Relevant bibliographies by topics / Theatrical realism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Theatrical realism'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Theatrical realism"

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Anan, Nobuko. "Theatrical realism in manga: Performativity of gender in Minako Narita's Alien Street." Journal of Adaptation in Film & Performance 12, no. 3 (2019): 133–41. http://dx.doi.org/10.1386/jafp_00002_1.

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Abstract This article examines different conceptions of realism in theatre and manga by focusing on gender performance in Minako Narita's manga, Alien Street (1980‐84). It depicts a male actor who plays female roles in realist theatre productions. I argue that the believability of this gender performance stems in part from the conventions of manga realism, where non-realistic signs are used to mark gender distinctions. However, in contrast to these conventions, this manga also highlights the performative nature of gender by revealing how a realist stage forces the performers to cite and repeat
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Greenstreet, Hannah. "Virtual Realism and Black Feminist World-Building in seven methods of killing kylie jenner by Jasmine Lee-Jones." Journal of Contemporary Drama in English 13, no. 1 (2025): 167–85. https://doi.org/10.1515/jcde-2025-2010.

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Abstract While theatre-makers have responded to the challenges of staging the Internet in many different ways in the last thirty years, there persists a critical assumption that realism is incapable of representing this aspect of contemporary reality. However, I suggest such a dismissal of realism insists upon a false dichotomy between the “real” and the “virtual” that does not account for the intermeshing of the two in twenty‑first‑century life. I argue that Jasmine Lee‑Jones’s seven methods of killing kylie jenner (Royal Court Theatre, 2019) develops a form of “virtual realism” (Bay‑Cheng) t
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Oh, Hansol. "Mapping Polivocality in East Asian Theatrical Realism." Performance Research 29, no. 1 (2024): 122–23. https://doi.org/10.1080/13528165.2024.2408197.

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Sehat, David. "Gender and Theatrical Realism: The Problem of Clyde Fitch." Journal of the Gilded Age and Progressive Era 7, no. 3 (2008): 325–52. http://dx.doi.org/10.1017/s1537781400000748.

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Clyde Fitch was the most famous playwright of the early twentieth century, but today no one studies him. The disconnect between his fame in his lifetime and his obscurity after death points to a major historiographical problem, a problem that began in Fitch's own day. Fitch's numerous contemporary critics, many of whom were early proponents of theatrical realism, criticized his plays as effeminate, bound by the narrow conventions of the legitimate theater that relied on women as its predominant patrons. By contrast, realism, as the critics under-stood it, was masculine, bringing the gritty rea
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Ahmed, Shokhan Rasool. "A Comparative Study of Modern Theatrical Technicalities in The Glass Menagerie and The Cherry Orchard." Journal of University of Raparin 8, no. 2 (2021): 192–204. http://dx.doi.org/10.26750/vol(8).no(2).paper9.

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The nineteenth Century produced some of the most complex plays that today represent modern theatrical technicalities that differed in several ways from twentieth Century plays. In the twentieth Century, Tennessee Williams was acknowledged for the diversity of genres he covered in his plays, most of which focused on the dark aspects of human experience, which lent significant technicalities to his plays, most notably, The Glass Menagerie. Similarly, Anton Chekhov is a nineteenth Century playwright who developed plays that introduced several theatrical technicalities. He was renowned for portray
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Klosi, Iris. "Translation and Theatre Performance of Arthur Miller’s Plays in Albania." European Journal of Language and Literature 4, no. 4 (2018): 10. http://dx.doi.org/10.26417/ejls.v4i4.p10-16.

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This paper explores the challenges and difficulties faced by theatrical translators and stage directors during the process of acculturating and adapting foreign written plays to the target audience. More specifically, the focus is on the translation and performance of some of Arthur Miller’s plays such as “Death of a Salesman”, “The Crucible”, “A View from the Bridge”, “Incident at Vichy” in Albania during the socialist realism and in the democracy era. The paper contains translation and stylistic analysis of the above-referred plays as well as performance analysis in the target culture suppor
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Aaltonen, Sirkku. "Rewriting Representations of the Foreign: the Ireland of Finnish Realist Drama." TTR : traduction, terminologie, rédaction 9, no. 2 (2007): 103–22. http://dx.doi.org/10.7202/037260ar.

