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Relevant bibliographies by topics / Theatre judiciaire

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Academic literature on the topic 'Theatre judiciaire'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Theatre judiciaire"

1

Jordan, James. "Audience Disruption in the Theatre of the Weimar Republic." New Theatre Quarterly 1, no. 3 (1985): 283–91. http://dx.doi.org/10.1017/s0266464x00001664.

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Disruption of plays by their audiences has not been an uncommon occurrence in theatre history, but the received wisdom has it that rioting more or less went out of fashion once the house lights could be lowered for the performance. But the combination in the theatre of the Weimar Republic of the politically radical and artistically experimental drama of inter-war Germany with the high political tensions of the times proved an explosive one. The frequent audience disturbances of the period were, however, less the spontaneous expression of genuine indignation than a carefully planned and orchest

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Savina, Elena S. "Legal Macro- and Microstructural Devices as a Means of Representing French Bourgeoisie." NSU Vestnik. Series: Linguistics and Intercultural Communication 18, no. 4 (2020): 110–21. http://dx.doi.org/10.25205/1818-7935-2020-18-4-110-121.

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The present article is devoted to the determination and analysis of the legal terms Marcel Proust uses to characterize different situations of bourgeoisie’s everyday life at the beginning of the second volume of his novel “In Search of Lost Time” (“À la recherche du temps perdu”) “In the Shadow of Young Girls in Flower” (“À l’ombre des jeunes filles en fleurs”). We shall apply the methods of lexical and semantic analysis as well as the methods used in stylistics, particularly in the theory of figures of speech (namely, Georges Molinié’s theory of macrostructural and microstructural figures of

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Monks, Aoife. "Dressing the law." International Journal of Law in Context 14, no. 4 (2018): 479–92. http://dx.doi.org/10.1017/s1744552318000198.

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AbstractThe theatre shares many features with the law. One key commonality is the presence of dressers in both professions. In the law and the theatre, the dresser is a key intermediary in the transformation of bodies and the transmission of professional culture, while being relatively under-recognised in criticism and scholarship. The point of departure for this paper is that the dresser is a figure worthy of further scrutiny. As the Court and Ceremonial Manager at Ede and Ravenscroft, Christopher Allen is perhaps one of the common law's most important dressers. Allan is instrumental to the e

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Saccoliti, Francesco, and João Paulo de Moura Gonet Branco. "THE SUPREME THEATRE: HOW INDIVIDUALISM AND THE EXTREME PUBLICITY ARE UNDERMINING THE DECISION-MAKING PROCESS OF THE SUPREMO TRIBUNAL FEDERAL." Latin American Journal of European Studies 4, no. 1 (2024): 120–52. http://dx.doi.org/10.51799/2763-8685v4n1005.

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With the enactment of the 1988 Brazilian Federal Constitution, the Brazilian constitutional system witnessed a great expansion of the powers of the Judiciary, along with a considerable growth of the influence of the Supremo Tribunal Federal (STF) in the everyday life. Not only were such changes brought by crucial reforms, but also by the change of the social-political context. Such a context, characterized by the desire of re-democratization of the Country, led to a gradual opening of the Tribunal to the society. So far, one of the major connection tools between the Court and the public opinio

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Jays, Julius-Adeoye ‘Rantimi, Oladimeji, I. Idowu, Eyeh Stephen Obruthe, et al. "Theatre of the Absurd, Pre-Election Matters and the Future of Democracy in Nigeria: Reflections on APC V Machina." International Journal of Religion 5, no. 10 (2024): 1909–16. http://dx.doi.org/10.61707/07pp8y36.

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The practice of theatre of the absurd is more present and popular with politicians in Africa than with playwrights. Particularly in Nigeria, the grotesque images and ridiculousness in the utterances of those saddled with the responsibilities of governance can only be viewed as characters in any known absurdist’ play. Nigeria is a nascent democracy, and the 2023 general elections are fraught with inadequacies right from the moment of selection of party candidates through the election proper. Candidates, political parties executives and the court have engineered these inadequacies. The concern o

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SOWIŃSKA, Danuta. "Siedlecka Temida i jej „klienci” w relacjach międzywojennej prasy." Historia i Świat 2 (September 8, 2013): 141–59. http://dx.doi.org/10.34739/his.2013.02.06.

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Among the many publications on the judiciary and the law may indicate little, in which it was subject matter of the social dimension of law. It leaves out the question of the role of sociological and psychological factors that affect the atmosphere of the courtroom, and the perception of the court – sovereign power by coming to him for justice. Pay attention to the topic of creating these factors by the media, whose voice grew in the interwar period louder and louder. Press releases from the courtroom appear quite often in the pages of the local press in Siedlce, aroused particular interest to

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Sá da Silva, Antonio. "O continuum de justiça e vingança na literatura oral do sertão: uma releitura da tragédia e do tratamento da controvérsia no cordel e na música caipira." Revista da Faculdade de Direito da UFG 42, no. 2 (2019): 198–221. http://dx.doi.org/10.5216/rfd.v42i2.55734.

