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Journal articles on the topic 'Theory of color'

Author: Grafiati

Published: 28 July 2024

Last updated: 19 July 2025

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1

Pridmore, Ralph W. "Complementary colors theory of color vision: Physiology, color mixture, color constancy and color perception." Color Research & Application 36, no. 6 (2011): 394–412. http://dx.doi.org/10.1002/col.20611.

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2

Zhu, Yuan Yuan, Wen Jie Yang, Lei Li, and Xiao Kang Sun. "Presenting Color Additive Theory on Image’s Channels Dynamically." Applied Mechanics and Materials 644-650 (September 2014): 4144–47. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.4144.

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Utilizing visual characteristics of human eyes, color additive theory can make richer colors from red (R), green (G) and blue (B), the three primary colors. Our people live in a colorful world, and color exists everywhere. Many experiments has proved that the three colors can be mixed together to get various colors. In the paper, color additive theory on RGB is shown in a fun, novel manner by user-friendly dynamic process under Microsoft Visual C++ programming environment, whose purpose is to intuitively present the effect of different color overlapping to the viewers. Following the steps of r

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3

qizi, Kurbonova Shoxsanam Boxodirjon. "ABOUT COLOR THEORY THE PURPOSE AND TASKS OF COLOR PAINTING." American Journal of Engineering and Technology 6, no. 12 (2024): 199–202. https://doi.org/10.37547/tajet/volume06issue12-19.

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In this article, students of the faculties of Architecture, Design, Engineering Graphics and Fine Arts will learn about the purpose, tasks and objectives of color science and painting, how to create works of art using various art materials, modern trends in fine art. and highlights the history and theory of painting, the life and work of great artists, sources about their famous works of art.

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4

Wu, Yuqing, Ying Guan, and Ruoyu Wang. "Research on the Color Characteristics of Yanchuan Cloth Appliqu Painting Based on the Munsell-Spencer Color Harmony Theory." Communications in Humanities Research 57, no. 1 (2025): 163–72. https://doi.org/10.54254/2753-7064/2025.22840.

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Innovative upgrading based on inherent elements is key to the dynamic inheritance of fabric-based intangible cultural heritage (ICH). Color, as the most intuitive embodiment of aesthetic perception, serves both as an entry point for studying traditional folk textiles and as an opportunity for their expansion and enhancement. This study focuses on the color characteristics of Yanchuan cloth appliqu painting. Based on the Munsell-Spencer (M-S) color harmony theory and using the FCM soft clustering algorithm, the study clusters sample colors and constructs a color set to accurately extract color

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5

Lee, Jessica, Nicholas Jennings, Varun Srivastava, and Ren Ng. "Theory of Human Tetrachromatic Color Experience and Printing." ACM Transactions on Graphics 43, no. 4 (2024): 1–15. http://dx.doi.org/10.1145/3658232.

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Genetic studies indicate that more than 50% of women are genetically tetrachromatic, expressing four distinct types of color photoreceptors (cone cells) in the retina. At least one functional tetrachromat has been identified in laboratory tests. We hypothesize that there is a large latent group in the population capable of fundamentally richer color experience, but we are not yet aware of this group because of a lack of tetrachromatic colors in the visual environment. This paper develops theory and engineering practice for fabricating tetrachromatic colors and potentially identifying tetrachro

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6

Sorongane, Elie W’ishe. "Quantum Color Theory." Open Journal of Applied Sciences 12, no. 04 (2022): 517–27. http://dx.doi.org/10.4236/ojapps.2022.124036.

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7

Koenderink, Jan J. "Color atlas theory." Journal of the Optical Society of America A 4, no. 7 (1987): 1314. http://dx.doi.org/10.1364/josaa.4.001314.

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8

Hajiyev, I. A. "COLOR SCIENCE: THEORY AND PRACTICE." ASJ. 1, no. 40 (2020): 4–7. http://dx.doi.org/10.31618/asj.2707-9864.2020.1.40.18.

