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Journal articles on the topic 'Thematic catalogues'
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1
Seiffert, Wolf-Dieter. "Four observations, to read in ten minutes, about modern Thematic Catalogues in music." Studia Musicologica 53, no. 1-3 (September 1, 2012): 15–20. http://dx.doi.org/10.1556/smus.53.2012.1-3.2.
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The paper is meant to be an introduction to László Somfai’s lecture on the Béla Bartók Thematic Catalogue in progress to be published by G. Henle Verlag. The author calls attention to a wealth of new thematic catalogues in print. The mutual interdependence of thematic catalogues and complete edition projects is emphasized. While discussing online databases on composers and thematic catalogues, the advantages and limitations of online resources are also pointed out.
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Jones, P. W. "Thematic and library catalogues." Early Music XXX, no. 1 (February 1, 2002): 130–32. http://dx.doi.org/10.1093/em/xxx.1.130.
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Geertinger, Axel Teich. "Samlingsformidling gennem tematiske værkfortegnelser." Fund og Forskning i Det Kongelige Biblioteks Samlinger 58 (March 9, 2019): 213. http://dx.doi.org/10.7146/fof.v58i0.125304.
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Axel Teich Geertinger: Contextualising Library Collections through Thematic Catalogues
Between the years 2014 and 2019, Dansk Center for Musikudgivelse (DCM) (Danish centre for Music Editing) has published thematic-bibliographic catalogues of the works of four composers, in both digital and printed editions: Carl Nielsen, Johann Adolph Scheibe, J.P.E. Hartmann and Niels W. Gade. The concept and the software behind it were developed by DCM concurrently with the work on the actual catalogues’. DCM’s catalogues of the works are in keeping with a long tradition within musicology, in which such catalogues are a standard tool. In view of the particular situation for sources in Denmark, on the one hand, where most of the relevant material concerning Danish composers can be found in the Royal Danish Library’s collections, and the conversion of the catalogue concept to digital media on the other, DCM’s catalogues of works also gain a different perspective, so that they are not just a reference work for researchers, students and musicians, but also actual dissemination of the collection. While library catalogues’ perspective is fundamentally concentrated on specific items, catalogues of works – as the name says – concentrate on works. The works perspective is appropriate to provide an overview of all the material and information associated with a work and can thus put each source into a context. With links directly to library entries and digitisations, the catalogue can offer an alternative, more generalised and holistic approach to the library’s material than library catalogues. There are also links to related material, such as concurrent reviews in Mediestream. This article presents the catalogue of works concept and discusses its prospects and limitations, in particular from a library perspective.
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Chuchvara, Adriana. "LANGUAGE AND WAR: PROSPECTS OF INTERCULTURAL COMMUNICATION IN A FOREIGN LANGUAGE CLASSROOM." Theory and Practice of Teaching Ukrainian as a Foreign Language, no. 17 (June 25, 2023): 3–14. http://dx.doi.org/10.30970/ufl.2023.17.3904.
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The article presents the essential requirements for effective communication in a foreign language classroom, specifically pertaining to the topic of Russian-Ukrainian war. During the classes of Ukrainian as a foreign language (hereinafter referred to as UFL), communication takes place between participants belonging to different national linguistic and cultural communities, so the need for international understanding remains relevant both in terms of internal politics and, in particular, the foreign policy relations of Ukraine. The article’s author seeks to address whether the repertoire of thematic catalogues required for proficiency levels in Ukrainian as a foreign language encompass the topic of war. Additionally, the article explores the timeline and differing interpretations regarding the nature of the Russian-Ukrainian war. The study utilized specific research materials, employing general linguistic methods such as descriptive analysis and comparison. The conducted analysis confirmed that the sub-topic war is in the repertoire of thematic catalogues in the Standardized requirements for the levels of proficiency in the Ukrainian language as a foreign language (level B1-C2). The timeline of the Russian-Ukrainian war is uncertain – from the period of occupation and annexation of the Republic of Crimea (in 2014) to today. During UFL classes, the falsity of the versions of the civil war in Ukraine or the illegal annexation of Crimea and the civil armed conflict in Donbas should be exposed (as popularized interpretations of events until February 24, 2022, in particular). The Russian-Ukrainian war (from 2014 to the present day) is an interstate armed conflict caused by the aggression of the Russian Federation not only against Ukraine, goes beyond the scope of a bilateral confrontation, the nature of which most fully reveals the meaning of the concept of “hybrid war”. Key words: Russian-Ukrainian war (from 2014 to today), hybrid war, lexical-semantic means of naming war events in Ukraine, UFL.
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Holman, Peter. "A New Source of Restoration Keyboard Music." Royal Musical Association Research Chronicle 20 (1987): 53–57. http://dx.doi.org/10.1080/14723808.1987.10540919.
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Restoration keyboard music has been well served in recent years by modern editions, source studies and thematic catalogues. Thus it is all the more surprising that Brussels Conservatoire MS XY 15139, a large manuscript from the early eighteenth century containing unique pieces by John Blow and William Croft as well as a number of early copies of music by Henry Purcell, has almost entirely escaped notice. It seems that the only references to it in the scholarly literature to date have been a brief description by Margaret Reimann in her article on the Kortkamp family in Die Musik in Geschichte und Gegenwart, and my edition of two Croft suites in the 1982 revision of that composer's Complete Harpsichord Works.
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Panchenko, Anatoliy M. "The Library of the Headquarters of the Border Guard Special Corps. To the 125th Anniversary of the Corps Foundation." Bibliotekovedenie [Russian Journal of Library Science] 68, no. 6 (February 2, 2020): 635–46. http://dx.doi.org/10.25281/0869-608x-2019-68-6-635-646.
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Due to the lack of studies on the history of librarianship in the Border Guard Special Corps (BGSC), this article considers for the first time the history of creation and development of the library at its headquarters. The purpose of the article is the reconstruction of the library stocks, first of all its quantitative indices and thematic content, basing on “The Library Catalogue of the Headquarters of the Border Guard Special Corps” of 1906. The author widely used the method of comparative analysis, which allowed to reveal the catalogue shortcomings, common to pre-revolutionary libraries, and specific features of catalogue compilation, to identify similarities and differences in the subject matter of the available publications and their distribution between Military Department divisions with similar book collections (using the example of “Systematic Catalogue of books of the Library of Headquarters of the Moscow Military District, published in the same 1906, and three additions to it). The core of the source base of the study were the library catalogues and orders of the chiefs of the Border Guard. This study allowed the author to establish the date of creation of the library, which should be considered January 30, 1895, as on that day the Corps Headquarters Order No. 12 recorded the first receipt of books and quantitative indices of the stock, which included 33 authors (names) in 110 volumes. According to the catalogue, by 1906 the library included 454 authors (names) of publications in 1396 volumes. The article revealed the existence of one more library at the headquarters of the BGSC, arranged and operated at Corps Museum. The results show that organising and development of libraries at the headquarters of BGSC and its structural units went in one course with the establishment and further existence of libraries of the Military Department. They had similar departments, same sources of accession, including from the General Staff, depended on the attitude of higher administration and the initiative of the officers themselves.