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Frequentemente dada como evidente pela dogmática processual, a distinção entre justiça e vingança já era tema controvertido no teatro grego: na tragédia, a narrativa laudatória de Ésquilo, sobre o julgamento de Orestes, confronta-se com outra menos elogiosa, qual seja, a de Eurípides sobre a vingança de Hécuba contra o hóspede infiel. Em que pese o contributo civilizatório de Atena pela instituição do tribunal, a crônica judiciária não dá somente boas notícias sobre a obediência à tercialidade do direito; assim, resta em aberto a questão de saber se o selo do Estado por si mesmo garante que a

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Junior, Jorge Luiz Machado, and Alejandra Luisa Magalhães Esteves. "Le Théâtre dans les institutions publiques contemporaines." Revista Científica Multidisciplinar Núcleo do Conhecimento, January 15, 2020, 58–86. http://dx.doi.org/10.32749/nucleodoconhecimento.com.br/administration-des-affaires/le-theatre.

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Le droit et les arts de la scène sont ensemble depuis des siècles. Les tragédies grecques dépeignaient les affaires présentées devant les tribunaux démontrant un lien étroit entre les deux. Au fil des ans, les pièces reflètent souvent les incohérences des décisions judiciaires ou des lois appliquées injustement ou inefficacement. Les arts de la scène sont utilisés pour aider le droit de premier cycle à vivre l’expérience de la profession grâce à la simulation de tribunaux, de moniteurs où il y a un besoin de mise en scène. Cependant, il est souligné que l’intention est de préparer l’élève aux

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Leflar, Robert B. "Trust, Democracy, and Hygiene Theatre: Taiwan’s Evasion of the Pandemic." Asian Journal of Law and Society, September 23, 2022, 1–11. http://dx.doi.org/10.1017/als.2022.19.

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Abstract Taiwan’s record of preventing infections and deaths from COVID-19 outshines that of almost every other nation, far outstripping the performance of the US, all European countries, and almost all Asian countries. Yet Taiwan is the nation closest to Wuhan, font of the pandemic. Equally importantly, Taiwan’s public health achievement has occurred without the government dictates such as business and residential lockdowns that have aroused controversy and caused economic and psychological distress around the globe. This essay relates the story of Taiwan’s actions during the crucial early mo

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Korsten, Frans-Willem. "The Judiciary’s Theatrical Achilles’ Heel: Acting the Fool (RAF members) compared to Acting in Bad Faith (Alex Jones)." Documenta 41, no. 2 (2023). http://dx.doi.org/10.21825/documenta.90036.

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This article compares theatrical courtroom provocations by leftist activists and militants in the 1960s and 1970s with recent ‘bad faith’ actions in court by the American right-wing activist Alex Jones. The article proposes that law’s theatrical way of showing a general audience how the judiciary aims to serve justice is annoyed but not threatened by defendants acting the fool. The reason is that acting the fool provokes a confrontation between two different kinds of theater&nbsp;in court. In this confrontation, the agonistic logic of the court case is still operative, with the law embodyi

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Dissertations / Theses on the topic "Theatre judiciaire"

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Dussueil, Valentine. "Beaumarchais, polémique judiciaire et théâtre." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL021.

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« Orateur selon le danger », Beaumarchais le fut dans les cinq procès où il eut à se défendre. Les mémoires judiciaires qu'il publia, dans ce but, empruntent à la fois à l'art du dramaturge, du polémiste et du plaideur. Son éloquence fait signe vers le théâtre par l'emploi de formes dramatiques, comme le dialogue ou le tableau, et par l'élaboration de personnages créés à partir de personnalités des parties adverses. Inversement, les factums furent un terrain d'exercices de style et constituent, à ce titre, un arrière-plan de l'œuvre littéraire. Ils éclairent, chez lui, une obsession du droit,

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CHIEH, HSU CHIH, and 許志杰. "The Application of Educational Theatre in Museums- Case Study of The Exhibition “A Century of Judiciary." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/44478046768171580982.

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碩士<br>國立臺南藝術大學<br>博物館學研究所<br>95<br>More and more museums have introduced the idea of dramas or theaters to fulfill the educational and entertainment functions in the recent years. However, there is indeed a substantial difference between museum theaters and conventional theaters as these two disciplines are distinctly dissimilar. To discuss the roles of theaters in museology, we need to first examine the characteristics of museums, including space, time, personnel and collection, and clarify the related concepts. The results of this study include: (1)The academic research can be presented in t

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Books on the topic "Theatre judiciaire"

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Gélinas, Gratien. Bousille et les justes: Théâtre. Typo, 2002.

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Enders, Jody. Rhetoric and the origins of medieval drama. Cornell University Press, 1992.