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As you know, colors play an important role and value in solving aesthetic problems in creative activity in design, in the visual arts. From this point of view, the physical properties of flowers are analyzed, as well as their psycho-emotional impact on humans. The scientific and theoretical views and experiences of various well-known experts on colors in different historical periods are considered. Summarizing the materials studied and based on personal practical experience, the author presents a classification by color.

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9

Dodgson, Neil A. "What is the “Opposite” of “Blue”? The Language of Color Wheels." Journal of Perceptual Imaging 2, no. 1 (2019): 10401–1. http://dx.doi.org/10.2352/j.percept.imaging.2019.2.1.010401.

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Abstract A color wheel is a tool for ordering and understanding hue. Different color wheels differ in the spacing of the colors around the wheel. The opponent-color theory, Munsell’s color system, the standard printer’s primaries, the artist’s primaries, and Newton’s rainbow all present different variations of the color wheel. I show that some of this variation is owing to imprecise use of language, based on Berlin and Kay’s theory of basic color names. I also show that the artist’s color wheel is an outlier that does not match well to the technical color wheels because its principal colors ar

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10

Yu, Yan, Long Wen, Shichao Song, and Qin Chen. "Transmissive/Reflective Structural Color Filters: Theory and Applications." Journal of Nanomaterials 2014 (2014): 1–17. http://dx.doi.org/10.1155/2014/212637.

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Structural color filters, which obtain color selection by varying structures, have attracted extensive research interest in recent years due to the advantages of compactness, stability, multifunctions, and so on. In general, the mechanisms of structural colors are based on the interaction between light and structures, including light diffraction, cavity resonance, and surface plasmon resonance. This paper reviews recent progress of various structural color techniques and the integration applications of structural color filters in CMOS image sensors, solar cells, and display.

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11

Stávek, Jiří. "A New Interpretation of the Physical Color Theory Based on the Descartes´ Rotation Energy of Visible, Ultraviolet and Infrared Photons." European Journal of Applied Physics 5, no. 5 (2023): 29–38. http://dx.doi.org/10.24018/ejphysics.2023.5.5.282.

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During the past four hundred years the Newtonian and Goethean schools collected many experimental observations on the formation of colors. The situation became more complicated after the experiments of Land who documented that the classical color theory (= colors correspond to exact wavelength of light) is valid completely in the dark surroundings only. We are at the crossroads to find the boundary between the physical properties of colors and the perception of those photons in the retina and the brain. Therefore, the more general physical color theory should interpret those color effects wher

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12

Frasser, C.E. "ON A PROBLEM OF RAMSEY THEORY." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 86 (August 19, 2024): 15–17. https://doi.org/10.5281/zenodo.13345198.

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In 1955, Greenwood and Gleason showed that the Ramsey number R(3, 3, 3) = 17 by constructing an edgechromatic graph on 16 vertices in three colors with no triangles. Their technique employed finite fields. This same result was obtained later by using another technique. In this article, we examine the complete graph on 17 vertices, 𝐾17 , which can be represented as a regular polygon of 17 sides with all its diagonals. We color each edge of  𝐾17 with one of the three colors, blue, red or yellow. The graph thus obtained is called complete trichromatic graph 𝐾17 (3) (the superscript dete

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13

Ningrum, Dwi Kurnia Surya, Christanta Rejuna Phanes S. Brahmana, and Mulyadi Mulyadi. "Basic Colors in Javanese and Indonesian Languages: Natural Semantic Metalanguage Theory." Humanus 23, no. 1 (2024): 80. http://dx.doi.org/10.24036/humanus.v23i1.126103.

