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Journal articles on the topic 'Theodor Storm'

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Published: 4 June 2021
Last updated: 28 January 2023

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1

Steiner, Carl, and Roger Paulin. "Theodor Storm." German Studies Review 16, no. 3 (October 1993): 554. http://dx.doi.org/10.2307/1432166.

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2

Peischl, Margaret T., and Winfried Freund. "Theodor Storm." German Quarterly 62, no. 1 (1989): 129. http://dx.doi.org/10.2307/407068.

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3

Witzenmann, Wolfgang. "„Text von Theodor Storm“." Die Musikforschung 41, no. 2 (September 22, 2021): 127–41. http://dx.doi.org/10.52412/mf.1988.h2.1348.

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4

Beckers, Gustav, and Gerd Weinreich. "Theodor Storm: Der Schimmelreiter." German Quarterly 63, no. 1 (1990): 157. http://dx.doi.org/10.2307/406651.

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5

Jackson, D. A. "Theodor Storm—The Provincial." Publications of the English Goethe Society 55, no. 1 (January 1985): 22–46. http://dx.doi.org/10.1080/09593683.1985.11785857.

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6

Cooper, Ian. "THEODOR STORM AND DISENCHANTMENT." German Life and Letters 68, no. 4 (September 18, 2015): 584–97. http://dx.doi.org/10.1111/glal.12101.

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7

Goldammer, Peter. "David A. Jackson: Theodor Storm." Jahrbuch der Raabe-Gesellschaft 43, no. 1 (August 5, 2002): 199–203. http://dx.doi.org/10.1515/9783484339026.199.

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8

Peischl, Margaret T., and Brian Coghlan. "Theodor Storm-Wilhelm Petersen Briefwechsel." German Quarterly 60, no. 2 (1987): 290. http://dx.doi.org/10.2307/407269.

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9

Hoff, Karin. "Clifford Albrecht Bernd: Theodor Storm." Jahrbuch der Raabe-Gesellschaft 46, no. 1 (October 14, 2005): 194–95. http://dx.doi.org/10.1515/9783484339057.194.

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10

Fasold, Regina. "Theodor Storm und die Medien." Jahrbuch der Raabe-Gesellschaft (2001) 42 (January 24, 2001): 206–12. http://dx.doi.org/10.1515/9783484339019.206.

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11

Mojem, Helmuth. "Theodor Storm – Gebrüder Paetel. Briefwechsel." Jahrbuch der Raabe-Gesellschaft 48, no. 2007 (October 23, 2007): 176–80. http://dx.doi.org/10.1515/9783484339217.2.176.

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12

Mullan, Boyd, Brian Coghlan, and Karl Ernst Laage. "Theodor Storm und das 19. Jahrhundert: Vortrage und Berichte des Internationalen Storm-Symposions aus Anlass des 100. Todestages Theodor Storms." Modern Language Review 86, no. 3 (July 1991): 790. http://dx.doi.org/10.2307/3731126.

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13

Immel, Irmgard Seil, Brian Coghlan, and Karl Ernst Laage. "Theodor Storm und das 19. Jahrhundert: Vortrage und Berichte des Internationalen Storm-Symposions aus AnlaSS des 100. Todestages Theodor Storms." German Quarterly 65, no. 3/4 (1992): 472. http://dx.doi.org/10.2307/407624.

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14

Peischl, Margaret T., and Ingrid Schuster. "Theodor Storm. Zeitkritische Dimension der Novellen." German Quarterly 60, no. 3 (1987): 486. http://dx.doi.org/10.2307/407226.

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15

Sagarra, Eda. "Theodor Storm – Theodor Fontane. Briefwechsel. Kritische Ausgabe. Hg. von Gabriele Radecke." Jahrbuch der Raabe-Gesellschaft 53, no. 1 (September 2012): 185–90. http://dx.doi.org/10.1515/raabe-2012-0014.

