Relevant bibliographies by topics / Theo Angelopoulos

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Theo Angelopoulos'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Theo Angelopoulos"

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Mesnil, Marianne, and Yannis Thanassekos. "Theo Angelopoulos." Civilisations, no. 60-2 (July 27, 2012): 7–10. http://dx.doi.org/10.4000/civilisations.2927.

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Łomanowska, Iga. "Orestes bojownikiem ruchu oporu, czyli mit Atrydów w filmie "Podróż komediantów" Theo Angelopoulosa." Adeptus, no. 8 (December 22, 2016): 18–28. http://dx.doi.org/10.11649/a.2016.011.

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Orestes as a resistance fighter, or the myth of the Atreides in Theo Angelopoulos’s film The travelling playersThe paper examines the use of the Atreides myth in Theo Angelopoulos’s film The travelling players (1975) in the context of the director’s interpretation of the phenomenon of myth. Angelopoulos treated myth as a set of archetypical situations and patterns of conduct constantly reproduced in the history of the world. He intertwined elements of classical stories with the history of Greece and the Byzantine tradition, thus showing their universal character. In The travelling players, Ang
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Makriyannakis, Vangelis. "Nostalgia for utopia in the films of Theo Angelopoulos." Journal of Greek Media & Culture 9, no. 1 (2023): 41–55. http://dx.doi.org/10.1386/jgmc_00067_1.

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In this article, I examine the notion of nostalgia in relation to the films of Theo Angelopoulos. I argue that the image of nostalgia that pervades his films does not call for the restoration of the past but rather lends itself to a sense of hope which I approach as an image of utopia. Drawing a line of comparison between Angelopoulos and the Greek poet George Seferis (who had a pivotal role in the shaping of a modern Greek identity and whose images of melancholy were recurrent points of reference for the director), I claim that Angelopoulos’s films are haunted by an image of utopia which is r
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Makriyannakis, Vangelis. "The Cinematic Language of Theo Angelopoulos, Vrasidas Karalis (2021) Theo Angelopoulos: Filmmaker and Philosopher, Vrasidas Karalis (2023)." Journal of Greek Media & Culture 11, no. 1 (2025): 135–39. https://doi.org/10.1386/jgmc_00114_5.

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Review of: The Cinematic Language of Theo Angelopoulos, Vrasidas Karalis (2021) Oxford: Berghahn Books, 208 pp., ISBN 978-1-80073-196-7, h/bk, £99.00 ISBN 978-1-80073-197-4, e/bk, £27.95 Theo Angelopoulos: Filmmaker and Philosopher, Vrasidas Karalis (2023) London: Bloomsbury Publishing, 208 pp., ISBN 978-1-35024-536-5, p/bk, £21.99 ISBN 978-1-35024-535-8, h/bk, £65.00 ISBN 978-1-35024-537-2, e/bk, £19.79
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Georgakas, Dan. "The Films of Theo Angelopoulos (review)." Journal of Modern Greek Studies 18, no. 2 (2000): 468–70. http://dx.doi.org/10.1353/mgs.2000.0030.

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He, Zixi. "Crossing Boundaries: Shock Effect, Optical Unconscious and Messianic Time in Theo Angelopoulos’s Cinematic Language." Art and Society 3, no. 1 (2024): 60–68. http://dx.doi.org/10.56397/as.2024.02.05.

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The films of Theo Angelopoulos narrate a poetic “new humanism,” and this genius director of the 20th century has left an enduring artistic ‘aura’ in Walter Benjamin’s era of mechanical reproduction through his unique use of long-take narration and internal montage. This paper explores the dialectical relationship between long takes and internal montage in Angelopoulos’ films, as well as how the conflicting arrangement of mise en scène affects the audience’s psyche. Drawing on Walter Benjamin’s theories of Shock Effect, Optical Unconscious, and Messianic Time, the analysis focuses on Landscape
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Valkola, Jarmo. "The Audiovisual Design and Aesthetics of the Films of Theo Angelopoulos." Glimpse 22, no. 1 (2021): 110–23. http://dx.doi.org/10.5840/glimpse202122118.