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This study explores the variety of basic colors in the Javanese language and aims to elucidate their meanings using the Natural Semantic Metalanguage Theory. Employing a qualitative research paradigm, data were collected from various sources, including Indonesian and Javanese dictionaries, LCC Indonesian 2022 and LCC Javanese corpus from CQPWeb. The study identifies 10 basic colors in Javanese, namely Ireng (black), Putih (white), Abang (red), Ijo (green), Kuning (yellow), Biru (blue), Soklat (brown), Wungu (purple), Jambon (pink), and Klawu (gray), while Indonesian has only six basic colors:

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14

Stroh, Charles. "Basic Color Theory and Color in Computers." Art Education 50, no. 4 (1997): 17. http://dx.doi.org/10.2307/3193649.

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15

Schrödinger, Erwin, and Qasim Zaidi. "On The Relationship of Four‐Color Theory to Three‐Color Theory." Color Research & Application 19, no. 1 (1994): 37–47. http://dx.doi.org/10.1111/j.1520-6378.1994.tb00059.x.

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16

Amrita and Mohammad Shaiq. "Analysis of Ecological Valence Theory on Consumer Purchase Intension: A Case Study of FMCG Sector in Pakistan." International Journal of Social Science & Entrepreneurship 4, no. 4 (2025): 1–14. https://doi.org/10.58622/ijsse.v4i4.332.

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Color choice is a crucial component of visual perception that affects various human actions, including purchasing decisions. The ecological valence theory (EVT) proposes that people's affective responses to the characteristics of objects shape their color preferences. This theory suggests individuals like colors associated with pleasing objects, feel neutral about irrelevant colors, and dislike colors tied to unpleasant objects. This research evaluates EVT by examining the impact of color factors on consumer purchase intentions for FMCG products in Pakistan. Quantitative data was collected via

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17

Jackson, Frank. "Learning from What Color Experiences Are Good For." Harvard Review of Philosophy 27 (2020): 49–58. http://dx.doi.org/10.5840/harvardreview202072529.

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Color is an incredibly controversial topic. Here is a sample of views taken seriously: colors are dispositions to look coloured; colors are physical properties of surfaces or of light; colors are properties of certain mental states, which get projected onto the surfaces of objects or onto reflected or transmitted light; colors are an illusion; colors are sui generis. One hopes to break the impasse by finding a compelling starting point—one drawing on obvious points that are common ground—which naturally evolves into the theory of color one likes. I start with remarks about the utility of havin

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18

Wardana, Muhammad Kiki, and Mulyadi Mulyadi. "How Indonesian sees the colors: Natural semantic metalanguage theory." JOALL (Journal of Applied Linguistics and Literature) 7, no. 2 (2022): 378–94. http://dx.doi.org/10.33369/joall.v7i2.21035.

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This research explores basic and secondary colors in Indonesia. This research attempts to explicate the meaning of colors by using the semantic theory of Natural Semantic Metalanguage Theory. This research applied qualitative method. The paradigm of qualitative research revolves around the observation from the surrounding. The data were collected from various sources such as Indonesian Dictionary, Indonesian Corpus, and the data created by the researcher as the native speaker. The researcher explicates primary or basic colors as well as the secondary. Further, these Indonesian colors were bein

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19

Garaus, Marion, and Georgios Halkias. "One color fits all: product category color norms and (a)typical package colors." Review of Managerial Science 14, no. 5 (2019): 1077–99. http://dx.doi.org/10.1007/s11846-018-0325-9.

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Abstract Despite the growing amount of research on different aspects of product package design, there is lack of empirical evidence with regard to how package color perceptions may influence consumer preferences. Based on categorization theory, the present paper explores responses to package colors that conform or do not conform to product category color norms. Results of two experiments show that atypical package colors implicate negative consequences to the brand. Findings indicate that perceived package color atypicality increases consumers’ skepticism and, contrary to expectations, decreas

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20

Andrade, Isabella Martins, and Marta Varzim. "A study of color association in Pixar’s animations: an analysis of color based characters." South Florida Journal of Development 5, no. 9 (2024): e4348. http://dx.doi.org/10.46932/sfjdv5n9-013.

