Academic literature on the topic 'Thebes (Greece) in art'
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Journal articles on the topic "Thebes (Greece) in art"
Aravantinos, Vassilis L., Ioannis Fappas, and Yannis Galanakis. "ATOP THE KADMEIA: MYCENAEAN ROOF TILES FROM THEBES IN CONTEXT." Annual of the British School at Athens 115 (November 17, 2020): 175–245. http://dx.doi.org/10.1017/s006824542000009x.
Full textROCHE, HELEN. "THE PECULIARITIES OF GERMAN PHILHELLENISM." Historical Journal 61, no. 2 (December 18, 2017): 541–60. http://dx.doi.org/10.1017/s0018246x17000322.
Full textKanellopoulos, Chrysanthos, and Manolis Petrakis. "Cella alignment and 4th century BC Doric peripteral temple architecture in Mainland Greece." Opuscula. Annual of the Swedish Institutes at Athens and Rome 11 (November 2018): 169–200. http://dx.doi.org/10.30549/opathrom-11-09.
Full textNikolaidou, Afroditi, and Ifigeneia Mylona. "Promotional Greek screen industries: Branded entertainment in the digital age." Journal of Greek Media & Culture 6, no. 2 (October 1, 2020): 241–59. http://dx.doi.org/10.1386/jgmc_00015_1.
Full textDraskic-Vicanovic, Iva. "Form as an expression of function." Theoria, Beograd 53, no. 4 (2010): 73–86. http://dx.doi.org/10.2298/theo1004073d.
Full textScaife, Ross. "The "Kypria" and Its Early Reception." Classical Antiquity 14, no. 1 (April 1, 1995): 164–92. http://dx.doi.org/10.2307/25000145.
Full textDotsika, Elissavet, Dimitra Ermioni Michael, Efstathios Iliadis, Petros Karalis, and Georgios Diamantopoulos. "Isotopic reconstruction of diet in Medieval Thebes (Greece)." Journal of Archaeological Science: Reports 22 (December 2018): 482–91. http://dx.doi.org/10.1016/j.jasrep.2018.08.019.
Full textLyle, Monique. "The Sober Bacchae: Dance as Phenomenal Limitation in Nietzsche." Dance Research 37, no. 1 (May 2019): 59–76. http://dx.doi.org/10.3366/drs.2019.0253.
Full textLock, Peter. "The Frankish Towers of Central Greece." Annual of the British School at Athens 81 (November 1986): 101–23. http://dx.doi.org/10.1017/s0068245400020104.
Full textSnigovska, Oksana, and Andriy Malakhiti. "“RED” ODESSA IN THE EYES OF N. KAZANDZAKIS: DOCUMENTARY-ARTISTIC TWO of the AUTHOR’s worlds (based on the travelogue «Traveling: Russia»)." Studia Linguistica, no. 15 (2019): 235–49. http://dx.doi.org/10.17721/studling2019.15.235-249.
Full textDissertations / Theses on the topic "Thebes (Greece) in art"
Rockwell, Nicholas Ryan. "The Boeotian army the convergence of warfare, politics, society, and culture in the classical age of Greece /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1680034161&sid=14&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textEFKLEIDOU, KALLIOPI. "SLAVERY AND DEPENDENT PERSONNEL IN THE LINEAR B ARCHIVES OF MAINLAND GREECE." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1099923171.
Full textFurman, Michael Stephen. "Thebes, the Boeotian League, and central Greece : political and military development and interaction in the fourth century B.C." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12254.
Full textVollkommer, Rainer. "Herakles in the art of classical Greece." Oxford : Oxford University Committee for Archaeology, 1988. http://books.google.com/books?id=ur2fAAAAMAAJ.
Full textStumpf, Joseph A. "Tourism in Roman Greece /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3115593.
Full textBonga, Lily A. "Late Neolithic pottery from mainland Greece, ca. 5,300--4,300 B.C." Thesis, Temple University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3564797.
Full textThe Late Neolithic (defined here as the LN I of Sampson1993 and Coleman 1992) is both the culmination and the turning point of Greek Neolithic culture from the preceding phases. It lasts some 1,000 years, from approximately 5,300 to 4,300 B.C. The ceramic repertoire of the Late Neolithic period in Greece is a tremendously diverse body of material. Alongside this diversity, other aspects of the ceramic assemblage, such as Matt-painted and Black-burnished pottery, share broad similarities throughout regions, constituting a " koine." The commanlities, however, are most apparent during the earlier part of the Late Neolithic (LN Ia); in the later phase (LN Ib) phase, more regional variations proliferate than before.
