Books on the topic 'Théâtre (genre littéraire) écossais – Histoire et critique'

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1

Berthier, Patrick. Le théâtre au XIXe siècle. Paris: Presses universitaires de France, 1986.

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2

Analyse littéraire de l'oeuvre dramatique. Paris: Colin, 1998.

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3

Rezvani. Théâtre: Dernier refuge de l'imprévisible poétique. [Arles, France]: Actes sud, 2000.

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4

Barthes, Roland. Écrits sur le théâtre. Paris: Seuil, 2002.

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5

Bradby, David. Le théâtre français contemporain, 1940-1980. Villeneuve d'Ascq: Presses universitaires de Lille, 1990.

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6

Ryngaert, Jean Pierre. Lire le théâtre contemporain. Paris: Dunod, 1993.

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7

Le théâtre: Les problématiques essentielles. Paris: Hatier, 1992.

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8

Le théâtre au XIXe siècle: Du romantisme au symbolisme. Rosny-sous-Bois: Bréal éditions, 2001.

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9

Meyer, Michel. Le comique et le tragique: Penser le théâtre et son histoire. Paris: Presses universitaires de France, 2005.

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10

Meyer, Michel. Le comique et le tragique: Penser le théâtre et son histoire. Paris: Presses universitaires de France, 2003.

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11

Naugrette, Catherine. L' esthétique théâtrale. Paris: Armand Colin, 2005.

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12

L' analyse du texte de théâtre. Paris: Dunod, 1998.

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13

Charbonnier, Marie-Anne. Esthétique du théâtre moderne. Paris: Colin, 1998.

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14

Larthomas, Pierre Henri. Le langage dramatique: Sa nature, ses procédés. 5th ed. Paris: Presses Universitaires de France, 1995.

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15

Daniel, Bergez, ed. L' analyse du texte de théâtre. Paris: Armand Colin, 2005.

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16

The making of modern drama: A study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke. New Haven: Yale University Press, 1999.

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17

Gilman, Richard. The making of modern drama: A study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Handke. New Haven, CT: Yale University Press, 2000.

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18

The making of modern drama: A study of Büchner, Ibsen, Strindberg, Chekhov, Pirandello, Brecht, Beckett, Handke. New York, N.Y: Da Capo Press, 1987.

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19

Franklin, Kenworthy O., ed. A mirrorto life: A history of Western theatre. New York: Harcourt Brace Jovanovich, 1985.

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20

1932-, Findlay Robert R., ed. Century of innovation: A history of European and American theatre and drama since the late nineteenth century. 2nd ed. Boston: Allyn and Bacon, 1991.

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21

Stendhal. Racine et Shakespeare (1818-1825): Et autres textes de théorie romantique. Paris: Champion, 2006.

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22

Dramatic criticism: A history. Jefferson, N.C: McFarland, 1985.

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23

Bibliothèque nationale (France). Français 24341. Manuscrit. and Centre d'études franco-italien, eds. Théâtre et propagande aux débuts de la réforme: Six pièces polémiques du Recueil La Vallière. Geneva: Slatkine Reprints, 1986.

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24

Badir, Magdy Gabriel. Eighteenth-Century French Theatre : aspects and contexts: Studies presented to E.J.H. Greene. Alberta: Depts of Romance Languages and Comparative Literature of the University of Alberta, 1986.

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25

Eric, Bentley. In search of theater. New York: Applause Theatre Books, 1992.

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26

Université de Franche-Comté. Equipe poétique des genres et spiritualités. Tragédies tardives: Actes du colloque de Besançon des 17 et 18 décembre 1998. Études publiées dans le cadre des activités de l'équipe poétique des genres et spiritualité de l'université de Franche-Comté. Paris: Honoré Champion, 2002.

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27

La vie théâtrale en France au XVIIIe siècle. Genève: Slatkine Reprints, 1996.

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28

Rougemont, Martine de. La vie théâtrale en France au XVIIIe siècle. Paris: Champion-Slatkine, 1988.

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29

J, Watermeier Daniel, ed. The history of the North American theater: The United States, Canada, and Mexico : from pre-Columbian times to the present. New York, NY: Continuum, 2000.

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30

Andioc, René. Teatro y sociedad en el Madrid del siglo XVIII. 2nd ed. Madrid: Castalia, 1988.

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31

Rooms with a view: The stages of community in the modern theater. Ann Arbor: University of Michigan Press, 1998.

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32

Goldman, Emma. The social significance of the modern drama. Boston: R.G. Badger, 1996.

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33

Stages of evil: Occultism in Western theater and drama. Lexington: University Press of Kentucky, 2005.

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34

Lima, Robert. Stages of evil: Occultism in Western theater and drama. Lexington, KY: University Press of Kentucky, 2006.

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35

Modern drama and the death of God. Madison, Wis: University of Wisconsin Press, 1986.

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36

In the shadows of romance: Romantic tragic drama in Germany, England, and France. Athens: Ohio University Press, 1987.

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37

The arrival of Godot: Ritual patterns in modern drama. Rutherford: Fairleigh Dickinson University Press, 1986.

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38

Foundation, Alexander, ed. Of irony: Especially in drama. 3rd ed. Vancouver, B.C: Ronsdale Press, 2003.

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39

The Gothic impulse in contemporary drama. Ann Arbor, Mich: U-M-I Research Press, 1990.

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40

Timothy, Murray. Theatrical legitimation: Allegories of genius in seventeenth-century England and France. New York: Oxford University Press, 1987.

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41

Timothy, Murray. Theatrical legitimation: Allegories of genius in seventeenth-century England and France. New York: Oxford University Press, 1987.

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42

La scène surveillée: Essai. Arles [France]: Actes Sud, 2006.

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43

Tragic method and tragic theology: Evil in contemporary drama and religious thought. University Park: Pennsylvania State University Press, 1989.

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44

The Greek playwright: What the first dramatists have to say to contemporary playwrights. Toronto: Playwrights Canada Press, 2009.

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45

Martini, Clem. The Greek playwright: What the first dramatists have to say to contemporary playwrights. Toronto: Playwrights Canada Press, 2009.

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46

DuBruck, Edelgard E. Aspects of fifteenth-century society in the German carnival comedies: Speculum hominis. Lewiston: E. Mellen Press, 1993.

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47

Theatre and humanism: English drama in the sixteenth century. Cambridge: Cambridge University Press, 1999.

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48

Acting like men: Gender, drama, and nostalgia in ancient Greece. Ann Arbor, Mich: University of Michigan Press, 1998.

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49

Didier, Souiller, ed. Études théâtrales. Paris: Presses Universitaires de France, 2005.

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50

Le Théâtre français contemporain (1940-1980). Du Septentrion, 1995.

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