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This paper focuses on color and its use as an associative element to emotions, capable of conveying meanings and messages. This topic intends to explore the visual communication area as a means of investigation and analysis in communication design, focusing on studying the films by Pixar Animation Studios. Therefore, a statistical method was utilized based on the character’s colors and emotions. This way, a statistical correlation was generated using specific software for statistics. It was possible to identify the intensity of those correlations (strong, moderate, and weak). So, it was possib

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21

Ingamita, Yevie, Nelson Nainggolan, and Benny Pinontoan. "Region Coloring in Minahasa Regency Using Sequential Color Algorithm." d'CARTESIAN 8, no. 2 (2019): 86. http://dx.doi.org/10.35799/dc.8.2.2019.23956.

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Graph Theory is one of the mathematical sciences whose application is very wide in human life. One of theory graph application is Map Coloring. This research discusses how to color the map of Minahasa Regency by using the minimum color that possible. The algorithm used to determine the minimum color in coloring the region of Minahasa Regency that is Sequential Color Algorithm. The Sequential Color Algorithm is an algorithm used in coloring a graph with k-color, where k is a positive integer. Based on the results of this research was found that the Sequential Color Algorithm can be used to colo

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22

Purbasari, Mita, and R. A. Diah Resita I. Kuntjoro-Jakti. "Analisis Asosiasi Kultural atas Warna: Sumatera I." Humaniora 5, no. 2 (2014): 889. http://dx.doi.org/10.21512/humaniora.v5i2.3182.

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Analysis cultural association of color is an approach to know color from cultural side. Unlike previous studies about color, which see the color from the aspect of psychology, then this color research’s aimed to provide insight local colors based on culture. Johannes Itten’s theory of color is used as the basis theory in this research. The theory will be reflected into the cultures of Indonesia, and in this research represented by Sumatera Island. The scope of cultural colors that will be examined is textile product of traditional clothes, bride, apparel and culinary, because these products ar

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23

Bernardy, Jean-Philippe, and Moulin Guilhem. "Type-theory in color." ACM SIGPLAN Notices 48, no. 9 (2013): 61–72. http://dx.doi.org/10.1145/2544174.2500577.

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24

MacAdam, David L., and Alan E. Shapiro. "Newton's Theory of Color." Physics Today 38, no. 4 (1985): 11–15. http://dx.doi.org/10.1063/1.2814520.

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25

Wegman, Edward, and Yasmin Said. "Color theory and design." Wiley Interdisciplinary Reviews: Computational Statistics 3, no. 2 (2011): 104–17. http://dx.doi.org/10.1002/wics.146.

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26

Li, Xinting, Yang Li, Chao Li, Song Gao, and Wenjing Yue. "High color saturation and angle-insensitive ultrathin color filter based on effective medium theory." Chinese Optics Letters 21, no. 3 (2023): 033602. http://dx.doi.org/10.3788/col202321.033602.

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27

Gierl, Heribert. "The Color of Togetherness: A Theoretical Contribution to the Research on Color Effects." Marketing ZFP 46, no. 2 (2024): 32–62. http://dx.doi.org/10.15358/0344-1369-2024-2-32.

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The purpose of this paper is twofold. The first purpose is to contribute to knowledge about the effect of color on brand attitude in a specific case of advertising: the coloration of ads that promote togetherness or avoidance of loneliness. We found that reddish coloration is associated with the feeling of togetherness when compared to blueish coloration and natural color. The second purpose is more methodological. Since Cohn’s publication, 130 years of academic research on color effects have resulted in thausands of papers. Many authors in this field regret that the assumptions of most work a

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28

SAMOGOROV, Vitaly A., and Ekaterina D. KONKINA. "JOHANNES ITTEN: THE SEVEN COLOR CONTRASTS." Urban construction and architecture 11, no. 3 (2021): 97–103. http://dx.doi.org/10.17673/vestnik.2021.03.14.

