Relevant bibliographies by topics / Theodor Storm / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Theodor Storm.

Dissertations / Theses on the topic 'Theodor Storm'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 26 dissertations / theses for your research on the topic 'Theodor Storm.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Redmond, Dennis Robert. "Global storm : Theodor Adorno's Negative dialectics /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978596.

Full text
Abstract:
Thesis (Ph. D.)--University of Oregon, 2000.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 377-380). Also available for download via the World Wide Web; free to University of Oregon users.
APA, Harvard, Vancouver, ISO, and other styles
2

Forssell, Louise. "Zur Körpersprache in Theodor Storms Novelle "Der Schimmelreiter" : "Er reichte ihr die Hand und drückte sie, als ob es zwischen ihnen keines weiteren Wortes bedürfe ..." /." Hamburg : Kovač, 2009. http://d-nb.info/992158737/04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Carnaby, Rachel. "Kitsch in the prose works of Theodor Storm." Thesis, University of Sheffield, 1985. http://etheses.whiterose.ac.uk/1803/.

Full text
Abstract:
The twofold purpose of this study is to clarify, on the one hand, the question of literary evaluation in general and of kitsch in particular, and, on the other, to analyse the prose works of Theodor Storm in the light of the theories of literary evaluation thus established. It therefore follows that the investigation falls into two main sections. The first is in essence theoretical. It consists of seven chapters, in which are examined the terminology, etymology and history of literary evaluation; the many different approaches to tackling and understanding the problem of kitsch (pedagogic, socio—economic, political, religious, moral, philosophical etc.); kitsch in its relationship to art; kitsch in literature and elsewhere (kitsch of both style and philosophy); kitsch and the consumer, especially the female consumer; kitsch's causes and functions under a variety of political and social regimes and, lastly, the possible dangers of kitsch and the remedies suggested to help counteract it. The second section commences with a survey of prominent trends in Storm research old and new, followed by an exploration of Storm's awareness of and relationship to his reading public and to his publishers, and the effect on his work of the demands of family finances. Three chapters are devoted specifically to Storm's wide—ranging techniques for appealing to his reading public, and four to one of the most important aspects of his work in relation to kitsch, the women figures and love and marriage in the 'Novellen'. Three more are given over to problems in his works, with particular emphasis on the function of social critic now widely claimed for him. Two chapters deal with Storm's literary aims, both in respect of artistic achievement and popular acclaim, how far he was successful in achieving them, and what shortcomings threatened to diminish the literary value of his works. Finally, there is a chapter on Storm's reception under various regimes and how prevailing ideological factions adapted the works for their own use, whilst Storm's reception in the immediate post—war era and in the present day is the subject of the conclusion.
APA, Harvard, Vancouver, ISO, and other styles
4

Börner, Mareike. "Mädchenknospe - Spiegelkindlein die Kindfrau im Werk Theodor Storms." Würzburg Königshausen & Neumann, 2009. http://d-nb.info/994475659/04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Denison, Stephanie Susan. "The function of self-awareness in selected novellen by Theodor Storm." Thesis, University of Glasgow, 1998. http://theses.gla.ac.uk/1745/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hartmann, Christina Alexandra. "Wasser, Paradigma elementarer Kraft in der Literatur : Mythos, Naturwissenschaft, Kunst und Sprache : ausgewählte Textbeispiele von Johann Wolfgang v. Goethe, Wilhelm Raabe, Theodor Storm, Theodor Fontane, Ingeborg Bachmann und Günter Eich /." München : Hut, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018704746&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Burns, Barbara. "Theory and patterns of tragedy in the later Novellen of Theodor Storm." Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/13349.

