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1

1960-, Davis Tracy C., and Postlewait Thomas, eds. Theatricality. Cambridge: Cambridge University Press, 2003.

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2

Josette, Feral, ed. Theatricality. Madison, Wisconsin: University of Wisconsin, 2002.

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3

Chaucerian theatricality. Princeton, N.J: Princeton University Press, 1990.

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Whittaker, Herbert. Whittaker's theatricals. Toronto: Simon & Pierre, 1992.

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5

Paavolainen, Teemu. Theatricality and Performativity. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73226-8.

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6

The theatricality of Robert Lepage. Montreal, QC: McGill-Queen's University Press, 2007.

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7

Roman tragedy: Theatre to theatricality. Austin: University of Texas Press, 2004.

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8

Willis, Emma. Theatricality, Dark Tourism and Ethical Spectatorship. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137322654.

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9

Voskuil, Lynn M. Acting naturally: Victorian theatricality and authenticity. Charlottesville: University of Virginia Press, 2004.

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10

Transgressive theatricality, romanticism, and Mary Wollstonecraft. Farnham, Surrey, England: Ashgate, 2011.

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11

Sirmons, Julia. Cinematic Theatricality: The Aesthetics of Excess. [New York, N.Y.?]: [publisher not identified], 2022.

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12

Alienation and theatricality: Diderot after Brecht. London: Legenda, 2011.

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13

Pascoe, Judith. Romantic theatricality: Gender, poetry, and spectatorship. Ithaca: Cornell University Press, 1997.

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14

1968-, Hudston Sara, ed. Victorian theatricals: From menageries to melodrama. London: Methuen Drama, 2000.

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15

Theatricality in early modern art and architecture. Malden, MA: Wiley-Blackwell, 2011.

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16

Puchner, Martin. Stage fright: Modernism, anti-theatricality, and drama. Baltimore: John Hopkins University Press, 2002.

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17

Worrall, David. The Politics of Romantic Theatricality, 1787–1832. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230801417.

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18

van Eck, Caroline, and Stijn Bussels, eds. Theatricality in Early Modern Art and Architecture. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396744.

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19

Knight, J. F. Aspects of theatricality in selected Tudor interludes. Birmingham: University of Birmingham, 1996.

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20

Kenrick, John. The Complete Idiot's Guide to Amateur Theatricals. New York: Penguin Group USA, Inc., 2009.

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21

Auerbach, Nina. Private theatricals: The lives of the Victorians. Cambridge, Mass: Harvard University Press, 1990.

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22

Uchman, Jadwiga. Reality, illusion, theatricality: A study of Tom Stoppard. Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 1998.

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23

Montelle, Yann-Pierre. Palaeoperformance: The emergence of theatricality as social practice. London: Seagull Books, 2009.

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24

Denard, Hugh, and Richard C. Beacham. Living Theatre in the Ancient Roman House: Theatricalism in the Domestic Sphere. Cambridge University Press, 2022.

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25

Denard, Hugh, and Richard C. Beacham. Living Theatre in the Ancient Roman House: Theatricalism in the Domestic Sphere. Cambridge University Press, 2022.

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26

James, Henry. Theatricals. Barnes & Noble, Incorporated, 2011.

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27

Ganim, John M. Chaucerian Theatricality. Princeton University Press, 2014.

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28

Ganim, John M. Chaucerian Theatricality. Princeton University Press, 2014.

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29

Chaucerian Theatricality. Princeton University Press, 1990.

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30

Ganim, John M. Chaucerian Theatricality. Princeton University Press, 2016.

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31

Hudston, Sara. Victorian Theatricals. Bloomsbury Publishing Plc, 2000. http://dx.doi.org/10.5040/9781408164099.

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32

Hudston, Sara. Victorian Theatricals. Methuen Publishing, Ltd., 2001.

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33

Whittaker, Herbert. Whittaker's Theatricals. Simon & Pierre Pub Co Ltd, 1993.

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34

McCaffrey, Tony. Incapacity and Theatricality. Routledge, 2019.

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35

Turner, Henry S., ed. Early Modern Theatricality. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199641352.001.0001.

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The original essays inOxford Twenty-First Century Approaches to Literaturemean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. Following the models established by previous volumes in the series,Early Modern Theatricalitylaunches a new generation of scholarship on early modern drama by focusing on the rich formal capacities of theatrical performance. The collection gathers some of the most innovative critics in the field to examine the techniques, objects, bodies, and conventions that characterized early modern theatricality, from the Tudor period to the Restoration. Taking their cues from a series of guiding keywords, the contributors identify the fundamental features of theatricality in the period, using them to launch conceptually adventurous arguments that provoke our rediscovery of early modern drama in all its complexity and inventiveness.
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36

Clare, Janet. Countering Anti‐Theatricality. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560608.013.0027.

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37

Held, Phoebe von. Alienation and Theatricality. Taylor & Francis Group, 2020.

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38

Turner, Henry S. Early Modern Theatricality. Oxford University Press, 2018.

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39

Theatricality as Medium. Fordham University Press, 2004.

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40

Early Modern Theatricality. Oxford University Press, 2013.

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41

Samuel, Weber. Theatricality As Medium. Fordham University Press, 2009.

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42

Theatricality as Medium. Fordham University Press, 2004.

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43

McCaffrey, Tony. Incapacity and Theatricality. Taylor & Francis Group, 2020.

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44

Charles Osborne's Theatricals. Immel Publishing, 1999.

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45

Japanese theatricality and performance. West Lafayette, IN: MAJLS, 1995.

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46

Theatricality of Robert Lepage. McGill-Queen's University Press, 2007.

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47

Dundjerovi?, Aleksandar Saa. Theatricality of Robert Lepage. McGill-Queen's University Press, 2007.

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48

Dundjerovi?, Aleksandar Sasa. Theatricality of Robert Lepage. McGill-Queen's University Press, 2007.

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49

Erasmo, Mario. Roman Tragedy: Theatre to Theatricality. de Gruyter GmbH, Walter, 2010.

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50

Shakespeare. The Poetics of Theatricality. Moscow, Russia: GITR, Moscow, 2006.

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