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Abstract Rewriting Representations of the Foreign : the Ireland of Finnish Realist Drama — In this article, the author discusses what happens to culture-specific elements in the translation of realist drama. Following the polysystem approach, the hypothesis is that translation involves acculturation, or manipulation, even though realism as a style of presentation professes to be "lifelike." Which elements are acculturated, and how, is linked to the awareness assumed on the part of the audience of the cultural and generic conventions as well as of the dramatic function of the culture-specificel
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Bowers, Maggie Ann. "Enacting the Impossible: Techniques and Limitations of Staging Magical Realism." Journal of Foreign Languages and Cultures 8, no. 2 (2024): 58–72. https://doi.org/10.53397/hunnu.jflc.202402006.

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This paper explores the complexities of bringing the imaginative extremes of magical realism to the physical realm of the stage. Magical realism famously challenges the reader by demanding not just a suspension of belief but also a suspension of disbelief—it demands that we suspend our beliefs in the physical reality of our existence and move into a realm where we are required to accept the excesses of the imagination beyond what is usually considered to be fiction’s limits. Moreover, it requires the willingness on the part of the reader to take up the challenge of accepting what would be impo
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Gaevska, Nadya, and Olena Pylypei. "DMITRY CHYZHEVSKY ON THE FEATURES OF THE REALISM DEVELOPMENT IN UKRAINIAN LITERATURE." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 31 (2022): 9–11. http://dx.doi.org/10.17721/1728-2659.2022.31.02.

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We are talking about the reception of D. Chizhevsky specifics of the development of realism in Ukrainian literature. The work of the scientist "Realism in Ukrainian Literature" (1956) is analyzed. Emphasis is placed on the development of the Ukrainian language, the development of Ukrainian realistic theater and Ukrainian culture in general. Speaking about the development of Ukrainian realistic theater, the researcher notes the significant role of I. Karpenko-Kary, M. Kropyvnytsky, M. Starytsky. At the same time, the development of theatrical business in Western Ukraine of that period is analyz
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Garner, Stanton B. "Staging “things”: Realism and the theatrical object in Shepard's theatre." Contemporary Theatre Review 8, no. 3 (1998): 55–66. http://dx.doi.org/10.1080/10486809808568521.

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Dissertations / Theses on the topic "Theatrical realism"

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Herane, Amanda Rios. "\'Melhor que o melhor dos sonhos\': família e ordem social na prosa de Machado de Assis (décadas de 1860 e 1870) e no teatro realista brasileiro." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-13032017-113828/.

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Esta pesquisa propõe uma comparação entre contos e romances produzidos por Machado de Assis nas décadas de 1860 e 1870 e produções do teatro realista brasileiro, desenvolvido no país entre as décadas de 1850 e 1860, com o objetivo de capturar suas representações da ordem familiar. Levando-se em conta que Machado de Assis foi entusiasta do realismo teatral, como assinalam alguns dos textos que o autor publicou na imprensa, é possível constatar importantes semelhanças entre a prosa machadiana estudada e obras do teatro realista nacional, no que tange ao tratamento de assuntos concernentes à esfe
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Susic, Semir. "Beyond Good and Evil : An essay on the combination of ideas and aesthetics in George Bernard Shaw's Mrs Warren’s Profession." Thesis, Stockholm University, Department of History of Literature and History of Ideas, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8314.

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<p>The objective of this essay is to approach a larger comprehension of the drama of George Bernard Shaw. The essay studies the combination of ideas and aesthetics in the play Mrs Warren’s Profession; how theatrical and mainly literary aesthetics interplay with political ideas and what the consequence of this combination is. The study illustrates that the dramatic method consists of using ideas as effective theatrical tools to move the reader/viewer by thought and not by sentiment. The study also illustrates that a key to understanding Shaw’s drama can be found in the construction of operas an
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Zambrano, Gustavo. "A trajetória artística de Furtado Coelho nos palcos brasileiros : (1856-1867)." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/152956.