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Zaher, Célia Ribeiro, and Angela Bettencourt. "Electronic Consortium of Libraries: A Bibliographical Cooperation Scheme." Alexandria: The Journal of National and International Library and Information Issues 17, no. 2 (August 2005): 105–12. http://dx.doi.org/10.1177/095574900501700207.
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In 1982 a Brazilian joint venture of cooperative automated cataloging at national level started, which developed in the 1990s with the greater use of the Internet and changes of format and software to provide Internet access to online catalogues. In consequence, major changes were made from 1997 on to operate with new software entirely online, with full Internet access for remote users and an Intranet for cataloguing from 80 workstations. The launching, in 1998, of a website with one million records, including the current National Bibliography, linked to images and sounds, legal deposit records and ISBN registration, as well as full text classical Brazilian literature, has created an impact on users. In 1999 registers of copyright records were also made available on the web, and today encompass 200,000 items. An Electronic Consortium of Libraries was created in 1998 which caters to users and also deals with libraries individually through its outreach programme. The sophisticated system of copy cataloguing permits libraries which become members of the Consortium to download full bibliographical records and multimedia, free of charge, from the National Bibliography. The online cataloguing software has built-in automated Portuguese translation offering cataloguers at their workstation access to official translated terms of subject headings used by the Library of Congress. Several thematic sites have been developed to cater to cultural awareness, targeting social, economic and cultural aspects of the different history and life of all states in Brazil, showing the cultural diversity of the North and South of the country.
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Mironova, Valentina P., Anastasiya S. Lyzlova, and Lydmila I. Ivanova. "On Digital Information Forms of Archival Material Preservation, Availability and Popularization of Archival Materials." Herald of an archivist, no. 1 (2021): 289–300. http://dx.doi.org/10.28995/2073-0101-2021-1-289-300.
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The article reviews the activities of the staff of the Institute of Linguistics, Literature, and History of the Karelian Research Centre of the Russian Academy of Sciences (ILLH KarRC RAS) in setting up the folklore-ethnographic and linguistic fonds, in compiling hand-written registers, thematic, personal and geographic card indexes, and catalogues. Development of information technology has brought to life new methods of archival storage and systematization, which makes this study significant. Its sources are digital information resources, as well as the folklore-ethnographic and linguistic fonds of the ILLH KarRC RAS archives. It uses descriptive and historico-chronolohical methods. It aims to identify and characterize new forms of storage. Special attention is paid to the unique first fragmentary records of Karelian and Russian folklore samples made on flexi discs about a century ago. Various methods are employed to communicate the archival materials to the general public: books, audio albums on CD and other multimedia, thematic websites. Archive’s communication with its visitors has changed substantially; it is becoming increasingly digitalized: inventories and preparatory papers for working with sources can be accessed online. This study introduces the fonds content, as well as new forms of popularization of archival materials. It draws attention to the available resources. However, full digitalization of the fonds is a laborious process, which is going to take time, human resources, and investment.
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Panecki, Tomasz. "Quantitative assessment of the scope of content of selected topographic maps of Polish lands from the 19th and the first half of the 20th century." Polish Cartographical Review 49, no. 4 (December 1, 2017): 151–65. http://dx.doi.org/10.1515/pcr-2017-0015.
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Abstract The author presents an overview of the scope of content of selected topographic maps of Polish lands from the 19th and the first half of the 20th century in its quantitative aspect. 19 maps were analysed and a common conceptual model linked to the Database of Topographic Objects (DBTO10k) was developed on the basis of catalogues of object types. Quantitative statistics were also prepared for the object types from maps before and after harmonization. Differences between their numbers within the same maps reflect the conceptual variety of said maps. The number of types of objects (before and after harmonization) was then juxtaposed with selected thematic layers: water network, transport network, land cover, buildings, structures, and equipment, land use complexes, localities and other objects. Such factors as scales, publication dates and topographic services which created analysed maps were also taken into consideration. Additionally, the analysed maps demonstrate uneven levels of generalization. Inclusion of objects typical for large-scale cartography on topographic and general maps is one of the distinctive features.
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Nosov, Nikolay N. "L.I. Strakhovsky: Between Symbolism and Acmeism (Based on Foreign Publications)." Observatory of Culture 17, no. 4 (September 8, 2020): 426–37. http://dx.doi.org/10.25281/2072-3156-2020-17-4-426-437.
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The article is devoted to L.I. Strakhovsky (alias Leonid Chatsky; 1898—1963), a Russian writer and poet of the first wave of emigration, and his poetry and prose reflected in foreign publications of his works in Russian. Returning to our culture the name of this author, now half-forgotten in his homeland, and introducing this name into literary studies, the article tries to reveal the thematic and stylistic diversity of L.I. Strakhovsky’s poetry and prose. The research’s object is foreign publications of L.I. Strakhovsky’s artistic works in separate books, almanacs and periodicals published in Belgium, Germany, Canada and identified through collection catalogues of leading Russian libraries (the Russian State library, the Alexander Solzhenitsyn House of Russia Abroad) and library resources that display foreign Russian-language publications by L.I. Strakhovsky. The article highlights and analyzes the main stylistic (symbolism, acmeism, “junior acmeism”) and thematic (autobiographical, English, mystical) components of L.I. Strakhovsky’s works, reveals the components’ individual features, the originality of their constancy and mutual influence. The main of these features is that L.I. Strakhovsky’s works can be stylistically periodized on the basis of the author’s increased propensity to cyclize his works though without creative evolution in the usual sense and with the stable nature of his working throughout his life. To review the publications and analyze the nature of L.I. Strakhovsky’s works, the article draws on the context of Russian and emigrant literature of his era, creatively associated with L.I. Strakhovsky and its main figures, and notes his literary and cultural influence.
