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1

Bannon, Fiona. Considering Ethics in Dance, Theatre and Performance. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91731-3.

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2

Contemporary French theatre and performance. Palgrave Macmillan, 2011.

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3

Elements of performance: A guide for performers in dance, theatre, and opera. Harwood Academic Publishers, 1993.

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4

Richard, Aven, ed. Acting: Preparation, practice, performance. HarperCollins College Publishers, 1994.

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5

Nirmmalāpaṇikkar. Nangiar Koothu, the classical dance theatre of the Nangiar-s. Natana Kairali, 1992.

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6

Vēṇu, Ji. Puppetry and lesser known dance traditions of Kerala. Natana Kairali, Research and Performing Centre for Traditional Arts, 1990.

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7

Digital performance: A history of new media in theater, dance, performance art, and installation. MIT Press, 2007.

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8

Ceremony, spirituality, and ritual in Native American performance: A creative notebook. American Indian Studies Center, 2011.

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9

Sarkar, Munsi Urmimala, ed. Engendering performance: Indian women performers in search of an identity. SAGE Publications, 2010.

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10

Collaborators: UK design for performance 2003-2007. Society of British Theatre Designers, 2007.

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11

Lange, Siri. From nation-building to popular culture: The modernization of performance in Tanzania. Chr. Michelsen Institute, 1995.

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12

Nambiar, Sita K. The ritual art of Teyyam and Bhūtārādhane: Theatrical performance with spirit mediumship. Indira Gandhi National Centre for the Arts & Navrang, 1996.

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13

Goodridge, Janet. Rhythm and timing of movement in performance: Drama, dance, and ceremony. J. Kingsley Publishers, 1999.

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14

Embodied consciousness: Performance technologies. Palgrave Macmillan, 2013.

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15

Wortelkamp, Isa. Bewegung Lesen, Bewegung Schreiben. Revolver Publishing, 2012.

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16

Meeting places: Locating desert consciousness in performance. Rodopi, 2014.

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17

Heck, Thomas F. Picturing performance: The iconography of the performing arts in concept and practice. University of Rochester Press, 1999.

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18

National Resource Centre for Dance (Great Britain). Extemporary Dance Theatre. National Resource Centre for Dance, 1997.

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19

Elswit, Kate. Theatre and Dance. Macmillan Education UK, 2018. http://dx.doi.org/10.1057/978-1-137-60575-7.

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20

Singer, Noel F. Burmese dance and theatre. Oxford University Press, 1995.

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21

India), Asiatic Society (Calcutta, ed. Kathakali, the dance theatre. Asiatic Society, 1999.

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22

McGrath, Aoife. Dance Theatre in Ireland. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137035486.

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23

Sörgel, Sabine. Contemporary African Dance Theatre. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41501-3.

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24

Pina Bausch: Dance theatre. K. Kieser, 2008.

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25

Bank, Rosemarie K., and Michal Kobialka, eds. Theatre/Performance Historiography. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137397300.

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26

Mick, Wallis, ed. Drama/theatre/performance. Routledge, 2004.

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27

Bannon, Fiona. Considering Ethics in Dance, Theatre and Performance. Palgrave Macmillan, 2018.

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28

Bannon, Fiona. Considering Ethics in Dance, Theatre and Performance. Palgrave Macmillan, 2018.

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29

Richmond, Farley P., Phillip B. Zarrilli, and Darius L. Swann. Indian Theatre: Traditions of Performance. Univ of Hawaii Pr, 1990.

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30

1938-, Richmond Farley P., Swann Darius L. 1924-, and Zarrilli Phillip B. 1947-, eds. Indian theatre: Traditions of performance. University of Hawaii Press, 1990.

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31

Richmond, Farley P., Phillip B. Zarrilli, and Darius L. Swann. Indian Theatre: Traditions of Performance. Univ of Hawaii Pr, 1990.

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32

Taylor, Millie, and Dominic Symonds. Gestures of Music Theatre: The Performativity of Song and Dance. Oxford University Press, Incorporated, 2014.

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33

Myth Performance In The African Diasporas Ritual Theatre And Dance. Scarecrow Press, 2014.

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34

(Translator), A. David Williams, ed. Analyzing Performance: Theater, Dance, and Film. University of Michigan Press, 2003.

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35

(Translator), A. David Williams, ed. Analyzing Performance: Theater, Dance, and Film. University of Michigan Press, 2003.

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36

Koner, Pauline. Elements of Performance: A Guide for Performers in Dance, Theatre and Opera (Choreography and Dance). Routledge, 1992.

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37

1960-, Lipscomb Valerie Barnes, and Marshall Leni 1969-, eds. Staging age: The performance of age in theatre, dance, and film. Palgrave Macmillan, 2010.

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38

Meyer, Petra Maria. Sound, Image, Dance, and Space in Intermedial Theatre. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.42.

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The chapter focuses philosophically on theatre as one of the acoustic spaces for staging in which sound design acquires an ever higher status in an advanced technical intermedia interplay. Theatre-dramaturgy is transformed into intermedial dramaturgy. The author notes a fundamental “acoustic turn” in theatre, which locates compositional processes within new audiovisual interplays. “ICH2 Intermedial Dance Performance for Planetaria” (2005–2006)—a cutting-edge hybrid form of theatre using advanced digital technologies—is discussed. The performance combines expressive body movements, 360° interac
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39

Theatre & Stage Photography: A Guide to Capturing Images of Theatre, Dance, Opera, and Other Performance Events. Routledge, 2018.

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40

Bernard, Arps, ed. Performance in Java and Bali: Studies of narrative, theatre, music, and dance. School of Oriental and African Studies, University of London, 1993.

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41

Hunter, Victoria. Moving Sites: Investigating Site-Specific Dance Performance. Taylor & Francis Group, 2015.

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42

Aven, Richard C., and Bella Itkin. Acting: Preparation, Practice, Performance. Harpercollins College Div, 1994.

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43

Gestures Of Music Theater The Performativity Of Song And Dance. Oxford University Press Inc, 2014.

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44

Moving Sites: Investigating Site-Specific Dance Performance. Routledge, 2015.

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45

Christopher, Balme, and Wagner Meike, eds. Beyond aesthetics: Performance, media, and cultural studies. Wissenschaftlicher Verlag, 2004.

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46

(Syn)aesthetics: Redefining Visceral Performance. Palgrave Macmillan, 2009.

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47

Malina, Roger F., Steve Dixon, and Sean Cubitt. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press, 2007.

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48

Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. MIT Press, 2015.

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49

The Incomparable Hester Santlow: A Dancer-actress on the Georgian Stage (Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance). Ashgate Pub Co, 2008.

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50

Balinese Performance (Theatres of the World). Routledge, 2007.

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