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Submitted by Gustavo Zambrano null (guzambrano@hotmail.com) on 2018-03-08T13:01:13Z No. of bitstreams: 1 dissertacao_Gustavo Zambrano.pdf: 7437904 bytes, checksum: 458117ad057d29628388c8e233e952b9 (MD5)<br>Approved for entry into archive by Elza Mitiko Sato null (elzasato@ibilce.unesp.br) on 2018-03-09T17:54:39Z (GMT) No. of bitstreams: 1 zambrano_g_me_sjrp.pdf: 7437904 bytes, checksum: 458117ad057d29628388c8e233e952b9 (MD5)<br>Made available in DSpace on 2018-03-09T17:54:39Z (GMT). No. of bitstreams: 1 zambrano_g_me_sjrp.pdf: 7437904 bytes, checksum: 458117ad057d29628388c8e233e952b9 (MD5)
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Larsson, Cornelia. "Teaterrekvisitan som aktiv deltagare : Att trigga ljudeffekter från scen." Thesis, Blekinge Tekniska Högskola, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-19894.

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Detta arbete syftar till att undersöka de relationer som uppstår mellan teaterrekvisita, skådespelare och ljudtekniker genom det posthumanistiska perspektivet agentiell realism. Jag utforskar även vilka fenomen som uppstår ur dessa relationer. Vad händer när sensorer implementeras i rekvisitan så att skådespelarna själva kan trigga vissa ljudeffekter från scenen?  För att undersöka detta har jag tagit fram prototyper av teaterrekvisita med sensorer och på så sätt i viss mening gett föremålen en egen röst. Detta bidrar till att de kan delta i dialogen med människorna i en föreställning, samtidi
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Morandini, Sofia <1994&gt. "Immersive storytelling in artistic, cinematic and theatrical virtual reality pieces." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19130.

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Nel contesto della narrazione immersiva il presente studio si pone l’obiettivo di esplorare e discutere il potenziale dei dispositivi di realtà virtuale quali mezzi per veicolare storie coinvolgenti e interattive. Grazie all’analisi comparativa di teorie narrative tradizionali relative al campo letterario, teatrale e cinematografico si giunge alla formulazione di una teoria della narrazione propria della realtà virtuale, ponendo l’enfasi su aspetti quali l’interazione, l’immersione e la centralità dell’utente nella storia. In base alla teoria fornita sulla realtà virtuale, si descrivono vari m
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Taylor, Aaron. "The Pathology of Alienation: A Psycho-Sociological Approach to the Theater of Paloma Pedrero." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?ucin1109022646.

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Thesis (Ph. D.)--University of Cincinnati, 2005.<br>Advisor: Taylor. Title from electronic thesis title page (viewed \May 20, 2008). Keywords: Paloma Pedrero; Theater; Gestalt therapy; Robert Merton; Sociology; Alienation; Marginalization; Pathology; Theatrics; Aristotle; Brecht; Antonio Buero Vallejo; Neorealism; Twentieth-century Spain; Realism; Deviancy; Deviance; Socialization; Deviant; Retr. Includes abstract. Includes bibliographical references.
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McCurdy, Marian Lea. "Acting and its refusal in theatre and film." Thesis, University of Canterbury. Theatre and Film Studies, 2014. http://hdl.handle.net/10092/10038.

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This thesis examines works of theatre and film that explore a refusal of acting. Acting has traditionally been considered as something false or as pretending, in opposition to everyday life, which has been considered as something real and truthful. This has resulted in a desire to refuse acting, evident in the tradition of the anti-theatrical prejudice where acting is considered to be seductive and dangerous. All the works that I examine in this thesis are relatively recent and all of them explore the paradox that in our (postmodern) times a gradual reversal has occurred where everyday life is
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Dong-KuanLi and 李東寬. "Dramatist Realism or Theatrical Realism – Creative and Conservative Ways of Epic Theater." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/78186754681373931515.

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碩士<br>國立成功大學<br>藝術研究所<br>98<br>Although Bertolt Brecht viewed Epic theater as an innovation of realism, his theatrical techniques are totally different from traditional realistic plays. The controversy it brought up went two ways: one focused on criticizing the performing style, claiming that Epic theater is only a transformation of realism; the other, the left wing intellectuals, thought that realism should be a progressive artistic style of a new society and stratum, and Epic theater just rejected to honestly represent the “real” society. However, the two arguments both failed to put the bas
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Ly, Hieu-Thong. "Le plan-séquence chez Kenji Mizoguchi." Thèse, 2012. http://hdl.handle.net/1866/9151.