Full text
Abstract:
The thesis is an attempt to refute the indictment of Storm's work as being sentimental and melancholy, arguing that such a judgment fails to take account of the writer's portrayal of tragedy in the final seventeen years of his life. Chapter One analyses a number of aspects of Storm's thought and experience which disposed him towards a tragic view of the world: this includes an examination of the possible impact of the popular philosophies of Feuerbach, the Materialists, Darwin and Schopenhauer, as well as the significance of his educational background, his career as a judge, and his attitude to family life, religion, politics and society. Chapter Two considers the aesthetic convictions underlying Storm's conception and portrayal of tragedy, looking also at the idea of the Novelle as a suitable medium for tragedy and at the relationship between the author's later work and the tragedies of Naturalism. Chapters Three to Five present a detailed study of six individual Novellen which treat themes representative of Storm's work. Chapter Three focuses on Storm's attitude to the destructive potential of prejudice and superstition in society, taking Renate (1878) and Ein Doppelganger (1886) as examples of "The Tragedy of Social Compulsion". Chapter Four investigates his pessimistic preoccupation with the subject of heredity, discussing John Riew' (1885) and Der Herr Etatsrat (1881) as cases of "The Tragedy of Genetic Compulsion". Chapter Five is entitled "The Tragedy of Personal Responsibility": it examines Ein Bekenntnis (1887) and Zur Chronik von Grieshuus (1883) as Novellen in which the leading characters incur specific moral guilt, and considers the nature and results of their attempts to atone for their crime.
APA, Harvard, Vancouver, ISO, and other styles
8

Stein, Malte. ""Sein Geliebtestes zu töten" literaturpsychologische Studien zum Geschlechter- und Generationenkonflikt im erzählerischen Werk Theodor Storms." Berlin Erich Schmidt, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2661380&prov=M&dok_var=1&dok_ext=htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Finkbeiner, Rita. "Idiomatische Sätze im Deutschen : syntaktische, semantische und pragmatische Studien und Untersuchung ihrer Produktivität /." Stockholm : Univ, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017646709&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Forssell, Louise. ""Es ist nicht gut, so ganz allein zu sein-" : Männlichkeiten und Geschlechterbeziehungen in Theodor Storms später Novellistik /." Stockholm : Acta Universitatis Stockholmiensis : Almqvist & Wiksell, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1209.

Full text
APA, Harvard, Vancouver, ISO, and other styles
11

Cozic, Alain. "L'art de la nouvelle chez Théodor Storm." Paris 12, 1992. http://www.theses.fr/1992PA120058.

Full text
Abstract:
Ce travail a pour objectif de circonscrire les composantes de l'art de la nouvelle chez theodor storm, considere comme l'un des grands auteurs de langue allemande du 19eme siecle. La methode adoptee, au lieu de tenir la notion de "nouvelle" pour une evidence puis de tenter de montrer ensuite en quoi les oeuvres se conformeraient a ces normes preetablies ou s7en eloigneraient, se fonde au contraire sur une analyse precise plus formelle que thematique - des textes et s'efforce d'en induire les lois organisatrices, les traits distinctifs. L'etude comporte six grands ensembles : la forme generale des oeuvres, les narrateurs et la narration, les actions, le temps, les lieux, les personnages
The aim of this work is to define the scope of the different aspects of theodor storm's art of the short story- theodor storm considered as one of the 19th century major writers in the german language. The adopted method, instead of holding the notion of short story as an evidence then to try to demonstrate afterwards to what extent these works would confrom to preestablished norms, on the contrary is built upon a precise analysis of the texts - more formal than thematic - and endeavours to induce its organizing rules, its distinctive features. The study includes six main parts : the general form of the works, the narrators and the narration, the actions, the time, the places, the caracters
APA, Harvard, Vancouver, ISO, and other styles
12

Würz, Ulrike. "Unheimliche Häuser eine vergleichende Motivanalyse an Texten deutschsprachiger Literatur des 19. Jahrhunderts." Saarbrücken VDM Verlag Dr. Müller, 2004. http://d-nb.info/991123948/04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Nascimento, Fabiana Angélica do 1972. "A novela Pole Poppenspäler de Theodor Storm e o tema da oposição entre o artista e o burguês." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269865.

