Log in

Relevant bibliographies by topics / Theatricalism / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Theatricalism.

Dissertations / Theses on the topic 'Theatricalism'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 May 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Theatricalism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Byrne, Paula Jayne. "Jane Austen and the theatre." Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343860.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Gurbanova, Sabina <1996&gt. "Theatricals and Theatricality in Jane Austen's "Mansfield Park"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18991.

Full text

Abstract:

Theatricals and Theatricality in Jane Austen’s “Mansfield Park” Abstract “Mansfield Park” is one of the Jane Austen’s novel that deals most directly with theatrical subjects. Themes in the novel are strongly connected with the choice of the popular eighteenth-century play, “Lover’s Vows”. A performance of that play as a home-theatrical covers a significant place in the first volume of the book. In the novel, The Bertrams, her cousins and their fashionable new neighbours Mary and Henry Crawford, decide to set a staging of a popular drama to spend joyful time, while patriarch Sir Thomas is on b

APA, Harvard, Vancouver, ISO, and other styles

3

Goncalves, Thomas. "La théâtralité artistique, sociale et psychologique dans trois recueils de nouvelles d'Alice Munro." Electronic Thesis or Diss., Reims, 2022. http://www.theses.fr/2022REIML001.

Full text

Abstract:

La théâtralité est un leitmotiv dans Dance of the Happy Shades (1968), Lives of Girls and Women (1971) et Who Do You Think You Are? (1978) d’Alice Munro. D’une part, ces trois recueils de nouvelles mettent en scène des personnages qui dirigent, écrivent, interprètent ou observent du théâtre ; d’autre part, le lecteur assiste à de nombreuses scènes au cours desquelles les personnages portent différents costumes et masques sociaux afin de trouver leur place dans la société canadienne d’après Seconde Guerre mondiale. Si ces deux premières formes de théâtralité, que nous nommons respectivement « a

APA, Harvard, Vancouver, ISO, and other styles

4

Cunha, Auristela Crisanto da. "Machado de Assis em contos :Uma constela??o de partituras." Universidade Federal do Rio Grande do Norte, 2006. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16397.

Full text

Abstract:

Made available in DSpace on 2014-12-17T15:07:21Z (GMT). No. of bitstreams: 1 AuristelaCC.pdf: 405652 bytes, checksum: ffac73459635c9a67e473a5bb77a3591 (MD5) Previous issue date: 2006-12-08<br>This work aims at encouraging the reading or rereading of tales such as Um homem c?lebre , Cantiga de esponsais , Terps?core , Trio em l? menor , O machete , and Marcha f?nebre from the Brazilian writer Joaquim Maria Machado de Assis, hoping to find in them the manifestations of musicality, which is understood, from the viewpoint of contemporary musical theories, as dinamicity indications result

APA, Harvard, Vancouver, ISO, and other styles

5

McGillivray, Glen. "Theatricality a critical genealogy /." Connect to full text, 2004. http://hdl.handle.net/2123/1428.

Full text

Abstract:

Thesis (Ph. D.)--University of Sydney, 2004.<br>Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Performance Studies, Faculty of Arts. Includes bibliographical references. Also available in print form.

APA, Harvard, Vancouver, ISO, and other styles

6

McGillivray, Glen James. "Theatricality: A critical genealogy." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/1428.

Full text

Abstract:

ABSTRACT The notion of theatricality has, in recent years, emerged as a key term in the fields of Theatre and Performance Studies. Unlike most writings dealing with theatricality, this thesis presents theatricality as a rubric for a particular discourse. Beginning with a case-study of a theatre review, I read an anti-theatricalist bias in the writer’s genre distinctions of “theatre” and “performance”. I do not, however, test the truth of these claims; rather, by deploying Foucauldian discourse analysis, I interpret the review as a “statement” and analyse how the reviewer activates notions of “

APA, Harvard, Vancouver, ISO, and other styles

7

Pham, Van Khanh. "Theatricality in Tintoretto's religious paintings." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22618.

Full text

Abstract:

Tintoretto, one of the great Venetian masters of the sixteenth century, is renowned for his compositional innovations. The painter also worked as a stage and costume designer for the Compagnie della Calza. As a result, he selected and combined elements of other disciplines in his pictures.<br>This thesis focuses on the fusion of the arts in Tintoretto's imagery. A comprehensive analysis of this interdisciplinary aspect reveals the subtlety of Tintoretto's creative mind. The challenge is to discover Tintoretto as a stage designer who conceived pictures as theatrical performances. Instead of the

APA, Harvard, Vancouver, ISO, and other styles

8

Papadi, D. "Tragedy and theatricality in Plutarch." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1444999/.