In the Late Neolithic, all categories of pottery—monochrome, decorated, and undecorated—are at their technological and stylistic acme in comparison with earlier periods. While some of the pottery types demonstrate unbroken continuity and development from the preceding Early and Middle Neolithic phases, new specialized shapes and painting techniques are embraced.
For the first time in the Neolithic, shapes appear that are typically thought of by archaeologists as being for food processing (strainers and "cheese-pots"), cooking (tripod cooking pots and baking pans), and storing (pithoi ). More recent research, however, has demonstrated that these "utilitarian" vessels were more often than not used for purposes other than their hypothesized function. These new "utilitarian" vessels were to dominate the next and last phase of the Neolithic, the Final Neolithic (also called the Chalcolithic, Eneolithic, or LN II) when painted pottery disappears from most Greek assemblages just before the beginning of the Bronze Age.
During the past two decades, there has been much research into Late Neolithic Greece, particularly in Northern Greece (Macedonia). This dissertation incorporates the most up-to-date information from these recent excavations with the older material from sites in Thessaly, Central Greece, and Southern Greece. Since this study draws solely upon published material, both old and new, there are certain limitations to the type of analysis that can be performed. The approach, then, is more of an art-historical and historiographical overview than a rigorous archaeological analysis. It provides an overview of the major classes of pottery (decorated, monochrome, and undecorated) and their primary shapes, motifs, and technological aspects. While it emphasizes commonalities, regional and chronological variations are also highlighted. The technological means of production of vessels, their use, circulation, and deposition are also considered.
The structure of this paper is that each pottery chapter is devoted to a broad class (such as Matt-painted), which is broadly defined and then more closely examined at the regional level for chronological and stylistic variations. Likewise, a sub-section then discusses the technology of a particular class and its regional and or chronological similarities and differences. When necessary, outdated scholarship is addressed and rectified.
Spier, Jeffrey Bryan. "Minor arts and regional styles in East Greece, 700-500 B.C." Thesis, University of Oxford, 1988. http://ora.ox.ac.uk/objects/uuid:76ecad5c-367b-4ea2-9f5d-ec248ddd1b31.
Full textLoughlin, Eleanor. "Representations of the cow and calf in Minoan art." Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/9790.
Full textTanner, Jeremy James. "The invention of art history : religion, society and artistic differentiation in ancient Greece." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296707.
Full textBonga, Lily Alexandra. "Late Neolithic Pottery from Mainland Greece, ca. 5,300-4,300 B.C." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/236215.
Full textPh.D.
The Late Neolithic (defined here as the LN I of Sampson 1993 and Coleman 1992) is both the culmination and the turning point of Greek Neolithic culture from the preceding phases. It lasts some 1,000 years, from approximately 5,300 to 4,300 B.C. The ceramic repertoire of the Late Neolithic period in Greece is a tremendously diverse body of material. Alongside this diversity, other aspects of the ceramic assemblage, such as Matt-painted and Black-burnished pottery, share broad similarities throughout regions, constituting a "koine." The commonalities, however, are most apparent during the earlier part of the Late Neolithic (LN Ia); in the later phase (LN Ib) phase, more regional variations proliferate than before. In the Late Neolithic, all categories of pottery--monochrome, decorated, and undecorated--are at their technological and stylistic acme in comparison with earlier periods. While some of the pottery types demonstrate unbroken continuity and development from the preceding Early and Middle Neolithic phases, new specialized shapes and painting techniques are embraced. For the first time in the Neolithic, shapes appear that are typically thought of by archaeologists as being for food processing (strainers and "cheese-pots"), cooking (tripod cooking pots and baking pans), and storing (pithoi). More recent research, however, has demonstrated that these "utilitarian" vessels were more often than not used for purposes other than their hypothesized function. These new "utilitarian" vessels were to dominate the next and last phase of the Neolithic, the Final Neolithic (also called the Chalcolithic, Eneolithic, or LN II) when painted pottery disappears from most Greek assemblages just before the beginning of the Bronze Age. During the past two decades, there has been much research into Late Neolithic Greece, particularly in Northern Greece (Macedonia). This dissertation incorporates the most up-to-date information from these recent excavations with the older material from sites in Thessaly, Central Greece, and Southern Greece. Since this study draws solely upon published material, both old and new, there are certain limitations to the type of analysis that can be performed. The approach, then, is more of an art-historical and historiographical overview than a rigorous archaeological analysis. It provides an overview of the major classes of pottery (decorated, monochrome, and undecorated) and their primary shapes, motifs, and technological aspects. While it emphasizes commonalities, regional and chronological variations are also highlighted. The technological means of production of vessels, their use, circulation, and deposition are also considered. The structure of this paper is that each pottery chapter is devoted to a broad class (such as Matt-painted), which is broadly defined and then more closely examined at the regional level for chronological and stylistic variations. Likewise, a sub-section then discusses the technology of a particular class and its regional and or chronological similarities and differences. When necessary, outdated scholarship is addressed and rectified.