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16

Alt, A. Tilo, and August Stahl. "Theodor Storm--Hartmuth und Laura Brinkmann. Briefwechsel." MLN 103, no. 3 (April 1988): 684. http://dx.doi.org/10.2307/2905106.

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17

Immel, Irmgard Seil, Karl Ernst Laage, and Gerd Eversberg. "Schriften der Theodor-Storm-Gesellschaft 41 (1992)." German Quarterly 67, no. 4 (1994): 591. http://dx.doi.org/10.2307/408697.

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18

Joost, Ulrich. "Theodor Storm – Constanze Esmarch. Briefwechsel (1844–1846)." Jahrbuch der Raabe-Gesellschaft 46, no. 1 (October 14, 2005): 189–93. http://dx.doi.org/10.1515/9783484339057.189.

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19

Jackson, David. "Christian Demandt: Religion und Religionskritik bei Theodor Storm." Jahrbuch der Raabe-Gesellschaft 53, no. 1 (September 2012): 165–74. http://dx.doi.org/10.1515/raabe-2012-0011.

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20

Meyer-Krentler, Eckhardt. "STOPFKUCHEN – EIN DOPPELGÄNGER. Wilhelm Raabe erzählt Theodor Storm." Jahrbuch der Raabe-Gesellschaft (1987) 28 (January 31, 1987): 179–204. http://dx.doi.org/10.1515/9783110243765.179.

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21

White, Alfred D., and August Stahl. "Theodor Storm-Hartmuth und Laura Brinkmann: Briefwechsel. Kritische Ausgabe." Modern Language Review 83, no. 4 (October 1988): 1045. http://dx.doi.org/10.2307/3730991.

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22

Oppenheimer, Fred, and Winfried Freund. "Theodor Storm: Der Schimmelreiter - Glanz und Elend des Burgers." German Studies Review 8, no. 3 (October 1985): 550. http://dx.doi.org/10.2307/1429392.

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23

Cozic, Alain. "Theodor Storm, Ein Doppelgänger, Un cas limite de « réalisme subjectif»." Littératures 24, no. 1 (1991): 83–95. http://dx.doi.org/10.3406/litts.1991.1542.

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24

Belgum, Kirsten, and David A. Jackson. "Theodor Storm: The Life and Works of a Democratic Humanitarian." German Studies Review 17, no. 3 (October 1994): 586. http://dx.doi.org/10.2307/1431921.

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25

김동조. "Studie über den musikalischen Bestandteil in Novellen von Theodor Storm." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 74 (December 2016): 223–46. http://dx.doi.org/10.30947/zfdsl.2016..74.223.

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26

Peischl, Margaret T., and Eckart Pastor. "Die Sprache der Erinnerung. Zu den Novellen von Theodor Storm." German Quarterly 63, no. 1 (1990): 158. http://dx.doi.org/10.2307/406652.

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27

Davis, Gabriele A. Wittig, and Eckart Pastor. "Die Sprache der Erinnerung: Zu den Novellen von Theodor Storm." German Studies Review 13, no. 1 (February 1990): 153. http://dx.doi.org/10.2307/1431067.

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28

Berger, S. "Theodor Storm. The Life and Works of a Democratic Humanitarian." German History 11, no. 3 (July 1, 1993): 406–8. http://dx.doi.org/10.1093/gh/11.3.406.

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29

Ward, Mark G. "Narrative and Ideological Tension in the Works of Theodor Storm." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 59, no. 3 (September 1985): 445–73. http://dx.doi.org/10.1007/bf03375948.

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30

Joost, Ulrich. "Theodor Storm – Constanze Storm: Briefwechsel. Kritische Ausgabe. Hg. von Regina Fasold. Berlin: Erich Schmidt 2009." Jahrbuch der Raabe-Gesellschaft 52, no. 2011 (September 15, 2011): 209–14. http://dx.doi.org/10.1515/9783110236705.209.