Full text

Abstract:

The present thesis focuses on the role of tragedy and on the multiple versions of theatricality in selected Essays and Lives of Plutarch. Most interestingly the 'tragic' does not emerge exclusively from the many quotations from the tragedians which are dispersed in the whole of the Plutarchan corpus, especially in his Essays it also emerges from distinctive suggestions of tragedy, tragic imagery, tragic parallels and texturing. Plutarch acknowledges the importance of tragedy in literary education, but is still very ready to criticise what the poets say. Even so, he does not treat tragedy negat

APA, Harvard, Vancouver, ISO, and other styles

9

Robertson, Jacob L. "Theatrical Ideology: Toward a Rhetoric Theatricality." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2858.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Barakat, Mohsen Mosilhi A. "The theatricality of Edward Bond's plays." Thesis, University of Kent, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279150.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Azevedo, Gisel Carriconde. "Installation and theatricality thinking through objects." Thesis, University of East London, 2012. http://roar.uel.ac.uk/1788/.

Full text

Abstract:

The last four years have been intense. The discoveries in the studio, the struggles with my readings and writings, having my work discussed and criticized, the close contact with other artists, scholars, curators and museums, combined with my travels abroad and the experience of living in a metropolis like London, enlightened my practice, enabling me to see from where my work came and find some of the questions it poses. Researching art history proved to be helpful in establishing the context where Installation Art emerged and developed. Claire Bishop’s critical writings provided me with the t

APA, Harvard, Vancouver, ISO, and other styles

12

Howell, Anthony James. "The romantic gypsy : history, theatricality, and Bohemianism." Thesis, Swansea University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681240.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Atkin, Tamara. "Reforming drama : theology and theatricality, 1461-1553." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508434.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Watt-Smith, Tiffany. "Flinching self-experimentation and theatricality 1872-1918." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538674.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Turberfield, Peter. "Pierre Loti and the theatricality of desire." Thesis, University of Reading, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428290.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Von, Held Phoebe Annette. "Alienation and theatricality in Brecht and Diderot." Thesis, University College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251595.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Imre, Zoltan. "Theatre, theatricality and resistance : some contemporary possiblities." Thesis, Queen Mary, University of London, 2005. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1865.

Full text

Abstract:

Theatre, Theatricality, and Resistance is concerned with how certain elements of contemporary Western - mainly British and Hungarian - culture are manifested through theatrical activity, both on and off stage. In so doing, the thesis asks the extent to which resistance is pc'ssible in contemporary theatre and theatricality. The thesis argues that conventional Western theatre is grounded in escapism and nostalgia. Restricted by its own institutional system, ideological function, and commercial aims, conventional theatre reaffirms the spectators' psychological and emotional desires, and confirms

APA, Harvard, Vancouver, ISO, and other styles

18

Stroh, Stephanie. "Embodiment and theatricality in post-museum practice." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/39273/.

Full text

Abstract:

A recent shift to a more performative and relational understanding of the museum and its practices can be witnessed in the field of museum studies. This shift reimagines the museum as experience, process or performance, and is reflected in what has been termed the 'post-museum'. The post-museum challenges the representational practices of the museum, and introduces a potential 'liqud imaginary' which dissolves the traditional boundaries of what constitutes a museum. While these ideas point to relevant changes in the way museums are perceived and practiced, the field has so far failed to explor

APA, Harvard, Vancouver, ISO, and other styles

19

Willis, Emma C. R. "Absent others: dark tourism, theatricality, and ethical spectatorship." Thesis, University of Auckland, 2011. http://hdl.handle.net/2292/7165.

Full text

Abstract:

To call the twentieth century a catastrophic one, is to acknowledge the collapse of humanist values. Events such as the Holocaust, genocides in Rwanda and Cambodia, and numerous other atrocities demonstrated the utter failure of social and political frameworks. The incomprehensible scope of such suffering also profoundly challenged representational practices; as widely cited, Adorno stated that there could be no poetry after Auschwitz (34). Yet, we cannot turn away from such disasters. This thesis is concerned with how theatricality allows us to face such grievous history, and seeks to engage

APA, Harvard, Vancouver, ISO, and other styles

20

Sava, Sharla. "Cinematic photography, theatricality, spectacle : the art of Jeff Wall /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/3632.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Emfietzis, Grigorios. "Discovering, creating and experiencing notions of theatricality in musical performance." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6433.