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Cette recherche porte sur le langage cinématographique (ou mode de représentation) adopté par Mizoguchi en contraste avec le style classique hollywoodien. Notre hypothèse est que le refus de Mizoguchi de recourir au découpage classique et au gros-plan procurerait au spectateur une expérience de perception qui tendrait à se rapprocher de celle vécue par un spectateur de théâtre ou le témoin d’une action se déroulant dans notre monde physique. Mizoguchi a débuté son métier au début des années 1920. Le cinéma japonais venait tout juste de prendre la voie d’un art nouveau en quittant son statut d
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Books on the topic "Theatrical realism"

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Storer, Inez. Theatrical realism: The art of Inez Storer. De Saisset Museum, 2003.

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interviewer, Bossart Rolf editor, and Rau Milo 1977-, eds. Globaal realisme. NTGent, 2018.

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The Actors Studio and Hollywood in the 1950s: A History of Theatrical Realism. Edwin Mellen Pr, 2007.

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Storer, Inez. Theatrical Realism: The Art of Inez Storer: De Saisset Museum, Santa Clara University, September 27-December 7, 2003. de Saisset Museum Santa Clara University, 2003.

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Barker, Roberta. ‘Deared by Being Lacked’. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.5.

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Though it has been much criticized by theatre artists and scholars, the legacy of theatrical realism and naturalism continues to shape contemporary Shakespearean performance. If realist and naturalist approaches to acting fail to encompass the full power of the Shakespearean play-text—or to remedy its more problematic aspects—is this failure necessarily unproductive? Considering this question in relation to the play-text of Antony and Cleopatra and a few of its recent theatrical incarnations, this chapter argues that the lacks, omissions, and failures of realist and naturalist modes of perform
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Tait, Peta, ed. The Great European Stage Directors. Bloomsbury Publishing Plc, 2019. http://dx.doi.org/10.5040/9781474208390.

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This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski’s theatre direction proved foundational to the creation of the director’s role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnel
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Cole, Emma, ed. Experiencing Immersion in Antiquity and Modernity. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350419124.

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This book examines the links between experiencing immersion in antiquity and modernity. Immersive experiences are big business within today’s creative economy. Forms range from immersive museum exhibitions, theatrical performances, art installations and experiences facilitated through virtual and augmented reality technologies. Yet the idea of immersion is not new; paintings, sculpture and theatre have all been theorised historically in terms of illusion, realism and immersion. From antiquity to modernity, there has been an interest in theorising the relationship between reality and virtual re
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Taylor, Millie. Lionel Bart. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.20.

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Lionel Bart created musical theatre works from a uniquely British working-class perspective. Rather than having an academic training he relied on instincts developed from a working-class East End Jewish upbringing, the London pop music industry, and his early theatrical experiences at Unity and Theatre Workshop. From these diverse influences he produced what is arguably one of the best-loved British musicals of all time, Oliver! Subsequently, Blitz! and Maggie May also achieved commercial and critical success in Britain, but did not transfer to Broadway. Building on his background and theatric
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Nikolaj Michajlovic Foregger (1892-1939): Dal simbolismo al realismo socialista. Bulzoni, 2007.

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David, Deirdre. Pamela Hansford Johnson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198729617.001.0001.

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This literary biography traces the life of Pamela Hansford Johnson from her birth in a theatrical family to her death as the widow of C.P. Snow. A prolific writer, she published almost thirty novels, reviewed fiction for major newspapers, and made regular appearances on BBC cultural programmes. She lived through tumultuous changes in British life—1930s political unrest, World War 2, and postwar austerity: social changes that form the background for her fiction. Persuaded by her first love, Dylan Thomas, to abandon writing poetry for writing fiction about her life in South London, she devoted h
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Book chapters on the topic "Theatrical realism"

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Templeton, Joan. "Varieties of theatrical realism after Ibsen." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2022. http://dx.doi.org/10.1075/chlel.xxxiii.23tem.

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Templeton, Joan. "Early theatrical realism on page and stage." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2022. http://dx.doi.org/10.1075/chlel.xxxiii.17tem.

