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Relevant bibliographies by topics / Theology of the Blessed Virgin Mary

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Academic literature on the topic 'Theology of the Blessed Virgin Mary'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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Journal articles on the topic "Theology of the Blessed Virgin Mary"

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Adams, Marilyn McCord. "The Immaculate Conception of the Blessed Virgin Mary: A Thought-Experiment in Medieval Philosophical Theology." Harvard Theological Review 103, no. 2 (April 2010): 133–59. http://dx.doi.org/10.1017/s0017816010000520.

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On 8 December 1854, Pius IX issued Ineffabilis Deus, in which he dogmatized the doctrine of the Immaculate Conception of the Blessed Virgin Mary. The bull reads, For the honor of the Holy and Undivided Trinity, for the glory and ornament of the Virgin Godbearer, for the exaltation of the catholic faith and the growth of the Christian religion, by the authority of Our Lord Jesus Christ, of the blessed apostles Peter and Paul, and by our own, we declare, pronounce, and define the doctrine which holds that the Most Blessed Virgin Mary at the first instant of her conception was by a singular grace and privilege of Almighty God, in consideration of the merits of Christ Jesus, the Savior of the human race, preserved immune from every stain of original guilt; that this was revealed by God and therefore is firmly and constantly to be believed by all of the faithful.1

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Sowa, Wojciech. "Św. Romanos Melodos - hymnos akathistos. Bizantyńska muzyka i poezja liturgiczna." Vox Patrum 32 (December 15, 1997): 323–42. http://dx.doi.org/10.31743/vp.7714.

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The aim of this article is to show the poetry of Saint Romanos the Melodist, one of the greatest poets of the Byzantine Empire, the most probable autor of the Akathistos Hymnos - dedicated to the Blessed Virgin Mary, and to situate this lyric masterpiece in the Christian literary tradition, in the theology, and aesthetics.

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Russell, Jesse. "The Rudeness and Reverence of Geoffrey Hill’s Mariology." Literature and Theology 34, no. 2 (October 21, 2019): 150–65. http://dx.doi.org/10.1093/litthe/frz039.

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Abstract Due to his seemingly reactionary politics and theology, the recently deceased English lyricist Geoffrey Hill has courted controversy throughout his life. However, while Hill’s work is replete with qualified nostalgia for premodern British history, and he does treat a number of Christian themes in his work, the great British poet defies easy categorisation. Moreover, drawing from the theology of Simone Weil, Rowan Williams, and others, Hill’s work is saturated with a profound awareness of the fallen state of human nature. One of the most profound tropes Hill uses as a representative of what could be called Original Sin is the image of the Blessed Virgin Mary. As a tormented believer and a poet very aware of the fallenness of the world, Hill’s depiction of Mary reveals that Hill is a Christian poet who does not fall into ready categories.

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Kubas, Magdalena Maria. "The spatial representation of the Blessed Mary in Italian poetry at the time of the Second Vatican Council." Sign Systems Studies 51, no. 2 (September 4, 2023): 280–300. http://dx.doi.org/10.12697/sss.2023.51.2.04.

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The representation of the Holy Virgin has long constituted one of the most important thematic lines in Italian poetry, both sacred and profane. In terms of the representation of space, the Blessed Mary was traditionally placed in faraway, celestial hierarchies. In more recent periods, this figure is often placed in the space of earthly life, with which the lyrical subject (the enunciator) is more familiar. Juri Lotman’s perspective on the space of the typological description of culture shows that divinities belong mainly to the exterior (E) space of culture. Building on these considerations, the purpose of this article is to analyse recent Marian representations – both poetic and theological – in Italian culture. I will demonstrate that, during the 20th century in Italy, Marian sacrum was moved closer to or even inside interior space (I), as the Blessed Virgin started to appear mostly in scenes of daily life and her divine traits gradually lost importance. This kind of spatiality is also found in the ecumenical dialogue. The Second Vatican Council normalized both Marian theology and the faithful’s practices, which influenced textual production and brought about further changes in the spatial placement of Mary. While the general social trend towards secularization has been increasing the distance between the human and the divine, Mary’s sanctity was transferred to the interior space (I) of everyday life – and this could be one of the factors that relaunched Marian poetry.

