Relevant bibliographies by topics / Thematic catalogues

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Thematic catalogues'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Thematic catalogues"

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Seiffert, Wolf-Dieter. "Four observations, to read in ten minutes, about modern Thematic Catalogues in music." Studia Musicologica 53, no. 1-3 (September 1, 2012): 15–20. http://dx.doi.org/10.1556/smus.53.2012.1-3.2.

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The paper is meant to be an introduction to László Somfai’s lecture on the Béla Bartók Thematic Catalogue in progress to be published by G. Henle Verlag. The author calls attention to a wealth of new thematic catalogues in print. The mutual interdependence of thematic catalogues and complete edition projects is emphasized. While discussing online databases on composers and thematic catalogues, the advantages and limitations of online resources are also pointed out.
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Jones, P. W. "Thematic and library catalogues." Early Music XXX, no. 1 (February 1, 2002): 130–32. http://dx.doi.org/10.1093/em/xxx.1.130.

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Geertinger, Axel Teich. "Samlingsformidling gennem tematiske værkfortegnelser." Fund og Forskning i Det Kongelige Biblioteks Samlinger 58 (March 9, 2019): 213. http://dx.doi.org/10.7146/fof.v58i0.125304.

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Axel Teich Geertinger: Contextualising Library Collections through Thematic Catalogues Between the years 2014 and 2019, Dansk Center for Musikudgivelse (DCM) (Danish centre for Music Editing) has published thematic-bibliographic catalogues of the works of four composers, in both digital and printed editions: Carl Nielsen, Johann Adolph Scheibe, J.P.E. Hartmann and Niels W. Gade. The concept and the software behind it were developed by DCM concurrently with the work on the actual catalogues’. DCM’s catalogues of the works are in keeping with a long tradition within musicology, in which such catalogues are a standard tool. In view of the particular situation for sources in Denmark, on the one hand, where most of the relevant material concerning Danish composers can be found in the Royal Danish Library’s collections, and the conversion of the catalogue concept to digital media on the other, DCM’s catalogues of works also gain a different perspective, so that they are not just a reference work for researchers, students and musicians, but also actual dissemination of the collection. While library catalogues’ perspective is fundamentally concentrated on specific items, catalogues of works – as the name says – concentrate on works. The works perspective is appropriate to provide an overview of all the material and information associated with a work and can thus put each source into a context. With links directly to library entries and digitisations, the catalogue can offer an alternative, more generalised and holistic approach to the library’s material than library catalogues. There are also links to related material, such as concurrent reviews in Mediestream. This article presents the catalogue of works concept and discusses its prospects and limitations, in particular from a library perspective.
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Chuchvara, Adriana. "LANGUAGE AND WAR: PROSPECTS OF INTERCULTURAL COMMUNICATION IN A FOREIGN LANGUAGE CLASSROOM." Theory and Practice of Teaching Ukrainian as a Foreign Language, no. 17 (June 25, 2023): 3–14. http://dx.doi.org/10.30970/ufl.2023.17.3904.

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The article presents the essential requirements for effective communication in a foreign language classroom, specifically pertaining to the topic of Russian-Ukrainian war. During the classes of Ukrainian as a foreign language (hereinafter referred to as UFL), communication takes place between participants belonging to different national linguistic and cultural communities, so the need for international understanding remains relevant both in terms of internal politics and, in particular, the foreign policy relations of Ukraine. The article’s author seeks to address whether the repertoire of thematic catalogues required for proficiency levels in Ukrainian as a foreign language encompass the topic of war. Additionally, the article explores the timeline and differing interpretations regarding the nature of the Russian-Ukrainian war. The study utilized specific research materials, employing general linguistic methods such as descriptive analysis and comparison. The conducted analysis confirmed that the sub-topic war is in the repertoire of thematic catalogues in the Standardized requirements for the levels of proficiency in the Ukrainian language as a foreign language (level B1-C2). The timeline of the Russian-Ukrainian war is uncertain – from the period of occupation and annexation of the Republic of Crimea (in 2014) to today. During UFL classes, the falsity of the versions of the civil war in Ukraine or the illegal annexation of Crimea and the civil armed conflict in Donbas should be exposed (as popularized interpretations of events until February 24, 2022, in particular). The Russian-Ukrainian war (from 2014 to the present day) is an interstate armed conflict caused by the aggression of the Russian Federation not only against Ukraine, goes beyond the scope of a bilateral confrontation, the nature of which most fully reveals the meaning of the concept of “hybrid war”. Key words: Russian-Ukrainian war (from 2014 to today), hybrid war, lexical-semantic means of naming war events in Ukraine, UFL.
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Holman, Peter. "A New Source of Restoration Keyboard Music." Royal Musical Association Research Chronicle 20 (1987): 53–57. http://dx.doi.org/10.1080/14723808.1987.10540919.