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Nahm, Kee-Yoon. "Theatrical Border Crossings: Stereotypes against Realism in the Plays of Young Jean Lee." In Migration and Stereotypes in Performance and Culture. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39915-3_4.

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Dixon, Paul. "The ‘Real’ and Theatrical Politics of the Peace Process: Beyond Idealism and Conservative Realism." In Performing the Northern Ireland Peace Process. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91343-8_2.

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Leeney, Cathy. "11. Teresa Deevy’s Katie Roche." In Active Speech. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0432.11.

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‘Teresa Deevy’s Katie Roche: Art, Culture, and Performance’ explores Teresa Deevy’s 1936 play Katie Roche to argue for its status as a work that sustains contemporary revival. Elements in favour of this are the play’s complex and layered text that brings together a number of theatre genres (realism, expressionism, comedy), and places at its centre a character that contains multitudes. Beginning with Katie Roche as a valuable record of the conditions under which young women in Ireland in the 1930s lived, and the constraints they often experienced, the chapter looks briefly at the play’s histori
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Vermy, Hans. "Theatrical Immersion within Alternate Reality Games." In Experiential Theatres. Routledge, 2022. http://dx.doi.org/10.4324/9781003188179-22.

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Lisowski, Dan, Kevin Ponto, Shuxing Fan, Caleb Probst, and Bryce Sprecher. "Augmented Reality into Live Theatrical Performance." In Springer Handbooks. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-67822-7_18.

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Valsiner, Jaan. "Masked Morality: Theatrical Reality of Living." In General Human Psychology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75851-6_7.

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Murata, Shin’ichi. "Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.06.

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Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer to tangibility than appearance. Using The Cherry Orchard by A.P. Chekhov as an example, the article examines the role and significance of distinct types of “live sound” that figure out the theatricality of a literary text and its concept. For comparative analysis, well-known Japanese and Italian pe
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Morash, Chris. "5. ‘Very Seldom Are Messages Properly Given’." In Active Speech. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0432.05.

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‘‘Very Seldom are Messages Properly Given’: Teresa Deevy’s Dark Matter’ explores the unsayable in Teresa Deevy’s theatre, focusing on a late play, In the Cellar of My Friend, a play that a play that, apart from a two-day run in 1957, only had a full professional run first in 2017 (Mint Theatre, New York) was only first performed professionally in 2017 (Mint Theatre, New York). It is argued that the apparently deceptively simple realist theatrical texture of Deevy’s theatre constitutes the frame for the exploration of forms of experience that cannot be adequately contained by language, and whic
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Conference papers on the topic "Theatrical realism"

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Malinina, Elena. "Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.

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This article covers some new forms of publicness in the field of art culture of the Russian city of Perm, e.g. dramatics as a performance in a street environment, and synthetic museum-theatrical form under the conditions of a stage box. The study was accomplished mainly via culturological method. At one time theatre left the urban environment, but in the 21st century theatrical forms have begun to permeate urban space again, the statement primarily concerns site-specific theatre. This is equivalent to the birth of new theatrical-city publicity, a new modality of the interpenetration of the pub
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Gagneré, Georges, and Cédric Plessiet. "Experiencing avatar direction in low cost theatrical mixed reality setup." In MOCO '18: 5th International Conference on Movement and Computing. ACM, 2018. http://dx.doi.org/10.1145/3212721.3212892.

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Jung, Frederike, Jonah-Noël Kaiser, Kai Von Holdt, Wilko Heuten, and Jochen Meyer. "The Art of Privacy – A Theatrical Privacy Installation in Virtual Reality." In CHI '23: CHI Conference on Human Factors in Computing Systems. ACM, 2023. http://dx.doi.org/10.1145/3544549.3583893.

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Elias, Larissa, and Maria Luisa Garrido. "The conception of “fashion-sculpture” in Rei Kawakubo’s costumes for the choreography “Scenario”(1997)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.118.

