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Books on the topic 'Theatre operations'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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1

1952-, Ford Mary Jo, ed. The well-run theatre: Forms & systems for daily operations. New York: Drama Book, 1993.

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2

Service, Canadian Security Intelligence. Irish nationalist terrorism outside Ireland: Out-ot-theatre operations 1972-1993. Ottawa, Ont: Canadian Security Intelligence Service = Service canadien du renseignement de sécurité, 1994.

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3

Freeman, Jon. The Supermarine Spitfire Mk I-VI in the European theatre of operations. Oxon: Aviation Workshop Publications, 2004.

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4

(Thessalonikē, Greece) Hidryma Meletōn Chersonēsou tou Haimou. The Salonica theatre of operations and the outcome of the Great War. Thessaloniki: Institute for Balkan Studies, 2005.

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5

Agency, NHS Modernisation. Tackling cancelled operations: Interim guidance from the NHS Modernisation Agency Theatre Project. [London]: NHS Modernisation Agency, 2001.

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6

NHS Modernisation Agency. Theatre Project. Tackling cancelled operations: Interim guidance from the NHS Modernisation Agency Theatre Project. London: NHS Modernisation, 2001.

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7

Rohwer, Jürgen. Allied submarine attacks of World War Two: European theatre of operations, 1939-1945. Annapolis, Md: Naval Institute Press, 1997.

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8

Manninen, Ohto. The Soviet plans for the North Western theatre of operations in 1939-1944. Helsinki: National Defence College, 2004.

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9

Rohwer, Jürgen. Allied submarine attacks of World War Two: European theatre of operations, 1939-1945. London: Greenhill Books, 1997.

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10

Rose, Ben Lacy. Letters home: While a chaplain in the U.S. Army in the European Theatre of Operations during World War II, 1944-45. [Richmond, Va.?]: B.L. Rose, 1986.

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11

Wilson's cavalry corps: Union campaigns in the western theatre, October 1864 through spring 1865. Jefferson, N.C: McFarland & Co., 1998.

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12

Command and control of theater forces: Adequacy. Washington, D.C: AFCEA International Press, 1985.

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13

United States. Joint Chiefs of Staff. Joint tactics, techniques, and procedures for theater airlift operations. [Washington, D.C.?]: Joint Chiefs of Staff, 1995.

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14

Cushman, John H. Command and control of theater forces: Future of force projection. Cambridge, Mass: Program on Information Resources Policy, Harvard University, Center for Information Policy Research, 1995.

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15

Boutwell, Brian. Some planning considerations for joint operations in a maritime theater. Monterey, Calif: Naval Postgraduate School, 1989.

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16

Enjames, Henri-Paul. Government issue: U.S. Army European Theater of Operations collector guide. Paris: Histoire & Collections, 2003.

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17

Cushman, John H. Command and control of theater forces: Issues in Mideast coalition command. Cambridge, Mass: Program on Information Resources Policy, Harvard University, Center for Information Policy Research, 1990.

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18

Coletta, Paolo Enrico. Allied and American naval operations in the European theater, World War I. Lewiston: E. Mellen Press, 1996.

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19

Air University (U.S.). College of Aerospace Doctrine, Research, and Education., ed. Turning the vertical flank: Airpower as a maneuver force in the theater campaign. Maxwell Air Force Base, Ala: Air University Press, 2002.

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20

United States. Joint Chiefs of Staff. Doctrine for joint theater missile defense. Washington, D.C: Joint Chiefs of Staff, 1994.

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21

Muñoz-Seca, Beatriz. The new operational culture: The case of the theatre industry. New York: Palgrave Macmillan, 2009.

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22

E, Cowdrey Albert, and Center of Military History, eds. The medical department: Medical service in the European theater of operations. 5th ed. Washington, D.C: Center of Military History, U.S. Army, 1992.

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23

Haberlin, Richard J. Analysis of unattended ground sensors in theater Missile Defense Attack Operations. Monterey, Calif: Naval Postgraduate School, 1997.