Full text

Abstract:

This thesis consists of a portfolio of musical compositions and a written commentary. The submitted works creatively challenge the form of a conventional concert by exploring methods of bringing to the fore the theatrical side of musical performance: its inherited or implemented conceptual and visual aspects. The portfolio is divided into three main categories. The first comprises a series of pieces that balance between music theatre and conventional concert practices. The second category includes works that reform many aspects of the traditional concert presentation, without breaking away fro

APA, Harvard, Vancouver, ISO, and other styles

22

Diamond, Jeff Barja. "Theatricality and power : politics and "play-acting" in the European Renaissance." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39319.

Full text

Abstract:

In and around the princely courts of Europe, Renaissance humanists drew upon the teachings of classical antiquity, often reinterpreting them to suit their own intellectual and ethical needs. One such need concerned balancing notions of achievement predicated upon gaining others' favor, with ideals of constancy and integrity. Evidence of this dilemma can be found in the works of Niccolo Machiavelli, Desiderius Erasmus, Thomas More, and Michel de Montaigne. In each of these cases, the attachment to differing conceptions of accomplishment and human dignity resulted in contradictions in their writ

APA, Harvard, Vancouver, ISO, and other styles

23

Doyle, Charlotte J. "The actor, theatre and theatricality in Spanish film from 1952-1989." Thesis, Aberystwyth University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263295.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Schmidt, Theron. "The politics of theatricality, community and representation in contemporary art and performance." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538671.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Dundjerovich, Aleksandar Sasha. "Theatricality of Robert Lepage : a study of his transformative 'mise-en-scene'." Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302114.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Willis, Christopher Timothy. "Performance, narrativity, improvisation and theatricality in the keyboard sonatas of Domenico Scarlatti." Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/283830.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Ioannou, Christina <1987&gt. "THE THEATRICALITY OF PUBLIC SPACE & THE ECONOMIC IMPACT OF URBAN PLANNING." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4405.

Full text

Abstract:

Working for the Louisiana c/o Venice exhibition ‘Life Between Buildings’, organized by the Museum of Modern Art, located in Humlebæk, Denmark, and in collaboration with Gehl Architects, I had the opportunity to get familiar with the projects realized by Jan Gehl and his collaborators in cities around the world. Having concluded my undergraduate degree in Theatre Studies, I have always been charmed by the fact that our life could be compared to a theatre performance, which takes place in a city identified as a theatre stage, with a temporary setting and props, and where all of us play one or e

APA, Harvard, Vancouver, ISO, and other styles

28

Bernhardt, Paul. "Entertaining fictions : Chaucer, literature, and play." Thesis, University of York, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338626.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Barker, Roberta Ellen. "Knaves and shape-shifters, Webster's malcontents, class and theatricality in early modern England." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq24797.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Spiegel, Jennifer. "Staging ecologies : the politics of theatricality and the production of global ecological subjectivities." Thesis, Goldsmiths College (University of London), 2010. http://research.gold.ac.uk/3469/.

Full text

Abstract:

Since the latter decades of the twentieth century, environmental threats posed by global industrialization have become a matter of growing public concern. Increasingly grievances are aired in the streets around the world, and are broadcast in the popular media. However, with the prominence of techno-scientific and ecomanagerial approaches to the ‘ecological crisis’ ecological discourse may be in the process of becoming the new rubric of global governance. Here I engage debates concerning biopolitics and the production of subjectivity, in order to assess the implications of the theatricality of

APA, Harvard, Vancouver, ISO, and other styles

31

Gkountouna, Sotiria. "Mediated breath : interfaces between Beckett's intermedial Breath, Fried's theatricality and the visual arts." Thesis, Royal Holloway, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.594109.

Full text

Abstract:

Mediated Breath examines a wide range of possibilities of understanding and redefining the context in which the corporeal function of breathing is represented in art. during the performative turn, and in relation to contemporary debates around presence and relational aesthetics. The thesis aims to examine Beckett's Breath, both as a minimalist art work in order to see how it might contribute to debates led by Fried around minimalism and (anti)theatricality, and as a text for and related to contemporary intermedial production in order to explore how intermedial art practices contribute to new u

APA, Harvard, Vancouver, ISO, and other styles

32

Ward, T. "Compound magic : Virtuosity, theatricality and the experience of theatre in the Jacobean Period." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235190.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Kanzler, Katja. ""To Sue and Make Noise" - Legal theatricality and civic didacticism in Boston Legal." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-162984.