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Seven color contrasts are considered in the article; they were described in the book «The Elements of Colour» by Johannes Itt en. In the fi rst part the theory of color contrasts is perceived to be a specifi c phenomenon, which shows how the colors interact with each other. In the second part of article there is the analysis of the architectural elements based on the Itt en‘s theory of color contrasts. So, the interaction of color contrasts and their infl uence on building and its perception and forms are identifi ed by the color contrasts.

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29

Fadhilah, Nurul, Hodairiyah Hodairiyah, and Ema Wilianti Dewi. "KLASIFIKASI WARNA DALAM BAHASA MADURA DIALEK SUMENEP: ANALISIS BERLIN DAN KAY." SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik 23, no. 1 (2022): 32. http://dx.doi.org/10.19184/semiotika.v23i1.24294.

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The goal of this research is classifying the basic and non-basic colors of Sumenep Madurese dialect. This research is descriptive qualitative in which the data were analyzed using the universal color theory of Berlin and Kay (1969) and also an ethnolinguistic approach. As a result, the Sumenep Madurese dialect has six basic color names, namely potѐ 'white', celleng 'black', mѐra 'red', bhiru 'green', konѐng 'yellow', and cokklat 'brown', and also three color names classified in non-basic colors, namely bhiru 'biru', bungo 'purple', and bu-abu 'gray'. The color vocabularies in Sumenep Madurese

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30

Massof, Robert W. "Color-vision theory and linear models of color vision." Color Research & Application 10, no. 3 (1985): 133–46. http://dx.doi.org/10.1002/col.5080100302.

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31

Géracht, Maurice A. "The Allure of Color: Allison Sidder’s Color Theory #1." Interfaces 33, no. 1 (2012): 301–11. http://dx.doi.org/10.3406/inter.2012.1418.

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32

Purbasari, Mita, Laura Christina Luzar, and Yusaira Farhia. "Analisis Asosiasi Kultural atas Warna." Humaniora 5, no. 1 (2014): 172. http://dx.doi.org/10.21512/humaniora.v5i1.3001.

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Cultural association analysis of color is an approach to know color from the side of culture. Unlike the previous color studies which see the color from the aspect of psychology, this research of color aims to provide insight based on the colors from local culture. Johannes Itten’s theory of color was used as a basis of thought in this research. The theory was reflected to Indonesian cultures, and this time, represented by Java island. Research used qualitative method by literature study, interviewing the color experts, historians and artists, visiting cultural centers. Results of the research

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33

Nicolás-Sáenz, Laura, Agapito Ledezma, Javier Pascau, and Arrate Muñoz-Barrutia. "ABANICCO: A New Color Space for Multi-Label Pixel Classification and Color Analysis." Sensors 23, no. 6 (2023): 3338. http://dx.doi.org/10.3390/s23063338.

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Classifying pixels according to color, and segmenting the respective areas, are necessary steps in any computer vision task that involves color images. The gap between human color perception, linguistic color terminology, and digital representation are the main challenges for developing methods that properly classify pixels based on color. To address these challenges, we propose a novel method combining geometric analysis, color theory, fuzzy color theory, and multi-label systems for the automatic classification of pixels into 12 conventional color categories, and the subsequent accurate descr

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34

Hong, Deog Ki. "Effective Theory of Color Superconductivity." Progress of Theoretical Physics Supplement 168 (2007): 397–404. http://dx.doi.org/10.1143/ptps.168.397.

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35

Finlayson, Graham, Han Gong, and Robert B. Fisher. "Color Homography: Theory and Applications." IEEE Transactions on Pattern Analysis and Machine Intelligence 41, no. 1 (2019): 20–33. http://dx.doi.org/10.1109/tpami.2017.2760833.

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36

Conley, Kelly. "Color Theory in Technical Communication." Channels 2, no. 1 (2017): 1–12. http://dx.doi.org/10.15385/jch.2017.2.1.1.

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37

Towne, Dudley H. "Teaching Newton’s color theory firsthand." American Journal of Physics 61, no. 2 (1993): 113–18. http://dx.doi.org/10.1119/1.17324.