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In the following article, the author examines the audiovisual design of Theo Angelopoulos’ filmmaking practice. The emphasis is on the close analysis of sequences and larger entities. The approach creates a heightened sensitivity to matters of analysis that cover similarities and differences, as well as causal and empirical reflections. The aim is to create a web of associations for these perspectives and perceive a wider approach for Angelopoulos’ films. The meaningful appropriation of various theoretical points of views requires sufficient correspondence and dialogical proneness to an unders
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Retsikas, Konstantinos. "Unleashing the Future: Deleuze's Crystals of Time and Theo Angelopoulos's The Travelling Players." Deleuze and Guattari Studies 18, no. 4 (2024): 570–94. http://dx.doi.org/10.3366/dlgs.2024.0573.

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This article discusses The Travelling Players (1975), Theo Angelopoulos's provocative film, by upholding the priority the director's audio-visual images assign to the future as what Deleuze calls ‘the pure and empty form of time’. It also argues that The Travelling Players supplements the Deleuzian quartet of crystal-images with a new type of crystal-image: Angelopoulos crafts images of extraordinary consistency that act as filters, splitting and sieving time at once, a kind of audio-visual refinery laid out on the silver screen, with the distillation process dedicated to blocking repression,
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Mendes de Araújo Couto, Carlos Eduardo. "A religiosidade na obra de Theo Angelopoulos." Sacrilegens 16, no. 2 (2020): 85–101. http://dx.doi.org/10.34019/2237-6151.2019.v16.29065.

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A obra tardia de Theo Angelopoulos, desenvolvida na última década de 1990, além das características políticas, possui um viés religioso ainda pouco compreendido. O objetivo desse artigo é analisar como essa religiosidade se apresenta na narrativa do cineasta grego. Usaremos como suporte autores como Mircea Eliade, Michael Bahktin, Gerard Genette e Jan Albert. Como amostra usaremos o filme A Eternidade e um dia (Mia aioniotita kai mia mera, 1998).
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Candado Alonso, Agustín-Julián. "mirada antropológica de Theo Angelopoulos en Ulysses’ Gaze." Fonseca, Journal of Communication, no. 23 (November 30, 2021): 227–37. http://dx.doi.org/10.14201/fjc202123227237.

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La Mirada de Ulises es una película de 1995 dirigida por Theo Angelopoulos. En ella, el director griego nos invita a seguir los pasos de A. un ¿ficticio? cineasta griego que busca unas bobinas sin procesar de los Hermanos Manakis. A pesar de la simple premisa, pronto descubrimos cómo la película se convierte en un ejercicio profundamente autoconsciente de tintes antropológicos y filosóficos sobre cuestiones como la identidad, la memoria o el sentido de la experiencia.
 En este trabajo evaluaremos la competencia antropológica de la cinta a través de una metodología comparativa entre el len
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Dissertations / Theses on the topic "Theo Angelopoulos"

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Makrygiannakis, Evangelos. "Films of Theo Angelopoulos : a voyage in time." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/4018.

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This thesis provides a critical enquiry into the films of Theo Angelopoulos. Dividing his films into two periods—the one running through the seventies and the other starting with the advent of the eighties—I will examine the representation of history in the first period of Angelopoulos and the metaphor of the journey in his subsequent films. Furthermore, I will trace the development of an aesthetic based on long takes which evokes a particular sense of time in his films. This aesthetic, which is based on the internal rhythm of the shot, inscribes a temporality where past, present, and future c
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Lakka, Maria. "The rhythm-image : aesthetic experience in the work of Theo Angelopoulos and Bill Viola." Thesis, Goldsmiths College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441007.

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Rissing, Thilo. "Jenseits von Mythos und Melancholie : philosophisch-theologische Überlegungen im Anschluss an das Kino von Theo Angelopoulos /." Marburg : Schüren, 2008. http://d-nb.info/986511919/04.

