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Relevant bibliographies by topics / Theory of color

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Academic literature on the topic 'Theory of color'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Theory of color"

1

Pridmore, Ralph W. "Complementary colors theory of color vision: Physiology, color mixture, color constancy and color perception." Color Research & Application 36, no. 6 (2011): 394–412. http://dx.doi.org/10.1002/col.20611.

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Zhu, Yuan Yuan, Wen Jie Yang, Lei Li, and Xiao Kang Sun. "Presenting Color Additive Theory on Image’s Channels Dynamically." Applied Mechanics and Materials 644-650 (September 2014): 4144–47. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.4144.

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Utilizing visual characteristics of human eyes, color additive theory can make richer colors from red (R), green (G) and blue (B), the three primary colors. Our people live in a colorful world, and color exists everywhere. Many experiments has proved that the three colors can be mixed together to get various colors. In the paper, color additive theory on RGB is shown in a fun, novel manner by user-friendly dynamic process under Microsoft Visual C++ programming environment, whose purpose is to intuitively present the effect of different color overlapping to the viewers. Following the steps of r

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qizi, Kurbonova Shoxsanam Boxodirjon. "ABOUT COLOR THEORY THE PURPOSE AND TASKS OF COLOR PAINTING." American Journal of Engineering and Technology 6, no. 12 (2024): 199–202. https://doi.org/10.37547/tajet/volume06issue12-19.

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In this article, students of the faculties of Architecture, Design, Engineering Graphics and Fine Arts will learn about the purpose, tasks and objectives of color science and painting, how to create works of art using various art materials, modern trends in fine art. and highlights the history and theory of painting, the life and work of great artists, sources about their famous works of art.

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Wu, Yuqing, Ying Guan, and Ruoyu Wang. "Research on the Color Characteristics of Yanchuan Cloth Appliqu Painting Based on the Munsell-Spencer Color Harmony Theory." Communications in Humanities Research 57, no. 1 (2025): 163–72. https://doi.org/10.54254/2753-7064/2025.22840.

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Innovative upgrading based on inherent elements is key to the dynamic inheritance of fabric-based intangible cultural heritage (ICH). Color, as the most intuitive embodiment of aesthetic perception, serves both as an entry point for studying traditional folk textiles and as an opportunity for their expansion and enhancement. This study focuses on the color characteristics of Yanchuan cloth appliqu painting. Based on the Munsell-Spencer (M-S) color harmony theory and using the FCM soft clustering algorithm, the study clusters sample colors and constructs a color set to accurately extract color

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Lee, Jessica, Nicholas Jennings, Varun Srivastava, and Ren Ng. "Theory of Human Tetrachromatic Color Experience and Printing." ACM Transactions on Graphics 43, no. 4 (2024): 1–15. http://dx.doi.org/10.1145/3658232.

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Genetic studies indicate that more than 50% of women are genetically tetrachromatic, expressing four distinct types of color photoreceptors (cone cells) in the retina. At least one functional tetrachromat has been identified in laboratory tests. We hypothesize that there is a large latent group in the population capable of fundamentally richer color experience, but we are not yet aware of this group because of a lack of tetrachromatic colors in the visual environment. This paper develops theory and engineering practice for fabricating tetrachromatic colors and potentially identifying tetrachro

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Sorongane, Elie W’ishe. "Quantum Color Theory." Open Journal of Applied Sciences 12, no. 04 (2022): 517–27. http://dx.doi.org/10.4236/ojapps.2022.124036.

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Koenderink, Jan J. "Color atlas theory." Journal of the Optical Society of America A 4, no. 7 (1987): 1314. http://dx.doi.org/10.1364/josaa.4.001314.

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Hajiyev, I. A. "COLOR SCIENCE: THEORY AND PRACTICE." ASJ. 1, no. 40 (2020): 4–7. http://dx.doi.org/10.31618/asj.2707-9864.2020.1.40.18.

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As you know, colors play an important role and value in solving aesthetic problems in creative activity in design, in the visual arts. From this point of view, the physical properties of flowers are analyzed, as well as their psycho-emotional impact on humans. The scientific and theoretical views and experiences of various well-known experts on colors in different historical periods are considered. Summarizing the materials studied and based on personal practical experience, the author presents a classification by color.

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Dodgson, Neil A. "What is the “Opposite” of “Blue”? The Language of Color Wheels." Journal of Perceptual Imaging 2, no. 1 (2019): 10401–1. http://dx.doi.org/10.2352/j.percept.imaging.2019.2.1.010401.