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Noworyta, Waldemar. "„Maryja pełna łaski” w nauczaniu św. Tomasza z Akwinu." Łódzkie Studia Teologiczne 33, no. 1 (May 22, 2024): 233–46. http://dx.doi.org/10.52097/lst.2024.1.233-246.

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We can find the Mariological texts of St Thomas Aquinas in only a few of his works. Nonetheless, in his teaching he focused on Mariological issues of importance to theology. This article aimed to present Aquinas’ theology on the question of the fullness of grace in the Blessed Virgin Mary. In the first part of this article, in addition to the general historical context, the basic content on Aquinas’ theology of grace is introduced. In the following chapters, the author of the article, based on the teaching of St Thomas, sought to present the effects produced by the presence of full grace in the life of Mary, followed by a discussion of its three forms, which St Thomas related to the stages of the life of the Mother of Jesus. In summary, firmly grounded in Christoligy, St Thomas’ Mariology links the truth of Mary’s ‘full grace’ to the literal presence of Christ in her womb. Consequently, Aquinas regards the Incarnation of Christ as the sole source of the graces received by the Mother of Jesus.

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Kunka, Sławomir Jerzy. "Is a Theological Synthesis Still Possible? The Paradigm of Objective Mariology." Religions 14, no. 7 (June 25, 2023): 831. http://dx.doi.org/10.3390/rel14070831.

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As a “doctrinal synthesis of the Christian faith” (St. John Paul II), the dogma of the Immaculate Conception of the Mother of God could serve as a focal point that brings together various theological concepts and approaches pertaining to salvation history. For that to happen, however, it is necessary to delve into and discover the richness of Mariology. Often regarded as a secondary discipline, as a context for other disciplines or even as a source of difficulties in ecumenical dialogue, Mariology nowadays needs a revival of its own. The call for constructing an “objective Mariology” presumes that the autonomy of theology as an academic discipline will be preserved and that theological reflection on the Virgin Mary will be objectivized in terms of both form and content. To meet these demands, one must strive to respect the supernatural purpose and sources of theology as such, and strengthen and develop biblical Mariology as well as the reflection of the Church Fathers. Furthermore, there is a need to draw from the rich legacy of the Franciscan school when reflecting on the unity of God’s plan of creation and Redemption in His eternal reasons. Finally, one must not accept a departure from the “hermeneutic of continuity” in the Catholic doctrine on the Most Blessed Virgin Mary, Mother of God, Immaculate and Assumed. The article sets out to describe the essence of the above assumptions and proposes specific conditions that would foster the development of an “objective Mariology”. In that respect, it is important to establish the First Person of the Holy Trinity as the starting point for any reflection on the plan of salvation—of which the Immaculate Conception is the ultimate origin and ultimate goal.

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Kunka, Sławomir Jerzy. "The Eternal Plan of the Father and the Immaculate Conception of the Mother: The Foundations of an Objective Mariology in the Theology of Blessed John Duns Scotus." Religions 13, no. 12 (December 12, 2022): 1210. http://dx.doi.org/10.3390/rel13121210.

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This article explores selected aspects of the Mariology of Blessed John Duns Scotus, a medieval Franciscan philosopher and theologian. Even though the Subtle Doctor did not develop a theological synthesis as mature as that of St. Thomas Aquinas, his observations continue to provide a relevant source of inspiration for a more in-depth look at Franciscan protological and soteriological concepts. Duns Scotus earned his place in the history of theology as a eulogist of the mystery of the Incarnation and defender of the truth about the Immaculate Conception. In fact, what he had accomplished laid the necessary foundation for the dogmatic ruling on that matter in 1854. The article begins by presenting the scholar’s view of the relation between creation and Redemption from the standpoint of Christ’s perfect mediation. The Marian Doctor was an advocate of emphasizing the objectivity of Redemption, although he himself stopped short of the “threshold” of the mystery of the Father with respect to the Mother of the Son of God, the most perfect Mediator—also for the Virgin Mary. In the end, the Subtle Doctor did not draw all the possible conclusions from his theological vision of creation and salvation history. Next, the article outlines the perspective of God’s eternal plan. Blessed John Duns Scotus’s theology reveals a vision of history in which everything is directed toward the fulfilment of God’s eternal plan: the very plan of which St. Paul wrote very forcefully yet subtly and to which St. John Paul II often referred. The interpretation of that plan is the foundation of an “objective Mariology”. Finally, the author addresses the question of the freedom of both the Creator and His creation from the perspective of the Creator’s plan and in accordance with the Marian Doctor’s assumptions. An analysis of Duns Scotus’s Mariology reveals its depth and innovative character and, at the same time, certain limitations which—in his time—were mentally unsurmountable.

