Academic literature on the topic 'Theocritus Theocritus Theocritus Theocritus'

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Journal articles on the topic "Theocritus Theocritus Theocritus Theocritus"

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Gibson, Bruce. "Theocritus." Classical Review 51, no. 2 (October 2001): 234–36. http://dx.doi.org/10.1093/cr/51.2.234.

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Domány, Judit. "Theocritus’ Thalysia." Acta Antiqua Academiae Scientiarum Hungaricae 47, no. 4 (January 2007): 317–27. http://dx.doi.org/10.1556/aant.47.2007.4.1.

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Cairns, Francis. "Theocritus,Idyll26." Proceedings of the Cambridge Philological Society 38 (1993): 1–38. http://dx.doi.org/10.1017/s0068673500001607.

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Theocritus,Idyll26 is short, starkly dramatic, and highly puzzling. Gow (1952) and his predecessors generally regarded it as bad, or even un Theocritean; and many of its details remain obscure. Lines 27–32 in particular present acute problems; and, as Gow (1952) II.475 wrote, ‘no explanation of the poem as a whole can be satisfactory unless it accounts for these mysterious lines’. No ancient scholia survive (except for scraps inP3), andIdyll26 in isolation offers scant indications of a cultural or social context. In consequence any new attempt to increase understanding ofIdyll26 must inevitably be speculative, particularly when it moves from text-based, literary aspects to more general questions about the idyll. Such an effort may, however, seem more worthwhile nowadays, when the characteristics of professional hellenistic poetry can more easily be recognised inIdyll26.
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Krevans, N. "Digging Theocritus." Classical Review 49, no. 2 (October 1999): 358–60. http://dx.doi.org/10.1093/cr/49.2.358.

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Jackson, Steven. "Theocritus 22." Classical Review 49, no. 2 (October 1999): 360–61. http://dx.doi.org/10.1093/cr/49.2.360.

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Debrohun, Jeri Blair. "THEOCRITUS CONTEXTUALIZED." Classical Review 53, no. 1 (April 2003): 29–30. http://dx.doi.org/10.1093/cr/53.1.29.

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Debrohun, Jeri Blair. "THEOCRITUS’ EPIGRAMS." Classical Review 53, no. 1 (April 2003): 30–32. http://dx.doi.org/10.1093/cr/53.1.30.

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Davies, Malcolm. "Theocritus' Adoniazusae." Greece and Rome 42, no. 2 (October 1995): 152–58. http://dx.doi.org/10.1017/s0017383500025596.

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Theocritus' poem on the women celebrating the festival of Adonis (Idyll 15) has received surprisingly little attention over the years, especially when compared with other Theocritean Idylls of like length. Matthew Arnold's notorious rhapsody (‘a page torn fresh out of the book of human life. What freedom! What animation! What gaiety! What naturalness! … When such is Greek poetry of the decadence, what must be Greek poetry of the prime?’) has perhaps done more harm than good, by focusing attention too exclusively on the first hundred lines or so of the poem (and indeed Arnold himself was of the opinion that the hymn to Adonis at vv. 100ff. contains ‘of religious emotion, in our acceptation of the words, and of the comfort springing from religious emotion, not a particle’). And yet the poem is second only to Euripides' Bacchae as a document revealing the ways in which religion in the ancient Greek world could offer women an escape (however temporary) from the drab banalities of their everyday existence. And the central contrast between the eternal and idealized glamour of the world of myth and the time-bound existence of Praxinoa and Gorgo (a contrast which is crucial for the above-mentioned role of religion) is absolutely characteristic of one essential aspect of Hellenistic poetry, an aspect that looks back to the world of Euripides and forward to that of Roman poets like Catullus or Propertius. In this paper I shall examine both these features of the Idyll. Also, inspired by those scholars who have illuminated facets of the Dionysiac religion by adducing comparable (if secular) twentieth-century material, I shall try to achieve something similar for Theocritus' poem by drawing on comparative material from late twentieth-century Japan relating to a phenomenon that allows Japanese housewives temporary escape from a tedious and restricted way of life.
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Bulloch, A. W. "An Early Theocritus Book (P. Oxy. 2064 + 3548): Placing Fragments." Classical Quarterly 37, no. 2 (December 1987): 505–12. http://dx.doi.org/10.1017/s000983880003072x.