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Tsihouridis, Charilaos, Dennis Vavougios, Marianthi Batsila, and George Ioannidis. "The Optimum Equilibrium when Using Experiments in Teaching – Where Virtual and Real Labs Stand in Science and Engineering Teaching Practice." International Journal of Emerging Technologies in Learning (iJET) 14, no. 23 (December 6, 2019): 67. http://dx.doi.org/10.3991/ijet.v14i23.10890.
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The present study compares the relative merits of virtual and real educational laboratories in science and engineering education, in terms of their educational effectiveness and if they were the most appropriate for learning. The age of the students was also investigates as a possible factor affecting the outcome. The authors of the present paper started by identifying 67 recent and mutually compatible research papers (articles, doctoral theses, and reviews) and reviewed their content performing a meta-study to discover their findings about the most effective laboratory type. Web-based tools were used, such as e-journals, databases, thematic guides, and portals, catalogues of other libraries offered by a variety of universities. A critical analysis followed to compare findings and reach decisions. In a corollary section of the study, the authors conducted some semi-structured discussions with 25 experienced science teachers of secondary, primary and tertiary education, for verification purposes. Discussions followed, all participants being arranged in 5 different groups, focusing on still open topics in need of further clarification. The present two-prong analysis resulted in a number of interesting results, presented herein, on the relative effectiveness of virtual and real laboratories as a factor of student age.
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Lavrentev, Mikhail Y. "WORLD WAR II IN THE RSASR PHONO DOCUMENTS." History and Archives, no. 4 (2020): 149–56. http://dx.doi.org/10.28995/2658-6541-2020-4-149-156.
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The present article describes the phono documents of the Russian State Archives of Sound Recordings related to World War II. The work covers the specifics of these documents and their value for the war history research as well as for understanding of the war-time atmosphere and its reflection in people’s minds during and after the war. The paper analyses the audio recordings made both during World War II and the following years. The examples of most important documents are presented. The existence of phono documents created before the start of World War II and after its end is indicated. The article informs on the sound recordings created during the years of World War II. It also states the existence of captured phono documents created by Nazi Germany and sound recordings of war criminals court processes. The author describes the work done by archivists to provide easy access of the public to phono documents. The article specifies the thematic catalogues of war history documents dating from 1929 to 1946 that can be found on the RSASR’s website. The titles and the short descriptions of the Internet projects that include fragments of the World War II history audio recordings are also given. The article notes a presence in the Archives of the numerous artistic recordings pertaining to the War and indicates their importance.
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Matskevich, Nina A., and Olga G. Shchitova. "Ideographic dictionary of architecture and design terminology of the Russian language." Voprosy leksikografii, no. 27 (2022): 86–104. http://dx.doi.org/10.17223/22274200/27/5.
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The article discusses reasons for compiling a dictionary of architectural and design terms in the Russian language. The topicality of creating it is connected with the brisk growth of design activity, the branching out of a new training program, Design of Architectural Environment, and the absence of a linguistic terminological dictionary of this professional sphere. The aim of the article is to describe the conception of an ideographic dictionary of Russian architectural and design terminology. The dictionary is based on the special language of architecture and design selected from terminological reference books, educational materials and research literature, commercial catalogues, professional weblogs, websites, and e-commerce sites. The dictionary defines not only terms, but also terminoids, preterms and quasi-terms, and pays special attention to the foreign terminological units and neologisms. This is caused by the under-investigated functional lexis of the architectural environment design sphere, variability and movability of its concepts and terms. The research methods and techniques used in the study are: the lexicographical method with the research techniques of thematic (ideographic) arrangement, definition, componential and contextual analyses. The chosen type of an ideographic dictionary defined its marco-structure: it is represented by a system of thematic groups, subgroups and microgroups, contributes to the development of a holistic professional worldview, and facilitates work with the dictionary. The microstructure shows the content of a lexical entry including core and optional components as well as its design. The core components include the headword with its variants, their stresses and pronunciation features, information on the word’s grammar, its definition and examples of its usage in professional speech. The optional components (etymology, derivatives, terminological collocations with the headword, analogues, synonyms and illustrations) are used as supplementary characteristics of a lexical item if available. Definitions are made by the principle of generic, genetic, operational and contextual explanations with elements of encyclopedic information. The dictionary is intended for linguists, terminologists, students and teachers of the disciplines of the Design of the Architectural Environment training programs, and is of interest to professionals in this field
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Gillies, Malcolm. "Composer Complete Critical Editions in the Twenty-First Century: A Case Study of Béla Bartók." Royal Musical Association Research Chronicle 50 (2019): 153–71. http://dx.doi.org/10.1080/14723808.2019.1565734.
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Composer complete critical editions originated in the mid nineteenth-century and remain an important contribution to twenty-first-century scholarship and performance practice. This discussion article, commissioned by the Royal Musical Association Research Chronicle, uses the Béla Bartók Complete Critical Edition, inaugurated in 2016, as the basis of reconsideration of the musicological, performance-related, publishing and business aspects of today's complete editions of composers’ works. Gillies looks at the characteristics of the first two Bartók edition volumes, For Children and Concerto for Orchestra, particularly their approach to the composer's use of notation, the representation of their geneses, and some interesting issues about variants, versions, alternatives, replacements, arrangements and deletions. He also considers what a dozen Henle Urtexts, issued on the basis of this complete critical edition's research, seek to present for performers, particularly in their use of Bartók's own recordings as exemplars as well as the presentation in his folk-music treatises of melodies on which these pieces are based. Gillies's consideration also reveals some of the bases of the Bartók complete edition in the post-war ‘Neue Ausgabe’ critical series, with some later influence from Schoenberg and Debussy editions. After looking at changes in format and related products, including thematic catalogues, and the business models that underpin many complete critical editions, Gillies evaluates the risks that may face the Bartók edition in the future, and suggests how they might best be mitigated.
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Pałka, Patrycja. "Dialogue with Tradition in Historical Advertising Discourse. Polite Forms of Address." Poznańskie Studia Polonistyczne. Seria Językoznawcza 30, no. 2 (December 29, 2023): 97–118. http://dx.doi.org/10.14746/pspsj.2023.30.2.6.