Full text

Abstract:

The legal drama episode from which this dialogue is taken depicts an impossible case: a Sudanese immigrant, who lost most of his family to the violence in Darfur, wants to sue the U.S. government for failing to intervene in the face of obvious genocide. The case is unwinnable. Lori Colson’s construction of a legal basis for the case is more than shaky. But neither the client nor his lawyers expect to win the case. Their proclaimed objective – to “make noise” – pinpoints a significant cultural potential of litigation, of its “real” practice in the courtroom and, even more importantly, in its va

APA, Harvard, Vancouver, ISO, and other styles

34

Svendsen, Zoë Anna. "Making space for practice : theatricality and the Gate Theatre, Notting Hill, 1979-2002." Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/283856.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Skwirblies, Lisa. "Theatres of colonialism : theatricality, coloniality, and performance in the German Empire, 1884-1914." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/106458/.

Full text

Abstract:

This dissertation investigates the nexus between theatre and colonialism in the German empire between 1884 and 1914. It introduces the concept of colonial theatricality, through which it explores to what extent theatre and colonialism have been productive of each other’s orders, knowledge formations, and truth claims. This dissertation thus looks at the empire through its cultural manifestations and its ‘representational machinery’, specifically the theatre. It provides an understanding of the German colonial empire that goes beyond its territorial, administrative and military strategies. In o

APA, Harvard, Vancouver, ISO, and other styles

36

Ojima, Chihiro. "The Theatricality of Everyday Life in the Plays of the Children of Paul’s." Kyoto University, 2020. http://hdl.handle.net/2433/253351.

Full text

Abstract:

Kyoto University (京都大学)<br>0048<br>新制・課程博士<br>博士(人間・環境学)<br>甲第22515号<br>人博第918号<br>新制||人||220(附属図書館)<br>2019||人博||918(吉田南総合図書館)<br>京都大学大学院人間・環境学研究科共生人間学専攻<br>(主査)准教授桒山智成, 教授廣野由美子, 准教授池田寛子<br>学位規則第4条第1項該当

APA, Harvard, Vancouver, ISO, and other styles

37

Kanzler, Katja. "To Sue and Make Noise' - Legal theatricality and civic didacticism in Boston Legal." Universitätsverlag Winter, 2011. https://tud.qucosa.de/id/qucosa%3A28582.

Full text

Abstract:

The legal drama episode from which this dialogue is taken depicts an impossible case: a Sudanese immigrant, who lost most of his family to the violence in Darfur, wants to sue the U.S. government for failing to intervene in the face of obvious genocide. The case is unwinnable. Lori Colson’s construction of a legal basis for the case is more than shaky. But neither the client nor his lawyers expect to win the case. Their proclaimed objective – to “make noise” – pinpoints a significant cultural potential of litigation, of its “real” practice in the courtroom and, even more importantly, in its va

APA, Harvard, Vancouver, ISO, and other styles

38

Touma, Josephine. "Painting performance: art and theatricality in the work of Antoine Watteau (1684-1721)." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/11858.

Full text

Abstract:

This thesis focuses on the artistic oeuvre of Antoine Watteau (1684-1721), reassessing the artist’s practice in light of eighteenth-century French theatrical culture. Watteau’s singular aesthetic has been the subject of much scholarly debate. The characteristic ambiguities of his paintings, which have occupied scholars from the beginnings of modern interest in the artist, remain only partially understood. This thesis builds upon existing scholarship, locating Watteau's theatrical subjects historically, in terms of both early eighteenth-century theatrical practice (including set design, play il

APA, Harvard, Vancouver, ISO, and other styles

39

Spina, Danton Christopher. "Confused Spaces: Theatricality as a device for defining different types of public space." DigitalCommons@CalPoly, 2013. https://digitalcommons.calpoly.edu/theses/1136.

Full text

Abstract:

Confused Spaces has come to the conclusion that theatricality can be a device for defining different types of public space. This book aims to define theatricality in architectural terms by taking principles from the disciplines of theater and urban design. It limits the scope of the definition to a specific set of elements of theatricality that include spectacle, transition, flexibility, and compactability. After attempting to define why these elements of theatricality are valid architectural concepts, the text then pushes to understand the experience that these elements can create. Through th

APA, Harvard, Vancouver, ISO, and other styles

40

Everett-Kabut, Patricia Hews. "The Cooperative Commonwealth Federation and amateur theatricals in 1930's Vancouver, BC." Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/59353.

Full text

Abstract:

This research investigates a collection of short one-act plays in the Arthur J. Turner Fonds held in the University of British Columbia Rare Books and Special Collections. These plays, written by Arthur J. Turner, Thorvald “Denny” Kristiansen and Hubert Evans in the mid-1930’s, formed part of the Cooperative Commonwealth Federation’s broader social and propaganda efforts to educate and indoctrinate new members in the basic tenets of Socialism and the CCF platform. Like agitprop plays created elsewhere in Canada, Britain and the United States, dramatic groups within CCF clubs wrote and performe

APA, Harvard, Vancouver, ISO, and other styles

41

Curley, Eileen Moira. "Beyond the pocket doors amateur theatricals in nineteenth-century New York City /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3243770.

