Log in

Relevant bibliographies by topics / Theatricalism

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Theatricalism'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 May 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Theatricalism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Theatricalism"

1

Fuchs, Elinor. "Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays." Modern Drama 44, no. 3 (2001): 337–54. http://dx.doi.org/10.3138/md.44.3.337.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Shrivastwa, Bimal Kishore. "Metatheatricality and Self-reflexivity in Subedi’s Plays." KMC Journal 5, no. 1 (2023): 85–101. http://dx.doi.org/10.3126/kmcj.v5i1.52452.

Full text

Abstract:

This paper seeks to explore meta-theatricality and self-reflexivity in Abhi Subedi’s two plays, A Journey into Thamel and The Caretaker’s Sky, to mark how the playwright reflects the changing social and cultural milieus of Nepal through these dramatic techniques. Through a close reading of Subedi’s A Journey into Thamel and The Caretaker’s Sky from the metatheatrical perspectives propounded by Lionel Abel and Richard Hornby, the research surveys how the playwright connects theatricality and realism in these plays. A Journey into Thamel portrays the hardships of people living in the post-war sc

APA, Harvard, Vancouver, ISO, and other styles

3

BELT, DEBRA. "Anti‐Theatricalism and Rhetoric in Marlowe's Edward II." English Literary Renaissance 21, no. 2 (1991): 134–60. http://dx.doi.org/10.1111/j.1475-6757.1991.tb01023.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Purinton, Marjean D. ""Antitheatrical Theatricalism" on the Eighteenth-Century English Stage." Criticism 46, no. 2 (2004): 305–9. http://dx.doi.org/10.1353/crt.2004.0047.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Li, Yuan. "『매의 우물』에 나타난 예이츠의 전통적 극형식에 대한 저항과 시적 문화주의". Yeats Journal of Korea 56 (31 серпня 2018): 129–47. http://dx.doi.org/10.14354/yjk.2018.56.129.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

O'Connell, Michael. "The Idolatrous Eye: Iconoclasm, Anti-Theatricalism, and the Image of the Elizabethan Theater." ELH 52, no. 2 (1985): 279. http://dx.doi.org/10.2307/2872839.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Christian, Mary. "Performing Marriage: A Doll's House and Its Reconstructions in Fin-de-Siècle London." Theatre Survey 57, no. 1 (2015): 43–62. http://dx.doi.org/10.1017/s0040557415000551.

Full text

Abstract:

Actress Elizabeth Robins, encountering Ibsen's Doll's House for the first time in a Novelty Theatre performance in June 1889, was thrilled by both the boldness of the play's ideology and the emotional power of the characters and the acting. The one element with which she found fault in the production, however, was Nora's tarantella, which she described nearly forty years later as “a piece of theatricalism, Ibsen's one concession to the effect-hunting that he had come to deliver us from.” William Archer and Harley Granville-Barker concurred with Robins's assessment, criticizing Nora's dance as

APA, Harvard, Vancouver, ISO, and other styles

8

Lavery, Carl. "Theatricality and Drifting in the Anthropocene." Nordic Theatre Studies 32, no. 1 (2020): 159–78. http://dx.doi.org/10.7146/nts.v32i1.120414.

Full text

Abstract:

This essay proposes a new way of reading the Situationist notion of dérive (drift) in the Anthropocene by thinking of it as an operation that is geological in impetus, a sense of movement caused by an agentic earth. Equally, it looks to offer an alternative and expanded theory of theatricality in which the theatrical is no longer associated with theatre per se. On the contrary, it is now seen as a mode of representation that deterritorializes spectators by placing them in the midst of groundless flows and anonymous processes. In the same way that the earth in the Anthropocene is figured as a d

APA, Harvard, Vancouver, ISO, and other styles

9

Wilson, Harry Robert. "The Theatricality of the Punctum: Re-Viewing Camera Lucida." Performance Philosophy 3, no. 1 (2017): 266. http://dx.doi.org/10.21476/pp.2017.31126.

Full text

Abstract:

I first encountered Roland Barthes�s Camera Lucida�(1980) in 2012 when I was developing a performance on falling and photography. Since then I have re-encountered Barthes�s book annually as part of my practice-as-research PhD project on the relationships between performance and photography. This research project seeks to make performance work in response to Barthes�s book � to practice with Barthes in an exploration of theatricality, materiality and affect. This photo-essay weaves critical discourse with performance documentation to explore my relationship to Barthes�s book. Responding to Mich

APA, Harvard, Vancouver, ISO, and other styles

10

Taurens, Jānis. "THE ARCADES OF NAPLES." Culture Crossroads 8 (November 13, 2022): 93–99. http://dx.doi.org/10.55877/cc.vol8.165.