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Marynchak, A. V. "Marian Theme in Music: Aspects of History and Genre Stylistics (a Case Study of the Works byKonstanty Antoni Gorski)." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 213–29. http://dx.doi.org/10.34064/khnum2-18.12.

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The objectives of the research. The article is devoted to the study of the main parameters of the Marian theme embodiment in the art of music, with highlighting the aspects of history and genre stylistics. It is noted that the choice of the topic is related to the study of the works by the Kharkiv composer of Polish origin Konstanty Antoni Gorski, who worked in Kharkiv for many years (1880–1910) and belongs to the founders of his academic musical culture. The article lays the methodological basis for studying interpretation of the Marian theme in the works by this author, for that the analysis of the relevant sources (theological, musicological, etc.) has been carried out to derive the genre-stylistic classifications for this phenomenon (confessional, genre, national classifications). The results of the study. It is noted that the Marian theme in music can be classified as one of its central themes. This is due to the general ethical and natural content of the European music of the academic layer, which itself, as it is known, originated from the Church music and retained the features of high contemplation inherent in the cult genres, which determined the prospect line for the subsequent development of the Christian world music. The study emphasizes that the image of the Blessed Virgin Mary acts as a part and an important component of the New Testament, where two her main hypostases are presented. The Virgin Mary is honored and praised, firstly, as the Mother of the Son of God, who experienced suffering with him for the good of humanity, and secondly, as the intercessor and guardian of people who believe in her divine power and destiny. Here, the two interpretations of the Blessed Virgin’s image should be borne in mind, which are implemented at the confessional level – in the Catholic and Orthodox liturgical service. The whole branch of knowledge, called Mariology, is devoted to the study of these issues in the European theology and art history. The musical aspects of this field, presented in the monograph by O. Nemkova (2013), are closely related to religious teachings, as well as to their secular reflection at the level of the genre, style and stylistics of the musical works. The musical interpretation of the Blessed Virgin’s image, coming from Catholicism is based on the postulates of Her Divine destiny, which is reflected in the canonical texts in Latin, among which two main ones stand out – “Stabat Mater” and “Salve Regina”. These texts are realized in the cantata genre, the basis of which is the style of da chiesa, that is, the concerto itself in the church that accompanies the service in honor of Virgin Mary. The latter takes place in such holidays: Conception of Mary by Her mother Anna, Nativity of Mary, Presentation of Mary, Annunciation, Dormition of the Mother of God. The prayer “Ave Maria” is also very popular, and it has become for many European authors the basis of both applied religious and secular works, an example of which is the music of Early Baroque, Romanticism and Modern times. The secularization processes that began in the music of the Christian world on the turn of the Late Renaissance and Baroque (the watershed here is the 1600 year, the official year of the opera genre birth), called to life two groups of works on Marian themes: 1) the compositions nearby to the canonical original, as a rule, Latin texts (they were distributed among Catholics by religion and in Catholic countries); 2) the works modified, based on translations and free narrations of canonical texts given in the national languages and in suitable stylistics of one or another national culture (this is characteristic of Protestantism, as well as of Orthodoxy). There is also a deep line of interpretation of the Blessed Virgin’s image, personifying the eternal idea of motherhood and femininity, which is equally characteristic of many national musical cultures, in particular, the non-religious wave that manifested itself in Slavic music, first at the turn of the 19th – 20th centuries, and then – during the last two decades of the 20th century. It is noted that Gorski, remaining a devout Catholic by the nature of his activity in such interfaith cultural center as Kharkiv in the late 19th – the first two decades of the 20th centuries, embodied in his work the traditions and demands coming from the Polish (Catholic) as well as the Ukrainian (Orthodox) and French and German (Lutheran, Protestant) musical cultures. On this basis, three of his opuses devoted to Virgin Mary arose: the Catholic cantata “Salve Regina” (for voice, violin and organ), the concerto-cantata in French “Salutation a la Sainte Vierge” (for soprano accompanied by choir, organ, string quintet and two French horns), and the choral concerto for the Orthodox mixed choir “Zriaszcze mia bezglasna” on the Old Slavonic text. Each of these works is a special genre form, with which Gorski works as with a standard model equipped with a lexical layer of a certain musical stylistics, primarily national. The Polish song and romanza sources are traced in the first of the works, along with the obvious influence of the opera arias. In the cantata on the French text, echoes of not only opera scenes are heard, but also the elements of the programme music, story-telling, characteristic of French musical style. Finally, the Orthodox choral Concerto on the Old Slavonic text demonstrates the typical genre of the Ukrainian music – the large form intended for collective choral performance that was the equivalent of a symphony in the Western European musical culture. Conclusion. It is proved that, guided by the world experience, Konstanty Antoni Gorski embodies all these models in three Marian works – the canonical church cantata, the larger-scale secular cantata, the a cappella choral concerto, while remaining a composer with original and unique intonational thinking. Gorski in these three compositions appears as a neoclassic, subordinating the original genres to his own creative intentions, which makes the music of these compositions comprehensible and accessible to a wide audience. It was that for the purpose to popularize the opuses by Gorski this article has been written.