Full text

Abstract:

Thesis (Ph.D.)--Indiana University, Dept. of Theatre and Drama, 2006.<br>"Title from dissertation home page (viewed July 17, 2007)." Source: Dissertation Abstracts International, Volume: 67-12, Section: A, page: 4389. Adviser: Ronald Wainscott.

APA, Harvard, Vancouver, ISO, and other styles

42

Cox, Devon. "Stages of captivity : Napoleonic prisoners of war & their theatricals, 1808-1814." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/103472/.

Full text

Abstract:

In 2011, the Performance and Theatre Collection at the Victoria and Albert Museum in London acquired an archive of materials relating to the French prisoners of war held at Portchester Castle from 1810 to 1814. This archive consisted of scripts, playbills, and abstracts from the prisoners’ Théâtre des Variétés built and operated in the basement of the castle’s keep. These materials have provided new and unique insights into the experiences of Napoleonic prisoners of war and have served as a catalyst for this first major critical study of Napoleonic prisoners-of-war theatricals. The majorit

APA, Harvard, Vancouver, ISO, and other styles

43

Eldridge, Elizabeth Jane. "An analysis of the inter-relationship between the theatricalist drama of Jean Anouilh and dramaturgical theory." Thesis, Lancaster University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357169.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Gill, Zachary Whitman. "Soldiers performing/performing soldiers spectacular catharsis, perpetual rehearsal, and theatricality in the US infantry /." Diss., [La Jolla] : [Irvine] : University of California, San Diego ; University of California, Irvine, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3359846.

Full text

Abstract:

Thesis (Ph. D.)--University of California, San Diego and the University of California, Irvine, 2009.<br>Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 239-249).

APA, Harvard, Vancouver, ISO, and other styles

45

Townsend, Emily. "Player King early modern theatricality and the playing of power in William Shakespeare's Henriad /." Diss., Connect to the thesis, 2005. http://hdl.handle.net/10066/635.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Apgar, Jennifer L. "Performing passing theatricality in Zoë Wicomb's Playing in the light and Nella Larsen's Passing /." Atlanta, Ga. : Georgia State University, 2008. http://digitalarchive.gsu.edu/english_theses/50/.

Full text

Abstract:

Thesis (M.A.)--Georgia State University, 2008.<br>Title from title page (Digital Archive@GSU, viewed June 21, 2010) Pearl McHaney, Renée Schatteman, committee chairs; Audrey Goodman, committee member. Includes bibliographical references (p. 80-81).

APA, Harvard, Vancouver, ISO, and other styles

47

Apgar, Jennifer L. "Performing Passing: Theatricality in Zoë Wicomb's Playing in the Light and Nella Larsen's Passing." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/english_theses/50.

Full text

Abstract:

Acts of “passing” inform the plots of Zoë Wicomb’s Playing in the Light and Nella Larsen’s Passing. Examples of contemporary South African fiction and Harlem Renaissance fiction respectively, these texts explore racial passing and its correlative, social passing. Social passing includes enactment of social relationships, responds to class anxieties, and requires repression of emotions as participating characters attempt to fix their performed roles into permanent identities. At issue are the texts’ multiple enactments of passing with special interest paid to these acts’ constitutive theatrical

APA, Harvard, Vancouver, ISO, and other styles

48

Gibbs, Jenna Marie. "Performing the temple of liberty slavery, rights, and revolution in transatlantic theatricality (1760s-1830s) /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1554940031&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Willmer, David. "Theatricality, mediation, and public space : the legacy of Parsi theatre in South Asian cultural history /." Online version, 1999. http://bibpurl.oclc.org/web/21701.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Robbins, Hannah M. "'A chance for stage folks to say "hello"' : entertainment and theatricality in 'Kiss Me, Kate'." Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/19002/.

Full text

Abstract:

As Cole Porter’s most commercially successful Broadway musical, Kiss Me, Kate (1948) has been widely acknowledged as one of several significant works written during ‘the Golden age’ period of American musical theatre history. Through an in-depth examination of the genesis and reception of this musical and discussion of the extant analytical perspectives on the text, this thesis argues that Kiss Me, Kate has remained popular as a result of its underlying celebration of theatricality and of entertainment. Whereas previous scholarship has suggested that Porter and his co-authors, Sam and Bella Sp

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!