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38

Bell, Janis C. "Zaccolini's Theory of Color Perspective." Art Bulletin 75, no. 1 (1993): 91. http://dx.doi.org/10.2307/3045933.

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39

Hajiyev, Imash A. "COLOR SCIENCE: THEORY AND PRACTICE." European Journal of Arts, no. 2 (2022): 46–49. http://dx.doi.org/10.29013/eja-22-2-46-49.

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40

Howard, Nancy Jo. "Contemporary Color Theory & Use." Color Research & Application 30, no. 4 (2005): 314–15. http://dx.doi.org/10.1002/col.20118.

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41

Stávek, Jiří. "ChatGPT4 on the Color Theory." European Journal of Applied Physics 5, no. 5 (2023): 21–28. http://dx.doi.org/10.24018/ejphysics.2023.5.5.281.

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This is my first attempt to communicate with ChatGPT4 on the color theory. ChatGPT4 reacted promptly with a good overview of this very wide topic. ChatGPT4 during our half hour conversation concluded that there is still a room for the further development of the physical color theory because this research field is far from the final theory. One potential candidate for a more general physical theory can be found in the overlooked works of Old Masters working in the 17th Century.

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42

Ma, T., W. M. Johnston, and A. Koran. "The Color Accuracy of the Kubelka-Munk Theory for Various Colorants in Maxillofacial Prosthetic Material." Journal of Dental Research 66, no. 9 (1987): 1438–44. http://dx.doi.org/10.1177/00220345870660090601.

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The reflectance model developed by Kubelka and Munk was evaluated for agreement in color prediction of thick pigmented samples and for linearity of optical absorption and scattering coefficients with concentration of colorant in maxillofacial elastomer. The colorants tested were generic opacifiers, dry mineral earth pigments, and fibrous colorants. Significant linear relationships were commonly found between the optical coefficients and the concentration of the colorants. These relationships indicated occasional optical interaction between the colorants and the elastomer. Color differences bet

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43

Ridley, Dennis R. "A Neo-Whorfian Revisitation of Color Memory." Perceptual and Motor Skills 64, no. 1 (1987): 103–16. http://dx.doi.org/10.2466/pms.1987.64.1.103.

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A neo-Whorfian viewpoint on the effects of color names on color memory was tested in two studies with 140 undergraduate subjects. The controlling conception was that stimulus shapes of objects which have characteristic colors (e.g., tomato—red) can function like labels when viewing conditions are difficult. Hypothesized effects were that recognition or reproduction of the colors of such shapes would tend toward the best typical choices for the primary color term linguistically associated with the object. Exps. 1 and 2 pitted the major hypothesis against a prediction derived from Bruner's perce

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44

Яремчук, О. М., та А. В. Кулік. "ГЕНЕЗИС ТА ОСОБЛИВОСТІ ФОРМУВАННЯ БАЗОВИХ МОДЕЛЕЙ ІДЕНТИФІКАЦІЇ КОЛЬОРУ". Art and Design, № 3 (5 грудня 2019): 113–24. http://dx.doi.org/10.30857/2617-0272.2019.3.12.

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Purpose. The determination of the formation features of basic models of color and identification of color in the initial stages (the 18th – 19th centuries) of scientific research of the problem. Methodology of the research is based on historical and cultural method. The source base is the artistic, scientific and technical literature of the studied period and also artefacts. Results. This publication reveals a generalized approach to theoretical developments on color perception and identification, and covers the initial period of color research and the formation of basic models of color (the 1

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45

DZHUNUSHALIEV, VLADIMIR, DOUGLAS SINGLETON, and DANNY DHOKARH. "Effective Abelian-Higgs Theory from SU(2) gauge field theory." International Journal of Modern Physics A 20, no. 15 (2005): 3481–87. http://dx.doi.org/10.1142/s0217751x05026807.