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31

Bernd, Clifford Albrecht, and Karl Ernst Laage. "Theodor Storm: Studien zu seinem Leben und Werk mit einem Handschriftenkatalog." MLN 103, no. 3 (April 1988): 685. http://dx.doi.org/10.2307/2905107.

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32

Skare, Nils Goran. "Alegoria e Contraponto na Tradução de Theodor Storm por Mauricio Cardozo." Anagrama 4, no. 4 (April 19, 2011): 1–13. http://dx.doi.org/10.11606/issn.1982-1689.anagrama.2011.35546.

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O tradutor e teórico da tradução Mauricio Mendonça Cardozo trouxe à luz em 2006 uma dupla tradução da novela do alemão Thedoro Storm, Der Schimmelreiter (1888). A primeira é entitulada A Assombrosa História do Homem do Cavalo Branco e a segunda se chama O Centauro Bronco: a primeira se passa na Alemanha em meio aos diques, e a segunda no sertão brasileiro em meio à estiagem e açudes. Defendendo que essas duas versões não são simples adaptações, analisamos essas recriações portadores de uma mesma voz que profere/profetiza, fenômeno que determinamos a partir de elementos semióticos da obra de Jacques Lacan envolvendo o significante-fálico e o significante-mestre na delimitação de um ritmo. Em nossa análise, descobrimos que a alegoria é o impulso da tradução
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33

Peischl, Margaret T., and Karl Ernst Laage. "Theodor Storm: Studien zu seinem Leben und Werk mit einem Handschriftenkatalog." German Quarterly 60, no. 3 (1987): 485. http://dx.doi.org/10.2307/407225.

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34

Bakalova, Z. N., and A. S. Bakalov. "“WALDWINKEL” BY TH. STORM (EXPERIENCE OF PHILOLOGICAL ANALYSIS)." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (October 25, 2019): 727–32. http://dx.doi.org/10.35634/2412-9534-2019-29-5-727-732.

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The article presents an experience of philological analysis of one of the novellas by German writer of XIX century Theodor Storm. The aim of the article is to show the motivational level of the writer's skill, who presented the history of destruction of love between people of different age and social status within the poetics of “Biedermeier” and "poetic realism". The author reproduces in the story not only the usual for him situation of “threatened idyll”, but also the situation of "lost paradise", destroyed by the intrigues of the local "devil". It reveals the author's technique of using the symbols of the nest and its devastation, the bird of prey and its victims. The plot of the novel is composed of time dilated significant fragments of action and is built as a system of points of view on the narrated by the actors - the burghermaster, peasants in the pub, Wieb Lewerenz and, of course, the author narrator. An important role for the story is played by the plot of the painting with poems on it, found by the characters on the wall of the “Waldwinkel”. Essential role is played by the evaluation of the novel by Th. Storm from the side of writing contemporaries. In any case, the author of the novel appears as a subtle connoisseur of human psychology.
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35

Por, Peter. "Verrätselung: Perspektiven eines poetischen Verfahrens bei Gérard de Nerval und Theodor Storm." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 59, no. 3 (September 1985): 422–44. http://dx.doi.org/10.1007/bf03375947.

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36

Stolt, Birgit. "Theodor Storm: Der Schimmelreiter. Eine kommentierte Leseausgabe. Herausgegeben und erläutert von Gerd Eversberg." Studia Neophilologica 89, no. 1 (June 16, 2016): 159–65. http://dx.doi.org/10.1080/00393274.2016.1192359.

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37

SCHUSTER, INGRID. "Tiere als Begleiter und Alter ego des Menschen: Zu vier Novellen von Theodor Storm." Seminar: A Journal of Germanic Studies 36, no. 2 (May 2000): 182–93. http://dx.doi.org/10.3138/sem.v36.2.182.