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In 1930 Hunt and Johnson published the remains of P. Oxy. 2064, a roll containing at least some of the poems attributed to Theocritus and dating from the late second century A.d. (A. S. Hunt and J. Johnson, Two Theocritus Papyri [London: Egypt Exploration Society, 1930], 3–19). The papyrus was important, even though very fragmentary (no column is preserved complete, and very few lines are wholly intact), since at its time of publication it was one of the three earliest witnesses to the text of Theocritus. Fragments of other early papyri of Theocritus have been published since then, but P. Oxy. 2064 has remained the most important known witness prior to the fifth century because of the spread of poems which the extant fragments show it to have contained. No other papyrus allows us to reconstruct the contents of an early Theocritus book to such an extent. In 1983 the editors of Oxyrhynchus Papyri published a further collection of Theocritus fragments from various papyri (P. Oxy. 3545–3552), among which were more remains from P. Oxy. 2064 edited by P. J. Parsons under the number P. Oxy. 3548 (Oxyrhynchus Papyri L [Graeco-Roman Memoirs, 70: London, 1983], 105–22).
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Dosuna, Julián Méndez. "The Literary Progeny of Sappho's Fawns: Simias' Egg (AP 15.27.13-20) and Theocritus 30.18." Mnemosyne 61, no. 2 (2008): 192–206. http://dx.doi.org/10.1163/156852508x252830.

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AbstractThis paper analyses two deer similes by Simias and Theocritus that depend directly on a simile found in the New Sappho. Both passages confirm the interpretation of Sappho's simile as a case of so-called 'compendious comparison'. In turn, the New Sappho sheds new light on the texts of Simias and Theocritus. Simias' simile finds also resonances in two short similes in Id. 13.62-3 and Id. 18.41-2. This is possibly a literary tribute of Theocritus to Simias as his 'bucolic' predecessor.
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Dissertations / Theses on the topic "Theocritus Theocritus Theocritus Theocritus"

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Kirstein, Robert Theocrit. "Junge Hirten und alte Fischer : die Gedichte 27, 20 und 21 des Corpus Theocriteum /." Berlin [u.a.] : de Gruyter, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2866228&prov=M&dok_var=1&dok_ext=htm.

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Likosky, Marilyn Schron. "Representations of women in Theocritus /." Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/11453.

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Hicks, Peter Geoffrey Barry. "The manuscript tradition of Theocritus." Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/251547.

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Samson, Lindsay Grant. "The philosophy of desire in Theocritus' Idylls." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/5051.

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Over the course of Theocritean scholarship there has been a tendency to try to fill the narrative gaps that he leaves in his poems, and this tendency has led to various interpretations of each of the Idylls. While some see this as a puzzle to be solved, a sort of literary exercise for Theocritus' fellow poetae docti and the erudite court of Ptolemaic Alexandria, this study will examine these narrative gaps as opportunities for each audience member to explore his or her own beliefs, especially regarding love. Theocritus does not lead his audience to a specific conclusion, but he only raises questions. This study shows how the Idylls pose questions that correlate with those that Plato and Hellenistic philosophers address in their discussion of love. Is love a divine blessing, madness, or both? What are the symptoms of lovesickness? Can lovesickness be cured? Is passion part of human nature? What are the benefits of love? Once the reader has in mind the questions that are raised in philosophy and the earlier poetic tradition, it becomes clear that Theocritus is posing the same questions. He uses the images of love in the poetic tradition to explore these topics in a way that conjures allusions to philosophical texts. Once I have examined the poetic and philosophical background, I turn to the Idylls themselves. I organize my discussion of the poems according to the three types of lovers in Plato's Symposium: procreators, poets, and immortals. Procreators are those who seek to give birth in the body, for example Simaetha in Idyll 2. These lovers are portrayed as afflicted with lovesickness without a viable cure, and as treading the line between animal and human. Poets give birth in the mind with their poetry, for example the speaker of Idyll 12. Although suffering from lovesickness, poets have a remedy, poetry. Finally, immortals give birth to true virtue, such as the Ptolemies in Idyll 17. These monarchs are so loved by the gods for their virtue that they are made immortal and are allowed to live on Olympus with the gods. The layers of meaning revealed in the allusions to the poetic and philosophical traditions do not show Theocritus as promoting a favorite doctrine, rather, he promotes questions about desire, lovesickness, remedies, humanity, persuasion, the power of poetry and immortality. When we look at Theocritus as a heuristic poet, we can better understand the value of his poetry and his mastery in using narrative gaps to raise questions for his audience.
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Cater, Amanda Jane. "Theocritus and the reversal of literary tradition." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25362.