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Rissing, Thilo. "Jenseits von Mythos und Melancholie philosophisch-theologische Überlegungen im Anschluss an das Kino von Theo Angelopoulos." Marburg Schüren, 2007. http://d-nb.info/986511919/04.

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Mouawad, Wissam. "Pour un cinéma de la dislocation : Wim Wenders, Théo Angelopoulos, Jean Cocteau." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010660.

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Siegfried Kracauer distingue deux tendances du cinéma: la «tendance réaliste» qui s'attache à montrer le monde dans sa réalité matérielle, et la « tendance formatrice» qui accorde une primauté absolue à une rêverie artistique détachée du monde alentour. Ces tendances répondent selon lui à deux postures éthiques contradictoires de l'homme qui, ou bien entretient un rapport d'immersion avec le monde ou bien, quand cette immersion s'avère impossible, se replie sur son intériorité. Ce clivage binaire peut être nuancé à l'aide du concept de dislocation qui, questionnant les rapports troubles qu'ent
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Vagneux, Stéphanie. "Analyse des représentations des transformations historiques des Balkans survenues après 1989 dans les films "Le regard d'Ulysse", "Before the rain" et "Underground"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ56777.pdf.

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Castiel, Élie. "Pour une esthétique du plan-séquence dans Le Voyage des comédiens de Theo Angelopoulos." Thesis, 2003. http://spectrum.library.concordia.ca/2361/1/MQ83941.pdf.

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La thèse proposée cherche à discourir principalement sur l'apport du plan-séquence dans le cinéma de Theo Angelopoulos en prenant comme défense les textes étudiés et parmi les films de l'auteur, essentiellement son plus abouti, Le Voyage des comédiens ( O Thiassos , 1975). Ce choix, intentionnellement arbitraire, a pour but de concilier l'oeuvre en question en faveur des exigences humanistes et des concepts esthétiques d'Angelopoulos. La majorité des écrits sur d'Angelopoulos l'ont été en langue grecque, bien entendu, mais peu dans d'autres. On en retrouve en italien, en frança
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Fan, Shu-Chen, and 范淑貞. "Study on Journey and Identification Motives in Theo Angelopoulos's films : take《Ulysses' Gaze》as major example." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/81819512080661282066.

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碩士<br>臺北市立大學<br>視覺藝術學系碩士在職專班<br>103<br>Abstract Keywords: Theo Angelopoulos, Ulysses＇Gaze, poetic moive, Journey, Identity, Long take, Greece Theo Angelopoulos, the most famous Greek director, is also one of the world’s most unique style director. His screenplays address mostly social and living issues. He never participates in any political party and activities; however, his work clearly shows his own mission. He uses a lot of long takes in his works, which is one of his characteristics. This thesis tries to explore the issue of identity recognition through a lonely journey and wandering
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Books on the topic "Theo Angelopoulos"

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1953-, Jacobsen Wolfgang, ed. Theo Angelopoulos. Hanser, 1992.

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Dan, Fainaru, ed. Theo Angelopoulos: Interviews. University Press of Mississippi, 2001.

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Ruggle, Walter. Theo Angelopoulos: Filmische Landschaft. L.Müller, 1990.

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Andrew, Horton, ed. The last modernist: The films of Theo Angelopoulos. Flicks Books, 1997.

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Andrew, Horton, ed. The last modernist: The films of Theo Angelopoulos. Greenwood Press, 1997.

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Horton, Andrew. The films of Theo Angelopoulos: A cinema of contemplation. Princeton University Press, 1997.

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1946-, Larcher Gerhard, Wessely Christian 1965-, and Grabner Franz, eds. Zeit, Geschichte und Gedächtnis: Theo Angelopoulos im Gespräch mit der Theologie. Schüren, 2003.

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Estévez, Manuel Vidal. Theo Angelopoulos. Ediciones Cátedra, 2015.

