Journal articles on the topic 'Theatre and state – South Africa'
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Kruger, Loren. "Introduction: Scarcity, Conspicuous Consumption, and Performance in South Africa." Theatre Research International 27, no. 3 (October 2002): 231–42. http://dx.doi.org/10.1017/s0307883302000317.
Full textROKEM, FREDDIE. "Editorial: Wherein the articles of this issue and some new developments for TRI are introduced." Theatre Research International 33, no. 1 (March 2008): 1–3. http://dx.doi.org/10.1017/s0307883307003355.
Full textHAUPTFLEISCH, TEMPLE. "Tipping Points in the History of Academic Theatre and Performance Studies in South Africa." Theatre Research International 35, no. 3 (October 2010): 275–87. http://dx.doi.org/10.1017/s0307883310000581.
Full textBlank, Martin. "Eugene O'Neill in South Africa: Margaret Webster's Production of A Touch of the Poet." Theatre Survey 29, no. 1 (May 1988): 113–16. http://dx.doi.org/10.1017/s0040557400009133.
Full textCima, Gibson Alessandro. "RESURRECTING SIZWE BANZI IS DEAD (1972–2008): JOHN KANI, WINSTON NTSHONA, ATHOL FUGARD, AND POSTAPARTHEID SOUTH AFRICA." Theatre Survey 50, no. 1 (April 22, 2009): 91–118. http://dx.doi.org/10.1017/s0040557409000088.
Full textRahner, C. "Community theatre and indigenous performance traditions: An introduction to Chicano theatre, with reference to parallel developments in South Africa." Literator 17, no. 3 (May 2, 1996): 61–76. http://dx.doi.org/10.4102/lit.v17i3.622.
Full textSuzman, Janet. "Stage directions in South Africa: Post-apartheid theatre." Index on Censorship 43, no. 2 (June 2014): 158–63. http://dx.doi.org/10.1177/0306422014534578.
Full textKruger, Loren. "Acting Africa." Theatre Research International 21, no. 2 (1996): 132–40. http://dx.doi.org/10.1017/s0307883300014711.
Full textKnittelfelder, Elisabeth. "The “Ordinary” Cruelty and the Theatre as Witness in Four South African Plays." Journal of Contemporary Drama in English 8, no. 1 (May 11, 2020): 160–76. http://dx.doi.org/10.1515/jcde-2020-0012.
Full textNako, Nontsasa. "On the record with Judge Jody Kollapen." South African Crime Quarterly, no. 66 (April 18, 2019): 53–56. http://dx.doi.org/10.17159/2413-3108/2018/v0n66a6242.
Full textRoy, L. Somi. "A Window on the World: A Remote Corner of Asia Puts on a Play about 9/11." TDR/The Drama Review 48, no. 2 (June 2004): 68–75. http://dx.doi.org/10.1162/105420404323063409.
Full textOjoniyi, Olabode Wale. "The ghosts that will not be laid to rest: a critical reading of “Abantu Stand”." International Journal of Pedagogy, Innovation and New Technologies 5, no. 2 (December 30, 2018): 51–56. http://dx.doi.org/10.5604/01.3001.0012.9675.
Full textSCHMIDT, BRYAN. "Fault Lines, Racial and Aesthetic: The National Arts Festival at Grahamstown." Theatre Research International 43, no. 3 (October 2018): 318–37. http://dx.doi.org/10.1017/s0307883318000561.
Full textGrundy, Kenneth W. "Quasi-State Censorship in South Africa: The Performing Arts Councils and Politicized Theater." Journal of Arts Management, Law, and Society 24, no. 3 (September 1994): 241–57. http://dx.doi.org/10.1080/10632921.1994.9941771.
Full textKruger, Loren. "Theatre and Society in South Africa: Reflections in a Fractured Mirror, and: Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama (review)." Research in African Literatures 30, no. 4 (1999): 212–15. http://dx.doi.org/10.1353/ral.2005.0043.