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38

Hettche, Walter. "Theodor Storm – George Westermann, Briefwechsel. Kritische Ausgabe. Hg. von Anne Petersen. (Storm-Briefwechsel 20) Erich Schmidt, Berlin 2019. LXXII/737 S., € 149,–." Arbitrium 38, no. 3 (December 3, 2020): 367–74. http://dx.doi.org/10.1515/arb-2020-0032.

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39

Voß, Torsten. "Peter Küng: Die Krise der liberalen Anthropologie in der Literatur des Bürgerlichen Realismus. Männlichkeit, Bürgerlichkeit und Individualität bei Theodor Storm, Theodor Fontane und Paul Heyse." Jahrbuch der Raabe-Gesellschaft 58, no. 1 (May 24, 2017): 176–85. http://dx.doi.org/10.1515/raabe-2017-0114.

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40

Stolt, Birgit. "Christian Demandt:Religion und Religionskritik bei Theodor Storm(Husumer Beiträge zur Stormforschung, 8). Berlin: Erich Schmidt Verlag, 2010." Studia Neophilologica 84, no. 1 (June 2012): 104–15. http://dx.doi.org/10.1080/00393274.2012.667247.

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41

Friedrich, Peter. "Dichtkunst als Soziologie? Ferdinand Tönnies und Friedrich Schiller." Internationales Archiv für Sozialgeschichte der deutschen Literatur 46, no. 2 (November 9, 2021): 502–29. http://dx.doi.org/10.1515/iasl-2021-0026.

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Abstract Ferdinand Tönnies’ relationship to the sociology of art and literature was ambivalent and contradictory. On the one hand, the consideration of art and literature plays a role in Tönnies’ theoretical works. On the other hand, in the founding years of sociology, he was opposed to an independent sub-discipline in the sociology of literature because he feared for the unity of the discipline. All the more interesting is the fact that Tönnies repeatedly published on poets and poetry. In addition to articles on Theodor Storm, there are several studies on Friedrich Schiller as a poet and theorist, which show the sociologist as a reader and interpreter of literature. This paper attempts a critical review and classification of these works by Tönnies against the background of the political debate about Schiller in the Schiller anniversary year of 1905.
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42

Forssell, Louise. "„Du hast dich im Lager in Männerkleidern umgetrieben, dieses ist verboten…“ Verkleidung und Maskerade bei C.F. Meyer und Theodor Storm." Moderna Språk 103, no. 1 (June 18, 2009): 48–66. http://dx.doi.org/10.58221/mosp.v103i1.8461.

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43

Bae, Jeong-Hee. "Cultural significance of sea bathing and beach in 19th-Century Germany - A maritime interpretation of Theodor Storm"s novel Psyche (1875) -." Cultural Interaction Studies of Sea Port Cities 17 (October 31, 2017): 251–75. http://dx.doi.org/10.35158/cisspc.2017.10.17.251.

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44

Jamison, R. L. "Wirklichkeit und Wahrnehmung. Neue Perspektiven auf Theodor Storm. Herausgegeben von Elisabeth Strowick und Ulrike Vedder. Bern: Peter Lang, 2013. 236 Seiten. SFR 75,00." Monatshefte 107, no. 4 (December 1, 2015): 671–73. http://dx.doi.org/10.3368/m.107.4.671.

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45

Schofield, Benedict. "Arbeitscredo und Bürgersinn: Das Motiv der Lebensarbeit in Werken von Gustav Freytag, Otto Ludwig, Gottfried Keller und Theodor Storm by Petra Weser-Bissé." Modern Language Review 105, no. 2 (2010): 597–98. http://dx.doi.org/10.1353/mlr.2010.0213.

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46

Polubojarinova, Larissa, Werner Frick, Gesa von Essen, Katja Hauser, and Olga Kulishkina. "Ivan Turgenev als Netzwerker: Digitale Kuratierung seiner europäischen, insbesondere deutschen literarischen Kontakte (am Beispiel seines Briefwechsels vom Juni 1868 bis Mai 1869)." Seminar: A Journal of Germanic Studies 57, no. 3 (August 1, 2021): 217–42. http://dx.doi.org/10.3138/seminar.57.3.2.