Full text
Abstract:
Orientador: Mário Luiz Frungillo
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-26T21:19:29Z (GMT). No. of bitstreams: 1 Nascimento_FabianaAngelicado_M.pdf: 1238592 bytes, checksum: 01a7a70e9d018c3f112053fde2aa7f39 (MD5) Previous issue date: 2015
Resumo: O objetivo deste trabalho é analisar a novela Pole Poppenspäler como uma narrativa organizada ao redor do tema da oposição entre o artista e o burguês. Tal perspectiva de análise abrangerá não só o tratamento dado a essa temática, bastante cara à literatura alemã, mas também a sua representação no contexto do Realismo Poético e na própria evolução do gênero novela. Em Pole Poppenspäler o conflito gerado pela transição entre duas diferentes perspectivas, a do mundo pequeno burguês e a do artista, condensa-se, de forma simbólica, na trajetória das personagens Tendler e Paul, ao mesmo tempo em que está presente, de modo realista, a caracterização geográfica e humana das "pessoas simples" ("kleine Leute"), como camponeses, operários e artesãos. Também a regionalização geográfica e linguística estão de acordo com o repertório típico do realismo do século XIX, por meio da representação das paisagens alemãs e do uso de dialetos. Para que a nossa hipótese de interpretação fosse efetivamente realizada, a história do gênero novela foi revista em seus diferentes momentos de existência. Desse modo, pôde-se investigar de que maneira a alteração dos pressupostos históricos provoca alterações na representação do conflito entre as mentalidades do artista e do burguês
Abstract: The goal of this research is to analyze the short-novel Pole Poppenspaeler as a narrative organized around the theme of the opposition between the artist and the bourgeois citizen. Such an analysis perspective will comprehend not only the treatment given to the theme (very dear to German literature), but also the representation the theme has in the context of Poetic Realism, besides the way the genre of short-novel has develop itself. In Pole Poppenspaeler, the conflict generated by the transition between two different perspectives (one from the bourgeois world and another from the artist) condense itself, in a symbolic way, through the characters¿s Tendler and Paul journey; at the same time, it is present (in a realistic manner) the geographic and human characterization of "simple people" ("kleine Leute"), like countrymen, workmen and artisans. Also the geographic and linguistic regionalization are according to the typical repertory of the XIXth century realism. In order to our hypothesis of interpretation be effectively executed, the History of the short-novel as a genre was reviewed in its different moments of existence. Therefore, it is possible to investigate how the alteration of the hystorical processes provokes an alteration in the representation of the conflict between the artist¿s and the bourgeois citizen¿s mindsets. Keywords: German literature, Poetic Realism, motive, short-novel
Mestrado
Teoria e Critica Literaria
Mestra em Teoria e História Literária
APA, Harvard, Vancouver, ISO, and other styles
14

Lolliot, Rachel. "Mécanismes de la fatalité et construction d'un élan vital dans les nouvelles de Theodor Storm et de Guy de Maupassant." Thesis, Reims, 2015. http://www.theses.fr/2015REIML004/document.

Full text
Abstract:
La nouvelle étant un récit bref, elle est à même de représenter le tragique de l'existence : elle attrape sur le vif tous les événements de la vie et les présente dans une économie restreinte. Theodor Storm et Guy de Maupassant ne manquent pas à cette règle et proposent des récits marqués par l'empire de la fatalité. Celle-ci est la manifestation du destin et/ ou du hasard qui transparaissent à travers la description de paysages réalistes et à travers la mise en avant d'objets clé qui entraînent avec eux la décrépitude des personnages. La technique narrative est également au service de la mise en scène de ce déterminisme, ainsi, l'un et l'autre auteur se permettent d'enchâsser les histoires, de revenir en arrière dans la narration pour mieux faire peser le poids du destin et/ ou du hasard afin de souligner que chacun fonctionne comme un mécanisme à ressort se déroulant tragiquement. Pourtant, même si tout laisse supposer le contraire, ces nouvelles ne sont pas qu'imprégnées de pessimisme. En effet, de cette fatalité empreinte de destin et/ ou de hasard se dégage un élan vital caractéristique de la pensée philosophique et sociale du XIXe siècle. Le destin et/ ou le hasard est en fait l'expression aveugle d'une volonté qui détermine le choix des personnages. Aussi ces nouvelles mettent-elles l'accent sur l'illusion du libre arbitre des personnages qui pensent pouvoir se déterminer eux-mêmes. De là, l'élan créatif issu de l'écriture permet une suspension de ce déterminisme. Ainsi, ce sont ces mécanismes de la fatalité qui sont démontés dans ce travail afin de repérer cet élan vital, salvateur et libérateur propre à la conception philosophique et littéraire du XIXe siècle
A short story is a brief narrative and therefore can represent the tragic of existence : it catches on the spot all the events of life and presents them in a restricted economy. Theodor Storm and Guy de Maupassant obey the rule and offer narratives marked by fatality, which is the demonstration of fate and/ or chance shown through the description of realistic landscapes and through the emphasis of key objects which pull with them the decline of the characters. The narrative technique also serves the fabrication of this determinism. So, both authors allow themselves to intersperse stories, to go back into the narration, so that the weigh of fate and/ or chance is heavier and works as a spring mechanism taking place tragically. Nevertheless, even if everything suggests the opposite, these short stories are not so pessimistic. Indeed, a life force typical of the philosophical and social thinking of the 19th century arises from this fatality marked with fate and/ or chance. Fate and/ or chance is in fact the blind expression of a will which determines the choice of characters. So these short stories emphasize the illusion of characters' free will who think they can decide of their life. From there, the creative impulse stemming from the writing allows a interruption of this determinism. So, it is those mechanisms of fate that are defused in this work to observe this saving and liberatoring life force, inherent to the philosophic and literary concept of the XIXth century
APA, Harvard, Vancouver, ISO, and other styles
15