Full text

Abstract:

Among the numerous interpretations of Walter Benjamin, the short sketch “Naples” – collaboration with Anna Lācis or Asja – has become particularly renowned. However, Asja as a co-author has frequently been overlooked. This article makes an attempt to provide an interpretation on the collaboration of Asja and Benjamin by using the method of reading proposed in the conclusion of Borges’s short story “Pierre Menard, Author of the Quixote”, which allows one to re-read “Odyssey” as if it were written after “Aeneid”. Likewise, we might analyse “Naples”, looking at it from the perspective of Benjamin

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Theatricalism"

1

Byrne, Paula Jayne. "Jane Austen and the theatre." Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343860.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Gurbanova, Sabina <1996&gt. "Theatricals and Theatricality in Jane Austen's "Mansfield Park"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18991.

Full text

Abstract:

Theatricals and Theatricality in Jane Austen’s “Mansfield Park” Abstract “Mansfield Park” is one of the Jane Austen’s novel that deals most directly with theatrical subjects. Themes in the novel are strongly connected with the choice of the popular eighteenth-century play, “Lover’s Vows”. A performance of that play as a home-theatrical covers a significant place in the first volume of the book. In the novel, The Bertrams, her cousins and their fashionable new neighbours Mary and Henry Crawford, decide to set a staging of a popular drama to spend joyful time, while patriarch Sir Thomas is on b

APA, Harvard, Vancouver, ISO, and other styles

3

Goncalves, Thomas. "La théâtralité artistique, sociale et psychologique dans trois recueils de nouvelles d'Alice Munro." Electronic Thesis or Diss., Reims, 2022. http://www.theses.fr/2022REIML001.

Full text

Abstract:

La théâtralité est un leitmotiv dans Dance of the Happy Shades (1968), Lives of Girls and Women (1971) et Who Do You Think You Are? (1978) d’Alice Munro. D’une part, ces trois recueils de nouvelles mettent en scène des personnages qui dirigent, écrivent, interprètent ou observent du théâtre ; d’autre part, le lecteur assiste à de nombreuses scènes au cours desquelles les personnages portent différents costumes et masques sociaux afin de trouver leur place dans la société canadienne d’après Seconde Guerre mondiale. Si ces deux premières formes de théâtralité, que nous nommons respectivement « a

APA, Harvard, Vancouver, ISO, and other styles

4

Cunha, Auristela Crisanto da. "Machado de Assis em contos :Uma constela??o de partituras." Universidade Federal do Rio Grande do Norte, 2006. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16397.

Full text

Abstract:

Made available in DSpace on 2014-12-17T15:07:21Z (GMT). No. of bitstreams: 1 AuristelaCC.pdf: 405652 bytes, checksum: ffac73459635c9a67e473a5bb77a3591 (MD5) Previous issue date: 2006-12-08<br>This work aims at encouraging the reading or rereading of tales such as Um homem c?lebre , Cantiga de esponsais , Terps?core , Trio em l? menor , O machete , and Marcha f?nebre from the Brazilian writer Joaquim Maria Machado de Assis, hoping to find in them the manifestations of musicality, which is understood, from the viewpoint of contemporary musical theories, as dinamicity indications result

APA, Harvard, Vancouver, ISO, and other styles

5

McGillivray, Glen. "Theatricality a critical genealogy /." Connect to full text, 2004. http://hdl.handle.net/2123/1428.

Full text

Abstract:

Thesis (Ph. D.)--University of Sydney, 2004.<br>Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Performance Studies, Faculty of Arts. Includes bibliographical references. Also available in print form.

APA, Harvard, Vancouver, ISO, and other styles

6

McGillivray, Glen James. "Theatricality: A critical genealogy." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/1428.

Full text

Abstract:

ABSTRACT The notion of theatricality has, in recent years, emerged as a key term in the fields of Theatre and Performance Studies. Unlike most writings dealing with theatricality, this thesis presents theatricality as a rubric for a particular discourse. Beginning with a case-study of a theatre review, I read an anti-theatricalist bias in the writer’s genre distinctions of “theatre” and “performance”. I do not, however, test the truth of these claims; rather, by deploying Foucauldian discourse analysis, I interpret the review as a “statement” and analyse how the reviewer activates notions of “

APA, Harvard, Vancouver, ISO, and other styles

7

Pham, Van Khanh. "Theatricality in Tintoretto's religious paintings." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22618.