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Restoration keyboard music has been well served in recent years by modern editions, source studies and thematic catalogues. Thus it is all the more surprising that Brussels Conservatoire MS XY 15139, a large manuscript from the early eighteenth century containing unique pieces by John Blow and William Croft as well as a number of early copies of music by Henry Purcell, has almost entirely escaped notice. It seems that the only references to it in the scholarly literature to date have been a brief description by Margaret Reimann in her article on the Kortkamp family in Die Musik in Geschichte und Gegenwart, and my edition of two Croft suites in the 1982 revision of that composer's Complete Harpsichord Works.
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Panchenko, Anatoliy M. "The Library of the Headquarters of the Border Guard Special Corps. To the 125th Anniversary of the Corps Foundation." Bibliotekovedenie [Russian Journal of Library Science] 68, no. 6 (February 2, 2020): 635–46. http://dx.doi.org/10.25281/0869-608x-2019-68-6-635-646.

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Due to the lack of studies on the history of librarianship in the Border Guard Special Corps (BGSC), this article considers for the first time the history of creation and development of the library at its headquarters. The purpose of the article is the reconstruction of the library stocks, first of all its quantitative indices and thematic content, basing on “The Library Catalogue of the Headquarters of the Border Guard Special Corps” of 1906. The author widely used the method of comparative analysis, which allowed to reveal the catalogue shortcomings, common to pre-revolutionary libraries, and specific features of catalogue compilation, to identify similarities and differences in the subject matter of the available publications and their distribution between Military Department divisions with similar book collections (using the example of “Systematic Catalogue of books of the Library of Headquarters of the Moscow Military District, published in the same 1906, and three additions to it). The core of the source base of the study were the library catalogues and orders of the chiefs of the Border Guard. This study allowed the author to establish the date of creation of the library, which should be considered January 30, 1895, as on that day the Corps Headquarters Order No. 12 recorded the first receipt of books and quantitative indices of the stock, which included 33 authors (names) in 110 volumes. According to the catalogue, by 1906 the library included 454 authors (names) of publications in 1396 volumes. The article revealed the existence of one more library at the headquarters of the BGSC, arranged and operated at Corps Museum. The results show that organising and development of libraries at the headquarters of BGSC and its structural units went in one course with the establishment and further existence of libraries of the Military Department. They had similar departments, same sources of accession, including from the General Staff, depended on the attitude of higher administration and the initiative of the officers themselves.
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Zaher, Célia Ribeiro, and Angela Bettencourt. "Electronic Consortium of Libraries: A Bibliographical Cooperation Scheme." Alexandria: The Journal of National and International Library and Information Issues 17, no. 2 (August 2005): 105–12. http://dx.doi.org/10.1177/095574900501700207.

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In 1982 a Brazilian joint venture of cooperative automated cataloging at national level started, which developed in the 1990s with the greater use of the Internet and changes of format and software to provide Internet access to online catalogues. In consequence, major changes were made from 1997 on to operate with new software entirely online, with full Internet access for remote users and an Intranet for cataloguing from 80 workstations. The launching, in 1998, of a website with one million records, including the current National Bibliography, linked to images and sounds, legal deposit records and ISBN registration, as well as full text classical Brazilian literature, has created an impact on users. In 1999 registers of copyright records were also made available on the web, and today encompass 200,000 items. An Electronic Consortium of Libraries was created in 1998 which caters to users and also deals with libraries individually through its outreach programme. The sophisticated system of copy cataloguing permits libraries which become members of the Consortium to download full bibliographical records and multimedia, free of charge, from the National Bibliography. The online cataloguing software has built-in automated Portuguese translation offering cataloguers at their workstation access to official translated terms of subject headings used by the Library of Congress. Several thematic sites have been developed to cater to cultural awareness, targeting social, economic and cultural aspects of the different history and life of all states in Brazil, showing the cultural diversity of the North and South of the country.
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Mironova, Valentina P., Anastasiya S. Lyzlova, and Lydmila I. Ivanova. "On Digital Information Forms of Archival Material Preservation, Availability and Popularization of Archival Materials." Herald of an archivist, no. 1 (2021): 289–300. http://dx.doi.org/10.28995/2073-0101-2021-1-289-300.

