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Journal articles on the topic 'Theory, 1578'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Cecchetti, Dario. "Scévole de Sainte-Marthe, Œuvres complètes: III. «Opera 1575» - Publications 1575-1578 - «Les Œuvres (1579)»." Studi Francesi, no. 172 (LVIII | I) (April 1, 2014): 133–34. http://dx.doi.org/10.4000/studifrancesi.2117.

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Cameron, Keith, Jucquel Rougeart, and Catherine Magnien-Simonin. "OEuvres completes (1578)." Modern Language Review 85, no. 3 (1990): 729. http://dx.doi.org/10.2307/3732250.

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3

Cropp, Martin. "Euripides, Phoenissae 1567–1578." Classical Quarterly 47, no. 2 (1997): 570–74. http://dx.doi.org/10.1093/cq/47.2.570.

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I give the text as printed by James Diggle in his new Oxford Classical Text. His deletion of 1570–6 is rejected by Donald Mastronarde in his recent commentary. Apart from this, Mastronarde's text differs from Diggle's on only a couple of minor points which are immaterial to the main problems.

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4

Cecchetti, Dario. "Remy Belleau, Œuvres posthumes (1578)." Studi Francesi, no. 143 (XLVIII | II) (December 1, 2004): 349. http://dx.doi.org/10.4000/studifrancesi.39118.

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5

Knecht, R. J., Madeleine Lazard, and Gilbert Schrenk. "Pierre de l'Estoile: Registre-Journal du regne de Henri III: Vol. II (1576-1578)." Modern Language Review 96, no. 3 (2001): 818. http://dx.doi.org/10.2307/3736775.

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6

Myers, Mitzi, and Moira Ferguson. "First Feminists: British Women Writers 1578-1799." Tulsa Studies in Women's Literature 5, no. 2 (1986): 314. http://dx.doi.org/10.2307/464002.

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Mastroianni, Michele. "Guy Le Fèvre de La Boderie, Hymnes Ecclesiastiques (1578)." Studi Francesi, no. 173 (LVIII | II) (September 1, 2014): 352. http://dx.doi.org/10.4000/studifrancesi.1796.

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8

Calvillo, Elena. "Authoritative Copies and Divine Originals: Lucretian Metaphor, Painting on Stone, and the Problem of Originality in Michelangelo’s Rome*." Renaissance Quarterly 66, no. 2 (2013): 453–508. http://dx.doi.org/10.1086/671584.

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Focusing on two painted Pietàs, this essay examines the means by which the artists Giulio Clovio (1498–1578) and Sebastiano del Piombo (1485–1547) simultaneously copied Michelangelo’s figures and made claims about their own pictorial mastery. Within the context of concerns about sacred images articulated in the Diálogos em Roma (1548) of Francisco de Holanda (1517–84), Clovio’s and Sebastiano’s painting techniques are discussed for their ability to approximate divine and semi-divine archetypes while signaling ontological difference and the authority of Rome. The metaphoric potential of Clovio’

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9

Kahn, Didier. "De Pestilitate and Paracelsian Cosmology." Daphnis 48, no. 1-2 (2020): 65–86. http://dx.doi.org/10.1163/18796583-04801014.

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De pestilitate is an interesting treatise on plague falsely attributed to Paracelsus and published as such by Johann Huser (who believed it authentic) in Paracelsus’s Bücher und Schrifften (1589–1591). It can be dated from before 1578. This article shows that it features conflicting cosmologies issued in different works of Paracelsus. This article also discusses its theory of plague, based on the correspondence between microcosm and macrocosm, as compared with the authentic plague theory of Paracelsus.

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10

Spong, Andrew, and Bernard Capp. "The World of John Taylor the Water-Poet: 1578-1653." Modern Language Review 92, no. 4 (1997): 949. http://dx.doi.org/10.2307/3734230.

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Mowbray, Carol T., and Sandra E. Herman. "Using multiple sites in mental health evaluations: Focus on program theory and implementation issues." New Directions for Program Evaluation 1991, no. 50 (1991): 45–57. http://dx.doi.org/10.1002/ev.1578.

