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Books on the topic 'Theme and character'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Aoki, Keiji. The riddles of Shakespeare: Character, theme and irony in his plays. Tokyo: Eihosha, 2001.

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2

Don Juan: Variations on a theme. London: Routledge, 1990.

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3

The Don Juan theme: An annotated bibliography of versions, analogues, uses, and adaptations. Morgantown: West Virginia University Press, 1993.

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4

Nagata, Yoshiko. The exterior and the interior: A Renaissance theme in King Lear. Tokyo, Japan: Renaissance Institute, 1990.

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5

Singer, Armand E. A final supplement to the Don Juan theme: An annotated bibliography of versions, analogues, uses, and adaptations (1993) : conflated with entries from "Supplement No. One" (1998). Morgantown: Eberly College of Arts and Sciences, West Virginia University, 2003.

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6

Singer, Armand E. A final supplement to the Don Juan theme: An annotated bibliography of versions, analogues, uses, and adaptations (1993) ; (conflated with entries from "Supplement No. One" (1998)). Morgantown: Eberly College of Arts and Sciences, West Virginia University, 2003.

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7

Teaching story elements with favorite books: Creative and engaging activities to explore character, plot, setting, and theme--that work with any book! New York: Scholastic Professional Books, 1998.

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8

Sayers, Dorothy L. The nine tailors: Changes rung on an old theme in two short touches and two full peals. London: The Folio Society, 1998.

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9

Nacci, Michela, ed. Nazioni come individui. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-160-0.

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The theory of national characters sees an individual in every nation. Each individual has a body, a face, a character. The same goes for nations: every nation has a body (the land), a face (the fisionomy), a character. Kind or bad, active or passive, idle or diligent, feminine or masculine, every nation expresses a principle. A single principle, different from that of every other nation. What makes a nation possess a certain character? Authors are divided on this matter: according some it is the climate (both for the influence it exerts and for the reaction it provokes), according someone else it is history, and we find among the possible causes language, race, territory, religion, institutions, customs or a set of all (or part of) these elements. The volume examines this theme in Hippocrates, Aristotle, Bodin, Dubos, Kant, Leopardi, Cuoco, Michelet.

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10

Granger, Ann. Beneath these stones. New York: St. Martin's Minotaur, 2000.

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11

George, MacDonald. There and Back. Whitethorn, Calif: Johannesen, 1991.

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12

Higginson, Richard. Key themes in Roman Catholic ethics: Nature, character and rules. Nottingham: Grove Books, 1986.

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13

Higginson, Richard. Key themes in Roman Catholic ethics: Nature, character and rules. Bramcote [England]: Grove Books, 1986.

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14

Frémaux, Léon Joseph. Leon Fremaux's New Orleans characters. Gretna, La: Pelican Pub. Co., 1987.

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15

Bean there, done that. Sutton: Severn House, 2008.

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16

Saunders, Catherine. Disney princess enchanted character guide. New York: DK Publishing, 2014.

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17

Dori, Koogler, and Copyright Paperback Collection (Library of Congress), eds. These our actors. New York: A Simon Pulse, 2002.

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18

McDevitt, Jack. Hello out there. Atlanta: Meisha Merlin Pub., 2000.

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19

Beneath these stones /zcAnn Granger. New York: St. Martin's Minotaur, 1999.

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20

1957-, Carter Chris, and Stegall Sarah, eds. The truth is out there. New York: HarperPrism, 1995.

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21

A Dick Francis companion: Characters, horses, plots, settings and themes. Jefferson, N.C: McFarland & Co., Publishers, 2008.

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22

Judith, Pearl, ed. The chosen image: Television's portrayal of Jewish themes and characters. Jefferson, N.C: McFarland, 1999.

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23

In character: The portrayal of mood in antique dolls. Annapolis, Md: Gold Horse Pub., 1991.

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24

Thyme of death. New York: Berkley Prime Crime, 1994.

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25

Thyme of death. London: Serpent's Tail, 1993.

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26

Kontorli-Papadopoulou, Litsa. Aegean frescoes of religious character. Göteborg: P. Åströms förlag, 1996.

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27

Killing thyme. Waterville, Me: Thorndike Press, 2002.

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28

Crombie, Deborah. And justice, there is none. London: Macmillan, 2002.

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29

Crombie, Deborah. And justice, there is none. London: Macmillan, 2002.

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30

And justice there is none. New York: Bantam Books, 2002.

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31

Crombie, Deborah. And justice there is none. Rockland, Mass: Wheeler Pub., 2003.

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32

Crombie, Deborah. And Justice There Is None. New York: Random House Publishing Group, 2002.

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33

Crombie, Deborah. And justice there is none. New York, NY: Bantam books, 2002.

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34

Little, Jean. The cat who wasn't there. New York: Jove Books, 1993.

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35

Julius Caesar: Structure, character, theme. Greenville, S.C.: ShowForth, 2003.

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36

Comic Connections: Building Character and Theme. Rowman & Littlefield Publishers, 2019.

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37

Voices reading: [Theme and character development]. Columbus, Ohio: Zaner-Bloser Inc., 2009.

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38

(Illustrator), Cara H. Bradshaw, and Judy Mitchell (Illustrator), eds. Character Building: Literature-Based Theme Units. Teaching & Learning Company, 1997.

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39

1924-, Sola-Solé Josep M., ed. Tirso's Don Juan: The Metamorphosis of a Theme. Washington, DC: Catholic University of America Press, 1992.

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40

Nichols, Cathy. Storytelling Art Studio: Visual Expressions of Character, Mood and Theme Using Mixed Media. North Light Books, 2017.

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41

Teaching With Favorite Arnold Lobel Books: Engaging Activities That Teach About Theme, Plot, Character, and Setting-and Celebrate These Beloved Books. Teaching Resources, 2005.

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42

Fresh Takes On Teaching Literary Elements How To Teach What Really Matters About Character Setting Point Of View And Theme. Scholastic Teaching Resources, 2010.

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43

Sayers, Dorothy L. The nine tailors: Changes rung on an old theme in two short touches and two full peals. Chivers, 1992.

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44

(Firm), Pie Bukkusu, ed. Cartoon character collection. Tokyo, Japan: P.I.E. Books, 1995.

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45

Nussbaum, Felicity. ‘Mungo Here, Mungo There’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812425.003.0002.

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This chapter provides a definitive account of one of Dibdin’s best-known works, The Padlock, which has long been recognized as an important landmark in the representation of black characters in eighteenth-century theatre. The Padlock is most frequently associated with the librettist Isaac Bickerstaff, but this chapter redirects attention to the interaction of Bickerstaff’s words with Dibdin’s music, and to Dibdin’s celebrated performances as Mungo in one of the first comic plays to feature a major character in blackface on the British stage. Placing Mungo in the context of Dibdin’s numerous depictions of racial others (both Black and Oriental), the author argues that Dibdin’s racial performances reflect tensions surrounding slavery, social class, and imperial expansion, but remain stubbornly equivocal about these tensions as they turn captivity, servitude, and chattel slavery into the subject of comedy.

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46

Reid, Robert. Pushkin's Mozart and Salieri. Themes, Character, Sociology. Rodopi Bv Editions, 1995.

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47

Cyrano de Bergerac [videorecording]: Conflicts, characters, and theme. Greenville, SC: BJU Press, 2003.

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48

Hazlitt, William. Winterslow: Essays and Characters Written There. CreateSpace Independent Publishing Platform, 2016.

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49

Boklund, Gunnar. Duchess of Malfi: Sources, Themes, Characters. Harvard University Press, 2013.

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50

Character Design Collection. P I E Books, 2005.

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