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1

Martin, F. David. Facing death: Theme and variations. Lewisburg, PA: Bucknell University Press ; Associated University Press, 2006.

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2

Facing death: Theme and variations. Lewisburg: Bucknell University Press, 2006.

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3

Guthke, Karl Siegfried. Last words: Variations on a theme in cultural history. Princeton, N.J: Princeton University Press, 1992.

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4

Epitaph culture in the West: Variations on a theme in cultural history. Lewiston, N.Y: Edwin Mellen Press, 2003.

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5

Jackson, Craig C. Appetite for death: A study of the theme of death in the 'hidden' literature on eating disorders. Brisbane, Qld: Published by Boolarong Publications for G.P.Davidson and C. Jackson, 1989.

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6

Wagner and Venice fictionalized: Variations on a theme. Rochester, N.Y: University of Rochester Press, 2012.

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7

Thyme of death. New York: Berkley Prime Crime, 1994.

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8

Thyme of death. London: Serpent's Tail, 1993.

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9

Bethards, Betty. There is no death. Petaluma, Calif: Inner Light Foundation, 1985.

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10

There is life after death. Totonto: Thomas Allen Publishers, 2011.

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11

Is there life after death? Milwaukee, WI: Marquette University Press, 1998.

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12

Ikwuemesi, C. Krydz. The 1st Peter Areh lecture on art and cultural enterprise held in Enugu & Lagos, June & August 2011: Theme: celebrating tragedy art and theatre in the anatomy of death and funeral in Africa. Enugu, Nigeria: The Art Republic, Centre for Arts and Cultural Democracy, 2011.

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13

These dreams. New York: Pocket Books, 2002.

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14

Solares, Ignacio. There is no such place. Bloomington, IN: AuthorHouse, 2008.

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15

Solares, Ignacio. There is no such place. Bloomington, IN: AuthorHouse, 2008.

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16

Albert, Susan Wittig. Thyme of death: A China Bayles mystery. New York: Berkley Prime Crime, 1994.

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17

Cattelan, Maurizio. Maurizio Cattelan: Is there life before death? Houston: Menil Collection, 2010.

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18

Albert, Susan Wittig. Thyme of death: A China Bayles mystery. New York: Berkley Prime Crime, 1994.

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19

Cattelan, Maurizio. Maurizio Cattelan: Is there life before death? Houston: Menil Collection, 2010.

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20

Lund, Sharon. There is more--: 18 near-death experiences. [San Diego, Calif.?]: Sacred Life Publishers, 2010.

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21

Franklin, Sirmans, and Menil Collection (Houston, Tex.), eds. Maurizio Cattelan: Is there life before death? Houston: Menil Collection, 2010.

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22

These precious hours. College Station, TX: Virtualbookworm.com, 2010.

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23

K, Hilburn Dorothy, ed. Death Valley, a scenic wonderland. Scottsdale, Ariz: Camelback Design Group, 1995.

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24

Holton, Bill. The Lazarus legacy: There is life after death. Raleigh, NC: Alpha Pub. Division, Psycho-Synectics Systems, 1985.

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25

Albert, Susan Wittig. Thyme of death: A mystery introducing China Bayles. New York: Berkley, 1994.

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26

Thyme of death: A mystery introducing China Bayles. New York: Scribner's, 1992.

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27

The captain of all these men of death. Tempe, Ariz: Bilingual Press/Editorial Bilingüe, 2008.

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28

Death Be My Theme. Headline Book Publishing, 2001.

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29

Martin, F. David. Facing Death: Theme and Variations. Rowman & Littlefield Publishers, Incorporated, 2006.

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30

Murphy, Joanne M. A. Death in Late Bronze Age Greece: Variations on a Theme. Oxford University Press, Incorporated, 2020.

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31

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 1992.

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32

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 2017.

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33

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 2017.

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34

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 1992.

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35

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 1992.

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36

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 1992.

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37

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 1992.

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38

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 1992.

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39

Guthke, Karl S. Last Words: Variations on a Theme in Cultural History. Princeton University Press, 1992.

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40

Kitts, Margo. Violent Death in Religious Imagination. Edited by Michael Jerryson, Mark Juergensmeyer, and Margo Kitts. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199759996.013.0024.