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Judiciary, United States Congress Senate Committee on the. S. 2349, the Playwrights Licensing Antitrust Initiative Act: Safeguarding the future of American live theater : hearing before the Committee on the Judiciary, United States Senate, One Hundred Eighth Congress, second session, April 28, 2004. U.S. G.P.O., 2004.

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4

Aziz, Sahar. Theater or Transitional Justice. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190628567.003.0011.

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In Chapter 11, Sahar Aziz discusses rule of law and judicial independence in the context of the Egyptian transition. She argues that while many external observers have viewed the Egyptian judiciary as relatively independent, political control by the Mubarak regime limited that independence successfully, and rendered the judiciary conservative. Further, she argues, while the concept of rule of law has been operational in the country, rather than a thick understanding of rule of law, there has been a hybrid version, of thin rule of law combined with rule by law. These phenomena operate in the co

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Nelson, Anne. Red Orchestra. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350322424.

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For years, the history of the anti-Nazi resistance in Germany was hidden and distorted by Cold War politics. Providing a much-needed corrective, Red Orchestra presents the dramatic story of a circle of German citizens who opposed Hitler from the start, choosing to stay in Germany to resist Nazism and help its victims. The book shines a light on this critical movement which was made up of academics, theatre people, and factory workers; Protestants, Catholics and Jews; around 150 Germans all told and from all walks of life. Drawing on archives, memoirs, and interviews with survivors, award-winni

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Book chapters on the topic "Theatre judiciaire"

1

Biet, Christian. "Spectacle and martyrdom: bloody suffering, performed suffering and recited suffering in French tragedy (late sixteenth and early seventeenth centuries)1." In The Hurt(ful) Body. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784995164.003.0002.

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Biet’s chapter about French 17<sup>th</sup>- and 18<sup>th</sup>- century spectacle and text introduces the important theme of performance by reaffirming the key role of performing in terms of a public repetition of traumatic experiences already stirring the social fabric. At the start of the early modern period, when tragedy re-emerges in a sort of re-birth, tragic theatre becomes an alternative scenery for social action, a virtual scene for experimental lives, but also another scaffold and another judicial court for the audience, taking place inside theatres. Performing bodies, as Biet’s acc

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2

Wagner, Bryan. "The Trial of Romeo Rosebud." In Looking for Law in All the Wrong Places. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823283712.003.0016.

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Theatricality was essential to the legal process in late nineteenth-century police courts. Structured to dispatch their dockets quickly and inexpensively, police courts had no pretense to due process, and their outcomes were left to the discretion of the mayor or magistrate, leaving a lot of room for improvisation. After the format for blackface theater was standardized in the 1840s, the afterpiece of many shows was set in a police court, and these burlesque courtroom scenes betray a surprisingly robust understanding of the mechanics of the minor judiciary. Combined readings of a blackface the

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3

Rodríguez-Solás, David, and David Rodríguez-Solás. "Testing the Audience’s Judgement: Please, Continue (Hamlet) by Roger Bernat and Yan Duyvendak." In Daring Adaptations, Creative Failures and Experimental Performances in Iberian Theatre. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781802078015.003.0016.

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Please, Continue (Hamlet), created and directed by Roger Bernat and Yan Duyvendak, has been presented globally both in theatres and courtrooms over a hundred times in the last eight years. The latest developments of the play have introduced cultural specificity that situate this case within each national judiciary system. For instance, in April 2019, the play highlighted race inequality in Chicago’s legal system. In May 2019, the performance in Madrid happened as Catalan politicians were tried for organizing and celebrating an independence referendum, which resulted in a crisis of confidence i

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Keogh, Richard A. "‘Why, it’s like a ’98 trial’: The Irish Judiciary and the Fenian Trials, 1865–1866." In Crime, Violence and the Irish in the Nineteenth Century. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940650.003.0008.

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This chapter focuses on the ‘Fenian trials’ of 1865–66. It challenges us to think beyond established ‘speeches from the dock’ narratives to consider the part played by the judiciary in the theatre of the court. While names such as Kickham, Luby, Rossa, and o’Leary will roll of the tongues of many today, fewer will recall a William Keogh, or a John David Fitzgerald, the two Catholic judges who presided over the special commission that tried the Fenian accused. There was much criticism at the time that the state had ‘packed the bench’, an accusation levelled with regularity throughout the ninete

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"Basic Legal Rights." In Voices of Civil Rights Lawyers, edited by Kent Spriggs. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054322.003.0004.

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Part 3 discusses the growth of basic legal rights. In the twenty-first century it can be hard to appreciate how remarkably welcoming the federal judiciary was to the claims of the civil rights movement. Part 3 includes chapter 7, “Access to Justice”; chapter 8, “Voting Rights and Political Representation”; chapter 9, “Public Accommodations”; chapter 10, “School Desegregation and Municipal Equalization”; and chapter 11, “Employment Discrimination.” Voting rights and political representation were key. The Voting Rights Act of 1965 opened the portals for dramatic increases in black voter registra

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