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My purpose is to demonstrate Theocritus' treatment of traditional literary genres. I show the specialized character of the bucolic genre by concentrating on the combination of epic, tragic and bucolic elements in selected poems of Theocritus. My concern is the portrayal of characters and character-types from myth and literary tradition and how the traditional literary portrayal has been changed. My discussion of Theocritus' poetic technique is divided into two parts. The first section deals with Theocritus' method of "reducing" or down-grading figures who have previously been presented and accepted as heroes. This section is introduced by a brief survey of the changing attitudes towards heroes in Greek literature from Homer to Theocritus. This is followed by a discussion of four poems which illustrate Theocritus' inversion of the standard portrait. This treatment ranges from a humorous recasting of the status of Polyphemos (Idyll 11) and Herakles (Idylls 13 and 24) to a critical portrayal of the Dioscuri (Idyll 22). The second part deals with the technique operating in reverse. In this section, I show how Theocritus juxtaposes epic themes with 'low-life' scenes and how the characters involved are consequently upgraded or 'elevated1. The four poems I select endow their insignificant protagonists with heroic amplitude. In Idyl 1 1, epic and tragic elements are infused into the portrayal of Daphnis the cowherd. Simaetha in Idyll 2 envisages herself as a Medea in a context of bourgeois reality. The mythological material in Idyll 3 achieves humour from the disparity of the goatherd's rustic simplicicy and his awareness of mythological precedents. Idyll 7 expands the anti-heroic material of the Odyssey and describes a goatherd with a difference. In my conclusion I demonstrate the coherence of Theocritus' treatment of epic and dramatic narrative with his programmatic statements. The passages referred to are the epilogue of Idyll 22 (212-23), the characters cited in Idyll 16 (36-57), Simichidas' speech in Idyll 7 (45-48) and the description of the herdman's cup in Idyll 1. (29-61). In the light of this, I link Theocritus' poetic method to his attitude to the function of literature and its relation to society.
Arts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate
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Kirstein, Robert. "Junge Hirten und alte Fischer die Gedichte 27, 20 und 21 des Corpus Theocriteum." Berlin New York de Gruyter, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2866228&prov=M&dok_var=1&dok_ext=htm.

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Muñoz, Jesse. "Theocritus' Use of Daphnis as a Poetic Symbol." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/595834.

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This thesis examines Theocritus' use of the mythic herdsman Daphnis in Idylls 1 and 7 and compares the accounts there with accounts of similar figures such as Adonis, Attis, and Osiris in other ancient authors. I focus especially on Daphnis' associations with death and resurrection and with honey, which I argue functions for Theocritus as an emblem of the immortalizing powers of poetry.
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Rossi, Laura. "The epigrams ascribed to Theocritus : a method of approach /." Leuven ; Paris ; Sterling (Va.) : Peeters, 2001. http://catalogue.bnf.fr/ark:/12148/cb39233621x.

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Parmenter, Christopher. "Ethnography and the Colonial World in Theocritus and Lucian." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13314.