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Abstract A color wheel is a tool for ordering and understanding hue. Different color wheels differ in the spacing of the colors around the wheel. The opponent-color theory, Munsell’s color system, the standard printer’s primaries, the artist’s primaries, and Newton’s rainbow all present different variations of the color wheel. I show that some of this variation is owing to imprecise use of language, based on Berlin and Kay’s theory of basic color names. I also show that the artist’s color wheel is an outlier that does not match well to the technical color wheels because its principal colors ar

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Yu, Yan, Long Wen, Shichao Song, and Qin Chen. "Transmissive/Reflective Structural Color Filters: Theory and Applications." Journal of Nanomaterials 2014 (2014): 1–17. http://dx.doi.org/10.1155/2014/212637.

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Structural color filters, which obtain color selection by varying structures, have attracted extensive research interest in recent years due to the advantages of compactness, stability, multifunctions, and so on. In general, the mechanisms of structural colors are based on the interaction between light and structures, including light diffraction, cavity resonance, and surface plasmon resonance. This paper reviews recent progress of various structural color techniques and the integration applications of structural color filters in CMOS image sensors, solar cells, and display.

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Dissertations / Theses on the topic "Theory of color"

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Lewis, Mark E. "Color theory as applied to typographic letterforms /." Online version of thesis, 1988. http://hdl.handle.net/1850/11515.

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LaFleur, Brandon Kyle. "Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis." Thesis, University of Louisiana at Lafayette, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10271870.

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<p>This thesis explores the potential advantages of incorporating color into musical analysis and musical concepts into art analysis. Music and the visual arts are vehicles of expression using two different perceptible waves as a medium. By comparing the physical attributes of these waves, analogous terminology between the disciplines is highlighted. Terminology parallels allow us to identify relationships between musical ideas and sonorities and color theory concepts and color harmonies. Cross-modal relationships have been explored in synesthetically inspired works in both disciplines. In Scr

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Pérez, Benito Cristina. "Color Image Processing based on Graph Theory." Doctoral thesis, Universitat Politècnica de València, 2019. http://hdl.handle.net/10251/123955.

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[ES] La visión artificial es uno de los campos en mayor crecimiento en la actualidad que, junto con otras tecnologías como la Biometría o el Big Data, se ha convertido en el foco de interés de numerosas investigaciones y es considerada como una de las tecnologías del futuro. Este amplio campo abarca diversos métodos entre los que se encuentra el procesamiento y análisis de imágenes digitales. El éxito del análisis de imágenes y otras tareas de procesamiento de alto nivel, como pueden ser el reconocimiento de patrones o la visión 3D, dependerá en gran medida de la buena calidad de las imágenes

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Starrett, Malin John. "Checking the facts in science : the experience of experimenting." Thesis, University of Ulster, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365940.

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Bartel, Paul R. "Analysis of Umberger's theory for subtractive color reproduction /." Online version of thesis, 1990. http://hdl.handle.net/1850/10963.

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Bowens, Karessa Natee. "Interactive musical visualization based on emotional and color theory." [College Station, Tex. : Texas A&M University, 2008. http://hdl.handle.net/1969.1/ETD-TAMU-3254.

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Okamura, Renee Miyuki. "People of color in alliance : from theory to practice." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/69284.

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Lambrant, Andreas. "A preferred visual appearance for game avatars based on color theory." Thesis, Blekinge Tekniska Högskola, Institutionen för kreativa teknologier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-1048.

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Context Colors are an important aspect of video games, they have a key roll when designing everything from characters to world objects. Therefore designers and developers need to know what colors that are preferred over others. Objectives This paper tries to determine which color setting that is the most preferred on a game avatar. Methods To do this an experiment conducted with 15 participants. They conducted a two alternative forced choice test (2AFC) with 236 pairs of pictures. All of the 236 pairs were based on color harmonies and displayed on an avatar and a cube. The different color harm

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Yerger, Carl Roger Jr. "Color-critical graphs on surfaces." Diss., Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/37197.

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A graph is (t+1)-critical if it is not t-colorable, but every proper subgraph is. In this thesis, we study the structure of critical graphs on higher surfaces. One major result in this area is Carsten Thomassen's proof that there are finitely many 6-critical graphs on a fixed surface. This proof involves a structural theorem about a precolored cycle C of length q. In general terms, he proves that a coloring, c, of C, can be extended inside the cycle, or there exists a subgraph H with at most a number of vertices exponential in q such that c can not be extended to a 5-coloring of H. In Cha

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Glotzbach, John William. "A Color Filter Array Interpolation Method Based on Sampling Theory." Diss., Georgia Institute of Technology, 2004. http://hdl.handle.net/1853/4785.