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Guzewicz, Wojciech. "Kościoły i parafie diecezji ełckiej (cz. 15)." Civitas et Lex 41, no. 1 (April 2, 2024): 7–20. http://dx.doi.org/10.31648/cetl.9393.

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The article presents the church centers in Monkinie (Our Lady of the Angels), Nowa Wieś Ełcka (St. Joseph the Craftsman), Okartowo (Immaculate Heart of the Blessed Virgin Mary) and two in Olecko (Blessed Virgin Mary Queen of Poland and Exaltation of the Holy Cross).

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Arlow, Ruth. "Re The Blessed Virgin Mary, Ellesmere." Ecclesiastical Law Journal 17, no. 1 (December 11, 2014): 126. http://dx.doi.org/10.1017/s0956618x14001239.

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Dissertations / Theses on the topic "Theology of the Blessed Virgin Mary"

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O'Cinnsealaigh, Benedict D. "The Marian theology of Adam of Dryburgh." IMRI - Marian Library / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431440615.

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Buffer, Thomas. "The mariological doctrine of Charles Journet (1891-1975): a survey." IMRI - Marian Library / OhioLINK, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431532719.

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Duggan, Paul E. "The Assumption dogma: some reactions and ecumenical implications in the thought of English-speaking theologians." IMRI - Marian Library / OhioLINK, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430383403.

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Larocca, Grosso Antonio de Jesus S. M. C. "La maternidad espiritual de Maria: acontecimiento, permanencia y actualizacion de su presencia." IMRI - Marian Library / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430400296.

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Scherschligt, Michael A. "To Jesus through Mary: history and theology." IMRI - Marian Library / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431444140.

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Calloway, Donald H. M. I. C. "Purest of all lilies: the Virgin Mary in the spirituality of St. Maria Faustina Kowalska." IMRI - Marian Library / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431436028.

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Armstrong, Christopher R. "Under the veil of the Virgin: the gradually developing relationship of Saint Therese of the Child Jesus and of the Holy Face to the Blessed Virgin Mary." IMRI - Marian Library / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430298748.

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Duricy, Michael P. "Mary in Film: an Analysis of Cinematic Presentations of the Virgin Mary from 1897-1999: a Theological Appraisal of a Socio-Cultural Reality." IMRI - Marian Library / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1427818757.

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Roth, Gregory E. "Ave Maria, o auctrix vite: Mary in the visions of Hildegard of Bingen (1098-1179)." IMRI - Marian Library / OhioLINK, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430754980.

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Davison, Timothy. "Immaculate Conception and original sin in recent authors: a study in the relationship between these two doctrines." IMRI - Marian Library / OhioLINK, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430318580.