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12

Busca, Maurizio. "La comédie à l’époque d’Henri III. Deuxième série. Vol. 7 (1576-1578), «Théâtre français de la Renaissance», fondé par Enea Balmas et Michel Dassonville." Studi Francesi, no. 178 (LX | I) (April 1, 2016): 113–14. http://dx.doi.org/10.4000/studifrancesi.2433.

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13

Barberà i Ibiza, Joan. "Un flequer bandejat: edició i estudi lingüístic d’un procés criminal valencià de l’any 1578." Revista de Filología Románica 36 (July 5, 2019): 239–58. http://dx.doi.org/10.5209/rfrm.63515.

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Presentem ací l’edició i l’anàlisi lingüística d’un procés criminal de la localitat de Sueca, datat el 1578, el qual ens narra com un flequer és sorprés de nit en la sala on es guardava el gra de la localitat. Hem seleccionat les declaracions de l’inculpat i dels testimonis, l’escrit de defensa i el fragment de sentència en què se’l declara culpable de robatori. Se li imposa una pena de dos anys de bandeig.

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14

NAYLOR, RON. "Paolo Sarpi and the first Copernican tidal theory." British Journal for the History of Science 47, no. 4 (2014): 661–75. http://dx.doi.org/10.1017/s0007087413000976.

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AbstractDespite his demanding religious responsibilities, Paolo Sarpi maintained an active involvement in science between 1578 and 1598 – as hisPensierireveal. They show that from 1585 onwards he studied the Copernican theory and recorded arguments in its favour. The fact that for 1595 they include an outline of a Copernican tidal theory resembling Galileo'sDialoguetheory is well known. But examined closely, Sarpi's theory is found to be different from that of theDialoguein several important respects. That Sarpi was a Copernican by 1592 is revealed by other of hispensieri, whereas at that time

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15

WORTH, V. "Review. OEuvres completes (1578). Edition critique par Catherine Magnien-Simonin. Juquel Rougeart." French Studies 44, no. 2 (1990): 206. http://dx.doi.org/10.1093/fs/44.2.206.

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16

Kane, Gerald C., Amber G. Young, Ann Majchrzak, and Sam Ransbotham. "Avoiding an Oppressive Future of Machine Learning: A Design Theory for Emancipatory Assistants." MIS Quarterly 45, no. 1 (2021): 371–96. http://dx.doi.org/10.25300/misq/2021/1578.

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17

Matei-Chesnoiu, Monica. "The authority of geography in Pericles, Prince of Tyre: Jacob Falckenburgk and Dionysius Periegetes." Sederi, no. 24 (2014): 119–39. http://dx.doi.org/10.34136/sederi.2014.6.

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Taking into account the complex authorship of Pericles, Prince of Tyre, this paper surveys the intertextual influence of the Latin verse narrative of the Apollonius saga by Jacob Falckenburgk (London, 1578) and Thomas Twayne’s translation of Orbis terrae descriptio (The Surveye of the world) by Dionysius Periegetes (London, 1572) on the erratic geography of Pericles. Drawing on the Pericles/Apollonius tales (the play and its Latin verse and English prose intertexts), as well as the ancient geographic narrative describing the Eastern Mediterranean spaces of the settings, the play decentres the

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18

Katritzky, M. A. "Eight Portraits of Gelosi Actors in 1589?" Theatre Research International 21, no. 2 (1996): 108–20. http://dx.doi.org/10.1017/s0307883300014693.

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The group of actors from whom the Gelosi company arose are thought to have first come together in 1568, with the amalgamation of two troupes led by the prima donnas Vincenza and Flaminia. They were already known by the name Gelosi when they toured France in 1571; by 1572 they were popular enough to be able to complain that the stanze in Genoa could only hold an audience of 150; in 1574 their performance, and that of their leading lady, Vittoria Piisimi, were the highlight of Henri III's visit to Venice, and their reputation as the foremost com-media dell'arte troupe was fully established. Por-

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19

Mullaney, Steven. "Princes to Act: Royal Audience and Royal Performance, 1578-1792. Matthew H. Wikander." Modern Philology 93, no. 2 (1995): 244–48. http://dx.doi.org/10.1086/392311.

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20

Navarro Durán, Rosa. "Notas para un librillo de memoria cervantino." Edad de Oro 40 (November 25, 2021): 373–86. http://dx.doi.org/10.15366/edadoro2021.40.019.