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Fainaru, Dan. Theo Angelopoulos. Agora Kitapligi, 2006.

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Cinema of Theo Angelopoulos. Edinburgh University Press, 2015.

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Book chapters on the topic "Theo Angelopoulos"

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Rapti, Vassiliki. "Oscillating Between Tag and Hopscotch: Theo Angelopoulos’ Playful Aesthetics." In Ludics. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7435-1_21.

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"On First Encountering Theo Angelopoulos." In Theo Angelopoulos. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350245396.ch-002.

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"Theo Angelopoulos’ Filmography." In The Cinema of Theo Angelopoulos. Edinburgh University Press, 2015. http://dx.doi.org/10.1515/9780748697960-024.

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Chalkou, Maria. "Theo Angelopoulos as Film Critic." In The Cinema of Theo Angelopoulos. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748697953.003.0001.

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This chapter examines Theo Angelopoulos' work as a film critic, focusing on the ways in which he was invested in cinema — personally, professionally, intellectually and aesthetically — even before stepping into the role of filmmaker. The time frame of Angelopoulos' critical activity is particularly intriguing since the 1960s were the formative years of New Greek Cinema. The chapter considers Angelopoulos' film criticism for the newspaper Democratic Change during the turbulent but creative pre-dictatorship 1960s. It explores unknown aspects of Angelopoulos' cinéphile background and how his crit
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"On Redemption." In Theo Angelopoulos. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350245396.ch-005.

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"The Quest for Existential Poesis." In Theo Angelopoulos. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350245396.ch-001.

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"On Being, Loss, and Memory." In Theo Angelopoulos. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350245396.ch-004.

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"On Seeing Films Philosophically." In Theo Angelopoulos. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350245396.ch-003.

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"The Risk of Being Tempted by Déjà Vu." In Theo Angelopoulos. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350245396.ch-006.

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"Visual Essay." In Theo Angelopoulos. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350245396.ch-007.

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Conference papers on the topic "Theo Angelopoulos"

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Dong, Hanzhang. "Analyzing the symbolic significance of Angelopoulos’ films from the perspective of semiotics." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004522.

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Symbolic communication is an interdisciplinary field that investigates the meaning and function of symbols in the communication process. Within the framework of symbolic communication studies, symbols are seen as tools individuals employ to convey meanings and values. As a crucial cultural artifact and visual medium, film combines various symbolic elements—including imagery, sound, and plot—to create a distinctive and intricate symbolic system, thus conveying specific meanings through symbol construction. In the films of Angelopoulos, the allure of “symbolic symbolism” is reflected through flo
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Azhykulova, Asel. "Efficient and Effective Public Spending for Sustainable Economic Growth." In International Conference on Eurasian Economies. Eurasian Economists Association, 2015. http://dx.doi.org/10.36880/c06.01384.

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Nowadays, governments are more careful with the use of resources and attempt to be efficient and effective to achieve sustainable economic development. This paper contrasts the efficiency and effectiveness of public spending of developed and developing countries in current conditions and their impact on economic growth. &#x0D; The author analyses efficiency and effectiveness measures of public spending applied by prominent cross-country empirical studies. The critical success factors for the effective performance of government through World Bank indicator of government effectiveness highlights
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Sabeur, Zoheir, Alessandro Bruno, Liam Johnstone, et al. "Cyber-Physical Behaviour Detection and Understanding using Artificial Intelligence." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002702.

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The advancement of cyber-physical behaviour detection and understanding in context of urban environment safety and security has been developed in the S4AllCities project (S4AllCities, 2020). Specifically, various concepts of fundamental artificial intelligence and reasoning have been successfully developed and will subsequently be tested in situ in S4AllCities pilot sites during the coming year 2022 (Sabeur et al, 2021). The detection of anomalies in TCP and UDP communication-based protocols taking place in context of urban spaces have been investigated. These were also complemented with the d
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