Temple University--Theses
Books on the topic "Thebes (Greece) in art"
Schleef, Einar. Schlangen: Die Geschichte der Stadt Theben. Frankfurt am Main: Suhrkamp, 1986.
Find full textArt, desire, and the body in ancient Greece. Cambridge: Cambridge University Press, 1997.
Find full textReeder, Ellen D. Pandora: Women in classical Greece. Baltimore, Md: Trustees of the Walters Art Gallery in association with Princeton University Press, Princeton, N.J., 1995.
Find full textComing of age in ancient Greece: Images of childhood from the classical past. New Haven, CT: Yale University Press, 2004.
Find full textFranz, Jung, ed. Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst. München: Hirmer, 1989.
Find full textDie Wirkung der Götter: Bilder mit Flügelfiguren auf griechischen Vasen des 6. und 5. Jahrhunderts v. Chr. Berlin: De Gruyter, 2011.
Find full textPetrović, Zoran B. Hilandar na crtežima Zorana B Petrovića =: Hē Monē Chilandariou sta schedia tou Zoran B. Petrovits = Hilandar in the drawings of Zoran B. Petrovic. Beograd: Skupština grada, 1998.
Find full textBook chapters on the topic "Thebes (Greece) in art"
Tambakaki, Polina. "‘Art-Popular’ Song and Modern Greek Poets – Interactions and Ideologies." In Made in Greece, 55–64. New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315749075-7.
Full textBlanshard, Alastair J. L. "High Art and Low Art Expectations." In A Companion to Ancient Greece and Rome on Screen, 427–47. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118741382.ch19.
Full textTzortzatou, Olga, and Anastasia Siapka. "Mapping the Biobank Landscape in Greece." In GDPR and Biobanking, 291–307. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-49388-2_16.
Full textDolan, Marion. "Art, Architecture, and Astronomy in Classical Greece." In Decoding Astronomy in Art and Architecture, 147–70. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76511-8_11.
Full textBakogianni, Anastasia. "Hollywood Meets Art-House Cinema." In A Companion to Ancient Greece and Rome on Screen, 161–85. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118741382.ch7.
Full textBarker, Andrew. "Public Music as ‘Fine Art’ in Archaic Greece." In Antiquity and the Middle Ages, 45–67. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21157-9_2.
Full textTozer, Malcolm. "‘To the Glory that was Greece’: Classical Images in Public School Athleticism." In Leisure in Art and Literature, 109–29. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-11353-8_9.
Full textCorniello, Luigi, Andronira Burda, Adriana Trematerra, Davide Carleo, Angelo De cicco, Martina Gargiulo, Fabiana Guerriero, and Gennaro Pio Lento. "The monastic heritage in the Saronic gulf (Greece). Architectural and environmental surveys of the architecture and coastline." In Proceedings e report, 28–37. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.04.
Full textGreen-Cole, Ruth. "Painting Blood: Visualizing Menstrual Blood in Art." In The Palgrave Handbook of Critical Menstruation Studies, 787–801. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_57.
Full textHionidou, Violetta. "Physicians and Their Role: ‘Medicine Is a Form of Art’." In Abortion and Contraception in Modern Greece, 1830-1967, 291–317. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41490-0_10.
Full textConference papers on the topic "Thebes (Greece) in art"
Malletzidou, Lamprini, Triantafyllia T. Zorba, Vaios Ganitis, Nikolaos Kyriakou, Eleni Pavlidou, and Konstantinos M. Paraskevopoulos. "Folk ecclesiastical art in Northern Greece: Characterization of a 17th century portable icon." In 10th Jubilee International Conference of the Balkan Physical Union. Author(s), 2019. http://dx.doi.org/10.1063/1.5091428.
Full textZhu, Shiyi. "Poetic Justice and Its Inconsistencies Poetry As Tool for Moral Education in Ancient Greece." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.020.
Full textf Švajlenka, Joze, Mária Kozlovská, and Marcela Spišáková. "GREEN AND ENERGY EFFICIENT SOLUTIONS IN THE CONSTRUCTION INDUSTRY." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/24.
Full textScharlemann, Carsten Arthur, and Martin Tajmar. "Micropropulsion Development at the ARC Seibersdorf Research." In CANEUS 2006: MNT for Aerospace Applications. ASMEDC, 2006. http://dx.doi.org/10.1115/caneus2006-11006.