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El Coloquio de las damas (traducción de Fernán Juárez de la 3.ª jornada del Ragionamento de Aretino, 1547), el Honesto y agradable entretenimiento de damas y galanes de Giovan Francesco Straparola, traducido por Francisco Truchado (1.ª parte 1578, 2.ª 1581), la Primera parte de las cien novelas de Giraldo Cinthio, traducida por Luis Gaytán de Vozmediano (1590) y las Noches de invierno de Antonio Eslava (1609) ofrecen motivos literarios, mínimos detalles, que son pruebas de la lectura de esas obras por Miguel de Cervantes porque él les dio nueva vida en las suyas. Están reunidos en este librill

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21

Torreilles, Claire. "Du Bartas (1578), Rosset (1597), Despuech (1633). Trois mises en scène des lieux et des langues." Revue des langues romanes, Tome CXXII N°1 (June 1, 2018): 237–39. http://dx.doi.org/10.4000/rlr.644.

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22

Spragins, Elizabeth. "Body as Text/Text as Body: Embodied Knowledge Transmission in Sixteenth Century Morocco." Medieval Encounters 29, no. 4 (2023): 315–39. http://dx.doi.org/10.1163/15700674-12340167.

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Abstract The stories told about the battle of Wādī al-Makhāzin (August 4, 1578) reveal a major crisis of information for all involved in the event. At the very center of that epistemological crisis were the three warring kings. Even as new leadership gradually wrested the Western Mediterranean out of chaos, there remained a nagging sense that the knowable rested on shaky footing. This article explores one way in which a Maghrebi chronicler of this event contemplates the difficulty of protecting and transmitting reliable knowledge in a broad Mediterranean context. Ultimately, he promotes a theo

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23

Panin, I., and C. Walter. "On the motivic commutative ring spectrum $\mathbf {BO}$." St. Petersburg Mathematical Journal 30, no. 6 (2019): 933–72. http://dx.doi.org/10.1090/spmj/1578.

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24

Lardizabal, Carlos F., and Rafael R. Souza. "Open Quantum Random Walks: Ergodicity, Hitting Times, Gambler’s Ruin and Potential Theory." Journal of Statistical Physics 164, no. 5 (2016): 1122–56. http://dx.doi.org/10.1007/s10955-016-1578-9.

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25

Rieu, J. "La "beauté qui tue" dans les "Amours" de Ronsard." Revue d'histoire littéraire de la France o 86, no. 4 (1986): 693–722. http://dx.doi.org/10.3917/rhlf.g1986.86n4.0693.

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Résumé La présence de la « beauté qui tue » dans les Amours est révélatrice de la sensibilité poétique particulière de Ronsard, et de son itinéraire esthétique. L'amour, plus qu'il n'est sentiment amoureux, est pour le poète amour et quête de la beauté, dont il favorise la contemplation par l'effraction des jeux intertextuels, laissant deviner un au-delà du sens, une beauté indicible et pétrifiante qui, tout près de la faillite du langage, crée l'extase poétique. Le procédé qu'il utilise est celui du ralenti dans le rythme, qui correspond au prolongement d'une contemplation esthétique de plus

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26

Bunes Ibarra, Miguel Angel. "Los Requesens- Zúñiga en la diplomacia de Lepanto." Librosdelacorte.es, no. 26 (July 25, 2023): 226–45. http://dx.doi.org/10.15366/ldc2023.15.26.010.

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El presente artículo emplea la abundante correspondencia de los hermanos Luis de Requesens (1528-1576) y Juan de Zúñiga (1536-1586) para intentar fijar las características de la diplomacia española en Lepanto. Usando los papeles personales que conservaron en su archivo particular se aprecia perfectamente sus temores, los ritmos de negociación, los recelos con Florencia y Venecia y, sobre todo, las prevenciones y enemistadas que mostraron a lo largo de 1570 y 1571. Aunque durante la preparación y el desarrollo de la batalla los dos hermanos se encuentran separados, se hace evidente la enorme si

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27

Svanadze, M. "Fundamental solutions in the linear theory of consolidation for elastic solids with double porosity." Journal of Mathematical Sciences 195, no. 2 (2013): 258–68. http://dx.doi.org/10.1007/s10958-013-1578-0.