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The article reviews the activities of the staff of the Institute of Linguistics, Literature, and History of the Karelian Research Centre of the Russian Academy of Sciences (ILLH KarRC RAS) in setting up the folklore-ethnographic and linguistic fonds, in compiling hand-written registers, thematic, personal and geographic card indexes, and catalogues. Development of information technology has brought to life new methods of archival storage and systematization, which makes this study significant. Its sources are digital information resources, as well as the folklore-ethnographic and linguistic fonds of the ILLH KarRC RAS archives. It uses descriptive and historico-chronolohical methods. It aims to identify and characterize new forms of storage. Special attention is paid to the unique first fragmentary records of Karelian and Russian folklore samples made on flexi discs about a century ago. Various methods are employed to communicate the archival materials to the general public: books, audio albums on CD and other multimedia, thematic websites. Archive’s communication with its visitors has changed substantially; it is becoming increasingly digitalized: inventories and preparatory papers for working with sources can be accessed online. This study introduces the fonds content, as well as new forms of popularization of archival materials. It draws attention to the available resources. However, full digitalization of the fonds is a laborious process, which is going to take time, human resources, and investment.
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Panecki, Tomasz. "Quantitative assessment of the scope of content of selected topographic maps of Polish lands from the 19th and the first half of the 20th century." Polish Cartographical Review 49, no. 4 (December 1, 2017): 151–65. http://dx.doi.org/10.1515/pcr-2017-0015.

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Abstract The author presents an overview of the scope of content of selected topographic maps of Polish lands from the 19th and the first half of the 20th century in its quantitative aspect. 19 maps were analysed and a common conceptual model linked to the Database of Topographic Objects (DBTO10k) was developed on the basis of catalogues of object types. Quantitative statistics were also prepared for the object types from maps before and after harmonization. Differences between their numbers within the same maps reflect the conceptual variety of said maps. The number of types of objects (before and after harmonization) was then juxtaposed with selected thematic layers: water network, transport network, land cover, buildings, structures, and equipment, land use complexes, localities and other objects. Such factors as scales, publication dates and topographic services which created analysed maps were also taken into consideration. Additionally, the analysed maps demonstrate uneven levels of generalization. Inclusion of objects typical for large-scale cartography on topographic and general maps is one of the distinctive features.
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Nosov, Nikolay N. "L.I. Strakhovsky: Between Symbolism and Acmeism (Based on Foreign Publications)." Observatory of Culture 17, no. 4 (September 8, 2020): 426–37. http://dx.doi.org/10.25281/2072-3156-2020-17-4-426-437.

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The article is devoted to L.I. Strakhovsky (alias Leonid Chatsky; 1898—1963), a Russian writer and poet of the first wave of emigration, and his poetry and prose reflected in foreign publications of his works in Russian. Returning to our culture the name of this author, now half-forgotten in his homeland, and introducing this name into literary studies, the article tries to reveal the thematic and stylistic diversity of L.I. Strakhovsky’s poetry and prose. The research’s object is foreign publications of L.I. Strakhovsky’s artistic works in separate books, almanacs and periodicals published in Belgium, Germany, Canada and identified through collection catalogues of leading Russian libraries (the Russian State library, the Alexander Solzhenitsyn House of Russia Abroad) and library resources that display foreign Russian-language publications by L.I. Strakhovsky. The article highlights and analyzes the main stylistic (symbolism, acmeism, “junior acmeism”) and thematic (autobiographical, English, mystical) components of L.I. Strakhovsky’s works, reveals the components’ individual features, the originality of their constancy and mutual influence. The main of these features is that L.I. Strakhovsky’s works can be stylistically periodized on the basis of the author’s increased propensity to cyclize his works though without creative evolution in the usual sense and with the stable nature of his working throughout his life. To review the publications and analyze the nature of L.I. Strakhovsky’s works, the article draws on the context of Russian and emigrant literature of his era, creatively associated with L.I. Strakhovsky and its main figures, and notes his literary and cultural influence.
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Dissertations / Theses on the topic "Thematic catalogues"

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Humphreys, Mark. "Daniel Purcell : a biography and thematic catalogue." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439750.