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Scholars of migration, colonization, and cultural interaction in antiquity have increasingly turned towards a variety of concepts (such as hybridity, negotiations, and middle grounds) developed by postcolonial theorists to describe the dynamics of ancient civilizations beyond the major centers of Athens and Rome. Whereas older models of identity saw the ancient world as a series of geographically distinct cultural units with attendant language, religion, and practices--that is to say, a model of identity rooted in the modern concept of the nation state-- recently classicists have come to see ancient identities as abstractions of a series of individual choices that take place over long periods of time and that are always mediated by contact with different groups. Focusing on two authors from what I shall define as the `colonial worlds' of antiquity (Theocritus from Sicily and Lucian from Syria) this study will explore how representations of physical difference and cultural practice negotiate the presence of non-Greek peoples into Greek literary culture.
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Haber, Judith Deborah. "Pastoral and the poetics of self-contradiction : Theocritus to Marvell /." Cambridge [GB] : Cambridge university press, 1994. http://catalogue.bnf.fr/ark:/12148/cb370361460.

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Books on the topic "Theocritus Theocritus Theocritus Theocritus"

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Hopkinson, Neil, ed. Theocritus, Moschus, Bion. Cambridge, MA: Harvard University Press, 2015.

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Sens, Alexander. Theocritus: Dioscuri (Idyll 22). Göttingen: Vandenhoeck & Ruprecht, 1997. http://dx.doi.org/10.13109/9783666252112.

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Rossi, Mary Ann. Theocritus' Idyll XVII: A stylistic commentary. Amsterdam: A.M. Hakkert, 1989.

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Theocritus and the archaeology of Greek poetry. Cambridge: Cambridge University Press, 1996.

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Sens, Alexander. Theocritus, Dioscuri (Idyll 22): Introduction, text, and commentary. Göttingen: Vandenhoeck & Ruprecht, 1997.

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Theocritus' pastoral analogies: The formation of a genre. Madison, Wis: University of Wisconsin Press, 1991.

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The epigrams ascribed to Theocritus: A method of approach. Leuven: Peeters, 2001.

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Rosenmeyer, Thomas G. The green cabinet: Theocritus and the European pastoral lyric. London: Bristol Classical, 2004.

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Groningen Workshop on Hellenistic Poetry (2nd 1994 Groningen). Theocritus: Proceedings of the Groningen Workshops on Hellenistic Poetry. Groningen: Egbert Forsten, 1996.

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Kegel-Brinkgreve, E. The echoing woods: Bucolic and pastoral from Theocritus to Wordsworth. Amsterdam: J.C. Gieben, 1990.

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Book chapters on the topic "Theocritus Theocritus Theocritus Theocritus"

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Williams, William Carlos. "Dactyls - - From Theocritus." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 149–54. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-046.

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Payne, Mark. "The Bucolic Fiction of Theocritus." In A Companion to Hellenistic Literature, 224–37. Oxford, UK: Blackwell Publishing Ltd, 2014. http://dx.doi.org/10.1002/9781118970577.ch16.

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Reed, J. D. "Idyll6 and the Development of Bucolic after Theocritus." In A Companion to Hellenistic Literature, 238–50. Oxford, UK: Blackwell Publishing Ltd, 2014. http://dx.doi.org/10.1002/9781118970577.ch17.

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"THEOCRITUS." In Games of Venus, 155–86. Routledge, 2013. http://dx.doi.org/10.4324/9780203451472-14.

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"Theocritus." In Characterization in Ancient Greek Literature, 116–31. BRILL, 2017. http://dx.doi.org/10.1163/9789004356313_008.

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"Theocritus." In Space in Ancient Greek Literature, 99–117. BRILL, 2012. http://dx.doi.org/10.1163/9789004224384_007.

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"[Theocritus]: The Early Reception of Theocritus." In Brill's Companion to Theocritus, 651–78. BRILL, 2021. http://dx.doi.org/10.1163/9789004466715_029.

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Mahoney, Charles. "Theocritus. – (Concluded.)." In The Selected Writings of Leigh Hunt, 221–30. Routledge, 2020. http://dx.doi.org/10.4324/9780429348570-42.

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"Theocritus’ Dialects." In Brill's Companion to Theocritus, 85–104. BRILL, 2021. http://dx.doi.org/10.1163/9789004466715_005.

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"THE SENSE OF AN AUTHOR: THEOCRITUS AND [THEOCRITUS]." In The Classical Commentary, 89–108. BRILL, 2002. http://dx.doi.org/10.1163/9789047400943_006.

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