Petereit, Elisabeth. "Beunruhigungen vom Rand ˸ Weiblichkeit, Phantastisches und Ornament in der Literatur des deutschsprachigen Realismus (Keller, Storm, Fontane)." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030054.

Full text
Abstract:
Cette thèse propose une lecture de textes canoniques du réalisme germanophone selon le prisme des inquiétudes que provoquent les éléments placés à la marge : le féminin, le fantastique et l’ornement. La base commune qui permet de relier ces catégories esthétiques, anthropologiques et sociales est qu’elles se définissent en tant qu’Autre dans une bipolarité : homme – femme, réel – fantastique, ›grand‹ art – ornement. La hiérarchie qui sous-tend ces oppositions s’avère néanmoins peu stable, de telle sorte que ces éléments marginalisés troublent le centre normatif. Le fantastique est abordé comme élément constitutif pour la mise en forme littéraire de problèmes sociaux actuels et ›réels‹, et les rapports entre les sexes tels que définis par la société bourgeoise, sont montrés comme mis en mouvement et ambivalents. L’analyse détaillée des textes de Theodor Fontane, Gottfried Keller et Theodor Storm se concentre d’abord sur la femme comme ›principe esthétique‹ et comme ›genre‹, capté et fixé dans l’image, et montre que ce féminin imagé et idéalisé se convertit au contraire en déclencheur d’une imagination débridée et déréglée, qui s’inspire de sources littéraires et mythologiques (Pénélope, Cendrillon, sorcières etc.). Elle s’attache ensuite aux modèles, aux rôles et aux normes liés au mariage bourgeois et aux enjeux qu’ils constituent pour l’acceptation ou le rejet de la femme comme égale. La troisième partie étudie enfin les rapports entre l’idéal familial bourgeois et la société patriarcale. Dans les romans le mariage bourgeois est hanté par les fantômes de rôles sexuels encore en vigueur, mais désormais obsolètes, ce qui confère aux foyers une inquiétante étrangeté au sens Freudien
This dissertation offers an analysis of canonical texts from German literary realism using the anxiety that is felt by readers and writers in what constitutes the margins of realist literature in the 19th century: the feminine, the fantastic and ornamentations.These aesthetic, anthropologic and social categories are linked as they are all defined by a binary opposition that turns them into the Other or the Inessential: male-female, reality-fantastic, art-ornamentation. The hierarchy upon which these oppositions are built is however not that stable as these elements at the margin do trouble and replace what constitutes the society’s normative core. The fantastic elements in the works of the authors are used as constituting materials to engage the literary discussion on present and real social problems at the time of writing. The relationships between the sexes and genders which were so clearly described in the bourgeois era are seen as ambivalent and in motion.The three parts of this dissertation provide an in-depth analysis of the works of Theodor Fontane, Gottfried Keller and Theodor Storm. The first section of the work will focus on the figure of the woman as an aesthetic which is both captured and fixed in the image. It will show that this idealised and pictured feminine becomes the catalyst for unbridled and unruly imagination. Then, the traditional roles and behaviours within patriarchal marriage will then be shown to be largely inspired by literary tradition, and in particular in the myths and the fairy-tale (Penelope, Cinderella, the Witch, etc.). Lastly, the relationships between the ideal bourgeois family and the patriarchal family will be analysed in the work of Fontane and Storm. As the era of German realist literature ended, patriarchal marriage was haunted by the ghosts of gender roles, which however obsolete, were still predominant. This paradox made families unheimlich in the Freudian sense
APA, Harvard, Vancouver, ISO, and other styles
16

Forssell, Louise. "„Es ist nicht gut, so ganz allein zu sein...“ : Männlichkeiten und Geschlechterbeziehungen in Theodor Storms später Novellistik." Doctoral thesis, Stockholms universitet, Institutionen för baltiska språk, finska och tyska, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1209.

