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1

Leggatt, Alexander. Introduction to English Renaissance comedy. Manchester University Press, 1999.

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2

Mullaney, Steven. The place of the stage: License, play, and power in Renaissance England. University of Chicago Press, 1988.

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3

Mullaney, Steven. The place of the stage: License, play, and power in Renaissance England. University of Michigan Press, 1995.

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4

Newman, Karen. Fashioning femininity and English Renaissance drama. University of Chicago Press, 1991.

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5

Wilks, John S. The idea of conscience in Renaissance tragedy. Routledge, 1990.

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6

What was Shakespeare?: Renaissance plays and changing critical practice. Cornell University Press, 1995.

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7

Findlay, Alison. A feminist perspective on Renaissance drama. Blackwell Publishers, 1999.

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8

Belsey, Catherine. The subject of tragedy: Identity and difference in Renaissance drama. Routledge, 1993.

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9

The subject of tragedy: Identity and difference in Renaissance drama. Methuen, 1985.

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10

Theatre and humanism: English drama in the sixteenth century. Cambridge University Press, 1999.

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11

Greenblatt, Stephen. Shakespearean negotiations: The circulation of social energy in Renaissance England. Clarendon Press, 1987.

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Greenblatt, Stephen. Shakespearean negotiations: The circulation of social energy in Renaissance England. University of California Press, 1988.

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13

Stallybrass, Peter, and David Scott Kastan. Staging the Renaissance. Taylor & Francis Group, 2017.

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14

Scott, Kastan David, and Stallybrass Peter, eds. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean drama. Routledge, 1991.

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15

The Place of the Stage: License, Play, and Power in Renaissance England. University Of Chicago Press, 1990.

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16

Herndl, George C. High Design: English Renaissance Tragedy and the Natural Law. University Press of Kentucky, 2014.

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17

Herndl, George C. The High Design: English Renaissance Tragedy and the Natural Law. University Press of Kentucky, 2014.

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18

Subject of Tragedy: Identity and Difference in Renaissance Drama. Taylor & Francis Group, 2015.

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19

Subject of Tragedy: Identity and Difference in Renaissance Drama. Taylor & Francis Group, 2013.

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20

1945-, Cox John D., and Kastan David Scott, eds. A new history of early English drama. Columbia University Press, 1997.

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21

1947-, Gillies John, and Vaughan Virginia Mason, eds. Playing the globe: Genre and geography in English Renaissance drama. Fairleigh Dickinson University Press, 1998.

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22

Cartwright, Kent. Theatre and Humanism: English Drama in the Sixteenth Century. Cambridge University Press, 2006.

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23

Belsey, Catherine. The Subject of Tragedy. Routledge, 1991.

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24

Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (New Historicism, Studies in Cultural Poetics, No 84). University of California Press, 1989.

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