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This chapter reviews the selected religious myths of violent death under three rubrics: when death is primordially wrong; when violent death is cosmically right; and when violent death, particularly in the form of suicide, is enshrined as martyrdom. A brief speculation on religious imagination and its peculiar obsessions is given. There are few themes in religious studies that justify a sweeping overview, but violent death is recurrent enough to be one of them. The biblical Chaoskampf theme needs death, rescue, and restoration. Two motifs that illustrate the violent deaths are the dema and the Chaoskampf. The first focuses on the victim, the other on the victor. The spectacle of violent death has concentrated individuals and mobs across traditions. Although the examples presented consider the mythology of violent death, the ritualistic display of violent death could have been treated in equal breadth.
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41

Contemporary Images of Death & Sickness: Aspects of a Theme in German-Swiss Literature. Sheffield Academic Press, 1998.

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42

Ilame, Veena. The Theme of Divorce in Victorian Literature: Separate Ways or ‘Till Death Do Us Part’? Infogain Publication, 2020. http://dx.doi.org/10.22161/ijels.book.veena.ilame.

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43

Reeves, John C., and Annette Yoshiko Reed. Enoch’s Escape from Death. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198718413.003.0006.

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This chapter brings together a number of textual traditions about the ultimate fate of the figure of Enoch, a theme that the Bible already complicates when it notes that he suddenly disappears from human society “because God took him” (Genesis 5:24). Did Enoch escape the common human destiny of death? If so, where was he taken? Some texts imagine Enoch as now living in a special place somewhere at the ends of the earth, whereas other texts posit his permanent ascension from the terrestrial worlds into the heavenly realm where he now performs certain tasks in God’s throne-room, such as administering certain celestial treasuries or serving as a scribe who records divine decisions or even assuming a position as leader of the angelic hosts. Particular heavenly levels—the fourth, sixth, or seventh—are popularly specified as his new home. Since most of these traditions assume he never experienced death, there are also some intriguing texts which portray Enoch as making a return to earth (together with Elijah) at the end of days as part of the eschatological consummation of the present age.
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44

Boyiopoulos, Kostas. Death by Unrequited Eros. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789260.003.0009.

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This chapter investigates Wilde’s response to classical tragedy by looking at Salome and comparing it with Euripides’ Hippolytus. It examines how Wilde inverts tragedy by hijacking Aristotelian conventions with the theme of suicide owing to unrequited love. It pays attention to Narraboth, the young Syrian captain, who dramatically kills himself in situ as a result of his frustrated desire and suffering. Narraboth pays the ultimate price for the slightest of reasons, infatuation or love that is not even returned. Wilde undermines tragedy from within by favouring character psychology over plot, and elevating frivolity, whim, and trifling jest to what Aristotle calls spoudaion (‘worthy’). Narraboth in his suffering and Salome in her lust share striking similarities with Phaedra, who also commits suicide as a victim of eros in the Hippolytus of Euripides, Wilde’s favourite tragedian. The chapter argues that Salome carries a Euripidean legacy, and also that Hippolytus anticipates Wilde’s decadence.
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45

Wittig, Glenn. Thomas J. J. Altizer, America's 20th Century Religious Heretic: An Analytic Bibliography of the Writings of Altizer and the Death of God Theme. Lang Publishing, Incorporated, Peter, 2018.

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46

Cerezo-Román, Jessica, Anna Wessman, and Howard Williams, eds. Cremation and the Archaeology of Death. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198798118.001.0001.

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The fiery transformation of the dead is replete in our popular culture and Western modernity's death ways, and yet it is increasingly evident how little this disposal method is understood by archaeologists and students of cognate disciplines in the humanities and social sciences. In this regard, the archaeological study of cremation has much to offer. Cremation is a fascinating and widespread theme and entry-point in the exploration of the variability of mortuary practices among past societies. Seeking to challenge simplistic narratives of cremation in the past and present, the studies in this volume seek to confront and explore the challenges of interpreting the variability of cremation by contending with complex networks of modern allusions and imaginings of cremations past and present and ongoing debates regarding how we identify and interpret cremation in the archaeological record. Using a series of original case studies, the book investigates the archaeological traces of cremation in a varied selection of prehistoric and historic contexts from the Mesolithic to the present in order to explore cremation from a practice-oriented and historically situated perspective.
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47

Thyme of Death. Not Avail, 1996.

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48

Thyme of Death. PENGUIN, 1994.

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49

Thyme of Death. Berkley Pub Group, 1994.

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50

Bethards, Betty. There Is No Death. New Century Publishers, 1988.

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