Full text
Abstract:
The present dissertation examines conceptions of masculinity in the works of Theodor Storm, a representative of German Poetic Realism. It shows how variations of masculinities are arranged, constructed and performed in Storm’s novellas within the bourgeois order of the supposedly 'stable' 19th century. The different types of masculinities are viewed and analysed in selected areas, as represented in the following four texts: Schweigen, Der Herr Etatsrat, Ein Doppelgänger and Der Schimmelreiter. Simultaneously, they constitute different research fields within Men's Studies, such as family, body/health, power/violence and also society/"male spaces". The main thesis of the dissertation is that Storm expands contemporary 19th-century perceptions of masculinity and femininity by making traditional gender stereotypes converge in his late novellas. The characters only partially match the bourgeois, bipolar gender model, and masculinity should be understood as a variation rather than as an opposition to femininity. Furthermore, the dissertation proposes that Storm should be considered a precursor to literary modernity to a larger extent than has previously been assumed. Therefore, the dissertation focuses on internal differentiation of the hegemonic bourgeois masculinity typical of the 19th century in Storm's works. Here, free spaces are observed between gender identities traditionally conceived as binary. Using Robert Connell's theoretical concept of hegemonic masculinity as a basis, the relationship between inferior, marginalized masculinities and normative ideals is particularly emphasized. Furthermore, the dissertation analyses the depiction of bourgeois self-conflicts in the text, through which Storm exposes the hegemonic stereotype of masculinity.
APA, Harvard, Vancouver, ISO, and other styles
17

Ray, Karen 1951. "Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc935595/.

Full text
Abstract:
Alan Berg's two musical settings of Theodor Storm's poem"Schliesse mir die Augen beide" have received little in the way of scholarly analytical attention. The three major chapters of this thesis deal with the two settings on three different levels. Chapter II surveys the political and cultural milieu in which Berg functioned as a young composer of Lieder in the years 1900-1910. Chapter III examines the special quality of lyricism which is often attributed to Berg and his works. Chapter IV provides more definitive and complete musical analyses of the two settings than have heretofore been available. The question of what role songwriting played in the development of Berg's compositional process is addressed in the conclusion.
APA, Harvard, Vancouver, ISO, and other styles
18

Schaefer, Dennis. "Modernity's Pact with the Devil: Goethe's Faust, Keller's Romeo und Julia auf dem Dorfe, and Storm's Der Schimmelreiter as Tales of Forgetting." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524055438594112.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Taylor, Nadine. "The creation of literary character in the fiction of Theodor Fontane." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:22d5d619-74e4-47d3-91c5-8f7236d1f25d.

Full text
Abstract:
This thesis examines the creation of character in the work of Theodor Fontane. Although he is repeatedly praised as a great writer of human character, there is no comprehensive analysis of how Fontane's characters work. This thesis is intended to fill this surprising gap in Fontane research. Its analyses do not focus on the author-text interaction as many traditional critical approaches do, but instead look at what takes place between the text and the reader. The first section, entitled 'Character in Theory', has two chapters presenting my concept of literary character. It draws on the findings of cognitive studies, including formerly neglected aspects such as affective reading and empathy. The second section, 'Character in Practice', contains four chapters. Chapter three demonstrates how our emotions can contribute to our understanding and what role is played by empathy. Chapter four shows the active role readers are required to play when putting together information about characters in Fontane's polyphonous novels. Chapter five focuses on character speech, and chapter six asks to what extent Fontane's characters can be seen to develop. The third section, 'Character in Context', takes a less hermeneutic approach. Chapter seven asks what our expectations of Realist characters are and how these influence our reading of Fontane. Chapter eight examines how our access to these characters has changed compared to the author's contemporary readership. Chapter nine presents an excursus, looking at the author's development from renditions of 'real' people to fictional characters. The last section compares this author's creations to the tentatively Modernist characters of Thomas Mann's Buddenbrooks. My findings show that Fontane's characters demand and support a more active reading than Realism is usually given credit for. They suggest that the concept of Realist characters as largely descriptive creations needs to be examined critically.
APA, Harvard, Vancouver, ISO, and other styles
20