Full text

Abstract:

Tintoretto, one of the great Venetian masters of the sixteenth century, is renowned for his compositional innovations. The painter also worked as a stage and costume designer for the Compagnie della Calza. As a result, he selected and combined elements of other disciplines in his pictures.<br>This thesis focuses on the fusion of the arts in Tintoretto's imagery. A comprehensive analysis of this interdisciplinary aspect reveals the subtlety of Tintoretto's creative mind. The challenge is to discover Tintoretto as a stage designer who conceived pictures as theatrical performances. Instead of the

APA, Harvard, Vancouver, ISO, and other styles

8

Papadi, D. "Tragedy and theatricality in Plutarch." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1444999/.

Full text

Abstract:

The present thesis focuses on the role of tragedy and on the multiple versions of theatricality in selected Essays and Lives of Plutarch. Most interestingly the 'tragic' does not emerge exclusively from the many quotations from the tragedians which are dispersed in the whole of the Plutarchan corpus, especially in his Essays it also emerges from distinctive suggestions of tragedy, tragic imagery, tragic parallels and texturing. Plutarch acknowledges the importance of tragedy in literary education, but is still very ready to criticise what the poets say. Even so, he does not treat tragedy negat

APA, Harvard, Vancouver, ISO, and other styles

9

Robertson, Jacob L. "Theatrical Ideology: Toward a Rhetoric Theatricality." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2858.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Barakat, Mohsen Mosilhi A. "The theatricality of Edward Bond's plays." Thesis, University of Kent, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279150.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Theatricalism"

1

1960-, Davis Tracy C., and Postlewait Thomas, eds. Theatricality. Cambridge University Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Josette, Feral, ed. Theatricality. University of Wisconsin, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Chaucerian theatricality. Princeton University Press, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Whittaker, Herbert. Whittaker's theatricals. Simon & Pierre, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Paavolainen, Teemu. Theatricality and Performativity. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73226-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

The theatricality of Robert Lepage. McGill-Queen's University Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Roman tragedy: Theatre to theatricality. University of Texas Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Willis, Emma. Theatricality, Dark Tourism and Ethical Spectatorship. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137322654.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Voskuil, Lynn M. Acting naturally: Victorian theatricality and authenticity. University of Virginia Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Transgressive theatricality, romanticism, and Mary Wollstonecraft. Ashgate, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Theatricalism"

1

Wallace, E. Bert. "Theatricalism." In Style: An Approach to Appreciating Theatre. Routledge, 2022. http://dx.doi.org/10.4324/9780429283147-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Fuchs, Elinor. "Clown shows: Anti-theatricalist theatricalism in four twentieth-century plays." In Against Theatre. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230289086_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Corrigan, Mary Ann. "Realism and Theatricalism in A Streetcar Named Desire." In Essays on Modern American Drama, edited by Dorothy Parker. University of Toronto Press, 1987. http://dx.doi.org/10.3138/9781487577803-004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Pechter, Edward. "New Theatricalism and the Repudiation of Literary Interest." In Shakespeare Studies Today. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119369_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Overton, Bill. "Theatricality." In The Winter’s Tale. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20036-8_14.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Jones, Amelia. "Theatricality." In In Between Subjects. Routledge, 2020. http://dx.doi.org/10.4324/9781003081647-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Aughterson, Kate. "Webster’s Theatricality." In Webster: The Tragedies. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-4039-1914-4_8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Yinan, Li, Boris Nikitin, Wang Mengfan, and Kai Tuchmann. "Rethinking Theatricality." In Theater. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459973-004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Biet, Christian, and Christophe Triau. "Theatricality questioned." In What is the theatre? Routledge, 2019. http://dx.doi.org/10.4324/9780429437137-23.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Cave, Richard Allen. "Webster’s Purposeful Theatricality." In The White Devil and the Duchess of Malfi. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-08140-0_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Theatricalism"

1

Junius, Nick, Max Kreminski, and Michael Mateas. "There Is No Escape: Theatricality in Hades." In FDG'21: The 16th International Conference on the Foundations of Digital Games 2021. ACM, 2021. http://dx.doi.org/10.1145/3472538.3472561.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Fan, Huan. "The New “Theatricality” in Performance and Media Arts." In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.52.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Цветкова, Н. Н. "THEATRICALITY IN THE ART OF TEXTILES OF THE 20th–21st CENTURIES." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.29.