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In the present work we show that it is possible to arrive at a Ginzburg-Landau (GL) like equation from pure SU (2) gauge theory. This has a connection to the dual superconducting model for color confinement where color flux tubes permanently bind quarks into color neutral states. The GL Lagrangian with a spontaneous symmetry breaking potential, has such (Nielsen-Olesen) flux tube solutions. The spontaneous symmetry breaking requires a tachyonic mass for the effective scalar field. Such a tachyonic mass term is obtained from the condensation of ghost fields.

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46

Wang, Jing, Lidong Wang, Xiaodong Liu, Yan Ren, and Ye Yuan. "Color-Based Image Retrieval Using Proximity Space Theory." Algorithms 11, no. 8 (2018): 115. http://dx.doi.org/10.3390/a11080115.

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The goal of object retrieval is to rank a set of images by their similarity compared with a query image. Nowadays, content-based image retrieval is a hot research topic, and color features play an important role in this procedure. However, it is important to establish a measure of image similarity in advance. The innovation point of this paper lies in the following. Firstly, the idea of the proximity space theory is utilized to retrieve the relevant images between the query image and images of database, and we use the color histogram of an image to obtain the Top-ranked colors, which can be re

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47

Ni, Chen, and Li Wang. "Application of Ergonomics Theory Based on Color Perception Theory in Business Design." E3S Web of Conferences 179 (2020): 02053. http://dx.doi.org/10.1051/e3sconf/202017902053.

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There is an obvious difference between the real world and the world we perceive, and we are constantly updating the definition of color. Color, like point, line, and plane, is the basic unit of our visual information. However, compared with other visual elements, our research on color has obvious shortcomings. We can solve many specific problems in our design practice through new analysis methods.

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48

Griber, Yulia A. "The “Geometry” of Matyushin’s Color Triads: Mapping Color Combinations from the Reference Book of Color in CIELAB." Arts 11, no. 6 (2022): 125. http://dx.doi.org/10.3390/arts11060125.

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This study analyzes the color combinations composed by the Russian avant-garde artist Mikhail Matyushin and his disciples for the Reference Book of Color (1932), summarizing their experimental research on the psychophysiology of color perception. Having extracted 90 colors from the 34 hand-painted charts of the book’s first edition, we mapped these colors into CIELAB and CIELCh color space to identify their chromatic characteristics (hue, lightness, and chroma) and their combination criteria. We demonstrate graphically that each of Matyushin’s color triads has a similar “geometry” in CIELAB co

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Kong, Yufei, Pongdej Chaiyakut, and Poradee Panthupakorn. "The Five Elements Color Symbols in Costumes of Minnan Glove Puppetry." Silpa Bhirasri (Journal of fine arts) 13, no. 1 (2025): 1–24. https://doi.org/10.69598/sbjfa273948.

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This study conducts a systematic analysis of costume colors in Minnan Glove Puppetry through the lens of the Five-element Color Theory. As a traditional form of folk art, Minnan Glove Puppetry not only conveys ethical and social frameworks within Chinese culture through its exquisite craftsmanship and dramatic performances but also imbues characters with symbolic meanings that reflect their personalities and fates. This paper analyzes the classic play "Nv Zhongkui" and explores the symbolic meanings of colors in their costumes, along with their connections to traditional Chinese Five-element c

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Perednytė, Dovilė, Katarzyna Ewa Flig, Kristinn Bragi Garðarsson, et al. "Shining Light on Colors: Using a Puzzle Game to Teach Additive Color Theory." IOP Conference Series: Earth and Environmental Science 1099, no. 1 (2022): 012035. http://dx.doi.org/10.1088/1755-1315/1099/1/012035.

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Abstract Game-based learning is rapidly transforming the educational landscape by providing engaging supplementary tools to students around the world. A problem area where game-based learning has not been empirically studied is the subject of additive color theory. Can a puzzle video game increase players’ knowledge of additive color theory? This paper describes how a puzzle game can be designed in order to teach this topic. The puzzle game prototype Temple of Starlight was developed, and an evaluation of its effectiveness at teaching was performed. The evaluation was done online following a w

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