Full textPerloff, Marjorie. "Presidential Address 2006: It Must Change." PMLA/Publications of the Modern Language Association of America 122, no. 3 (May 2007): 652–62. http://dx.doi.org/10.1632/pmla.2007.122.3.652.
Full textSteadman, Ian. "Black theatre in South Africa." Wasafiri 9, no. 19 (March 1994): 26–30. http://dx.doi.org/10.1080/02690059408574341.
Full textGraver, David. "Theatre in the New South Africa." Performing Arts Journal 17, no. 1 (January 1995): 103. http://dx.doi.org/10.2307/3245703.
Full textSteadman, Ian. "Towards popular theatre in South Africa." Journal of Southern African Studies 16, no. 2 (June 1990): 208–28. http://dx.doi.org/10.1080/03057079008708231.
Full textMDA, ZAKES. "Theatre for Children in South Africa." Matatu 17-18, no. 1 (April 26, 1997): 137–44. http://dx.doi.org/10.1163/18757421-90000221.
Full textVandenbroucke, Russell. "Violence Onstage and Off: Drama and Society in Recent American Plays." New Theatre Quarterly 32, no. 2 (April 13, 2016): 107–20. http://dx.doi.org/10.1017/s0266464x16000026.
Full textMcBurney, Blaine, and Robert M. Kavanaugh. "Theatre and Cultural Struggle in South Africa." Contemporary Sociology 16, no. 3 (May 1987): 391. http://dx.doi.org/10.2307/2070333.
Full textHauptfleisch, Temple. "South Africa: a laboratory for theatre research." Communicatio 11, no. 2 (January 1985): 38–43. http://dx.doi.org/10.1080/02500168508537671.
Full textLoots, Lliane. "Re-remembering protest theatre in South Africa." Critical Arts 11, no. 1-2 (January 1997): 142–52. http://dx.doi.org/10.1080/02560049785310111.
Full textGray, Stephen. "Notes on South Africa and Australian Theatre." South African Theatre Journal 12, no. 1-2 (January 1998): 172–77. http://dx.doi.org/10.1080/10137548.1998.9687671.
Full textVoss, T. "South Africa in Shakespeare’s “wide and universal theatre”." Shakespeare in Southern Africa 27, no. 1 (September 22, 2015): 61. http://dx.doi.org/10.4314/sisa.v27i1.8.
Full textHartmann, Dieter, and Bernadette Sunjka. "Private theatre utilisation in South Africa: A case study." South African Medical Journal 103, no. 5 (March 13, 2013): 285. http://dx.doi.org/10.7196/samj.6460.
Full textLarlham, Peter. "Theatre in Transition: The Cultural Struggle in South Africa." TDR (1988-) 35, no. 1 (1991): 200. http://dx.doi.org/10.2307/1146121.
Full textHutchison, Yvette. "Articles published in South Africa on Theatre: 1990–1991." South African Theatre Journal 7, no. 2 (January 1993): 140–44. http://dx.doi.org/10.1080/10137548.1993.9688100.
Full textDalrymple, Lynn. "RESEARCHING DRAMA AND THEATRE IN EDUCATION IN SOUTH AFRICA." South African Theatre Journal 9, no. 2 (January 1995): 61–82. http://dx.doi.org/10.1080/10137548.1995.9688161.
Full textMeersman, Brent. "Democracy, Capitalism and Theatre in the New South Africa." South African Theatre Journal 21, no. 1 (January 2007): 292–306. http://dx.doi.org/10.1080/10137548.2007.9687868.
Full textBurns, Hilary. "The Market Theatre of Johannesburg in the New South Africa." New Theatre Quarterly 18, no. 4 (November 2002): 359–74. http://dx.doi.org/10.1017/s0266464x02000477.
Full textWittenberg, Hermann. "Alan Paton's writing for the stage: towards a non-racial South African theatre." South African Theatre Journal 21, no. 1 (January 2007): 307–27. http://dx.doi.org/10.1080/10137548.2007.9687869.