Full text

Abstract:

Во второй половине ХХ столетия в период «пластического взрыва» появились новые объемно-пространственные текстильные формы — артобъекты, инсталляции, перформансы и хэппенинги. Многие из созданных в это время работ отличаются своеобразной «театральностью». В современном текстильном искусстве тенденция соединения ткани с театральным действом остается актуальной. В статье рассмотрены примеры взаимовлияния и взаимодействия текстильных форм с пространством театра. In the second half of the twentieth century, during the period of the “plastic explosion”, new three-dimensional textile forms appeared –

APA, Harvard, Vancouver, ISO, and other styles

4

Malan, David J. "Computer Science with Theatricality: Creating Memorable Moments in CS50 with the American Repertory Theater during COVID-19." In SIGCSE 2023: The 54th ACM Technical Symposium on Computer Science Education. ACM, 2023. http://dx.doi.org/10.1145/3545945.3569859.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Ghilaş, Ana. "Prose and theatre. A stage vision of director Alexandru Cozub." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.19.

Full text

Abstract:

Th e interference of the arts, respectively the inter- and trans-disciplinary methods, constitute the perspectives of approaching the show “Frunze de dor”/”Leaves of Longing” based on the novel of the same name by Ion Druță. Th e stage adaptation and direction belong to Alexandru Cozub, artistic director and fi rst director of “Mihai Eminescu” National Th eater from Chisinau. Th e object of research is the relationship between prose and theater, the forms of theatricality in the narrative literary text and the artistic ways of their scenic realization in the show. In this context, the specifi

APA, Harvard, Vancouver, ISO, and other styles

6

Wai Michael Siu, Kin, Jinjin Wang, and Changxue Pan. "Theatricalization of Large Cruise Public Space and Design Transformation." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003260.

Full text

Abstract:

As a place for tourists to communicate and interact, the public space of large cruise ships has become an important aspect of the design and construction of large cruise ships due to its dense functional units and core spatial location. In response to the lack of experience and spatial vitality in the public space of large cruise ships, this study attempts to apply dramaturgical theory and take the theatre, the physical space that carries the core of dramatic meaning, as the origin of the analogy. From the perspective of the dramatization of large cruise ship public spaces, “theatricalization”

APA, Harvard, Vancouver, ISO, and other styles

7

Losq, Juliette. "Layered Visions In The Teleorama: Constructing Spaces Of Ruination Through An Expanded Drawing Practice." In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.qpkd6594.

Full text

Abstract:

Abstract This paper examines whether the form of the Teleorama or paper peep show can be used to generate new ways of making and exhibiting drawings of contemporary sites of ruination. The Teleorama will be used as a physical and conceptual vehicle for testing out a diverse range of investigations relating to form and content in drawing practice. Within my practice, paper ruins, inspired by Teleoramas, are constructed and used as maquettes from which to make two-dimensional drawings that are retranslated into large-scale, three-dimensional installations. Through the process of (re) constructio

APA, Harvard, Vancouver, ISO, and other styles

8

Elias, Larissa, and Maria Luisa Garrido. "The conception of “fashion-sculpture” in Rei Kawakubo’s costumes for the choreography “Scenario”(1997)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.118.

Full text

Abstract:

“The Rei Kawakubo's fashion-sculpture” is an ongoing Master's project, developed at the Postgraduate Program in Visual Design at the Federal University of Rio de Janeiro. The research is centered on the study of the costumes (and its relationship with movements and spatiality) created by the japanese fashion designer Rei Kawakubo for the dance performance “Scenario” (1997), by the american dancer and choreographer Merce Cunningham (1919-2009). The costumes were adapted from the spring-summer Collection “Body meets dress, dress meets body”, designed by Rei and launched by her brand Comme des Ga

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Theatricalism"

1

Poloboc, Alina. Fancy Lollipop. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2997.

Full text

Abstract:

"Fancy Lollipop" is a vibrant and energetic artwork featuring a blend of bold and bright colors. The color palette, which includes shades of blue, pink, and black, creates a sense of drama and theatricality in the piece. The colors are strategically placed in the composition to emphasize key elements of the image, such as the main character, Fancy Lollipop. Speaking of the main character, Fancy Lollipop is depicted as an extravagant and self-assured individual. Their presence in the artwork is unmistakable, and their confident and assured stance reflects their bold and attention-grabbing perso

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!