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Ward, Jillian Ruth. "Andrea Zani (1696-1757) - life and works - through a study of the documents together with a collected edition and thematic catalogue." Thesis, University of Canterbury. Centre for Fine Arts, Music and Theatre, 2010. http://hdl.handle.net/10092/5442.

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Among the numerous eighteenth-century composers of merit whose music remains virtually unknown and unavailable in modern editions, and whose names are absent from the many items of Baroque literature to date, is Andrea Zani (b. Casalmaggiore, 1696-d. Casalmaggiore, 1757). Yet his skill saw him ranked as a virtuoso, and his compositions were published in Vienna, Paris and Amsterdam, as well as his native Italy. Despite the fact that most of his output is extant and accessible either in manuscripts or early prints in the archives of Europe, the United States of America and the United Kingdom, no thorough study of these works has been made. The scant biographical information available on Zani lies in a succession of brief and lamentably incomplete accounts, traceable to one early nineteenth-century writing. A comprehensive study of Andrea Zani and his music has yet to be made. The objectives (and thus the structure) of this dissertation are to present a definitive performing edition of Zani’s entire output and to compile a biographical account that will substantially augment and correct much of the biographical information that is available. These objectives are interdependent. A biography may be illuminated by information found in music sources – dates of compositions or dates and places of publications, names of dedicatees (and even of specific occasions) are all indicators of avenues of research, and as this is undertaken, isolated facts gradually turn into an expanding and yet increasingly tightly-knit network of detail. The music itself may be illuminated by confirming its location within the lifetime of the composer and a growing understanding of the various circumstances surrounding the years in which it was written. When this is allied with a knowledge of the dissemination of his compositions, one is led toward a contemporary estimation of the composer and a measure of the sphere of his influence. One further element of this research is a thematic catalogue of Zani’s works. As a comprehensive description of his output, it provides a stand-alone reference volume for future studies of the man and/or his compositions. More widely, it will assist with the solution of problems of misattributions of compositions among Zani's contemporaries.
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Khattar, Albert Savino 1982. "Tuba : sua história, o panorama histórico no Brasil, o repertório solo brasileiro, incluindo catálogo e sugestões interpretativas de três obras selecionadas." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284623.

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Orientador: Emerson Luiz de Biaggi
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-26T15:09:14Z (GMT). No. of bitstreams: 1 Khattar_AlbertSavino_M.pdf: 35481142 bytes, checksum: 30bc95a83eabe06894751c98c804b86f (MD5) Previous issue date: 2014
Resumo: A presente dissertação trata da história e desenvolvimento da tuba, ilustrando suas principais modificações. Fornece o primeiro relato histórico da tuba no Brasil, além de abranger o repertório brasileiro originalmente composto para tuba como instrumento solista, independente da instrumentação, de obras para tuba solo a obras para tuba e orquestra. Constam, neste trabalho, um catálogo desse repertório e sugestões interpretativas, pertinentes à técnica tubística, de três obras selecionadas
Abstract: This dissertation deals with the history and development of the tuba, illustrating its main modifications. Provides the first historical account of the tuba in Brazil, besides covering the Brazilian repertoire originally composed for tuba as a solo instrument, regardless of the instrumentation, from works for tuba solo to works for tuba and orchestra. We also include in this work, a catalog of this repertoire and interpretive suggestions, relevant to the tuba technique, of three selected works
Mestrado
Praticas Interpretativas
Mestre em Música
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Mikulášová, Ludmila. "Johann Anton Koželuch (1738-1814) - Život a dílo." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342323.

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The aim of the dissertation is to create a monograph on the life and work of the Prague-based composer Johann Anton Koželuch (1738-1814). The first part follows the composer's journey through life and professional career, noting the background and the position that influenced his work and composition legacy. The conclusion of the first part is devoted to selected aspects of his work which is compared and contrasted with the period musical context. The second part of the dissertation contains a thematic catalogue of compositions by Johann Anton Koželuch. On the basis of musicological research it is incontestable that Johann Anton Koželuch ranks among the most important personalities of Bohemian musical life in the second half of the eighteenth and the first half of the nineteenth century and his legacy goes beyond the borders of this country. The dissertation points towards new findings about music history not only in Bohemia, but also across Central Europe.
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Books on the topic "Thematic catalogues"

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J, Viano Richard, ed. Thematic catalogues in music: An annotated bibliography. 2nd ed. Stuyvesant, NY: Pendragon Press, 1997.