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The aim of the article is to present how in historical advertisement discourse the sender (the advertiser) expressed an attitude towards the recipient in the context of tradition of that time related to the principles of language politeness. In the analysis, the author focuses on describing the forms of address used. The research encompasses a period spanning from the second half of 19th century to 1939, a period directly connected with the development of professional advertisements, the advertising industry, the first advertising agencies and the media – press, radio and cinematography. The sources used to write this paper include a wide variety of materials that comprise a large collection of texts representing various forms of advertisement, including press adverts, leaflets, postcards, posters, placards and notices, packaging materials, labels, folders, company catalogues and information brochures, price lists, company paper products (forms, envelopes, notes, and bills), and other promotional printed materials (e. g. invitations, letters, and thematic cook books), as well as radio advertisements. The analysis shows both that polite communication practices in historical advertising texts are characterised by a tendency to conform to traditional language politeness norms, including those specific to trade, and that the emergence of new communication tools and the democratisation of social life during the interwar period led to a need to simplify language etiquette and trade politeness norms, as well as to develop more familiar ways of addressing the audience in advertising discourse.
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Rice, John A., Albi Rosenthal, Alan Tyson, Frank Ziegler, Neal Zaslaw, William Cowdery, and Wolfgang Amadeus Mozart. "Mozart's Thematic Catalogue: A Facsimile." Notes 48, no. 2 (December 1991): 484. http://dx.doi.org/10.2307/942043.
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Brook, Barry, and Richard Viano. "The Thematic Catalogue in Music." Music Reference Services Quarterly 2, no. 1 (December 14, 1993): 27–46. http://dx.doi.org/10.1300/j116v02n01_02.
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Petrucci, Olga, Graziella Emanuela Scarcella, and Massimo Conforti. "Multi-Level Data Analyses for Characterizing Rainfall-Induced Landslide Scenarios: The Example of Catanzaro Municipality (South Italy)." Water 15, no. 13 (July 1, 2023): 2437. http://dx.doi.org/10.3390/w15132437.
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This paper presents a GIS-based approach to create a multilevel data system for detailed knowledge of landslide occurrences in small territorial units such as municipalities. The main aim is to collect all the available data (geological, geomorphological, and climatic data, as well as landslide inventory maps and catalogues) in a structured data management system and perform further analyses to identify the typical landslide scenarios of the study area that can be useful in landslide risk management. We demonstrated the use of the methodology analyzing landslide risk in the municipality of Catanzaro (southern Italy), having a surface of 111.7 km2, 20.5% of which was affected by landslides. The spatial and temporal distribution of landslides highlighted that in several cases, they are reactivations of pre-existing phenomena. In fact, in the municipality, approximately 17% of the buildings fall within landslides-affected areas, 7.9% of which are in areas where landslides are classified as active. Furthermore, active landslides involve 8.1% and 9.5% of the roads and railways, respectively. In the 1934–2020 study period, 53% of activations occurred between October and December and were triggered by daily rain which in the highest percentage of cases (49%) showed values between 50 and 100 mm. The proposed GIS platform can be easily updated in order to preserve the landslide history of the area and can be enriched with further thematic layers (i.e., layers concerning flood events, which often occur simultaneously with major landslide events). The case study demonstrates how the platform can support landslide risk management in terms of monitoring, planning remedial works, and the realization/updating of civil protection plans.
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Saktorová, Helena. "Zemepisná a cestopisná literatúra v šľachtickej knižnici Zičiovcov vo Voderadoch." Acta Musei Nationalis Pragae – Historia litterarum 67, no. 1-2 (2022): 30–36. http://dx.doi.org/10.37520/amnpsc.2022.005.
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The Slovak National Archives in Bratislava contain a large manuscript catalogue of an extensive book collection formerly located in one of the numerous residences of the branched aristocratic family Ziči, namely in Voderady near Trnava. The manuscript catalogue, entitled Catalogus Librorum Bibliothecae Vedrodiensis 1894 [A Catalogue of the Books of the Voderady Library 1894], presents a library which, according to information from the 19th century, contained about 12,000 volumes. In the catalogue, the books are divided into 19 thematic groups: theological works and prayer books, linguistic publications, dictionaries and manuals, periodicals, works on arts and crafts, Hungarian novels and short stories, German and Italian novels and short stories, French novels and short stories, English novels and short stories, the works of literature of other European and domestic provenance as well as ancient classics in various editions, memoirs, historical works, geographical literature and travelogues, natural-science publications, works on sports, specialised works on horse breeding, works on economy, legal and political works, and prints referred to as special works. This paper focuses on the thirteenth thematic group of the Voderady library, namely geographical literature and travelogues (Földrajz, Útleírás). This has been motivated by the fact that members of the Ziči family, the owners of the Voderady residence Jozef Ziči (1841–1924) and his brother Augustín (1852–1925), enjoyed not only travelling around Europe but also exploring distant exotic lands. Consequently, this group contains 717 registered titles, forming the largest group of the Voderady library. The presented literature in Hungarian, French, English and German comprises a wide range of works including travelogues, atlases and maps, tourist guides, manuals and professional geographical publications of both domestic and foreign provenance.
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Jones, Peter Ward, and Rosemary Williamson. "William Sterndale Bennett: A Descriptive Thematic Catalogue." Notes 54, no. 2 (December 1997): 483. http://dx.doi.org/10.2307/899542.
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Wallner, Astrid. "Thematic catalogue of research topics on Swiss parks." eco.mont (Journal on Protected Mountain Areas Research) 4, no. 2 (2012): 37–40. http://dx.doi.org/10.1553/eco.mont-4-2s37.
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Somfai, László, and Laszlo Somfai. "Béla Bartók Thematic Catalogue: Sample of Work in Progress." Studia Musicologica Academiae Scientiarum Hungaricae 35, no. 1/3 (1993): 229. http://dx.doi.org/10.2307/902204.
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Eckhardt, Mária, and Maria Eckhardt. "The Liszt Thematic Catalogue in Preparation: Results and Problems." Studia Musicologica Academiae Scientiarum Hungaricae 34, no. 3/4 (1992): 221. http://dx.doi.org/10.2307/902278.
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LaRue, Jan, and Amy Daken. "The Durniz Thematic Catalogue: A Document of Courtly Taste." Notes 50, no. 4 (June 1994): 1321. http://dx.doi.org/10.2307/898292.
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Johnstone, H. D. "English 18th Century Concertos--An Inventory and Thematic Catalogue." Music and Letters 87, no. 3 (August 1, 2006): 431–33. http://dx.doi.org/10.1093/ml/gci238.