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28

SUPPLE, J. J. "Review. Registre-Journal du regne de Henri III. Tome II (1576-1578). Edite avec une introduction et des notes par Madeleine Lazard et Gilbert Schrenck. L'Estoile, Pierre de." French Studies 51, no. 3 (1997): 310. http://dx.doi.org/10.1093/fs/51.3.310.

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29

Zhang, Jin, and Liqun Zhang. "Computer Simulation Research of Desk Design Based on ABC Attitude Theory." Journal of Physics: Conference Series 1578 (July 2020): 012075. http://dx.doi.org/10.1088/1742-6596/1578/1/012075.

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30

Specland, Jeremy. "Competing Prose Psalters and Their Elizabethan Readers." Renaissance Quarterly 74, no. 3 (2021): 829–75. http://dx.doi.org/10.1017/rqx.2021.102.

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Layouts and paratexts of Elizabethan prose psalters advocate two competing reading methods: reading sequentially according to the church calendar or selecting psalms by occasion. Marked psalters and bibles, however, show that Elizabethan readers often disregarded printed prescription, practicing either method, or both, as they chose. To capitalize on reader independence, printers eventually produced texts that encouraged comparative reading across multiple translations, culminating in the two-text psalter of the 1578 Geneva Bible. This episode in the history of devotional reading demonstrates

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31

Alsop, James. "‘More like a tavern than a school house’: Family strife, religious change, and the founding of Oundle Grammar School, 1556–1578." Cahiers Élisabéthains: A Journal of English Renaissance Studies 107, no. 1 (2022): 24–38. http://dx.doi.org/10.1177/01847678211069466.

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The convoluted and contested foundation of the Grammar School at Oundle, Northamptonshire, in 1573 illustrated the complexities involved in giving concrete shape to pious wishes in 16th-century post-mortem bequests. Although the founder was Sir William Laxton (d. 1556), the key figure was his widow, the assertive matriarch Dame Joan Kirkeby-Luddington-Laxton, the richest woman of early Elizabethan London. This paper analyses the politics, religious context, and family strife of this dispute, and in so doing illuminates the contours of early Elizabethan London.

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32

GIMÉNEZ ZÁLVEZ, ROCÍO. "Una edición no identificada de la obra Libellus de octo orationis partium constructione de Erasmo de Rotterdam atribuida a John Colet (Barcelona 1578)." Minerva. Revista de Filología Clásica, no. 36 (December 21, 2023): 197–216. http://dx.doi.org/10.24197/mrfc.36.2023.197-216.

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Este artículo tiene por objeto la presentación y el estudio de la edición no identificada hasta el momento de la obra de Erasmo de Rotterdam Libellus de octo orationis partium constructione impresa por Sansón Arbús en Barcelona en 1578. Tras trazar una aproximación a la obra y a su tradición editorial, se ofrece la descripción material de esta edición y de su único ejemplar conservado (Biblioteca Civica Romolo Spezioli, Fermo), así como un acercamiento a la forma textual de la edición en relación con la tradición editorial previa en el contexto de las reacciones de la época contra Erasmo.

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33

Mastroianni, Michele. "Robert Garnier, Hippolyte (1573). La Troade (1579)." Studi Francesi, no. 194 (LXV | II) (August 1, 2021): 362–63. http://dx.doi.org/10.4000/studifrancesi.44923.

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34

Metan, Saskia. "Editorische Verflechtungen." Zeitschrift für Slawistik 64, no. 4 (2019): 507–19. http://dx.doi.org/10.1515/slaw-2019-0029.

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Summary Among the various descriptions of „Sarmatia“ which have been printed in the 16th century, the works of Maciej z Miechowa, Marcin Kromer and Alessandro Guagnini possessed the largest distribution: Published between 1517 and 1578, their works – containing information about the geography, history and population of the eastern part of the European continent – were reprinted and translated several times at several places until the middle of the 17th century. With a focus on paratexts and metatextual comments, the present article considers the entangled history of their editions in the 16th

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35

Carneiro, Sarissa. "Vuelo y caída del héroe en la épica de Arauco: constancia y metamorfosis de una imagen mnémica:Flight and Fall of the Hero in the Epic of Arauco: Constancy and Metamorphosis of a Mnemic Image." Calíope 27, no. 2 (2022): 133–56. http://dx.doi.org/10.5325/caliope.27.2.0133.