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Digital cameras use a single image sensor array with a color filter array (CFA) to measure a color image. Instead of measuring a red, green, and blue value at every pixel, these cameras have a filter built onto each pixel so that only one portion of the visible spectrum is measured. To generate a full-color image, the camera must estimate the missing two values at every pixel. This process is known as color filter array interpolation. The Bayer CFA pattern samples the green image on half of the pixels of the imaging sensor on a quincunx grid. The other half of the pixels measure the red an

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Books on the topic "Theory of color"

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Parramón, J. M. Color theory. Watson-Guptill, 1989.

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Burner, Alan McManus. Color choreography: Foundational studies, investigations, and discourse in color theory. 4th ed. Cengage Learning, 2008.

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Niall, Keith K., ed. Erwin Schrödinger's Color Theory. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64621-3.

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Current, Ira B. Photographic color printing: Theory and technique. Focal Press, 1987.

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Current, Ira. Photographic color printing: Theory and technique. Focal Press, 1987.

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Zwimpfer, Moritz. Color, light, sight, sense: An elementary theory of color in pictures. Schiffer Pub., 1988.

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Malacara, Daniel. Color vision and colorimetry: Theory and applications. SPIE Press, 2002.

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Malacara, Daniel. Color vision and colorimetry: Theory and applications. 2nd ed. SPIE, 2011.

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Glendinning, Peter. Color photography: History, theory, and darkroom technique. Prentice-Hall, 1985.

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Adam, Banks, ed. Designer's color manual: The complete guide to color theory and application. Chronicle Books, 2004.

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Book chapters on the topic "Theory of color"

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Bleicher, Steven. "Color Theory." In Contemporary Color, 3rd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003242741-3.

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Middleton, Katie. "Color Theory." In Color Theory for the Make-up Artist, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9781003104742-1.

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Roda, Chris. "Color Theory." In Real Time Visual Effects for the Technical Artist. CRC Press, 2022. http://dx.doi.org/10.1201/9781003009795-4.

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Sciortino, Christine, and Katie Middleton. "Color Theory." In Makeup Artistry for Film and Television. Routledge, 2020. http://dx.doi.org/10.4324/9780429262104-7.

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deJong, Jeanette. "Color Theory and Color Mixing." In A Working Costume Designer's Guide to Color. Routledge, 2021. http://dx.doi.org/10.4324/9781351131438-3.

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Lauxtermann, Paul F. H. "Schopenhauer's Color Theory." In A Companion to Schopenhauer. Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444347579.ch4.

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Snider, Arthur David. "Color Theory: Technology." In From STEM to STEAM. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57316-3_5.

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O’Connor, Zena. "Traditional Color Theory." In Encyclopedia of Color Science and Technology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89862-5_454.

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O’Connor, Zena. "Traditional Color Theory." In Encyclopedia of Color Science and Technology. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-642-27851-8_454-1.

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O’Connor, Zena. "Traditional Color Theory." In Encyclopedia of Color Science and Technology. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-642-27851-8_454-2.

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Conference papers on the topic "Theory of color"

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Gutierrez, Jean S., Juan P. Torres, Carlos D. Vela, Sergio-Ivan Galvis-Motoa, Jaime F. Perez, and Diego A. Romero. "Prismatica: A physical computing prototype for color theory." In 2024 Congreso Internacional de Innovación y Tendencias en Ingeniería (CONIITI). IEEE, 2024. https://doi.org/10.1109/coniiti64189.2024.10854828.

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Stine, Wm Wren, and John E. Sparrow. "Influence Theory for Retinex Models." In Color Appearance. Optica Publishing Group, 1987. http://dx.doi.org/10.1364/ca.1987.tua3.

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The color constancy problem is one of calculating reflectance values for surfaces under differing illuminants. Retinex theory (e.g., Land, 1986) states that relative receptor responses are used to recover surface reflectance after they have been normalized with respect to the responses of neighboring receptor responses. Specifically, a number of paths to the pixel in question are randomly chosen and the logarithm of the ratio of the pixel receptor's response to the geometric mean of the receptor responses over a large number of paths is used as the lightness value for the pixel in question. Sy

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Krantz, David H. "Nonsingularity of asymmetric color matches: implications for color theory." In OSA Annual Meeting. Optica Publishing Group, 1985. http://dx.doi.org/10.1364/oam.1985.wm1.

