless, this thesis is less about poor
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28

Griff, Adam M. (Adam Michael) 1974. "Open space : theater and public life on the Central Artery." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/29299.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2003.<br>Includes bibliographical references (p. 89).<br>In the light of changes to the composition of society and the emergence of new technologies, conventional understandings of public space and inherited spatial forms no longer apply. Yet, for all the pessimism about whether these spaces will continue to exist, people still flock to places where they can be together. At the heart of this urge lies a crucial understanding of the modern city. Instead of being a closed community the modern city is cosmopolitan, a
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29

Baker, Stephen D. (Stephen D'Aubert). "When metaphors speak : a design for a theater in Boston." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/71394.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1988.<br>Includes bibliographical references (p. 163-165).<br>This thesis pursues an examination of ideas in architecture and of ways that form may express both a conceptual metaphor for a building type and heighten the experience of that type for its participants. The vehicle for this exploration is the design of a dramatic theater in Boston. This thesis proposes as an idea for theater that the dramatic experience is simultaneously an extension of life and an idealized world. From this metaphor grow two parallel
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30

Tsing, Jeanne C. (Jeanne Chien). "An ideal theater : the Takarazuka Revue Company in Los Angeles." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/70245.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1994.<br>Includes bibliographical references (p. 81-82).<br>This thesis explores the relationship between the spectacle and the spectator. The vehicle for this investigation is a theater, in Los Angeles, for an all-women Japanese revue company. The building articulates the roles of the performers and of the audience. In addition to solving the functional program, as a social performer the theater seeks to propose new ways to activate the event of theater going. On an urban scale, the theater mediates the points of
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31

Penfold, Timothy. "Storm warning: a theatre of atmospherics." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/19081.

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This document begins with a theory paper written in the first half of this year before moving on to images, charts, and graphs that have informed and inspired my project. It then offers answers to these fundamental questions relating to my chosen design project: Where? Why? What? and How? Before I move on to this, a brief description of the final design direction to locate the reader... The construction of a Theatre of Atmospherics located at the main breakwater of Cape Town harbour. This Theatre consists of four elements;, _a weather device; _a research facility for the South African National
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Torpey, Peter Alexander. "Disembodied performance : abstraction of representation in live theater." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/55198.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2009.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 151-158).<br>Early in Tod Machover's opera Death and the Powers, the main character, Simon Powers, is subsumed into a technological environment of his own creation. The theatrical set comes alive in the form of robotic, visual, and sonic elements that allow the actor to extend his range and influence across the stage in unique and dynamic ways. The environment must compellingly as
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33

Wessels, Anton. "STDC State Theatre dance centre." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-10122006-121626.

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34

Fair, Alistair James. "British theatres, 1926-1991 : an architectural history." Thesis, University of Cambridge, 2008. https://www.repository.cam.ac.uk/handle/1810/252094.

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This dissertation explores how changing ideas of dramatic performance and of theatre’s place in society have been given built form by reference to twelve British theatres from the period 1926-1991. Hitherto, theatres have often been relegated to the margins of architectural history, but their buildings fulfil important functional and symbolic roles in responding to the complex needs, aspirations, and aesthetic ideas of their users. Chapter One discusses three inter-war theatres which were all intended to be somehow ‘modern’. It shows that this concept was interpreted in different ways by refer
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Downie, Marc (Marc Norman) 1977. "Choreographing the extended agent : performance graphics for dance theater." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33875.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2005.<br>Includes bibliographical references (v. 2, leaves 448-458).<br>The marriage of dance and interactive image has been a persistent dream over the past decades, but reality has fallen far short of potential for both technical and conceptual reasons. This thesis proposes a new approach to the problem and lays out the theoretical, technical and aesthetic framework for the innovative art form of digitally augmented human movement. I will use as example works a ser
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Hsu, Buo-yuan. "Urban square as theater : issues of continuity and discontinuity in urban design." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/67417.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.<br>Includes bibliographical references (p. 77-78).<br>This thesis tries to establish some criteria for designing a good urban square, with concern for the static and dynamic approaches. The former refers to aesthetic issues, and the latter refers to social and contextual ones. I start by examining the phenomena of modernity from two aspect: the impact that modernity has on contemporary cities, and its influence on today's' people. Basically, it has made today's urban spaces inhuman, and made people lose their se
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Söderin, Gudmar. "Dialogue Theatre : Encounter Two Sides of Society." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135512.