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Abstract During the early modern period, the flight and fall of the hero, encrypted in figures such as Icarus and Phaethon, represented not only excessive recklessness and its fatal outcome, but also the value of audacity whose reward would be immortal fame. This article examines the development of this mnemic image in cantos XIX and XX of La Araucana by Alonso de Ercilla (Segunda parte, Madrid, 1578) and cantos V and VI of Arauco domado by Pedro de Oña (Lima, 1596). The importance of allusive art and figurative culture in the invention of these fragments is highlighted.

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36

Chen, Haowen, Yunping Qi, Jinghui Ding, Yujiao Yuan, Zhenting Tian, and Xiangxian Wang. "Independently tunable dual resonant dip refractive index sensor based on metal–insulator–metal waveguide with Q-shaped resonant cavity." Chinese Physics B 31, no. 3 (2022): 034211. http://dx.doi.org/10.1088/1674-1056/ac48fe.

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A plasmonic resonator system consisting of a metal–insulator–metal waveguide and a Q-shaped resonant cavity is proposed in this paper. The transmission properties of surface plasmon polaritons in this structure are investigated by using the finite difference in time domain (FDTD) method, and the simulation results contain two resonant dips. The physical mechanism is studied by the multimode interference coupled mode theory (MICMT), and the theoretical results are in highly consistent with the simulation results. Furthermore, the parameters of the Q-shaped cavity can be controlled to adjust the

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37

Mahaye, Ngogi Emmanuel. "The Decolonisation of Religion and Spirituality: A Case of Shembe Philosophy." International Journal of Culture and Religious Studies 4, no. 3 (2023): 42–57. http://dx.doi.org/10.47941/ijcrs.1578.

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Purpose: The purpose of this scholarly work or study in the sight of the public is not crafted to drive or to win any theological debate or argument but I simple seek to advance the understanding of Shembe in the specific area of His philosophy not the holistic Shembe. This I say because no one on earth can claim in totality that he or she has a better understanding of Shembe, hence choosing the concept of philosophy which is the critical examination of ground fundamental beliefs and analysis of concept, doctrines, and practices was relevant for this academic paper. The process of decolo

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Zhang, Ming, Elie El Ajaltouni, and Azzedine Boukerche. "A scheduling and load balancing scheme for dynamic P2P-based system." Concurrency and Computation: Practice and Experience 22, no. 10 (2010): 1325–34. http://dx.doi.org/10.1002/cpe.1578.

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Guitteny, Jean-Louis. "La métairie d'Avallou. Un exemple de mise en valeur du domaine de la seigneurie de l'Hôtel-Dieu Saint-Jean l'Évangéliste d'Angers (1578-1784)." Annales de Bretagne et des pays de l’Ouest 106, no. 3 (1999): 65–92. http://dx.doi.org/10.3406/abpo.1999.4043.

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Zhu, Kun, Hangyu Luo, Boshi Pang, and Wenjia Zhang. "The Method of Improving the Seismic Reliability of Building Structure Based on Kriging Optimization Theory." Journal of Physics: Conference Series 1578 (July 2020): 012237. http://dx.doi.org/10.1088/1742-6596/1578/1/012237.

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HADFIELD, ANDREW. "RORY OGE O'MORE, THE MASSACRE AT MULLAGHMAST (1578), JOHN DERRICKE'S THE IMAGE OF IRELANDE (1581), AND SPENSER'S MALENGIN." Notes and Queries 47, no. 4 (2000): 423–24. http://dx.doi.org/10.1093/nq/47-4-423.

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HADFIELD, ANDREW. "RORY OGE O'MORE, THE MASSACRE AT MULLAGHMAST (1578), JOHN DERRICKE'S THE IMAGE OF IRELANDE (1581), AND SPENSER'S MALENGIN." Notes and Queries 47, no. 4 (2000): 423–24. http://dx.doi.org/10.1093/nq/47.4.423.

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Hagens, Jan L. "SPIELEN UND ZUSCHAUEN IN JAKOB BIDERMANNS PHILEMON MARTYR." Daphnis 29, no. 1-2 (2000): 103–57. http://dx.doi.org/10.1163/18796583-90000703.