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Central mechanisms of color are defined to be the central neural processes that are equated in asymmetric color matching. For normal trichromats, asymmetric color matches are nonsingular: given any match, all sufficiently small perturbations of one of the matched colors can be matched by perturbations of the other. This fact, together with the other laws of color matching, yields a rigorous representation of normal color percepts as a 3-D manifold, and also allows the deduction that all effects of adaptation and contrast can be understood as effects on exactly three independent central mechani

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Lee, Raymond L. "Mie Theory, Airy Theory, and the Natural Rainbow." In Light and Color in the Open Air. Optica Publishing Group, 1997. http://dx.doi.org/10.1364/lcoa.1997.lmb.1.

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A commonplace of optics history is that Newton’s (and Descartes’) geometrical optics dominated 18th-century rainbow theory. Similarly, George Airy’s 1838 interference/diffraction theory built on Thomas Young’s work and held sway for several decades in the 19th century, although not without early detractors. The ascendance of these theories clearly depended on their ability to explain naked-eye features of the natural rainbow (i.e., bows seen in rain, clouds, or spray). However, Airy theory was soon held to a different standard: predicting the angular positions of intensity maxima and minima fo

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Takayama, Michio. "Color Theory And The Pole of Inks." In Neugebauer Memorial Seminar on Color Reproduction, edited by Kazuo Sayanagi. SPIE, 1990. http://dx.doi.org/10.1117/12.963909.

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Bernardy, Jean-Philippe, and Moulin Guilhem. "Type-theory in color." In ICFP'13: ACM SIGPLAN International Conference on Functional Programming. ACM, 2013. http://dx.doi.org/10.1145/2500365.2500577.

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Lock, James A., and Leiming Yang. "The Mie Theory of the Corona." In Light and Color in the Open Air. Optica Publishing Group, 1990. http://dx.doi.org/10.1364/lcoa.1990.wb3.

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The so-called diffraction corona is a series of alternating pink and pale green rings that is occasionally seen around the sun or moon when observed through a thin layer of altocumulus or cirrocumulus clouds.1 In the standard explanation of this phenomenon, incident light waves are diffracted by the cloud water droplets and the different wavelengths of visible light possess strong diffraction maxima at different scattering angles.2 As a result, the diameter of the cloud droplets producing the corona may be estimated from the angular diameters of the corona rings. In addition, the diffraction t

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Vozchikov, Lev M. "To question about theory chromatic light paint." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464651.

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Fry, Glenn A. "The Fry Uniform Chromaticity Scale Diagram." In Color Appearance. Optica Publishing Group, 1987. http://dx.doi.org/10.1364/ca.1987.ma5.

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In 1945 I1 formulated a theory of the retinal mechanisms for generating signals in the optic nerve fibers that would provide a basis for my modulation theory of color vision. In the process I developed a uniform chromaticity scale diagram.

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Kanamori, Katsuhiro, and Hiroaki Kotera. "Analysis of color gamut for hardcopy based on Neugebauer theory." In Neugebauer Memorial Seminar on Color Reproduction, edited by Kazuo Sayanagi. SPIE, 1990. http://dx.doi.org/10.1117/12.963895.

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Reports on the topic "Theory of color"

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Shoemaker, Jeffrey. Nella Larsen's Passing and Color Theory: Beyond Black White. Portland State University Library, 2014. http://dx.doi.org/10.15760/honors.115.

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Johnson, Tascha. Behavioral Activation Theory to Identify Depression among HIV-Positive Women of Color in the U.S. South. Portland State University Library, 2016. http://dx.doi.org/10.15760/honors.275.

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Tran, Tan Phuc. Preservation/Restoration 101 - Some Theoretical Perspectives. Mytho International and Philosophical Review, 2023. http://dx.doi.org/10.56624/mtu0001.

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On April 12, 2023, photos of a newly restored French villa in Hanoi with a budget of 14 billion VND were published. Discussions were rigorous with the participation of the public and architects about the seemingly new and strange color of the villa. Many references to the original colors have been provided. The case seems to end on April 14, 2023, when the People's Committee of Hoan Kiem District claimed that the current colors are just studies, not official color of the work. This article does not specifically discuss this case. The writer wants to take this opportunity to provide some backgr

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Poloboc, Alina. Fancy Lollipop. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2997.