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Books on the topic "Theology of the Blessed Virgin Mary"

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Gregoris, Nicholas L. The daughter of Eve unfallen: Mary in the theology and spirituality of John Henry Newman. Mount Pocono, Penn: Newman House Press, 2003.

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Jane, Boss Sarah, ed. Mary: The complete resource. London: Continuum, 2007.

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Ruste, Rowel. Mary and the Roman Catholic Church. Quezon City [Philippines]: Central Books Supply Inc., 2017.

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O'Carroll, Michael. Theotokos: A theological encyclopedia of the Blessed Virgin Mary. Collegeville, Minn: Liturgical Press, 1990.

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Kateusz, Ally. Mary and Early Christian Women: Hidden Leadership. Cham: Springer Nature, 2019.

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Frances, Jegen Carol, and Mary Festival (1983 : Mundelein College), eds. Mary according to women. Kansas City, MO: Leaven Press, 1985.

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Mastrolia, Arthur. C.S. Lewis and the Blessed Virgin Mary: Uncovering a "Marian attitude". Lima, Ohio: Fairway Press, 2000.

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Our Blessed Mother: Mary in Catholic tradition. New York: Crossroad Pub., 1999.

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Macquarrie, John. Mary for all Christians. Grand Rapids, MI: Eerdmans, 1990.

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Jepsen, Dee. Jesus called her mother. Minneapolis, Minn: Bethany House, 1992.

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Book chapters on the topic "Theology of the Blessed Virgin Mary"

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Vuola, Elina. "Blessed among women." In The Virgin Mary across Cultures, 15–51. Abingdon, Oxon; New York, NY: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315107530-2.

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Callan, Maeve. "10. ‘The Mary of the Gael’. The Blessed Virgin among Saints and Heretics in Medieval Ireland." In Medieval Women: Texts and Contexts, 219–37. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.mwtc-eb.5.133814.

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"The Blessed Virgin Mary." In The Quotable Saint Jerome, 3–5. Catholic University of America Press, 2020. http://dx.doi.org/10.2307/j.ctv18phhm5.9.

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O’Brien, Susan. "The Blessed Virgin Mary." In The Oxford History of British and Irish Catholicism, Volume IV, 154—C8S6. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198848196.003.0009.

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Abstract Over the course of the nineteenth century Marian devotions practised by Catholics in Britain and Ireland were renewed, expanded, and intensified as an integral dimension of the Catholic revival. The devotional arc of ‘the Marian century’ (1850–1950) may have had its peak in the 1950s but, as this chapter demonstrates, its characteristics and practices were fully established in the two islands before the start of the First World War. The chapter reflects on the significance of transnational Marian influences across the two islands, including papal teaching and the Lourdes apparition, while making the case for the Blessed Virgin’s role in Catholic identity formation in the specific ecclesial and historical contexts of England, Ireland, Scotland, and Wales. The chapter explores its subject through four closely related themes: doctrine and history; communal Marian life in parish and school; pilgrimage and processions, including Knock and Walsingham; material culture and subjective meaning-making.

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D’arezzo, Fra Guittone. "Sonnet. To the Blessed Virgin Mary." In The Early Italian Poets, 56. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501397.37.

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"Prayer of the Blessed Virgin Mary." In Life of the Blessed Virgin Mary, 117–22. Gorgias Press, 2021. http://dx.doi.org/10.31826/9781463243562-014.

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"Politics and the Blessed Virgin Mary." In The Open Church, 177–90. Routledge, 2017. http://dx.doi.org/10.4324/9781315133584-13.

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Farris, Charles. "Edward I and the Blessed Virgin Mary." In Edward I: New Interpretations, 125–42. Boydell & Brewer, 2020. http://dx.doi.org/10.2307/j.ctvnwbzrz.14.

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"Further Reading." In Life of the Blessed Virgin Mary, xxix—xxx. Gorgias Press, 2021. http://dx.doi.org/10.31826/9781463243562-004.

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"Book 6. The Departure of the Blessed Virgin Mary." In Life of the Blessed Virgin Mary, 95–116. Gorgias Press, 2021. http://dx.doi.org/10.31826/9781463243562-013.