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“The Rei Kawakubo's fashion-sculpture” is an ongoing Master's project, developed at the Postgraduate Program in Visual Design at the Federal University of Rio de Janeiro. The research is centered on the study of the costumes (and its relationship with movements and spatiality) created by the japanese fashion designer Rei Kawakubo for the dance performance “Scenario” (1997), by the american dancer and choreographer Merce Cunningham (1919-2009). The costumes were adapted from the spring-summer Collection “Body meets dress, dress meets body”, designed by Rei and launched by her brand Comme des Ga
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Salter, Chris, Timothy Thomasson, and Pierrick Uro. "Animate: A Theatrical Exploration of Climate Transformation through the Medium of Extended Reality (XR)." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-83-full-salter-et-al-animate.

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This paper presents a critical account of the development of a large-scale theater work using emerging Extended Reality (XR) technologies. Detailing three aspects of the project and set against theoretical frameworks from STS (Science and Technology Studies) and the sociology of innovation around ideas of the future embedded in technologies, we examine the conceptual, aesthetic, organizational and social-technical underpinnings of the project. The paper’s goal is thus to give a sense of the challenges and opportunities in the emerging integration of XR into new artistic morphologies that hybri
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Starciuc, Mariana. "Traditional theater versus documentary theater: theoretical references and conceptual boundaries." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.15.

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The purpose of the author’s approach is to identify the characteristics of the documentary theater by referring to the traditional one. Reflecting on the concepts of theater theorists, we conclude that traditional theater is illusory, the receiver-spectator believes the fictional world produced by the theatrical performance as reality. Dramatic subjects have an integral and logical structure, with „beginning, middle and end”, the stage action succeeds in a canonical order. Unlike traditional theatre, documentary theater is anti-illusory, anti-fiction and stands out for its faithful, exact repr
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7

TOMUȘ, Ionuț. "General Considerations on Performing Poetry in the Current Performing Arts Context." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0012.

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The contemporary theatre landscape seems to have strayed away from the feelings specific to poetry and to reciting it in front of an audience. The topics preferred by theatrical productions now, at the beginning of the XXIst Century, are strongly connected to the social realities one encounters on a daily basis. Certainly, it is reasonable for things to be this way, as theatre depends on firmly anchoring itself in reality, and the means of expression and of conveying emotion have, now, particularities that no one would have thought of fifty years ago. The present study intends to bring perform
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8

Maniatis, Apostolos, Stavroula Bourou, Zacharias Anastasakis, and Kostantinos Psychogios. "VOXReality: Immersive XR experiences combining language and vision AI models." In 9th International Conference on Human Interaction and Emerging Technologies - Artificial Intelligence and Future Applications. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002938.

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In recent years, Artificial Intelligence (AI) technology has seen significant growth due to advancements in machine learning (ML) and data processing, as well as the availability of large amounts of data. The integration of AI with eXtended Reality (XR) technologies such as Virtual Reality (VR) and Augmented Reality (AR) can create innovative solutions and provide intuitive interactions and immersive experiences across various sectors, including education, entertainment and healthcare. The presented paper describes the innovative Voice-drive interaction in XR spaces (VOXReality)* initiative, f
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Triboi, Olga, and Svetlana Tirtau. "Evreinov N. – theatricality and monodrama as a projection of the central character’s soul into the outside world." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.13.

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Nikolai Evreinov was one of the personalities of the Russian theater at the beginning of the 20th century. The period in which Evreinov studied the origins of art through the prism of theatricality was the era of breaking the foundations and principles of contemporary theater. The leitmotif of Evreinov's theoretical searches was precisely the theatricalization of life, and the theater was a means of transforming reality into something more impressive than life itself. In 1908, N. Evreinov read the summary of Introduction to Monodrama in the Moscow Literary and Art Circle, in which he outlined
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10

Di Gregorio, Giuseppe. "THE TAORMINA THEATER: THE DIGITAL SURVEY SYSTEM OF KNOWLEDGE OPEN IN TIME." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12168.

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In Sicily there are 19 show venues including ancient theaters and theatrical architectures. Many of these structures are fully functional and subject to visitor flows such as the theater of Syracuse and that of Taormina. They are object of interest and curiosity, revealed in the eighteenth century during the grand tour by travelers and landscape painters, in the last twenty years they have become reasons for study in various scientific areas as from acoustics to archeology, always passing through digital surveying. Studied through classical photogrammetry, structure from motion (SFM), 3D laser
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