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"Fancy Lollipop" is a vibrant and energetic artwork featuring a blend of bold and bright colors. The color palette, which includes shades of blue, pink, and black, creates a sense of drama and theatricality in the piece. The colors are strategically placed in the composition to emphasize key elements of the image, such as the main character, Fancy Lollipop. Speaking of the main character, Fancy Lollipop is depicted as an extravagant and self-assured individual. Their presence in the artwork is unmistakable, and their confident and assured stance reflects their bold and attention-grabbing perso

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Pirohov, Vladyslav M., Anna M. Horlo, and Iryna S. Mintii. Software development of the algorithm of adaptating of the website design for people with color-blindness. [б. в.], 2018. http://dx.doi.org/10.31812/123456789/2888.

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The purpose of the study is the program implementation of the basic algorithms of the website design adaptation for people with color perception. This article examines the implementation of the following algorithms: the conversion algorithm from the rgb color model to the lms model (there is a special algorithm precisely in the color model lms for modeling various types of color perception violations), simulation of different color blindness types in the lms-model (this is the transformation of normal values in the color model lms to values with different types of color perception violations),

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Panfil, Yossef E., Meirav Oded, Nir Waiskopf, and Uri Banin. Material Challenges for Colloidal Quantum Nanostructures in Next Generation Displays. AsiaChem Magazine, 2020. http://dx.doi.org/10.51167/acm00008.

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The recent technological advancements have greatly improved the quality and resolution of displays. Yet, issues like full-color gamut representation and the long-lasting durability of the color emitters require further progression. Colloidal quantum dots manifest an inherent narrow spectral emission with optical stability, combined with various chemical processability options which will allow for their integration in display applications. Apart from their numerous advantages, they also present unique opportunities for the next technological leaps in the field.

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Iloh, Ph.D., Constance. Recruitment and Retention: Impact of Pilot Solutions Designed by Teachers of Color Phase II Report. Digital Promise, 2024. http://dx.doi.org/10.51388/20.500.12265/216.

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For the past three years, Digital Promise has embarked on an expansive and human-centered endeavor to empower school districts to cultivate context-relevant solutions to the teacher of color workforce disparities. Through Digital Promise’s Inclusive Innovation approach, teachers of color from various school districts were engaged to develop and implement meaningful solutions to address training, recruiting, and/or retaining teachers of color. This report explores how these co-constructed solutions were implemented, their impact, and the potential to scale these efforts to create sustainable ch

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Poloboc, Alina. Fancy Fifi. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2996.

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The painting is a fascinating work that captures the essence of extravagance and vibrant lifestyle of Miami through its main character, a confident and fun-loving woman. The artist has depicted a stylish and elegant figure walking through the city streets with a posture that reflects her confidence and determination. The choice of blue as the main color throughout the painting is a bold and impactful decision. Blue is typically associated with tranquility and calmness, but the artist has used it to create an atmosphere full of energy and vitality. Additionally, there are eye-catching details i

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International Commssion on Illumination, CIE. CIE TN 013:2022 Terms related to Planckian radiation temperature for light sources. International Commssion on Illumination, 2022. http://dx.doi.org/10.25039/tn.013.2022.

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There are several terms which describe the Planckian radiation temperature for light sources, including radiance temperature, colour temperature, correlated colour temperature, distribution temperature and ratio temperature. This document provides descriptions of these terms, information on their applicability, and highlights relationships between them so that they may be consistently applied in all applications. Definitions and additional explanatory information for each term are given in this document. Obviously, the greater the difference between the radiation considered and a Planckian rad

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Paran, Ilan, and Allen Van Deynze. Regulation of pepper fruit color, chloroplasts development and their importance in fruit quality. United States Department of Agriculture, 2014. http://dx.doi.org/10.32747/2014.7598173.bard.

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Pepper exhibits large natural variation in chlorophyll content in the immature fruit. To dissect the genetic and molecular basis of this variation, we conducted QTL mapping for chlorophyll content in a cross between light and dark green-fruited parents, PI 152225 and 1154. Two major QTLs, pc1 and pc10, that control chlorophyll content by modulation of chloroplast compartment size in a fruit-specific manner were detected in chromosomes 1 and 10, respectively. The pepper homolog of GOLDEN2- LIKE transcription factor (CaGLK2) was found as underlying pc10, similar to its effect on tomato fruit chl

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