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Sukiennik, Edgar. "Biblioteka klasztoru paulinów w Oporowie w świetle zachowanych katalogów z XVIII wieku." Saeculum Christianum 26, no. 1 (November 20, 2019): 115–45. http://dx.doi.org/10.21697/sc.2019.26.1.9.
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From the very beginning of its existence, the Pauline Order paid attention to the need to educate and develop the intellectual life of its members. This resulted from the adoption of St. Augustine’s rule by the community, which in addition to the principles governing the common life also emphasized the intellectual formation of the friars by providing them with access to books. The fulfilment of the obligations resulting from the rule and the subsequent legislation of the convent meant that every Pauline monastery was equipped with a larger or smaller library. It was no different in the case of St. Martin's convent in Oporów, which had existed since 1453 thanks to the foundation of the brothers Piotr and Władysław from the powerful Oporowski family, with the Sulima coat of arms. The monastery library was probably established soon after the foundation of the monastery. It was used primarily by preachers, who prepared Sunday and Christmas sermons, as well as by other monks, if they were authorized to do so. The beginnings of the library are unknown due to the lack of sources from that period. Only the eighteenth-century catalogues of books shed light on the functioning of the library, albeit in a limited period of time 1711-1753. To this day, 13 library inventories have survived, providing welcome information about the intellectual life of the local Pauline monks, titles of books along with the names of the authors and the division of bibliographic material into various thematic categories. The image of the Oporów library is complemented by 47 old prints of Oporów provenience, which are now the property of the University Library in Warsaw. Although their number is insignificant and constitutes only a fraction of the former assets of the library, nevertheless it turns out to be helpful in the analysis of the resources of the Pauline library and the development of intellectual horizons of its users. The analysis of the preserved archival materials is the first attempt to restore the library of the Oporów monastery in the century preceding its irretrievable disappearance in the course of the convent’s annulment.
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Pawlikowski, Tomasz. "Jakub hr. Potocki i jego dar dla Biblioteki Publicznej m.st. Warszawy z 1934 roku." Roczniki Biblioteczne 64 (April 6, 2021): 179–99. http://dx.doi.org/10.19195/0080-3626.64.7.
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The aim of this article is to present the little recognized, but meritorious person figure of J. Potocki and his family in historical context, as well as to characterize the gift given to the Warsaw Public Library. The biographical findings presented below, critical references to some information contained in modest studies, as well as the indication of certain facts related to the condition of the collection of books and its transfer to the Public Library, were based on reviewed archival materials, partially preserved old catalogues, 19th and 20th century press releases, literature on history and library science. The method used was mainly a comparative analysis of materials encountered in the course of queries, with a preference for sources.
Jakub Count Potocki (1863–1934) came from a well-known aristocratic family. He contributed to the Republic of Poland mainly through philanthropic activities. Shortly before his death, he was awarded the Great Ribbon of the Order of Polonia Restituta. Undoubtedly, his most important work was the bequest of almost all assets worth over 37 million PLN for the Jakub Count Potocki Foundation (September 1934), which was to finance research on cancer and tuberculosis by statute. In the same document, he donated paintings, tapestries, sculptures and furniture to the National Museum in Warsaw, and the book collection of about 11,900 volumes gathered in Helenów near Pruszków, to the Warsaw Public Library. As a whole, this collection, through provenance records and established information about its gradual accumulation by Stanisław and Jakub Potocki, as well as by the earlier owners of the book collections that joined it, proves the involvement of some representatives of the Polish intellectual elite of the 19th century in maintaining the memory of the former Polish Republic and thus maintaining the national spirit. The deliberate thematic selection is indicated by the nature of the literature collected by Sapieha, Potocki, Ignacy Count Łoś, Bentkowski, Jerzy Samuel Bandtkie or Jan Wincenty Stężyński Bandtkie, Kazimierz Stronczyński, Pruszyński. The analysis of the contents of this book collection leads to a closer acquaintance with the history of these figures, sometimes forgotten and meritorious for the Polish culture of the partition period.
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Murray, Sterling, and Jan LaRue. "A Catalogue of 18th-Century Symphonies, Vol. 1: Thematic Identifier." Notes 47, no. 4 (June 1991): 1122. http://dx.doi.org/10.2307/941629.
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Miller, Leta E., Carl Philipp Emanuel Bach, E. Eugene Helm, and Stephen L. Clark. "Thematic Catalogue of the Works of Carl Philipp Emanuel Bach." Notes 47, no. 3 (March 1991): 743. http://dx.doi.org/10.2307/941873.
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Schnoebelen, Anne, Carolyn Gianturco, and Eleanor McCrickard. "Alessandro Stradella (1639-1682): A Thematic Catalogue of His Compositions." Notes 48, no. 4 (June 1992): 1250. http://dx.doi.org/10.2307/942118.
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Saltzstein, Jennifer. "Thematic Catalogue of Troubadour and Trouvère Melodies (review)." Notes 69, no. 2 (2012): 347–49. http://dx.doi.org/10.1353/not.2012.0161.
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Zaitseva, E. M. "Developing linguistic tools of thematic search in library information systems." Scientific and Technical Libraries 1, no. 11 (December 4, 2023): 66–83. http://dx.doi.org/10.33186/1027-3689-2023-11-66-83.
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Within the R&D program “Information support of research by scientists and specialists on the basis of RNPLS&T Open Archive – the system of scientific knowledge aggregation”, the RNPLS&T analyzes the use of linguistic tools of thematic search in the modern library information systems and the prospects for their development. The author defines the key common characteristics of e-catalogs of the largest Russian libraries revealed at the first stage of the analysis. Based on the specified common characteristics and detailed comparison analysis, the author outlines and substantiates the vectors for enhancing search inter faces of e-catalogs. The focus is made on linguistic tools of thematic search in library information systems; the key vectors are suggested: use of thematic search at different search levels with the clear-cut level differentiation; use of combined functionality within thematic search system; implementation of classification search in all e-catalogs; hierarchical representation of classifications; use of the matching systems for classification information retrieval languages, and in the long term classification and verbal information retrieval languages, and various verbal information retrieval languages. The author formulates practical recommendations to improve thematic search in library information systems.
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Follet, Robert. "The Thematic Catalogue of the Music Works of Johann Pachelbel (review)." Notes 61, no. 4 (2005): 991–93. http://dx.doi.org/10.1353/not.2005.0057.