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24

Sadykiewicz, Michael. Soviet-Warsaw Pact western theater of military operations: Organization and missions. Santa Monica, CA (1700 Main St., Santa Monica 90406-2138): Rand, 1987.

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25

Sadykiewicz, Michael. Soviet-Warsaw pact western theater of military operations: Organization and missions. Santa Monica, CA: Rand Corporation, 1987.

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26

Cosmas, Graham A. The medical department: Medical service in the European theater of operations. Washington, D.C: Center of Military History, United States Army, 1992.

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27

Martin, Jean Christophe. Theatre of Operations. Edited by Marc Weller. Oxford University Press, 2016. http://dx.doi.org/10.1093/law/9780199673049.003.0035.

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This chapter explores ‘theatre of operations’ as a legal concept in international law, with emphasis on the geographical extent—‘boundaries of the battlefield’—of the use of force by belligerents. It addresses the meaning of ‘theatre of operations’ by considering two legal issues: the right of parties to an armed conflict to conduct military operations and the applicable law to armed operations carried out beyond the borders of a state. It examines the notion of the area of war in the context of jus in bello, jus ad bellum, and actions taken by the UN Security Council in response to armed conflicts, with reference to security and exclusion zones. It identifies ‘protected zones’ in which military operations are excluded based on the international law of armed conflicts and looks at issues raised by cyber warfare pertaining to the applicability of classic provisions of jus ad bellum and jus in bello.
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28

Operations Most Secret: SOE - the Malayan Theatre. Crecy Publishing Ltd, 1994.

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29

Cascarini, Luke, Clare Schilling, Ben Gurney, and Peter Brennan. In the theatre. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198767817.003.0006.

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This chapter discusses oral and maxillofacial surgery in the theatre, including operations, Overview of maxillofacial trauma surgery -Mandibular fractures, Zygomatic fractures, Orbital floor fractures, Other fractures, Dento-alveolar surgery, Head and neck oncology and reconstructive surgery, Salivary gland surgery, Orthognathic surgery, Facial plastic surgery, and Miscellaneous operations
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30

German Northern Theatre of Operations 1940-45 (German Report). Naval & Military Press, 2003.

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31

P47 Thunderbolt With The Usaaf European Theatre Of Operations. Kagero Oficyna Wydawnicza, 2013.

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32

Harrison, Gordon, and Gordon A. Harrison. European Theatre of Operations : Cross Channel Attack(reprint ed). Dept. of the Army, 1993.

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33

Observations Combat and Occupation in European Theatre of Operations. Sudco, Inc., 2003.

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34

Cross Channel Attack, WW II: The European Theatre of Operations. BDD Promotional Books Company, 1993.

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35

GERMAN REPORT SERIES: GERMAN NORTHERN THEATRE OF OPERATIONS 1940-45 (German Report Series). Naval & Military Press, 2006.

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36

United States Army in World War 2, European Theatre of Operations, Breakout and Pursuit. Government printing office, 1988.

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37

Quarrie, Bruce. German Airborne Divisions: Mediterranean Theatre 1942-45 (Battle Orders). Osprey Publishing, 2005.

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38

Williams, Paul D. Logistics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198724544.003.0009.

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This chapter analyses five sets of challenges related to logistics support that constrained AMISOM’s operational effectiveness. These revolved around the expanding scope of UNSOA’s mandated tasks; the clash between the distinct organizational cultures at the UN and the AU; the highly insecure operating environment in Somalia; the problems posed by the size of UNSOA’s theatre of operations from 2012; and some of the idiosyncrasies of its principal client, AMISOM. UNSOA had a mixed record but overall produced positive results for AMISOM and demonstrated a new, flexible mechanism for the UN to deliver field support. The chapter concludes by identifying six lessons UNSOA’s experience offers for future peace operations, especially in Africa.
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39

Hughes, Jim. Management of theatre imaging. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198813170.003.0007.

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This chapter covers the basics of managing surgical imaging across one or more theatres/operating rooms, with examples of potential pitfalls and errors that may occur and how to remedy them. Professional working and management of conflict and issues is also covered, at the level of both the individual radiographer and the team manager. As C-arm systems are expensive, it is unlikely that each operation theatre in a hospital will have its own, and imaging systems will hence be shared across the theatre department. It is therefore important for radiographers working in theatre departments to manage their resources and coordinate with theatre teams to avoid delaying procedures.
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40

Bourne, Merfyn. Second World War in the Air: The Story of Air Combat in Every Theatre of World War Two. Troubador Publishing Limited, 2013.

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41

The Pacific War: The Story of the Bitter Struggle in the Pacific Theatre of World War II (Classic Conflicts). Combined Publishing, 1999.

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42

Masco, Joseph. The Theater of Operations. Duke University Press, 2014. http://dx.doi.org/10.1215/9780822375999.

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43

ULTRA: Its Operational Use in the European Theater of Operations, 1943-1945. Carlisle Barracks, Pa.: U.S. Army War College, 1991.

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44

Dutta, T. K. Fundamentals of Operation Theatre Services. Jaypee Brothers Medical Publishers (P) L, 2005.

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45

Kilpadi. Handbook of Operation Theatre Techniques. Jaypee Brothers,Medical Publishers,India, 2004.

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46

Kilpadi, Arun. Handbook of Operation Theatre Techniques. Jaypee Brothers Medical Publishers (P) Ltd., 2004. http://dx.doi.org/10.5005/jp/books/10342.

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47

Fair, Alistair. ‘Housing the Arts’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807476.003.0003.

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This chapter discusses how major new theatres were funded in Britain between the 1950s and the 1980s. It considers the role of local government in promoting and subsidizing the construction of theatres, as well as the contributions made by individual benefactors, grant-giving trusts, and local fundraising efforts. Its focus, however, is the Arts Council’s ‘Housing the Arts’ programme, which was introduced in 1965 and survived into the 1980s. ‘Housing the Arts’ only ever part funded theatre-building projects, but its views carried particular weight. Based on the extensive archives relating to the programme, the chapter charts the origins and operation of the programme, and the difficulties that it increasingly faced.
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48

Ng, Wing Chung. Theater as Transnational Business. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039119.003.0008.

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This chapter draws on archival material from Vancouver, Canada, to examine the business operation behind the Chinatown stage. The focus on the operational side of Cantonese opera as a Chinatown-based transnational business dovetails with the institutional approach and emphases in the other parts of the book. Especially with regard to North America, the findings on the performing itineraries of actors and actresses, and the underlying commercial and social networks that supported such mobility, not only illustrate the dynamic quality of transnational theater, but provide testimony to the historical agency of the migrant communities often overlooked in the circumscribed environment of Chinatown during the exclusion era. Chinatown theater may seem elusive as a subject of historical analysis, but it was indeed a most demonstrably transnational undertaking in the diaspora experience of these migrants.
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49

Thompson, Julian. The Operational Legacy of the Falklands War. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190851163.003.0011.

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This chapter explores the operational legacy of the Falklands War through the lens of organizational and operational innovations. It takes Freedman’s official history of the conflict, and its assessment of the legacy of the conflict, as the point of departure. Based on the premise that the conflict was the first British naval operation in decades, it identifies a range of innovations – the establishment of a war cabinet, the appointment of an overall in-theatre commander, the requirement for an amphibious capability amongst them – that can be linked to the success of the Falklands campaign. But, the legacy of the Falklands has been lost. However, very little of the operational legacy of the Falklands War remains.
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50

Alarmstart South and Final Defeat: The German Fighter Pilot's Experience in the Mediterranean Theatre 1941-44 and Normandy, Norway and Germany 1944-45. Amberley Publishing, 2019.

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