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1880-1952, Einstein Alfred, ed. Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amade Mozarts: Nebst Angabe der verlorengegangenen, angefangenen, übertragenen, zweifelhaften und unterschobenen Kompositionen. Leipzig: VEB Breitkopf & Härtel, 1989.

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LaRue, Jan. A catalogue of 18th-century symphonies. Bloomington: Indiana University Press, 1988.

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Gianturco, Carolyn. Alessandro Stradella (1639-1682): A thematic catalogue of his compositions. Stuyvesant, NY: Pendragon Press, 1990.

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F, McCrickard Eleanor, ed. Alessandro Stradella (1639-1682): A thematic catalogue of his compositions. Stuyvesant, NY: Pendragon Press, 1991.

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Craggs, Stewart R. William Walton: A source book. Aldershot, Hants, England: Scolar Press, 1993.

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Oswald, Bill, and Grosspietsch Christoph, eds. Christoph Graupner: Thematisches Verzeichnis der musikalischen Werke : Graupner-Werke-Verzeichnis, GWV : Instrumentalwerke. Stuttgart: Carus, 2005.

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Burghauser, Jarmil. Antonín Dvořák, thematický katalog =: Thematisches Verzeichnis = thematic catalogue. 2nd ed. Praha: Bärenreiter Editio Supraphon, 1996.

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Zimmerman, Franklin B. Henry Purcell, 1659-1695: An analytical catalog of his complete works. Philadelphia, PA: P.R.O. Music Publication, 1990.

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Lea, Shalem, ed. Hebrew notated manuscript sources up to circa 1840: A descriptive and thematic catalogue with a checklist of printed sources. München: G. Henle Verlag, 1989.

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Book chapters on the topic "Thematic catalogues"

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Gasimov, Vagif. "Fuzzy Method of Creating of Thematic Catalogs of Information Resources of the Internet for Search Systems." In 4th International Conference on Artificial Intelligence and Applied Mathematics in Engineering, 374–82. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31956-3_31.

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Rogers, Victoria. "Searching for Sources Part 1." In Postgraduate Research in Music, 12–40. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197616031.003.0003.

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Abstract Chapter 2 is the first of two chapters that discuss a pivotal aspect of the research process: searching for sources of information. The chapter begins by discussing the three categories into which sources of information can be divided: primary, secondary, and tertiary. It then goes on to identify the key resources and resource portals that are used in music research, their value, and where they can be found. The resources are grouped into eight categories: (1) writings about music; (2) archival sources; (3) scores, editions, and collections; (4) thematic catalogues; (5) music iconography; (6) sound recordings, films, and videos; (7) search engines and websites; and (8) social media, blogs, and podcasts.
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McCallum, Sarah L. "Warriors in Love." In Elegiac Love and Death in Vergil's Aeneid, 99–122. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192863003.003.0005.

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Abstract This chapter examines two striking aetiological myths that are embedded within the epic catalogues of the Italian Iliad. As Vergil enumerates the mustering Italian forces (A. 7.641–817) and the fleet of Aeneas’ Etruscan allies (A. 10.163–817), he shifts the focus from each spectacle of arma to a tale of metamorphosis: Hippolytus’ resurrection and transformation into Virbius (A. 7.765–77); and the avian transfiguration of Cycnus (A. 10.185–88). By interweaving each mythological tale with amatory and funerary elegiac material, Vergil creates exceptional aesthetic and thematic vignettes that exist in productive tension with the surrounding martial context. The aesthetic fluctuation between epic and elegy articulates the crucial tension between arma, amor, and mors that drives the narrative of the maius opus. Moreover, the intra- and intertextual reveberations of these episodes reveals Vergil’s enduring commitment to Alexandrian aesthetic principals, his intense engagement with the recent innovations of Propertius and Tibullus, and his perpetuation of the poetic legacy of Gallus.
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"THEMATIC CATALOGS." In Thematic Catalog of a Manuscript Collection of Eighteenth-Century Italian Instrumental Music, 384–85. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501304.90.

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Hirschler, Konrad. "The Ibn ʿAbd al-Hādī fihrist: Title Identification." In A Monument to Medieval Syrian Book Culture, 171–511. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474451567.003.0006.

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Chapter 5 provides an annotated translation of each entry in the catalogue identifying the titles. Each translated entry provides brief information on the author (who is sometimes named in the catalogue), the modern edition (if existing), the book’s thematic field as well as further information that is occasionally provided (e.g. number of quires and name of copyist).
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Hirschler, Konrad, Konrad Hirschler, Konrad Hirschler, and Konrad Hirschler. "The Ashrafīya Catalogue: Translation and Title Identification." In Medieval Damascus: Plurality and Diversity in an Arabic Library. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474408776.003.0005.

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Chapter 4 provides an annotated translation of each entry in the Ashrafiya catalogue identifying the titles. Each translated entry provides brief information on the author (who is sometimes named in the catalogue), the modern edition (if existing), the book’s thematic field as well as further information that is occasionally provided (e.g. multiple copies, number of quires, illustrations, name of copyist).
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Krabbe, Niels. "J. C. Bach’s Symphonies and the Breitkopf Thematic Catalogue." In J.C. Bach, 225–46. Routledge, 2017. http://dx.doi.org/10.4324/9781315092362-13.

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Steinberg, Michael. "Mozart." In The Concerto, 271–331. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195103304.003.0025.

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Abstract Joannes Chrisostomus Wolfgang Gottlieb Mozart, who began to call himself Wolfgango Amadeo about 1770 and Wolfgang Amade in 1777-but who never used Amadeus except injest was born in Salzburg, Austria, on 27 January 1756 and died in Vienna on 5 December 1791. The identifying K numbers refer to the chronological thematic catalogue of Mozart’s works published in 1862 by Ludwig, Ritter von Kochel, an Austrian botanist, mineralogist, and music bibliographer.
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Burrows, Donald. "New Versions of As pants the hart." In Handel and the English Chapel Royal, 187–216. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198162285.003.0008.

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Abstract This chapter is concerned with the versions of As pants the hart that Handel composed during the 1720s. It will refer also to his other settings of the anthem, because the topic relates both to the chronology of the various versions and to the processes of composition in which Handel utilized or rejected material from his preceding settings of the text. The versions will be identified by letters deriving from the suffixes to the HWV numbers in the thematic catalogue.
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Dimitra, Kondyli, Dekker Ron, and Ilijasic Versic Ivana. "CESSDA Data Catalogue: Opportunities and Challenges to Explore Mobility and Migration." In Data Science for Migration and Mobility, 51–70. British Academy, 2022. http://dx.doi.org/10.5871/bacad/9780197267103.003.0003.

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The Consortium of European Social science Data Archives (CESSDA) exists since 1976 as an umbrella organisation for social science data archives across Europe, to provide a distributed and sustainable research infrastructure for high-quality social science research, sharing expertise, and providing training. Research data can be archived, curated, and distributed via the national service providers. CESSDA has developed core tools to provide seamless access to data across these repositories, including the CESSDA Data Catalogue, a multilingual catalogue that provides information (metadata) on more than 30,000 datasets. A free text search on ‘migration’ gives 1,280 hits and ‘mobility’ gives 3,392 hits in English language. Filters and advanced search can reduce and finetune the search for relevant data. Basic features are available to develop thematic archives on these topics. Technical and conceptual information will be addressed like the development of standards, vocabularies for the filters, and tools to harvest the metadata. By adding new information and implementing communication technologies, the data can be enriched and combined to meet researchers’ needs as well as to enhance the transfer of knowledge. Currently, CESSDA already runs pilots on this and collaborates with different research communities, including migration. The aspects of social mobility’ research using the CESSDA Data Catalogue will be highlighted in this chapter: the catalogue as a search tool and as a starting point for collaborative research.
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Conference papers on the topic "Thematic catalogues"

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Sivurova, O. А. "CREATION OF LANGUAGE VERSIONS OF THE AGROVOC MULTILINGUAL THESAURUS IN THE PERIOD OF PRINTED CATALOGUES." In LIBRARIES IN THE INFORMATION SOCIETY: PRESERVING TRADITIONS AND DEVELOPING NEW TECHNOLOGIES. УП «ИВЦ Минфина», 2022. http://dx.doi.org/10.47612/978-985-880-283-7-2022-110-120.

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The article discusses the historical background for the development of the AGROVOC multilingual thesaurus on agriculture. The history of the creation and the specifics of work on the AGROVOC thesaurus in the 1980s and 1990s are outlined. Brief characteristics of the printed versions of the thesaurus are given: thematic range and type of links in the thesaurus, dynamics of quantitative and qualitative composition, expansion of linguistic variety of AGROVOC versions during the first 20 years of its existence.
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Belinskaya, Maria A., and Nadezhda N. Elkina. "The key challenges of the Russian Academy of Sciences Library in its transfer «from the printed to digital»." In Third scientific and practical conference «BiblioPiter-2022». Russian National Public Library for Science and Technology, 2022. http://dx.doi.org/10.33186/978-5-85638-249-4-12-17.

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The results of the transfer from the card reference and bibliographic instrument to e-catalog are summarized. Options for using library e-catalogs for advanced user bibliographic services are discussed. The library’s book collection is partially conversed into full-text e-library; many books are digitized for the web-portal «Scientific heritage of Russia». The variations of targeted thematic full-text collections with bibliographic browsing and search formats are analyzed; options for graphic formats for full-text publications in e-libraries to provide fast access to the books directly from the catalog are examined.
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Farkas, Katalin, and Dóra Nagy. "Speciális dokumentumok és tartalmak – speciális metaadatszerkezetek Muzeális tartalmak és kéziratok repozitálása a Szegedi Tudományegyetem Klebelsberg Kuno Könyvtárában." In Networkshop. HUNGARNET Egyesület, 2021. http://dx.doi.org/10.31915/nws.2021.5.

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At the beginning of the 2020s, the SZTE Klebelsberg Library will need to store the digitised museum documents and manuscript legacies that have been and are still being generated in a repository. The content was placed in the library’s thematic EPrints software-based repository Miscellanea. Different types of documents required different solutions, and their metadata required the development of a different metadata form. A solution was needed to create a structured structure in the repository to house the digital versions of the paper documents in the collection and the content transferred for digital preservation. The task was to define the different levels of access, the ongoing cleaning of the data and the establishment of the catalogue-repository link. The report presents possible solutions to these problems.
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Abeysiriwardana, P. C., U. K. Jayasinghe-Mudalige, and S. R. Kodituwakku. "Role of key performance indicators targeting the research on business innovation in the commercial agri-food sector." In International Conference on Business Research. Business Research Unit (BRU), 2023. http://dx.doi.org/10.31705/icbr.2023.1.

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The theme of research and development (R&D) lies at the heart of any industry that attempts to increase its productivity, and there is no difference concerning those industries cataloged under the commercial agri-food sector. Key performance indicators (KPIs) are recognized as one of the key tools that are heavily used to measure these efforts in research management, through which the right direction of the research agenda of a research institute is evaluated. The dynamics of KPIs in place are, however, slackly deliberated and remain poorly understood, and perhaps, those set up to work toward achieving Sustainable Development Goal (SDG 2) - "Zero Hunger" are not well explored. This study, on this shed of light, aimed to synthesize the literature build-up on performance management of research that was put into a business perspective. A systematic review of the literature was followed in Phase One to identify, collate, and summarize empirical evidence from the extant literature on performance management systems (PMSs) and KPIs. Thirty-two (32) research administrators and practitioners affiliated with prominent research institutes operating in Sri Lanka directing research for commercial agriculture development were approached in Phase Two via in-person in-depth interviews aided by an interview guide comprising 15 probing questions. To assess the perspectives of those officers in the upper echelon, the Thematic Qualitative Models produced by MAXQDA 2022 software were employed. The outcome of the thematic analysis converged those perspectives into five themes: (1) Research commercialization, (2) Research collaboration, (3) Research for society, (4) Institutional management, and (5) Technology-integrated systems. It underscored the organizational benefits gained from well-thought-out PMSs comprised of smart KPIs. Some analysis techniques such as Code-Frequency-Tables, Code-Maps, etc., provided by the software were systematically used to build some frameworks on KPI-key performance drivers (KPD) relationships that facilitate real-time data-driven PMS in driving research business innovations on commercial agriculture.
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Sundararajan, V. "Constructing a Design Knowledge Base Using Natural Language Processing." In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-15276.

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Mechanical engineering, like other engineering disciplines, has witnessed maturation of various aspects of its domain, obsolescence of some areas and a resurgence of others. With a history of over 200 years of continuous research and development, both in academia and industry, the community has generated enormous amounts of design knowledge in the form of texts, articles and design drawings. With the advent of electronics and computer science, several of the classical mechanisms faced obsolescence, but with the emergence of MEMS and nanotechnology, the same designs are facing a resurrection. Research and development in mechanical engineering would derive enormous benefit from a structured knowledge-base of designs and mechanisms. This paper describes a prototype system that synthesizes a knowledge-base of mechanical designs by the processing of the text in engineering descriptions. The goal is to construct a system that stores and catalogs engineering designs, their sub-assemblies and their super-assemblies for the purposes of archiving, retrieval for launching new designs and for education of engineering design. Engineering texts have a relatively clear discourse structure with fewer ambiguities, less stylistic variations and less use of complex figures of speech. The text is first passed through a part-of-speech tagger. The concept of thematic roles is used to link different parts of the sentence. The discourse structure is then taken into account by anaphora resolution. The knowledge is gradually built up through progressive scanning and analysis of text. References, interconnections and attributes are added or deleted based upon the nature, reliability and strength of the new information. Examples of analysis and resulting knowledge structures are presented.
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Reports on the topic "Thematic catalogues"

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P., DALLA VILLA. Overcoming the impact of COVID-19 on animal welfare: COVID-19 Thematic Platform on Animal Welfare. O.I.E (World Organisation for Animal Health), October 2020. http://dx.doi.org/10.20506/bull.2020.nf.3137.

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The World Organisation for Animal Health (OIE) represents 182 countries with a focus on animal health, animal welfare and veterinary public health. The OIE has several Collaborating Centres that support the work of the organisation. The Istituto Zooprofilattico Sperimentale dell’Abruzzo e del Molise ‘Giuseppe Caporale’ (IZSAM) is the Secretariat for the OIE Collaborating Centre Network on Veterinary Emergencies (EmVetNet). In April 2020, the IZSAM initiated a COVID-19 Thematic Platform on Animal Welfare. The working group represented the EmVetNet Collaborating Centres, international institutions, veterinary associations, authorities and animal welfare organisations. Lincoln Memorial University College of Veterinary Medicine recruited summer research students whom catalogued over 1,200 animal welfare related reports and provided 64 report narratives for the working group. IZSAM launched the EmVetNet website (https://emvetnet.izs.it) for public and private exchange of information, materials, and guidelines related to veterinary emergencies. The EmVetNet COVID-19 Thematic Platform on Animal Welfare continues to meet to address emerging issues, strengthen the network for future emergencies, and share information with stakeholders including national Veterinary Services responding to the epidemic.
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P., DALLA VILLA. Overcoming the impact of COVID-19 on animal welfare: COVID-19 Thematic Platform on Animal Welfare. O.I.E (World Organisation for Animal Health), October 2020. http://dx.doi.org/10.20506/bull.2020.nf.3137.

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The World Organisation for Animal Health (OIE) represents 182 countries with a focus on animal health, animal welfare and veterinary public health. The OIE has several Collaborating Centres that support the work of the organisation. The Istituto Zooprofilattico Sperimentale dell’Abruzzo e del Molise ‘Giuseppe Caporale’ (IZSAM) is the Secretariat for the OIE Collaborating Centre Network on Veterinary Emergencies (EmVetNet). In April 2020, the IZSAM initiated a COVID-19 Thematic Platform on Animal Welfare. The working group represented the EmVetNet Collaborating Centres, international institutions, veterinary associations, authorities and animal welfare organisations. Lincoln Memorial University College of Veterinary Medicine recruited summer research students whom catalogued over 1,200 animal welfare related reports and provided 64 report narratives for the working group. IZSAM launched the EmVetNet website (https://emvetnet.izs.it) for public and private exchange of information, materials, and guidelines related to veterinary emergencies. The EmVetNet COVID-19 Thematic Platform on Animal Welfare continues to meet to address emerging issues, strengthen the network for future emergencies, and share information with stakeholders including national Veterinary Services responding to the epidemic.
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