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The Russian writer Ivan Sergeevič Turgenev (1818–83), who lived in Western Europe (Germany, England, and France) during the second half of his life, is considered the most important mediator between Russia and Europe in the nineteenth century due to his wide and intensive contacts in East and West. The paper aims to trace Turgenev’s literary and cultural contacts using the epistemological model of the net and current methods of analyzing social networks on a quantitative and qualitative level. In concrete terms, Turgenev’s postal relations from a single year (from June 1868 to May 1869) are presented and evaluated in tabular form and as GEPHI graphs. Beyond the purely quantitative network visualization and viewing, the attempt is made to provide a cultural weighting of the exchange, especially of Turgenev’s German contacts. The network-specific weighting of these contacts results in a different emphasis than usual in Turgenev research, which focuses on Turgenev’s contacts with important German writers. The qualitative analysis carried out on the basis of the visualization shows that Turgenev’s contacts with literary celebrities such as Theodor Storm, Berthold Auerbach, and Paul Heyse proved to be weak ties. In contrast, his relationship with the little-known literary figure Ludwig Pietsch deserves to be called a strong tie. Turgenev’s position and agency in the network can be described with Burt as a “broker” attitude.
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47

Fine, Abigail. "Beethoven's Mask and the Physiognomy of Late Style." 19th-Century Music 43, no. 3 (2020): 143–69. http://dx.doi.org/10.1525/ncm.2020.43.3.143.

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This article shows how discourse on Beethoven's late works has been underpinned by material fascination with the composer's body, most apparent in the cult veneration of his dying face, which was commodified in the form of his mask. From 1890 to 1920 in Germany and Austria, Beethoven's mask became a ubiquitous item of decor for the music room, a devotional object linked with the face of Christ in the popular imagination. This mislabeled “death” mask was cast during Beethoven's lifetime, a stoic visage that put a face to the legend: that is, to the legendary 1868 account by Anselm Hüttenbrenner that recounted Beethoven's death as a heroic battle with the storm clouds. Two conflicting physiognomies—the stubborn Napoleonic commander and the suffering Christ-like redeemer—led to a critical divide that saw late works as either transcendent of, or marred by, suffering. When we unmask a prehistory of late style, we see how modern discourse on lateness still orbits around this tension between the spiritual and material, between transcendence and decay, and how this critical tradition crystallized around Theodor W. Adorno's stark resistance to the transcendent deathbed that was epitomized by the writings of Ludwig Nohl. Lateness, then, has a hidden backbone in a popular fascination with the artist's body. This same fascination led many to imagine Beethoven's final compositions as almost tangible traces of his person, hearing his late Adagios as “grave-songs,” as the composer's dying voice.
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48

Berger, S. "Book Reviews : Theodor Storm. The Life and Works of a Democratic Humanitarian. By David A. Jackson. New York and Oxford: Berg. 1992. xiii + 274 pp. 32.00." German History 11, no. 3 (October 1, 1993): 406–8. http://dx.doi.org/10.1177/026635549301100324.

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49

Blomqvist, Kristina. "Volker Ladenthin:Gerechtes Erzählen. Studien zu Thomas Manns Erzählung ,Das Gesetz‘, zu Theodor Storm und Ernst Toller. Würzburg: Königshausen & Neumann, 2010. ISBN 978-3-8260-4414-4. 122 S." Studia Neophilologica 85, no. 2 (December 2013): 236–40. http://dx.doi.org/10.1080/00393274.2013.851919.

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50

Ghanbari, Nacim. "Dynastisches Spiel Theodor Fontanes Vor dem Sturm." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 85, no. 2 (June 2011): 186–207. http://dx.doi.org/10.1007/bf03375746.

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