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Bhanumurthy, V., K. Venugopala Rao, S. Srinivasa Rao, K. Ram Mohan Rao, P. Satya Chandra, J. Vidhyasagar, P. G. Diwakar, and V. K. Dadhwal. "Enabling heterogenous multi-scale database for emergency service functions through geoinformation technologies." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-8 (November 27, 2014): 7–14. http://dx.doi.org/10.5194/isprsarchives-xl-8-7-2014.
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Geographical Information Science (GIS) is now graduated from traditional desktop system to Internet system. Internet GIS is emerging as one of the most promising technologies for addressing Emergency Management. Web services with different privileges are playing an important role in dissemination of the emergency services to the decision makers. Spatial database is one of the most important components in the successful implementation of Emergency Management. It contains spatial data in the form of raster, vector, linked with non-spatial information. Comprehensive data is required to handle emergency situation in different phases. These database elements comprise core data, hazard specific data, corresponding attribute data, and live data coming from the remote locations. Core data sets are minimum required data including base, thematic, infrastructure layers to handle disasters. Disaster specific information is required to handle a particular disaster situation like flood, cyclone, forest fire, earth quake, land slide, drought. In addition to this Emergency Management require many types of data with spatial and temporal attributes that should be made available to the key players in the right format at right time. The vector database needs to be complemented with required resolution satellite imagery for visualisation and analysis in disaster management. Therefore, the database is interconnected and comprehensive to meet the requirement of an Emergency Management. This kind of integrated, comprehensive and structured database with appropriate information is required to obtain right information at right time for the right people. However, building spatial database for Emergency Management is a challenging task because of the key issues such as availability of data, sharing policies, compatible geospatial standards, data interoperability etc. Therefore, to facilitate using, sharing, and integrating the spatial data, there is a need to define standards to build emergency database systems. These include aspects such as i) data integration procedures namely standard coding scheme, schema, meta data format, spatial format ii) database organisation mechanism covering data management, catalogues, data models iii) database dissemination through a suitable environment, as a standard service for effective service dissemination. <br><br> National Database for Emergency Management (NDEM) is such a comprehensive database for addressing disasters in India at the national level. This paper explains standards for integrating, organising the multi-scale and multi-source data with effective emergency response using customized user interfaces for NDEM. It presents standard procedure for building comprehensive emergency information systems for enabling emergency specific functions through geospatial technologies.
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Lobuzina, K., and S. Halytska. "Thematic Search in the Electronic Catalogs of National Libraries." Bibliotechnyi visnyk, no. 1 (March 5, 2019): 12–18. http://dx.doi.org/10.15407/bv2019.01.012.
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Svitlana, Halytska. "Thematic Search in National Libraries Catalogs: Experience of Baltic States." Bibliotechnyi visnyk, no. 5 (December 9, 2020): 14–20. http://dx.doi.org/10.15407/bv2020.05.014.
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Brown, A. Peter. "A Tribute to Jan LaRue on the Publication of "A Catalogue of 18th-Century Symphonies. Vol. 1: Thematic Identifier": A Catalogue of 18th-Century Symphonies. Vol. 1: Thematic Identifier ." Journal of Musicology 8, no. 1 (January 1990): 142–50. http://dx.doi.org/10.1525/jm.1990.8.1.03a00070.
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Speare, Mary Jean. "Camille Saint-Saens, 1835-1921: A Thematic Catalogue of his Complete Works (review)." Notes 59, no. 4 (2003): 914–16. http://dx.doi.org/10.1353/not.2003.0080.
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Day, David A. "J. P. E. Hartmann: Thematic-Bibliographic Catalogue of His Works by Inger Sørensen." Notes 76, no. 4 (2020): 619–20. http://dx.doi.org/10.1353/not.2020.0043.
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Talbot, Michael. "A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743)." Royal Musical Association Research Chronicle 46 (2015): 46–94. http://dx.doi.org/10.1080/14723808.2014.986256.
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Martino Bitti (1655/6–1743) was the leading violinist-composer working in Florence during a long period stretching from Corelli's first published works to the mature years of Vivaldi. Ironically, his nine sonatas for wind instruments are better known today than the 27 solo sonatas for his own instrument, the violin, which constitute a corpus of great technical accomplishment and musical expressiveness. Since the publication of a critical edition of Bitti's violin sonatas is currently in progress, the moment is right to present a thematic catalogue of his instrumental music, which forms the second part of the article. The first part comprises an updated biography of the composer (which for the first time proposes that Bitti briefly visited England) and a general evaluation of his highly distinctive musical style.
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Rykin, P. O. "[Book Review] Catalogue of the Old Uyghur manuscripts and blockprints in the Serindia Collection of the Institute of Oriental Manuscripts, RAS. Vol. 1. Tokyo: The Toyo Bunko, 2021. 386 p." Orientalistica 5, no. 3 (September 29, 2022): 700–705. http://dx.doi.org/10.31696/2618-7043-2022-5-3-700-705.
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The work under review is the first volume of the catalogue of ancient Uyghur manuscripts and xylographs preserved in the Institute of Oriental manuscripts of the Russian Academy of Sciences (St Petersburg). This is the largest collection of texts and documents transcribed in the ancient Uyghur language in Russia. The catalogue is subdivided into 12 thematic sections. They comprise descriptions of 564 ancient Uyghur fragments, altogether 601 entries. The publication is accompanied by three prefaces, extensive scholarly introductions in Russian and English languages, as well as indexes and facsimiles of most documents.
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Ponomareva, Varvara Vitalievna. "First Russian National exhibition dedicated to hygiene and public health, 1893." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), no. 2 (May 22, 2023): 113–22. http://dx.doi.org/10.32521/2074-8132.2023.1.113-122.