Full textAlessandro Cima, Gibson. "Loren Kruger, A Century of South African Theatre." Modern Drama 64, no. 1 (March 2021): 117–19. http://dx.doi.org/10.3138/md.64.1.br3.
Full textHauptfleisch, Temple. "Eventifying Identity: Festivals in South Africa and the Search for Cultural Identity." New Theatre Quarterly 22, no. 2 (April 19, 2006): 181–98. http://dx.doi.org/10.1017/s0266464x0600039x.
Full textSirayi, Mzo. "In search of pre-colonial African theatre in South Africa." South African Journal of African Languages 23, no. 1 (January 2003): 46–59. http://dx.doi.org/10.1080/02572117.2003.10587206.
Full textWakashe, T. Philemon. ""Pula": An Example of Black Protest Theatre in South Africa." Drama Review: TDR 30, no. 4 (1986): 36. http://dx.doi.org/10.2307/1145780.
Full textAngove, Coleen. "Alternative Theatre: Reflecting a Multi-racial South African Society?" Theatre Research International 17, no. 1 (1992): 39–45. http://dx.doi.org/10.1017/s0307883300015595.
Full textMorris, Gay. "Reconsidering Theatre-Making in South Africa: A Study of Theatre in Education in Cape Schools." Theatre Research International 27, no. 3 (October 2002): 289–305. http://dx.doi.org/10.1017/s0307883302000354.
Full textHeijes, Coen, Xenia Georgopoulou, and Nektarios-Georgios Konstantinidis. "Theatre Reviews." Multicultural Shakespeare: Translation, Appropriation and Performance 8, no. 23 (November 30, 2011): 133–53. http://dx.doi.org/10.2478/v10224-011-0010-9.
Full textKlotz, Audie. "South Africa as an Immigration State." Politikon 39, no. 2 (August 2012): 189–208. http://dx.doi.org/10.1080/02589346.2012.683939.
Full textLund, Frances. "State social benefits in South Africa." International Social Security Review 46, no. 1 (January 1993): 5–25. http://dx.doi.org/10.1111/j.1468-246x.1993.tb00358.x.
Full textAlence, Rod, and Anne Pitcher. "Resisting State Capture in South Africa." Journal of Democracy 30, no. 4 (2019): 5–19. http://dx.doi.org/10.1353/jod.2019.0065.
Full textBester, Deretha, and Bojan Dobovšek. "State capture: Case of South Africa." Nauka, bezbednost, policija 26, no. 1 (2021): 73–87. http://dx.doi.org/10.5937/nabepo26-32346.
Full textKrueger, Anton. "Theatre in South Africa — ‘an endangered species’: interview with Anthony Akerman." Scrutiny2 8, no. 2 (January 2003): 60–65. http://dx.doi.org/10.1080/18125440308566006.
Full textHutchison, Yvette. "Articles published in South Africa on Theatre and Drama in 1993." South African Theatre Journal 9, no. 1 (January 1995): 111–12. http://dx.doi.org/10.1080/10137548.1995.9688146.
Full textHutchison, Yvette. "Articles published in South Africa on Theatre and Drama in 1994." South African Theatre Journal 10, no. 1 (January 1996): 113–14. http://dx.doi.org/10.1080/10137548.1996.9687655.
Full textvon Brisinski, Marek Spitczok. "Rethinking Community Theatre: Performing arts communities in post-apartheid South Africa." South African Theatre Journal 17, no. 1 (January 2003): 114–28. http://dx.doi.org/10.1080/10137548.2003.9687765.
Full textMarneweck, Aja. "Visual theatre moves Out the Box: Developing puppetry in South Africa." South African Theatre Journal 20, no. 1 (January 2006): 290–95. http://dx.doi.org/10.1080/10137548.2006.9687841.
Full textHutchison, Yvette. "New territories: theatre, drama, and performance in post-apartheid South Africa." South African Theatre Journal 28, no. 3 (September 2, 2015): 268–71. http://dx.doi.org/10.1080/10137548.2016.1218202.
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