Full textPenerliev, Milen. "GEO-SPATIAL PROBLEMS IN BULGARIA'S REGIONS BORDERING GREECE AND THEIR IMPACT ON TOURISM." In TOURISM AND CONNECTIVITY 2020. University publishing house "Science and Economics", University of Economics - Varna, 2020. http://dx.doi.org/10.36997/tc2020.116.
Full textKasymov, D., V. Agafontsev, E. Loboda, Yu Loboda, and V. Reyno. "INTEGRATED EXPERIMENTAL STUDY USING INFRARED THERMOGRAPHY METHOD ON BEHAVIOR OF WOOD CONSTRUCTIONAL MATERIALS IN FIRE CONDITIONS." In 9TH INTERNATIONAL SYMPOSIUM ON NONEQUILIBRIUM PROCESSES, PLASMA, COMBUSTION, AND ATMOSPHERIC PHENOMENA. TORUS PRESS, 2020. http://dx.doi.org/10.30826/nepcap9a-27.
Full textHokao, Michita, and Atsushi Yokouchi. "Lubricating Characteristics of Fluorine Grease Containing Silica Nanoparticles." In STLE/ASME 2008 International Joint Tribology Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/ijtc2008-71088.
Full textBuchner, Bas, and Joaqui´n Lopez-Cortijo Garcia. "Design Aspects of Green Water Loading on FPSOs." In ASME 2003 22nd International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2003. http://dx.doi.org/10.1115/omae2003-37162.
Full textKernizan, Carl F., Carlos L. Cerda de Groote, and Melinda E. Bartlett. "KRL Thrust Bearing Rig: Effects of Test Conditions on Bearing Performance." In World Tribology Congress III. ASMEDC, 2005. http://dx.doi.org/10.1115/wtc2005-64266.
Full textBalážová, Pavla. "GREEN DESIGN AND EDUCATION OF STUDENTS AT UNIVERSITIES IN THE SLOVAK REPUBLIC." In GEOLINKS Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/geolinks2021/b2/v3/42.
Full textReports on the topic "Thebes (Greece) in art"
Führ, Martin, Julian Schenten, and Silke Kleihauer. Integrating "Green Chemistry" into the Regulatory Framework of European Chemicals Policy. Sonderforschungsgruppe Institutionenanalyse, July 2019. http://dx.doi.org/10.46850/sofia.9783941627727.
Full textJung, Carina, Matthew Carr, Eric Fleischman, and Chandler Roesch. Response of the green June beetle and its gut microbiome to RDX and phenanthrene. Engineer Research and Development Center (U.S.), November 2020. http://dx.doi.org/10.21079/11681/38799.
Full textKolodziejczyk, Bart. Unsettled Issues Concerning the Use of Green Ammonia Fuel in Ground Vehicles. SAE International, February 2021. http://dx.doi.org/10.4271/epr2021003.
Full textSmith, Jijo K., Howell Li, and Darcy M. Bullock. Populating SAE J2735 Message Confidence Values for Traffic Signal Transitions Along a Signalized Corridor. Purdue University, 2019. http://dx.doi.org/10.5703/1288284317322.
Full textChidsey, Thomas C., David E. Eby, Michael D. Vanden Berg, and Douglas A. Sprinkel. Microbial Carbonate Reservoirs and Analogs from Utah. Utah Geological Survey, July 2021. http://dx.doi.org/10.34191/ss-168.
Full textGundacker, Roman. The Names of the Kings of the Fifth Dynasty According to Manetho. Verlag der Österreichischen Akademie der Wissenschaften, December 2018. http://dx.doi.org/10.1553/erc_stg_757951_r._gundacker_the_names_of_the_kings_of_the_fifth_dynasty.
Full textSheridan, Anne. Annual report on migration and asylum 2016: Ireland. ESRI, November 2017. http://dx.doi.org/10.26504/sustat65.
Full textHerbert, George. How Can Middle-income Countries Improve Their Skills Systems Post- COVID-19? Institute of Development Studies (IDS), February 2021. http://dx.doi.org/10.19088/k4d.2021.082.
Full textViguri, Sofía, Sandra López Tovar, Mariel Juárez Olvera, and Gloria Visconti. Analysis of External Climate Finance Access and Implementation: CIF, FCPF, GCF and GEF Projects and Programs by the Inter-American Development Bank. Inter-American Development Bank, January 2021. http://dx.doi.org/10.18235/0003008.
Full textPrice, Roz. Access to Climate Finance by Women and Marginalised Groups in the Global South. Institute of Development Studies (IDS), May 2021. http://dx.doi.org/10.19088/k4d.2021.083.
Full text