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Introduction. Since 1820s, it became customary in the Russian Empire to hold various exhibitions - dedicated to manufacture and consequently industry; agricultural, local and national, as well as take part in international exhibitions. Towards the end of the nineteenth century, the number, scale and thematic diversity of such exhibitions grew significantly. Exhibitions related activities, which claimed such wide range and popularity, marked the change in public thought process about the new economic structures being established, and the understanding of the issues and risks associated with them, following industrial revolution. One of the problems identified was the deterioration of sanitary and hygiene conditions in cities, caused by growth in industrial production and population. Materials and methods. Catalogues of the Russian National Hygiene Exhibition of 1893 are the sources for this work. As well as documenting activities of the exhibition, they contain illustrative materials, scientific and academic reports on urban life, data from the periodicals of that era, in the study of which historico-typological and historico-descriptive methods are used. Results. In the majority of differently themed exhibitions, natural science and medical sections were established, which confirmed the need for targeted development of medical and sanitary aspects. These sections, which were partly organised by scientific societies, were seen, for example, at the Polytechnic Exhibition in 1872, the Craft Exhibition in 1885, Siberian-Ural Scientific and Industrial Exhibition in 1887 in Ekaterinburg, and Scientific and Industrial Exhibition of the Volzhsko-Kamskii region in Kazan in 1890. Finally, in May 1893, Russian National Exhibition was opened in St Petersburg dedicated solely to the development of sanitary and hygienic issues. Exhibition’s organisers declared enlightenment to be its main goal- popularisation of knowledge, scientific discoveries, and inventions in the field of hygiene and sanitation. A large number of state institutions and departments, scientific and public organisations, and private entrepreneurs helped to prepare this exhibition, presenting about 50 thousand exhibits that describe all aspects of human life from both medical and sanitary points of view. Various models and mockups, drawings, sketches and photographs, devices, equipment and tools, demonstrated achievements both in scientific and practical terms. Conclusion. This exhibition attracted high levels of attention, and its exhibits convincingly proved existence of serious problems and threats in the area of public hygiene and sanitation. It became apparent that in order to solve these on a contemporary level, it was necessary to rely on joint scientific and technological resources. Russia’s participation in the World Hygiene Exhibition in 1911 was another step in this direction, followed by the launch of Russia’s second National Hygiene Exhibition in 1913, the footprint of which grew even larger. @ 2023. This work is licensed under a CC BY 4.0 license.
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Kroó, György, and Gyorgy Kroo. "Années de Pélerinage, Première Année: Versions and Variants. A Challenge to the Thematic Catalogue." Studia Musicologica Academiae Scientiarum Hungaricae 34, no. 3/4 (1992): 405. http://dx.doi.org/10.2307/902291.
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Calella, Michele. "Reckoning with the Past: Strategies of Musical Authorship in Liszt’s Thematic Catalogue (1855/1877)." Music and Letters 101, no. 1 (February 1, 2020): 30–70. http://dx.doi.org/10.1093/ml/gcz100.
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Abstract The thematic catalogue of Franz Liszt’s works, published by Breitkopf & Härtel in 1855 (and in a revised and enlarged edition in 1877), sheds light on Liszt’s artistic development after 1848, when he gave up his career as a virtuoso and settled in Weimar. Drawing on a number of previously unpublished or unexamined letters and documents, the article illustrates how this project—probably started on Liszt’s own initiative—offered the composer a means to select, order, and authorize the corpus of his works in print. At the same time it provided him with the opportunity to modify his authorial image and strengthen his profile as a ‘serious’ composer. The correspondence between Liszt and the publisher as well as other manuscript sources reveal the different strategies which allowed him to reposition himself in the music world and—as best illustrated by the later edition—to expand his profile as a composer even further.
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Gustafson, Bruce. "A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657–1726) (review)." Notes 63, no. 4 (2007): 829–31. http://dx.doi.org/10.1353/not.2007.0067.
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Talmage, Craig Allen, Robert Jack Hansen, Richard C. Knopf, and Steven P. Thaxton. "Directions for 21st Century Lifelong Learning Institutes: Elucidating Questions from Osher Lifelong Learning Institute Studies." Alberta Journal of Educational Research 64, no. 2 (June 22, 2018): 109–25. http://dx.doi.org/10.55016/ojs/ajer.v64i2.56548.
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The literature regarding lifelong learning is robust, while the literature on lifelong learning institutions, centers, and programs remain under-researched in comparison. This article draws insights from a specific network of lifelong learning institutes with a rich history and high rapport in the United States: the Osher Lifelong Learning Institute (OLLI) network. Sixty articles regarding OLLIs are catalogued and highlighted to elucidate twelve thematic areas and twelve questions for future research and practice. In particular, these themes are related to adult education, healthy aging, and educational gerontology. The article concludes by reflecting on trends in and needs for institutional research and practice. Les publications portant sur l’éducation permanente sont nombreuses, contrairement à celles touchant les institutions, centres et programmes d’éducation permanente qui, en comparaison, demeurent généralement mal connus. Cet article recueille des idées d’un réseau d’instituts d’éducation permanente ayant un passé riche et de bons rapports aux États-Unis : le réseau Osher Lifelong Learning Institute (OLLI). Soixante articles portant sur OLLI ont été catalogués et analysés pour faire ressortir douze thèmes et douze questions pour la recherche et la pratique à l’avenir. Ces thèmes se rattachent à l’éducation des adultes, le vieillissement sain et la gérontologie éducative. L’article se termine par des réflexions sur des tendances et des besoins relatifs à la recherche et la pratique institutionnelles. Mots clés : recherche institutionnelle, éducation permanente, ainés, éducation des adultes, universités adaptées aux personnes âgées
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Niubo, Marc. "Carl Ditters von Dittersdorf. Notes on the Thematic Catalogue and the Processing in SHK [Union Catalogue of Music] (in memoriam Oldřich Pulkert)." Musicologica Olomucensia 30, no. 1 (December 11, 2019): 32–38. http://dx.doi.org/10.5507/mo.2019.012.
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Danyliuk, N. Ye. "BOOK EXCHANGE FUND OF THE SCIENTIFIC LIBRARY AS A BUSINESS CARD OF THE UNIVERSITY." Library Mercury, no. 2(28) (December 18, 2022): 119–29. http://dx.doi.org/10.18524/2707-3335.2022.2(28).267817.