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Conference papers on the topic "Theology of the Blessed Virgin Mary"

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Rumiantseva, Olga S. "The Blessed Virgin Mary and the World of Nature in Polish Folk Tales." In Slavic World: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2619-0869.2021.2.11.

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Ovchinnikov, Alexander. "ON THE FEAST OF THE ASSUMPTION OF THE BLESSED VIRGIN MARY OR SAVE THE WORLD THE BEAUTY." In ORTHODOXY AND DIPLOMACY IN THE ASIA-PACIFIC REGION. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0756-5-174-178.

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Hristova-Shomova, Iskra. "Двата превода на Словото за Въведение Богородично от Герман Константинополски (BHG 1103) / Two Translations of the Homily for the Presentation of the Holy Virgin Mary by German of Constantinople (BHG 1103)." In Учителното евангелие на Константин Преславски и южнославянските преводи на хомилетични текстове (IX-XIII в.): филологически и интердисциплинарни ракурси / Constantine of Preslav’s Uchitel’noe Evangelie and the South Slavonic Homiletic Texts (9th-13th century): Philological and Interdisciplinary Aspects. Institute of Balkan Studies and Centre of Thracology – Bulgarian Academy of Sciences, 2024. http://dx.doi.org/10.62761/491.sb37.16.

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The Homily for the Presentation of the Blessed Virgin Mary in the Temple by German of Constantinople (BHG 1103) with the incipit Θυμηδίας μὲν πᾶσα θειοτάτη πανήγυρις has an early Old Bulgarian translation, saved in Panegyrikoi of old recension. The translation is not complete, some parts of the Greek text were omitted. This translation has an East Slavic redaction, which contains changes of the text, sometimes significant, but the omitted parts of the text have not been added. The same homily has a Middle Bulgarian translation of the full text. The paper contains a comparison between the Old Bulgarian translation (on the base of manuscript Zographensis no. 94), its East Slavic redaction (on the base of manuscript kept in the Trinity Lavra of St. Sergius, no. 669) and the Middle Bulgarian translation (on the base of the Panegyricon of Mardarius of Rila, kept in the Rila Monastery, no. 4/5). Both translations are skillful, made by experienced translators who were fluent in Greek and had rich vocabularies, although they have made some mistakes.

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Taseva, Lora, and Alessandro Maria Bruni. "Гръцко-славянските лексикални съответствия като критерий за атрибуция на старобългарски преводи / Greek-Slavonic Lexical Equivalents as a Criterion for Authorship Attribution of Old Church Slavonic Translations." In Учителното евангелие на Константин Преславски и южнославянските преводи на хомилетични текстове (IX-XIII в.): филологически и интердисциплинарни ракурси / Constantine of Preslav’s Uchitel’noe Evangelie and the South Slavonic Homiletic Texts (9th-13th century): Philological and Interdisciplinary Aspects. Institute of Balkan Studies and Centre of Thracology – Bulgarian Academy of Sciences, 2024. http://dx.doi.org/10.62761/491.sb37.08.

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This paper deals with the problem of lexical variation in Old Church Slavonic translations from Greek. The authors investigate lexical correspondences for the same Greek word in a number of texts, whose origin is linked to the Preslav literary School (late 9th-early 10th century). They are on the one hand, the Didactic Gospel and the First Oration against the Arians by Athanasius of Alexandria (CPG 2039) translated by Constantine of Preslav, while, on the other hand, four anonymous translations of homiletical works. These include the Third Sermon on the Dormition of the Blessed Virgin Mary by John of Damascus (CPG 8063), the “A” and the “B” translations of the Homily on the Transfiguration of the Lord by Proclus of Constantinople (CPG 5807), and the Funeral Oration on the Great S. Basil, Bishop of Cæsarea in Cappadocia (Oratio 43 / CPG 3010.43) by Gregory of Nazianzus. The adopted methodology is based on a statistical approach to lexical variation. The statistical analysis has led the authors to the following conclusion. The largest percentage of Greek-Slavonic lexical matches occurs in Constantine's texts. This demonstrates that the adoption of a quantitative criterion, based on a statistical analysis of lexical data, may turn useful to verify the validity of the attribution of an anonymous text to a specific translator.

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