Shiping, Liu [Verfasser], Jürgen [Akademischer Betreuer] Jost, Jürgen [Gutachter] Jost, and Karl-Theodor [Gutachter] Sturm. "Synthetic notions of curvature and applications in graph theory / Liu Shiping ; Gutachter: Jürgen Jost, Karl-Theodor Sturm ; Betreuer: Jürgen Jost." Leipzig : Universitätsbibliothek Leipzig, 2013. http://d-nb.info/1238242057/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Nakamura, Osamu. "Untersuchungen zu verschiedenen Konfliktmotiven in Theodor Storms spaten Novelln : auf dem Weg zu einer humanistischen Literatur zum Zweck der Rettung und Heilung von Geist und Seele." Graduate School of International Development. Nagoya University, 2005. http://hdl.handle.net/2237/6214.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Goor, Helena Monica Maria van. "Banken en industriefinanciering in de 19e eeuw." [Amsterdam] : Amsterdam : Thela Thesis ; Universiteit van Amsterdam [Host], 2000. http://dare.uva.nl/document/80937.

Full text
Abstract:
Proefschrift Universiteit van Amsterdam.
Ondertitel op de omslag: De relatie tussen Mees en Stork : Van den Bergh gaat naar Engeland. - Auteursnaam op omslag: Linda van Goor. Met lit. opg. - Met samenvatting in het Engels.
APA, Harvard, Vancouver, ISO, and other styles
23

Vogel, Andrew Richard. "Narrating the geography of automobility American road story 1893-1921 /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180455063.

Full text
APA, Harvard, Vancouver, ISO, and other styles
24

Sachau, Birger. "Individual psychology in the teaching of foreign language and literature a new approach in foreign language pedagogy and an Adlerian interpretation of selected works by Thedor Storm /." 2004. http://etda.libraries.psu.edu/theses/approved/WorldWideIndex/ETD-691/index.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Kellnerová, Jana. "Žánr novela na příkladu "Včelího jezera" Theodora Storma." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-299702.

Full text
Abstract:
In the first part, this diploma paper is going to treat the conception of nouvelle, questions of the definition and the history of this literature genre. The second part is going to be focused on the life and novellistic work of the Northgerman writer Theodor Storm in particular - the characteristics of the nouvelles of Storms, realistic and romantic elements, themas. The last part of this diploma paper is the analyse of the nouvelle "Immensee", the chapter "Reinhards Bad im See" in particular.
APA, Harvard, Vancouver, ISO, and other styles
26

Wu, Mei-lin, and 巫玫霖. "Zum Todesmotiv in Theodor Storms Novelle „Der Schimmelreiter“." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/79098143267004166330.

Full text
Abstract:
碩士
東吳大學
德國文化學系
102
Meine Magisterarbeit konzentriert sich auf Theodor Storms Novelle „Der Schimmelreiter“. Es geht um einen harten Kampf zwischen Küstenanwohnern und dem rauhen Meer. Dabei spielt der Deichbau eine zentrale Rolle, während sich Entzauberung und Aberglaube, oder genauer, die Technik und die Natur unnachgiebig bekämpfen. Bei diesem Kampf zieht meiner Ansicht nach ein roter Faden durch den ganzen Text durch, es ist nämlich das Todesmotiv. Meiner Meinung nach hängt dieses Motiv in der Novelle entweder direkt oder indirekt mit dem Meer zusammen, ich möchte mich demnach mit der Bedeutung dieses Motives auseinandersetzen und beschäftige mich mit der Frage, wie beispielsweise das Meer den Tod symbolisiert und inwiefern es die Angst der Menschen hervorruft. Theodor Storm hat diese Novelle im 19. Jahrhundert geschrieben, aber die Geschichte ist im 18. Jahrhundert lokalisiert, wo auch die Aufklärung ihren Anfang genommen hat. Für mich ist diese Novelle ein Respons von Theodor Storm aus der Perspektive des Realismus auf die Aufklärung und gilt als eine Warnung vor der Arroganz der Menschheit gegenüber der Natur. Das heißt u.a., dass der Tod für die Menschheit trotz der fortgeschrittenen wissenschaftlichen wie auch technologischen Errungenschaften immer noch ein Rätsel geblieben ist und die Angst davor nie verschwunden ist.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Theodor Storm' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography