Academic literature on the topic 'Theatre-Royal (Dublin, Ireland)'

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Journal articles on the topic "Theatre-Royal (Dublin, Ireland)"

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Wallace, Clare. "Commemoration, ambivalent attachments and catharsis: David Ireland’s Cyprus Avenue at the Abbey Theatre in 2016." Scene 8, no. 1-2 (2020): 91–103. http://dx.doi.org/10.1386/scene_00025_1.

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This article analyses David Ireland’s 2016 play, Cyprus Avenue, in which Eric, a middle-aged Ulster Unionist, becomes convinced that his infant granddaughter is Gerry Adams. Ireland is a Belfast-born actor and playwright whose works – Can’t Forget about You (2013) and Ulster American (2018) – have recently generated critical acclaim and debate. Cyprus Avenue, directed by Vicky Featherstone, opened in February at the Abbey Theatre Dublin as part of the theatre’s 1916 commemorative programme, before transferring to the Royal Court. With attention to the nuances of these production conditions, th
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Harris, Susan Cannon. "Clearing the Stage: Gender, Class, and the Freedom of the Scenes in Eighteenth-Century Dublin." PMLA/Publications of the Modern Language Association of America 119, no. 5 (2004): 1264–78. http://dx.doi.org/10.1632/s0030812900101737.

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This essay investigates the conditions and consequences of Thomas Sheridan's attempt to bar spectators from behind the scenes at the Theatre-Royal in Dublin's Smock Alley. Sheridan succeeded in revoking the “freedom of the scenes”—a privilege by which aristocratic men were allowed to roam the green room, dressing rooms, and stage during the performance—because Dublin was the cultural and political center of a colonial society whose members were struggling for control over the spaces outside the theater. The reform provoked a conflict known as the Kelly riots, which began with a spectator's att
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Morris, Catherine. "‘Unremarkable, Forgotten, Cast Adrift’: Feminist Revolutions in Irish Visual Culture." Review of Irish Studies in Europe 2, no. 2 (2018): 70–88. http://dx.doi.org/10.32803/rise.v2i2.1888.

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This creative essay examines how visual culture and Alice Milligan’s re-animation of the Tableaux as a radical form of theatre practice operated as a link between ideas of national culture and revolutionary feminism in Ireland. But the tableaux had other elective affinities too. Theatre, photography and the magic lantern were the most immediately obvious of these; but cinema and art installation are by now also recognizably among them. The moving cinematic image is in fact a series of still pictures which give the effect of movement. As silent films became more popular in Ireland in the early
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Khan, Rizwana I., Kealan McElhinney, Andrew Dickson, Ronan P. Kileen, Conor Murphy, and Donncha F. O’Brien. "Image-guided orbital surgery: a preclinical validation study using a high-resolution physical model." BMJ Open Ophthalmology 9, no. 1 (2024): e001568. http://dx.doi.org/10.1136/bmjophth-2023-001568.

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ObjectivePreclinical validation study to assess the feasibility and accuracy of electromagnetic image-guided systems (EM-IGS) in orbital surgery using high-fidelity physical orbital anatomy simulators.MethodsEM-IGS platform, clinical software, navigation instruments and reference system (StealthStation S8, Medtronic) were evaluated in a mock operating theatre at the Royal Victoria Eye and Ear Hospital, a tertiary academic hospital in Dublin, Ireland. Five high-resolution 3D-printed model skulls were created using CT scans of five anonymised patients with an orbital tumour that previously had a
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"Proceedings of the Psychiatry Section of the Royal Academy of Medicine in Ireland (RAMI) and the Faculty of Academic Psychiatry of the College of Psychiatrists of Ireland, BST and HST competition. Venue: Albert Theatre, Royal College of Surgeons, 123, St. Stephen’s Green, Dublin 2 on Thursday 30th May 2019." Irish Journal of Medical Science (1971 -) 188, S6 (2019): 27–29. http://dx.doi.org/10.1007/s11845-019-02052-1.

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"Proceedings of the Psychiatry Section of the Royal Academy of Medicine in Ireland (RAMI) and the Faculty of Academic Psychiatry of the College of Psychiatrists of Ireland, BST and HST competition. Venue: Lecture Theatre, RCPI, 6, Kildare Street Dublin 2 on Thursday 24th May 2018." Irish Journal of Medical Science (1971 -) 187, S7 (2018): 231–35. http://dx.doi.org/10.1007/s11845-018-1869-z.

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Books on the topic "Theatre-Royal (Dublin, Ireland)"

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J, Walsh T., ed. Opera in Dublin, 1798-1820: Frederick Jones and the Crow Street Theatre. Oxford University Press, 1993.

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Book chapters on the topic "Theatre-Royal (Dublin, Ireland)"

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"A." In The Oxford Companion To Irish Literature, edited by Robert Welch and Bruce Stewart. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198661580.003.0001.

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Abstract Abbey Theatre, the (Irish Literary Theatre; later Irish National Theatres), grew out of the *literary revival that took place after the death of*Pamell in r891. This reflected a renewed enthusiasm for Gaelic literature, language, and culture, and an ambition shared by Standish James *O’Grady, W. B. *Yeats, Douglas *Hyde, George *Moore, and others to create a modem but distinctively Irish artistic life by drawing upon Ireland’s varied traditions. These did not include drama, however, and Irish writers had nothing like the same access to ahistory of theatrical achievement as those in ot
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