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Jacob Bidermann's (1578-1639) Jesuit drama, Philemon Martyr (1618), presents the world as a theater, not only within its plot, but also through structural and stylistic features. Ironically, precisely because of his dubious profession, the pagan comedian Philemon, as he plays a Christian, is granted , and grasps, the chance to convert. Though his perfect model may inspire the audience, Philemon can effect the play's moral only in tandem with Arrianus, his antagonist, who turns from pagan spectator to Christian actor: it is Arrianus' more realistic role conversion which assures the spectator th

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Alegría, Diego. "“Un ojo sin luz de nacimiento”: discapacidad de Caupolicán en "La Araucana" y "Canto General"." Anales de Literatura Chilena, no. 39 (June 14, 2023): 149–63. http://dx.doi.org/10.7764/analeslitchi.39.09.

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Este artículo argumenta que la discapacidad de Caupolicán, un héroe mapuche tuerto, funciona como recurso literario y como categoría interpretativa en La Araucana (I: 1569; II: 1578; III: 1589) de Alonso de Ercilla y Canto General (1950) de Pablo Neruda, en especial dentro de la llamada “prueba del tronco”. Aunque no se menciona de manera explícita su anomalía física, ambos textos despliegan distintas retóricas visuales. En el Canto II de La Araucana, una visión exótica y maravillosa se detiene, a la vez que erotiza la fuerza del toqui mapuche y su cuerpo discapacitado. Esta mirada limitada y

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45

Hussey, M. Edmund, and Robert M. Kingdon. "Myths about the St. Bartholomew's Day Massacres, 1572-1576." Antioch Review 46, no. 4 (1988): 523. http://dx.doi.org/10.2307/4611969.

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46

Chajes, J. H. "Jacob Ṣemaḥ, Humanist". European Journal of Jewish Studies 16, № 1 (2021): 93–116. http://dx.doi.org/10.1163/1872471x-bja10032.

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Abstract Jacob Ṣemaḥ (ca. 1578–1667), an erudite physician-kabbalist, was raised amongst the conversos of Viana de Caminha in northwest Portugal. He fled the country in his mid-thirties to live openly as a Jew, arriving first in Salonica. Ṣemaḥ was responsible for the consolidation of the Lurianic literary corpus in the second third of the seventeenth century. His contribution, I argue, should be situated in the broader context of a scholarly curriculum vitae that began decades before his flight from Portugal, as Ṣemaḥ embraced Jewish life as a humanist. Coupled with his natural gifts and geni

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Li, Ying, Lei Han, Xiaowei Lu, Xiuli Ning, and Yingcheng Xu. "Comprehensive Assessment of Explosion Risk of Glass Shower Enclosures Based on Dempster-Shafer (D-S) Evidence Theory." Journal of Physics: Conference Series 1578 (July 2020): 012226. http://dx.doi.org/10.1088/1742-6596/1578/1/012226.

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48

Chalendar, I., and J. R. Partington. "Doubly-Invariant Subspaces for the Shift on the Vector-Valued Sobolev Spaces of the Disc and Annulus." Integral Equations and Operator Theory 61, no. 2 (2008): 149–58. http://dx.doi.org/10.1007/s00020-008-1578-5.

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Shuger, Debora. "Irishmen, Aristocrats, and Other White Barbarians." Renaissance Quarterly 50, no. 2 (1997): 494–525. http://dx.doi.org/10.2307/3039188.

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Et virum bonum quom laudabant, ita laudabant, bonum agricolam bonumque colonum.—Cato, De agri culturaIn 1578 Hubert Languet wrote to his young protegee Philip Sidney concerning the latter's plan to assist the Low Countries in their fight against Spain. Surprisingly, the old republican Calvinist monarchomach vetoed the idea, bluntly informing the impulsive teenager that “you and your fellows, I mean men of noble birth, consider that nothing brings you more honour than wholesale slaughter, and you are generally guilty of the greatest injustice.” This hostile assessment of the aristocratic warrio

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Zhu, Xiurong. "Teaching Mode of “Integration of Theory and Practice” of NC Machining Technology and Programming in Application-Oriented Universities." Journal of Physics: Conference Series 1578 (July 2020): 012187. http://dx.doi.org/10.1088/1742-6596/1578/1/012187.

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