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38

Ritter, Christina. "On hallowed ground the significance of geographic location and architectural space in the indenties [sic] of the Royal Shakespeare Company and Shakespeare's Globe /." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1188510799.

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39

Bauer-Hsieh, Li-yun. "Das Theater auf dem Dach : figuraler Dachschmuck in der südchinesischen Tempelbaukunst /." Köln : [s.n.], 2003. http://catalogue.bnf.fr/ark:/12148/cb39911916g.

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40

Ramirez, Jasso Diana 1973. "The aesthetics of concealment : Weegee in the movie theater (1943-1950)." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/69444.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2002.<br>"September 2002.<br>Includes bibliographical references (p. 175-189).<br>Between 1941 and 1945, movie theaters in the United States enjoyed a period of intense activity marked by record levels of attendance. Film scholars have explained this phenomenon by referring to the fascination exerted by "escapist" Hollywood films, which either idealized or completely negated the harsh economic and social conditions brought about by the outbreak of World War II. However, American photographer Arthur Fellig "Weegee" pro
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41

Keeling, Tom. "Architecture and Human Event: a Theatre for the Consortium." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/45206.

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Architecture is an interaction, a marriage between human event, human need, human spirit and built form. Architects range along the line of this interaction from those that embrace the complexity of humanity and struggle with form to those that embrace only form and cause humanity to struggle with the results. Is it possible to stand in the center of the creative tension of this struggle, embracing and recognizing the power of built form to support, shelter, enliven, confront, uplift and even bring transformation, healing and poetic transcendence to the human event and therefore to life while
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42

Tamari, Mona V. (Mona Veronica) 1975. "A mobile theatre for Debussy's Pelléas et Mélisande." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/70349.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2002.<br>Includes bibliographical references (p. 98-99).<br>This thesis shows the possibilities of staging operas in unexpected yet accessible places. The location, no longer neutral, as most theaters try to be, becomes an important factor in each performance. It affects the development of the narrative, the relationship of the audience to the performance, and the technical requirements of the stage. Like the stage sets, musicians, and costumes that are renewed seasonally for the staging or an opera, the site and
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43

Arthur, Daniel P. "A proposed architecture for theather coordination of global space capabilities." Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2006. http://library.nps.navy.mil/uhtbin/hyperion/06Sep%5FArthur_Wille.pdf.

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Thesis (M.S. in Space Systems Operations)--Naval Postgraduate School, September 2006.<br>Thesis Advisor(s): Charles Racoosin. "September 2006." Includes bibliographical references (p. 77-79). Also available in print.
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Dayer, Carolina. "EROS: Desire in Architecture." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/30890.

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Dear All, Eros moves. In January of 2007 I decided to do research about Eros and his presence in architecture. I decided to do a thesis about LOVE. This thesis it is a story about me, since when you love architecture you give yourself completely to it. What you see in these pages, it's me: my life, my desires, my passion for architecture, my fears, my bad moments, my good moments, my joy--all of me. Desire in architecture seemed to me at that moment something with which I didn’t know how to start working. It was so abstract that, when considered, almost anything can be a desire, and maybe it
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Yau, Man-ching Cindy, and 游曼淸. "Redevelopment of State Theatre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B3198311X.

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46

Bowler, Lisa Marie [Verfasser], and Christopher [Akademischer Betreuer] Balme. "Theatre architecture as embodied space : A phenomenology of theatre buildings in performance / Lisa Marie Bowler ; Betreuer: Christopher Balme." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2016. http://d-nb.info/1124395792/34.

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Wiegand, Armin. "Das Theater von Solunt : ein besonderer Skenentyp des Späthellenismus auf Sizilien /." Mainz am Rhein : P. von Zabern, 1997. http://catalogue.bnf.fr/ark:/12148/cb37685648w.

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48

Turcza, Brian J. "Reinforcing the Social Spectrum Through Architecture." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337101107.

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49

Chan, Ping-hung Joseph, and 陳炳雄. "New Chinese opera house in Temple Street." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985063.

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Doyle, Ryan P. "Framing history through cinematic storytelling." This title; PDF viewer required. Home page for entire collection, 2006. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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