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Forming, accumulating, as well as bookkeeping of documentary resources is one of the traditional functions of a modern library. Library book collections are of exceptional importance for the formation of the national cultural heritage of the state. The Book Exchange Fund (hereinafter – BEF) of the Scientific Library of the Odesa I. I. Mechnikov National University is a part of its Exchange and Reserve Fund. The department is intended for exchange, redistribution, free transfer of documents to libraries and other institutions. BEFs in libraries acquired a legal status in 1959 when a special resolution of the Soviet government was adopted. The documents began to be redistributed through an Exchange and Reserve Fund, which contributed to the preservation of non-core and duplicate editions in some libraries that could be in demand in other libraries. The mechanism for using documents that are in library exchange funds is defined by The procedure for using documents through exchange library funds. In 1947, a BEF for monographic literature was arranged while a BEF for periodicals was allocated. Nowadays the BEF consists mainly of duplicate editions of the University. These are publications highlighting the history of Odesa National University, the works of the teaching staff of the Humanities and Natural Sciences faculties, as well as publications prepared by the Scientific Library staff. The activities of the Department of Rare books are aimed at researching private collections of the Library. Special attention is paid to the research of Ukrainian books from the stackss of the Scientific Library. Employees of the Information and Bibliographic Department publish bibliographic indexes, both thematic and devoted to personalities. It is worth mentioning that the Scientific library exchanges specialized periodicals with partner libraries. The Library has 17 permanent book exchange partners, namely the higher educational institutions, research institutes, the National V. I. Vernadskyi Library of Ukraine. Since 2020 alone, the Library has received through book exchange 860 copies of books and periodicals and sent to its partner libraries 694 copies of current professional University periodicals. This method of periodicals distribution contributes to the popularization of the academic achievements of scientists of the Odesa I. I. Mechnikov National University in the professional community. The content of the BEF is disclosed with the help of a reference apparatus, that is card catalogues and non-annotated bibliographic lists of books and periodicals, posted on the website of the University Library in the section Exchange and Reserve Fund (Book Exchange Fund). The Book Exchange Fund is separated from the main stacks, it is not inventoried and is not used for reader service. The work with the Exchange and Reserve Fund of the Library is ongoing. The Book Acquisition Department is carrying out organization and distribution the documents which come to the BEF, improving the accounting of documents. The Department staff continues processing the reserve part of the Exchange and Reserve Fund selecting copies to replenish the main fund of the Library and removing physically worn copies.
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Трофимова, Надежда Александровна. "RUSSIAN CONSTRUCTION VOCABULARY: TERMINOGRAPHIC ASPECT." Tomsk state pedagogical university bulletin, no. 1(219) (January 25, 2022): 23–32. http://dx.doi.org/10.23951/1609-624x-2022-1-23-32.
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Введение. Представлен проект идеографического словаря русской специальной лексики строительства. Актуальность работы обусловливается недостаточной изученностью русской лексики подъязыка сферы строительства, необходимостью ее систематизации и отсутствием лексикографических источников идеографического типа по строительству. Новизна проектируемого словаря определяется наличием в словаре новейших строительных номинаций, не зафиксированных в терминологических словарях и стандартах.Цель – представить концепцию идеографического словаря специальной лексики строительства.Материал и методы. Материалом для словаря послужили терминологические источники, нормативные документы, учебная литература и научные работы, данные профессиональных интернет-ресурсов по строительству, коммерческие каталоги строительной продукции. В основе методологии лежат общенаучные и лингвистические приемы описательного метода-аспекта, в том числе прием дефиниционного анализа, а также лексикографический метод изучения языка. Результаты и обсуждение. В состав словаря включены не только термины, но и нетерминологические единицы, функционирующие в профессиональном дискурсе, такие как предтермины, терминоиды, профессионализмы, профессиональные жаргонизмы. Представленный проект идеографического словаря построен по тематическому принципу и включает в себя лексику предметной области «Строительные технологии». В качестве основных тематических групп выделены группы «Строительные материалы», «Процессы и методы строительства», «Строительное оборудование и инструменты». Словарная статья содержит заголовочную единицу, грамматическую характеристику специальной номинации, квалификацию лексемы в подъязыке сферы строительства, зону этимологии для иноязычных единиц, зону дефиниции и иллюстративную зону. В работе представлены примеры словарных статей, репрезентирующих различные типы дефиниций: родовидовую дефиницию, родовидовую дефиницию с элементами энциклопедической информации, а также отсылочную дефиницию. Отличительной особенностью представленного словаря является квалификация специальной единицы по ее месту в профессиональном подъязыке (термин, предтермин, терминоид, профессионализм, профессиональный жаргонизм), а также наличие в словаре новейших номинаций сферы строительства. Иллюстративную зону представляют контексты, актуализирующие функционирование специальных номинаций в современном профессиональном дискурсе.Заключение. Таким образом, проект идеографического словаря строительной лексики представляет собой учебный идеографический словарь, упорядоченный на логико-понятийной основе, который может быть полезен студентам и преподавателям строительных учебных заведений, специалистам данной предметной области, а также использован в процессе преподавания лингвистических дисциплин и терминографической практике. Introduction. The article presents a concept of the ideographic dictionary of the Russian specialized vocabulary of construction. The relevance of the work is explained by the need for systematization of the construction vocabulary in modern Russian, and the lack of lexicographic sources of ideographic type on construction. The presence in the dictionary of the latest construction nominations that are not fixed in terminology dictionaries and standards determines the novelty of the designed dictionary.The article aims to present the concept of the ideographic dictionary of the specialized vocabulary of construction.Material and methods. The following sources serve as the database for the dictionary: terminological dictionaries, regulatory documents, scientific papers, educational sources, professional internet resources data, commercial catalogues of construction production. The methodology is based on general scientific and linguistic techniques of the descriptive method-aspect, including the technique of definitional analysis, as well as the lexicographic method of language learning.Results and discussion. The dictionary includes not only terms but also non-terminological units functioning in professional discourse, such as pre-terms, terminoids, professionalisms, professional jargon. The presented concept of the ideographic dictionary is structured according to the thematic principle and includes the vocabulary of the subject area “Building Technologies”. The main thematic groups are “Building Materials”, “Processes and Methods of Construction”, “Construction Equipment and Tools”. The dictionary entry contains a heading word, the grammatical characteristic of a specialized nomination, the qualification of a lexeme in the sublanguage of construction, the etymology zone for foreign language units, the definition zone, and the illustrative zone. The work presents examples of dictionary entries representing various types of definitions: generic definitions, generic definitions with elements of encyclopedic information, as well as reference definitions. A distinctive feature of the presented dictionary is the qualification of a specialized unit according to its place in the professional sublanguage (term, pre-term, terminoid, professionalism, professional jargon), as well as the presence in the dictionary of the latest terms of the construction industry. The illustrative area is represented by contexts that reveal the functioning of specialized nominations in modern professional discourse.Conclusion. Thus, the concept of the ideographic dictionary of construction vocabulary represents an educational ideographic dictionary, organized according to the logical-conceptual basis. The dictionary can be useful both for students and teachers of construction educational institutions, specialists in this subject area, and will also find application in the process of teaching linguistic disciplines and in terminographic practice.
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Wollny, Peter. "Helm, E. Eugene: Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. New Haven 1989." Bach-Jahrbuch 77 (May 11, 2018): 215–22. http://dx.doi.org/10.13141/bjb.v19912738.
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